Review: Outta Sight's latest monthly rare soul missive contains hard-to-find and overlooked classics from "hard-hitting" New Jersey vocal group Soul Brothers Six and New Orleans Rhythm and Blues man Willie Tee. It's the former's wonderfully sweet and loose "I'll Be Loving You" (first released in 1966, fact fans) that takes pride of place on the A-side, serving up a lightly sauteed soul take on the rhythm and blues template. Willie Tee's 1967 jam "Walking Up A One Way Street", a summery affair blessed with a superb horn section, leisurely groove and brilliant lead vocal from the man himself, can be found on the B-side.
Review: Long-lost Tidewater soul classic 'An Extraordinary Dream' gets a welcome reissue here by Symphonical with input from the last surviving band member Larry Gray. This timeless love song was recorded in 1969 at Charlie McClendon Studios and was the first of two singles by Gray and his group, The Soul Seekers, which was made up of five Huntington High alumni who helped shape the region's musical scene. Led by Gray who was fresh from five years at Stax Records with Otis Redding, the group backed numerous touring acts and this single was produced under Wilson Harrell's Check Productions. It's a lovably forlorn and low-slung soul sound with heavy-hearted melodies, horns and aching vocals.
The Umoza Music Project - "Down By The Beach" (3:05)
Woodfield Rd Allstars - "Ghetto Guitar" (4:25)
Review: The crucial Original Gravity label is busy this month with three red hot new 7"s all dropping in quick succession. The top-notch funk crew has this spilt 7" from Umoza Music Project and The Woodfield Road Allstars up here on limited wax. The a-side is a sunny bit of original rousing 70s reggae direct from the islands. Backing vocalists provide plenty of butter while the lead laments a love lost and the rhythm rolls on. On the back side is a much more stoner-paced and funk drenched laidback instrumental with Balearic guitar licks that look to the stars as organ chords warm you through and the rocksteady rhythm gently sways to and fro. Two gems for sure.
Review: Waldir Calmon's 'Airport Love Theme' has that special appeal that makes it a true gem. Sampled by Madlib on the Madvillain album track 'Curls', this lounge classic from Calmon's 1970 Waldir Calmon E Seus Multisons LP on Copacabana exudes nostalgic charm. Despite its unassuming cover, 'Airport Love Theme' delivers a dreamy, feel-good vibe that could soundtrack a perfect world. Afro Son, from the same album, shifts towards a Brazilian-rooted, cinematic groove, reminiscent of Jean Jacques Perrey's E.V.A.. Calmon, a Brazilian music fixture from the 50s to the 80s, who collaborated with legends like Tom Jobim and Joao Gilberto and left a unique musical legacy that lives on in these timeless tracks.
Review: For our money, XL Middleton is one of the best producers in the game right now. His ability to craft timeless funk and electro sounds that make you want to move your ass is second to none. Here he does just that with his remix of Hannah Warm's 'Just In Time.' It's defined by his usual sense of LA cool with squelchy synth bass, stepping street soul beats from the 80s and in this case a Japanese vocal that soars through a cloudless sky on a sunny day. Flip over this tidy 7" for the original version which is a pure city pop delight.
Review: The Breaks and Beats label kicks on with a 31st instalment of magical sound that will inject soul and funk into any party and keep working DJs well stocked with heat this winter. First up on this limited 7" is The Webs with 'It's So Hard To Break A Habit', a slow and sentimental sound with aching v vocal harmonies and gentle rhythms laced with melancholic melodies. Gamith's 'Darkness' picks up the energy levels with some more bristling breaks and live drum sounds, funky vocal stylings and psyched-out guitar lines.
Review: A unique slice of classic library music flies off the shelf. These four tracks were lifted from the classic library music series known only as 'Sounds Music Album Volume 18', and were made by the library maestro Klaus Weiss, the former jazz drummer who later turned to the trade after falling in with German music publisher Ring Musik. An eerie uncanniness cuts across these instrumentals, as Weiss' drumming provides steady boppage to serene yet dubious backings of strings and synth.
Review: This great series from Dynamite Cuts continues to delve deep into the alluring world of library music. It is sound that captures real feelings and evokes all sorts of memories, even those that are imagined, with a single note or seductive groove. This collection is made of tracks from the German Library series Sound Music Albums which sell for over L150 if you can find a copy. There are four tunes in all, three from Klaus Weiss and one from Peter Thomas, all of which add up to another great collection and a must for serious music heads.
Review: The Whatnauts are best known for their evergreen classic 'Help Is On The Way', but they've got a mighty fine catalogue which goes deeper and further than just that tune. Here Dynamite Cuts gather up three essentials and press them to a 7" for your convenience, leading in with 1972's 'Why Can't People Be Colours Too?' from the Whatnauts On The Rocks album. When the break drops, you'll fully understand why it got picked - pure understated perfection. 'Souling With The Whatnauts' and 'Message From A Black Man' are both taken from 1970s Introducing The Whatnauts, offering up a more mellow, reflective side of this cult Baltimore group.
