Wolf Music Recordings レコード& CD

Review: It's no surprise to see Amsterdam man Fritz Wentink issuing his debut album through Wolf Music, as the London label have been staunch supporters of his work with two 12" contributions over the past two years. The wonderfully named Rarely Pure, Never Simple adds to Wolf Music's growing artist album profile following long players from main men Medlar and Greymatter and further develops the all encompassing production style Wentink has displayed so eloquently for Detroit Swindle's Heist Recordings and others. He seems most impressive on the more downbeat tracks done in collaboration with Loes Jongerling who possesses a quite astounding vocal delivery, though those craving some proper house will totally dig on cuts like "The Excitement Happens At Page 320".

Review: Gratts, a Belgian-born, Australia-based DJ and producer who has been active in the scene for over two decades presents Rhythms, Tales & Instrumentation - his first offering on Wolf Music Recordings. The EP features four tracks that showcase his diverse musical influences and skills, ranging from deep house to Balearic to downtempo. The EP opens with 'Pretty Lights', a collaboration with Brandon Markell Holmes and Leito, that combines emotive chords, a catchy vocal hook and a smooth groove. The second track is 'Polaroids', featuring Tee Amara, a piano-driven track with hypnotising pads and a sublime vocal. The third track is a remix of 'Polaroids' by Glenn Davis, who adds some ethereal elements and dreamy synth work to the original.

Review: Who or what is or are Henk Donkers? We don't know, and we don't care, cause the music they make is bang on. This new and amusingly entitled EP arrives via the always cultured Wolf Music and is immediately effective. Henk Donkers X Ell Murphy's 'Without You' is classic house with depth and drive, soulful vocals and nice sustained chords. 'Dope' is more intense for the strobe lit late night hours and then its back to balmy and loved up grooves with the busy chord work of New Jersey style house kicker 'With You'. This varied EP is not done yet, as closer 'Pink Horse' explores another sone - dusty downbeat house with noodling chords that recall early Mood Hut tunes.

Review: With his release schedule operating at a gentle pace to allow for each of his twelves to sit and be considered on their own merit, Daniel 'Red Rack'Em' Berman makes just his second outing of 2013 with this pair of cuts for the ever strengthening Wolf Music. It's a record that shows off Berman's idiosyncratic approach to deep house on two very different levels. The first track, "In Love Again", is as blissed-out and heartfelt a take as you could wish for, from the sumptuous pad lines to the plastic strings that positively ooze contentment and passion. "Latin Techno" meanwhile is perhaps less predictable based on its title, opting for a jagged cut up of drum machine patterns and contorted brass sounds but rubbing them up in a non-direct way that makes for a delirious and utterly singular end result.

Review: Retromigration is the nom de plume of Malik Kassim, a DJ and producer from Amsterdam with previous releases on labels like Ravanelli Disco Club, GLBDOM and Healthy Scratch. The five tracks featured on the Bloom Street EP come to you courtesy of London's Wolf Music, featuring the sensual late night mood music of A side cut 'Brining It' and its velvety Rhodes keys that guide it all the way. Over on the flip, you have the urban influenced jam 'Free Spirit' getting that Berlin vibe going on that's reminiscent of Max Graef and Glenn Astro's work, and ending with the dusty jazz bar loops of 'Slick Walkin' that takes you deeper into the twilight hours.

Review: Given their confident style, the artist lurking behind the Retromigration moniker already has an impressive track record, and the take on U.S style deep house and J Dilla style instrumental hip-hop they show here is sure to please both DJs and punters alike . Check first the echoing strings, synth chords and twinkling pianos of deep and steppin' house jam 'Hafenluft', before admiring the swirling deep house jazz of 'Mad Fox' and the more driving but similarly jazzy 'Tinger'. Elsewhere, 'Be Alright' is a mid-tempo number that combines deep house elements with flashes of '80s synth funk, while 'Disk Yard' and 'Nur Weir' are dusty, stoner-friendly head-nodders.