Back catalogue: Experimental/Electronic

Review: Kaitlyn Aurelia Smith and Joe Goddard, two luminaries of electronic music, have united to create Neptunes, a celestial collaboration that defies genre boundaries. This EP is a sonic journey through a vast, ethereal soundscape, where intricate synth work, pulsating rhythms, and haunting melodies converge to create a truly immersive experience. The title track, 'Neptunes', is a mesmerizing exploration of the namesake planet. Smith's modular wizardry conjures up a cosmic soundscape, while Goddard's rhythmic prowess provides a driving force. The result is a track that is both hypnotic and invigorating. Throughout the EP, Smith and Goddard showcase their individual talents while seamlessly blending them into a cohesive whole. Smith's ability to extract haunting melodies from her modular synthesisers is matched only by Goddard's knack for crafting infectious grooves. Together, they create a sonic tapestry that is as beautiful as it is complex. A testament to the power of collaboration and a record that rewards repeated listens, revealing new layers of depth and complexity with each play.

Review: Sasha's latest album was initially created to soundtrack Da Vinci Genius, a unique, immersive, multi-media exhibition celebrating the life and work of the inventor, artist and all-round Renaissance man Leonardo Da Vinci. Crafted in cahoots with a string of contributors to his popular Scene Delete set, the score (and subsequently this album) cannily combines neo-classical music (inspired by both vintage and more contemporary composers), the sweeping grandiosity of movie soundtracks, bubbly electronica, colourful ambient soundscapes, occasional nods to 15th century choral music and Sasha's usual emotive musical motifs. As the set progresses, it eases closer to the dancefloor sound the veteran DJ/producer is most famous for - which will delight his legion of fans - without ever fully committing. This is, after all, an immersive, eyes-closed listening experience first and foremost.