Review: Whodamanny's Biloba sublabel on Periodica Records takes us into dark, hypnotic sax-driven sounds here with a new single that comes with four unique versions. The Club mix of 'Volveran ' features chanting vocals and neon-hued pads over tinny electric disco beats with some big sax stylings. TehSax Only does what it says on the tin and the Radio mix condenses this energy into a spellbinding pop gem while the Dub version removes the sax, highlights delayed drums, cosmic chords and sunlit guitar riffs and tops it with hazy vocals. These are lively, retro-future disco delights that are sure-fire crowd-pleasers.
Review: Dave Welding's Soul Junction label is back with another limited edition 45rpm that keeps up the fine run of recent form. These two gems are the work of the late great Willie Williams, a blind singer from Chicago who was discovered performing in the Windy City's local clubs. He was signed to ABC records in 1966 and put out only a couple of other well received singles. 'Give It All I Got' is a beautiful piece with raw drum work and lush vocal backing harmonies next to a gentle piano line. It is stirring stuff while the flips-side 'Do You Understand' is more upbeat with its funky riffs, more great backing vocals and a rolling beat that locks you in.
Review: 40 years young: Wood, Brass & Steel's eponymous debut album enjoys a highly timely reissue and it still sounds every bit as funky ("Theme Song"), soulful ("Working On A Dream") and emotional ("My Darling Baby") as it did in 76. Complete with cult dancefloor hit "Funkanova" and the crossover disco hit "Always There", this LP has aged with real maturity and clout. Considering what the members did next (Tackheads, Sugarhill and Fats Comet) Wood, Brass & Steel was something of a supergroup in hindsight... And this album is where it all began.
Review: London label Original Gravity excels once more here with some authentic dub sounds from the one and only Woodfield Rd Allstars. This excellent collective has been on many a great tune on this label as well as several others and this limited 45 rm proves their might in the field once more. 'Big Shot' is a funky cut with some natty chord work and off-balance drums that tumble to and fro, while the percussion is organic and crisp up top. Things slow right down on the flip for a more traditional reggae sound that hints at the sounds of ska. 'Soul Shakedown' is perfect to go those asses wriggling.
Review: With roots as a backing singer for Stevie Wonder, Wycoff went on to become a soul ambassador throughout the early 80s. This 1982 reissue is one of the best examples of his silky, heartfelt delivery... "Looking Up To You" is a dynamic love song where traces of big 70s production build and build throughout. "(Do You Really Love Me) Tell Me Love", meanwhile, was only ever released as a B-side. Its 80s production counter the dramatics of the A-side with cool synthetic perfection. Reissues don't get much broader in production or sweeter in sound than this.
Review: Weldon Irvine was a pioneering musician whose innovative style and emotionally powerful melodies earned him admiration across generations and genres, from 1970s jazz and soul to 1990s club and rare groove scenes. Known for his versatility, Irvine left behind a legacy of timeless tracks and this best-of album, curated from his extensive catalogue, features eight standout songs that showcase his genius. The always-sensitive P-VINE presents this special collection in style and offers a comprehensive glimpse into the depth and breadth of Irvine's musical contributions, all of which highlight his lasting impact on the music world.
Review: Osaka's acclaimed jazz-funk band Wa Yo Set are back with a highly anticipated third album. This release marks the arrival of another gem that captures the essence of the group's signature urban folk sound, or as they call it 'ADM, Acoustic Dance Music. Seamlessly blending influences from jazz, hip-hop and r&b, the record is a dynamic and multidimensional musical trip with an innovative crossover of styles that all push boundaries. There are wiggling instrumental funk workouts, fly moments of introspection like 'Tonight Is Boogie Back Nice Vocal' and much more besides.
Lonnie Dreams (Leroy's Latin Lament - Medley) (3:10)
The Way We Feel (0:54)
La FIesta (3:24)
Lament (2:28)
Smile Happy (7:20)
So (4:56)
Low Rider (3:12)
In Mazatlan (2:54)
Why Can't We Be Friends? (3:43)
Zorro (bonus track) (5:35)
Don't Let No One Get You Down (Unedited mix) (6:31)
Roam & Ramble (bonus track) (9:07)
Low Rider (9:28)
So (Unedited mix) (9:47)
Oatmeal Box (bonus track) (5:50)
Heartbeat (16:55)
The Making Of "Why Can't We Be Friends?" (22:54)
Review: This special Anniversary Edition celebrates the groundbreaking band War's 55th year with a remastered version of the original album by legendary engineer Bernie Grundman. The iconic, multi-million selling, Billboard 200 Top Ten original has plenty of seminal WAR classics such as 'Low Rider' and the title track 'Why Can't We Be Friends?' and next to this eon disc one is a second disc filled with unreleased tracks from the original sessions, along with unedited mixes that offer deeper insight into the group's creative process. Blending funk, soul, jazz, pop and Latin influences, this genre-defying band has remained a cornerstone of Los Angeles's scene for over five decades.
