Back catalogue: DJ機器

Notes: Replacement 3600 C Flip stylus with conical tip and carbon cantilever

Notes: Clean tip carbon fiber stylus cleaner

Notes: During the past 20 years the quality of record players and vinyl records have improved dramatically.
Acoustic feedback is one of the big problems when playing records. The cause is the sound that has just been produced by the speakers which comes back to the record player and cause it to vibrate. The problems is that there is a very slight time difference between the reproduced sound and the sound that is fed back onto the record player. This results in a big loss of detail and clarity and makes the sound "muddy". So every effort has to be done to isolate the record player from its surroundings as well as to isolate the record from the record player.

In order to reduce acoustic feedback from the surroundings back to the record and the cartridge a lot of effort has gone into developing turntable mats that make the reproduced sound crystal clear with great separation and detail. This has been done by experimenting with various materials which absorb unwanted vibrations which were not present in the original recording. Now many people are trying to combine these different materials as a sandwich at the same time in order to reach better results. Now Tonar offers you this opportunity to experiment yourself but at modest pricing.

In order to enhance the better contact between the record and the mat, the center part - with the dimensions of the label have been recessed to accommodate the thicker label part.

- Diameter 295 mm
- Thickness 3 mm

Notes: Replacement 3474 EP stylus with elliptical tip and aluminium cantilever

Notes: A turntable on a slope is not good, it can affect the performance of your tonearm, making it prone to jumping and skipping. This simple but effective level from the experts at Tonar will tell you if your turntables are mounted on a flat surface for optimal performance.

Notes: Universal isolation foot pads for turntables, isolate your turntable from external vibrations.

This product comes in a pack of 8 pads, enough for 2 turntables.

Notes: The Nostatic Arm is the modern version of the formerly well known "Dust Bug" by Cecil Watts. The Nostatic arm incorporates a carbon fiber brush that removes the static electricity from the record during playback, and at the same time picks up the loose dust before the stylus reaches that part of the record. The Nostatic arm has an earth wire which is connected to the earth of the record player or the amplifier.

The height can be easily adjusted to fit most record players. It also has a sliding weight in order to adjust the "dusting force" of the brush. Finally the base of the brush has sticky tape so if preferred it can be stuck to the surface of the record player for easy use.

Notes: During the past 20 years the quality of record players and vinyl records have improved dramatically. Acoustic feedback is one of the big problems when playing records. The cause is the sound that has just been produced by the speakers which comes back to the record player and cause it to vibrate. The problems is that there is a very slight time difference between the reproduced sound and the sound that is fed back onto the record player. This results in a big loss of detail and clarity and makes the sound "muddy". So every effort has to be done to isolate the record player from its surroundings as well as to isolate the record from the record player.

In order to reduce acoustic feedback from the surroundings back to the record and the cartridge a lot of effort has gone into developing turntable mats that make the reproduced sound crystal clear with great separation and detail. This has been done by experimenting with various materials which absorb unwanted vibrations which were not present in the original recording. Now many people are trying to combine these different materials as a sandwich at the same time in order to reach better results. Now Tonar offers you this opportunity to experiment yourself but at modest pricing.

In order to enhance the better contact between the record and the mat, the center part - with the dimensions of the label have been recessed to accommodate the thicker label part.

- Diameter 295 mm.
- Thickness 3 mm.

Notes: Basic stylus cleaning brush for protecting your stylus & prolonging the life of your vinyl

Notes: A turntable without a StylusTimer is like a car without a Speedo!
Turntable phono cartridges have a stylus that should be replaced after every 1000 hours of use, sometimes even sooner, depending on the cartridge. A worn stylus degrades sound quality and can damage your valuable record collection. Unfortunately, most turntable owners have no idea how much time is actually on their stylus, especially as the months and years go by. Now you can track stylus usage easily and precisely with StylusTimer, a unique chronograph designed for use with turntables.

