Back catalogue: Funk Soul & Jazz

Review: France's faves Battle Weapons deliver two heady new edits, only for those ready. On the A comes an ingenious, probably never-done-before, almost laughably why-hasn't-anyone-else-ever-thought-of-this-until-now breakbeat rendition of Peter Bjorn & John's 'The Young Folks'. To be frank, they've not done much besides beef up the backbeat a little, but a simple sprucing up is sometimes all a tune needs. On the flip comes a phattened version of 'Forgot About Dre' mashed up with the Azzido Da Bass UK garage classic 'Dooms Night', also produced to hilariously, surreally arresting effect.

Review: After releasing two 10" and 12" records in 2019 and 2020, Paris-based punk-jazz duo La Recre are back to complete their EP trilogy with this fresh 45 rpm. '137' brings together the worlds of jazz and electronica with shimmering, skyward and celestial synths bringing mysticism to shimmering jazz drums and warped synths. 'La Lune' is another intense and cinematic sound with spoken words from a spacecraft launch adding grandeur to the cascading melodies and ever-evolving beats.

Review: Lady Wray's Piece of Me is a second sizzling album of superb soul. It marked something of a homecoming for the artist as she debuted on this label back in 2016 and found her leaning towards her usual soul and r&b as well as more hip-hop influences than ever: classic boom-bap drums and chunky bass hist loud and proud and for that reason the originals are ripe for remixing as they are here. Two legends of the game in Pete Rock and Ghostface Killah step up and bring their own signature sound and dusty drum beats to make for a crucial little 7".

Review: Five years after her last album on the Big Crown label, Lady Wray is soon to serve up a follow up in the form of Piece of Me. That arrives in January next year and is proceeded by this taster 7" featuring two singles from it. They showcase Wray's take on classic soul: her vocals do plenty of heavy lifting, and the instrumental funk all around her is steeped in the classic traditions, but it all comes with an extra raw edge, an urgency and crispness that brings it right up to date. 'Through It All' is a confessional that is powered by tight drums, where 'Under The Sun' is a more blissed out vibe.

Review: The Leonhart Brass Band, the latest project from trumpeter Michael Leonhart, was born out of the 2020 lockdown, an inventive response to the halt of his 18-piece orchestra performances at NYC's Jazz Standard. Stripped down to a brass-heavy ensemble that could perform outdoors without amplification, Leonhart took inspiration from classic brass bands like Dirty Dozen and Rebirth, blending in hip-hop and funk influences to create a unique sound. The opening track, 'Jabbar', is a tribute to Kareem Abdul-Jabbar, the basketball icon with a rich jazz background. Centred on an infectious bass riff in C minor, Leonhart's trumpet and Jason Marshall's bass saxophone deliver bold, brassy solos, conjuring the vitality and strength of the track's namesake. Another standout is 'The Iceman', a nod to George Gervin, the basketball great known for his unflappable demeanour on the court. The brass section splits into two distinct groups, creating counterpoint melodies that mirror Gervin's grace and intensity. Stuart Bogie's baritone sax solo, complete with tape echo, adds an unexpected texture, grounding the track in a deep, funky groove. With members from Antibalas, the Dap-Kings, and Red Baraat, the Leonhart Brass Band fuses tight musicianship with an exhilarating energy that carries the weight of New Orleans tradition, while forging its own path in the modern jazz and funk worlds.

Review: In truth, not all DJs are genuine "tastemakers", but Lefto most certainly is. Like the similarly minded - if far older and more experienced - Gilles Peterson, Lefto gets as much pleasure from introducing people to new and obscure music, as he does from rocking clubs. It's for that reason The Beauty Is Inside, a terrific, lightly blended mix of eclectic, far-sighted sounds hand-picked by the Belgian, is such essential listening. It naturally contains some slept-on tackle from the past - see the cuts by Ethiopian singer Alemayeu Eshete and South African artist Patience Africa - but even more killer contemporary fare, with highlights including the contributions of Qur'an Shaheed, Elisa Bee, fellow Belgians abrahamblue and contemporary jazz hero Makaya McCraven.