War Is Coming! War Is Coming! (LP1: Platinum Funk)
I Got You
LA Sunshine
River Niger
Slowly We Walk Together
Platinum Jazz
Galaxy (LP2: Galaxy)
Baby Face (She Said Do Do Do Do)
Sweet Fighting Lady
Hey Senorita
The Seven Tin Soldiers
The Music Band (LP3: The music Band)
Corns & Callouses (Hey Dr Shoals)
I'm The One Who Understands
Good, Good Feelin'
Millionaire
All Around The World
You Got The Power (LP4: Outlaw)
Outlaw
The Jungle (Medley): Beware It's A Jungle Out There/The Streets Of Walls/The Street Of Lights/The Street Of Now
Just Because
Baby It's Cold Outside
I'm About Somebody
Cinco De Mayo
Peace Sign (LP5: Peace Sign)
East LA
Wild Rodriguez
I'm The One (Who Understands)
UB OK
Smile For Me
What If
Angel
Review: The Vinyl 1977-1994 is the latest special edition box set celebrating WAR's 50+ years of music. This collection includes Platinum Funk and Galaxy, both from 1977, The Music Band from 1979, Outlaw from 1982 and Peace Sign from 1984 and also features newly remastered tracks by Bernie Grundman and original artwork by Dave Van Patten. Spanning from the vibrant 'L.A. Sunshine' to the cosmic 'Galaxy' and diving into the depths of 'The Jungle' and 'All Around the World,' this set captures WAR's signature, genre-defying sound. Each album is unique and together this collection showcases the band's famous evolution.
Review: Jazz Room Records is back with another high class reissue of an album that is considered to be a grail by those who know. The story goes that back in the late 70s in the Seattle area of the Pacific North West, Danny Ward & Reality were an oft called upon funky jazz collective for anyone throwing college or hardcore funk parties. Rather than just serving up covers of the day's big hits they offered proper musical trips though more considered fair from artists like George Benson. This album catches them at their best on one such mid-week gig in the summer of 1977.
David Nathan - "Ain't Nothing Like The Love" (unreleased version) (4:03)
Billy Cole Aka Winston Francis - "Smile" (3:41)
Glen Missick & Lovespiration - "Message In Our Music" (2:50)
Sass - "Do It" (3:23)
The Harden Brothers - "Deep Inside Of You" (4:29)
Don Scott - "Love With Me" (2:54)
Jack Sass Band - "Where Is The Love (You Promised Me)" (2:56)
Review: After a series of exceptional singles, SOL Discos fire up the album engine for the very first time with this fantastic exploration of modern soul from the late 70s to early 80s. Curated by label founder Waxist, Message In Our Music features numerous exclusive reissues and unreleased cuts; David Nathan's swooning take on "Ain't Nothing Like The Love", The Harden Brothers' silky smooth "Deep Inside Of You" and the vital up-tempo positivity of Don Scott's "Love With Me" are just a handful of essentials on this immaculate collection. Complete with detailed notes, pictures and quotes from the original artists, SOL Discos have created something genuinely special here.
A Little More Love (Sol Power All-Stars extended dub) (6:22)
Review: Trinidad's Wild Fire was a popular local group that formed in the 70s and disbanded in 1985. They amassed plenty of varied tunes after their name change from the Sparks, a name they had as far back as 1962. They were a house band at clubs like Disco Tracks and Upper Level so knew how to get a party going with their hot mix of Caribbean sounds, disco and funk. This Dance Hits album is a great collection of their more dance-friendly material. Some are slow burners like 'Check It Out' which brings racial issues to the fore and the more sunny funkers like 'The Rebels.'
Review: Island funk and soul classic Time Is The Answer from the Wildfire band is getting reissued on both clear and black vinyl this month, with this being the super limited transparent version. It is a first-ever reissue for this much sought-after album and it arrives just in time for summer, which is when it sounds best, some 43 years after it was first self-released back in 1980 on their own self-titled label. The band was well known back in the 80s thanks to performances all across Trinidad, Tobago, the Caribbean, US Virgin Islands and French Guadeloupe. This is the best of the four albums they released - a warm and immersive blend of funk, soul and disco. .
