Review: Fresh from dropping another essential seven-inch with his regular Sound Combo band, Misha Paniflov has joined forces with fellow multi-instrumentalist Shawn Lee for a string of collaborative singles. This "45" sports two genuinely impressive cuts, each full to bursting with quality live instrumentation. It opens with 'Sigmund Jahn Bossa', a superb fusion of late 1960s library jazz (think Roy Budd's score for Get Carter and you're in the right ballpark), bustling bossa-nova and spiralling psych-funk. Over on the flip the pair continue to deliver lounge, influenced, tongue-in-cheek thrills via the cheap, Sideman drum machine rhythms, tumbling guitars, elongated Hammond organ chords and hazy backing vocals of 'Aquaria'.
Review: Caito Sanchez lives in New York but was born in Panama and is a dedicated drummer who has spent years as a sideman. He's been honing his craft since the early 2000s and has played with the likes of Charles Bradley, Lee Fields and Brian Jackson. Now he finally makes the big step of going it alone and this debut single shows what he is capable of. He takes care of drums, but also bass, guitar and lead voice on a pair of nuggets that are heavy and psychedelic Spanish rock tunes full of fresh new wave sounds.
Review: Dynamite Cuts lives up to its name once more by unearthing a deep funk treasure here, and they do the right thing and serve it up for the first time ever on its own 7". Sound Investment's 'Funky Skunk' is a raw and rhythm-heavy rarity previously confined to album-only status. It's bursting with tight grooves, gritty breaks and irresistible energy and is a dream for DJs, collectors and crate-diggers. On the B-side, 'Dirty Man' keeps the heat alive by delivering more deep-fried funk goodness. Both cuts showcase the band's raw musicianship and groove-driven spirit. Authentic funk vibes don't come much better than this.
Review: Dublin band Sprints quickly return to the fore after the success of their recent highlight 'How Does The Story Go?' This new EP is destined to be heard loud at beer swilling festival main stage all over the world. It has powerful riffs, plenty of fuck you energy and sizeable choruses that will connect on a large scale. Karla Chubb's spoken-sung vocals bring an alt-rock feel with a critique of modern existence served up next to an exploration of what it is to grow up queer in the modern day.
Review: The tireless work of Funk Night continues here more steamy late-night sounds. This time it's Sunday Papers at the helm and first off comes 'Smoke.' It's a dense, busy cut with sleazy guitar riffs, plenty of sonic grit, raw, edgy drums and vocal stabs as well as some hints of psyched-out soul. On the flip, the rather horribly titled 'Greasy Meat Pocket' is actually a lovely sound with pensive piano chords and signature Hammond organ grooves that make for a nice late night jaunt.
Review: Keep Me Safe Keep Me Sane offers up a scholastic batch of rarities from Iggy Pop fronted proto-punk timebomb The Stooges, all captured in and around 1972 when the band had reformed from their first break up and were in the process of crafting their cult classic Raw Power. Boasting an array of studio outtakes, tour rehearsal cuts and unhinged live performances, this collection gets you as close to the madness as a fly on the wall of a dingy tour van or sweaty rehearsal studio, yet prevents from being caught in the chaotic drug-fuelled egotistical malaise that would eventually torpedo the group.
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