Review: The timeless power of gospel music will never wane and if you want proof, listen no further than this fine reissue of Together by Gloster Williams and The King James Version. Originally released in 1977 on Gospel Roots Records, this classic album is now available once more on vinyl through Regrooved Records. Led by Gloster Williams, the choir blends traditional gospel with elements of soul and r&b to create uplifting and inspiring music. The title track, 'Together' is a real gospel favourite that is celebrated for its message of unity. Remastered from the original recordings, this high-quality vinyl reissue preserves the authentic sound so it's a great one to have on the racks for when you need a hit of emotion.
Review: Most people only know Washington, DC band The Winstons for the thing: the righteous drum break from their single 'Amen, Brother', which over the past four decades has become the backbone of countless hip-hop, breakbeat hardcore amd drum & bass tunes. That killer cut is not only featured on this much-needed first vinyl reissue of the band's long out of print 1969 debut album, Color Him Father - a genuinely brilliant collection of emotive soul songs - but, on this limited-edition version, also included in specially extended form on a bonus, dubplate-style single-sided 12-inch. This fully remastered version of the set also includes four extra tracks, all previously issued as singles, making it the definitive version of a vitally important album.
Review: As you may well be aware, the Winstons' most significant contribution to musical history was the righteous drum break featured on their 1969 single 'Amen, Brother', a breakbeat that has since become the backbone of countless hip-hop, hardcore and D&B tracks. Yet as good as that break is, there was always much more to love hidden in their catalogue, particularly debut album Color Him, Father. As this surprise reissue on CD proves, it is a genuinely brilliant collection of loved up East Coast soul songs - both dancefloor-friendly and downtempo - which on this edition has been expanded via the addition of a quartet of previous single-only cuts. This, then, is the definitive version of a vitally important soul album.
Review: Zamrock, anyone? Often stylised as W.I.T.C.H, WITCH were one of the leading musical lights of post-colonial Zambia, a band that rose to prominence during the early-1970s, a particularly fertile period in the East African nation during which hopes for the future were incredibly bright. Independence leading to the blossoming of homespun ideas, culture, art and creativity. The story takes a tragic turn as the decade reached its final years, the economy collapsing and policymakers turning increasingly authoritarian. Like many in the 'scene', WITCH would fade, almost into obscurity, although the psychedelic rock-hued legacy they left survived, and then experienced a resurgence from 2012, when they reformed amid renewed interest. Kuomboka represents the group at the height of their fame, an album that still sounds packed with optimism, despite insidious changes in the air when it landed in 1976.
Love Having You Around/Signed Sealed Delivered/Papa Was A Rolling Stone (7:28)
Superstition/Maybe Your Baby (12:01)
Uptight Jam (4:12)
Review: In 1972, musical one-off Stevie Wonder boldly embraced a more experimental and personal style and showcased some innovative use of synths. Backed by his new band Wonderlove, he toured extensively with the Rolling Stones and solidified his status as a trailblazer. This electrifying performance from that year was broadcast on Soul TV WNET 13 in New York City and captures Wonder at his peak and delivering fiery renditions of tracks from his iconic Music of My Mind and Talking Book albums, among others. Presented here with insightful background notes and rare images, this recording is a vivid testament to a pivotal era in Wonder's legendary career.
Review: Stevie Wonder's seminal The Jazz Soul Of Little Stevie album very much unveiled the budding talent of a musical prodigy. Released in 1962, this instrumental collection showcases Wonder's early mastery of jazz-infused melodies at the tender age of just 12 years old. With his harmonica prowess and soulful organ touches frost and centre, Wonder paints vivid tracks that belie his youth. Pieces like 'Fingertips' and 'Square' exude a playful energy, while 'Soul Bongo' delves into rhythmic complexity. Despite its brevity, the album foreshadows Wonder's illustrious career and undeniably set the stage for his future triumphs on Motown and beyond. It's a captivating glimpse into the early genius of a music icon.
Review: This record was thought to have been lost until recently re-discovered. Recorded in the 1970s and has been loving remasters from the original tapes here and pressed onto heavyweight wax. This collection features some heavily sampled tunes such as 'Funkanova' which has been pillaged by the likes of Black Science Orchestra, DJ Sneak and The Bucketheads. It also has a famous rendition of the Ronnie Laws jewel 'Always There'. Wood, Brass & Steel members include the likes of Doug Winbush who went on to play with the Sugarhill Gang and Grandmaster Flash.
Review: Often touted as a "masterpiece of jazz-funk live albums," The Wooden Glass's 1972 live recording proves it's more than just hype. Featuring vibraphonist Billy Wooten who previously played with Grant Green, this record was recorded at Indianapolis' The 19th Hole club and captures the essence of fusion driven by soulful 60s influences. Wooten's gentle melodies contrast with the gritty, distorted sound of Harold Cardwell's powerful drumming and Emmanuel Riggins' Hammond organ while the energetic performance from the band, including guitarist William Roach, creates a tapestry of intensity and dreamlike vibes. It's raw, electrifying, high-energy jazz.
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