Tonar Stylus Timer
Protect your records
Track Listening Time
Determine when to replace your Stylus
Know precisely how many hours are on your stylus or cartridge
Track break-in hours and changes in sound quality over time
Protect your record collection from damage by a worn stylus
Know when it is time to replace your stylus or cartridge
Maximise your investment, especually with high-end cartridges
Have fun watching the hours climb, tracking your listening habits

Notes: The Vinyl Styl 12" Anti-Static Cork Turntable Mat is designed to improve overall sound quality, dampen vibrations, and provide a no slip surface that audiophiles will be sure to appreciate. It also features a label recess for extra protection.

- Resonance dampening
- Anti-static
- No-slip grip
- Improves vinyl playback quality

Notes: Great value entry-level wireless microphone with built-in transmitter and compact, USB-powered receiver which connects to a standard microphone input on a mixer or PA system.

Supplier's Notes:

Compact and easy to set up UHF wireless microphone set with a handheld transmitter and USB receiver. The receiver simply plugs into a USB power supply or USB port for power and outputs to a 3.5mm jack socket. A plug-through USB connection is provided on the receiver to allow the USB port to continue to be used for connection to media or other USB devices (e.g. for a U-disk mp3 player port). The handheld transmitter is powered by 2 x AA batteries and operates in one of 2 UK/EU licence-free UHF frequencies. This system avoids the need for a free-standing or rack-mounted receiver and can operate from a standard USB power supply for ultimate convenience.

Notes: Top quality performance from Rode's Interview Pro, compatible with all Rode Series IV wireless receivers. Up to 200 metres range, with broadcast-standard sound and over 40 hours of on-board recording.

Supplier's Notes:
The Interview PRO is a broadcast-quality handheld wireless microphone that's ideal for capturing professional audio in a wide range of content creation, media and broadcast applications. It pairs seamlessly with all RODE Series IV wireless receivers, utilising state-of-the-art 2.4GHz digital transmission to deliver incredibly stable audio with a range of up to 200m (line of sight). Featuring a high-quality omnidirectional condenser capsule, 32-bit float on-board recording, and intelligent GainAssist technology, it delivers professional results in any recording scenario.

The Interview PRO can be used as a standalone field recorder, but for wireless operation, a RODE Series IV receiver or compatible product is required.

Pristine Wireless Audio in Your Hands

Combining the ultimate flexibility of RODE's cutting-edge wireless technology with the pristine audio quality of a broadcast-grade condenser microphone, the Interview PRO is a compact, versatile and professional solution for capturing your voice in a wide range of applications, from interviews and media to small presentations and content creation.

The Perfect Mic for Your RODE Wireless System

The Interview PRO is compatible with all RODE Series IV wireless receivers. This includes the ultra-versatile Wireless PRO, Wireless ME and Wireless GO II compact wireless systems for recording broadcast-quality audio into your camera, smartphone, or even a computer. It can also be paired directly to the RODECaster Pro II and Duo, just like an XLR microphone - perfect for podcasts and small presentations where you need the freedom of wireless.

The Leaders in Wireless Audio Solutions

The Interview PRO utilises RODE's state-of-the-art Series IV 2.4GHz digital transmission with 128-bit encryption to deliver incredibly stable wireless audio with a range of up to 200m, line of sight, and is optimised for extremely stable close range operation. It pairs in seconds with minimal setup required, so you can get creating right away.

Perfect Sound, Every Time

Designed to be as easy to use as possible, the Interview PRO features RODE's intelligent GainAssist technology, which automatically controls your audio level on-the-fly to make sure it doesn't clip or distort. With two different modes available, GainAssist will ensure your audio is perfect every time.

Broadcast-grade Voice Capture

The Interview PRO's broadcast-grade condenser capsule delivers rich, detailed voice reproduction and its omnidirectional polar pattern makes it very forgiving when it comes to mic placement - the perfect combination for street interviews, presenting and more. Featuring an internal pop filter, an included windshield, and internally shock mounting around the capsule, the Interview PRO is primed to protect against plosives, wind noise and handling noise, keeping your audio pristine.

Present, Interview, Create

Whether you're presenting in the field, conducting street interviews, hosting a casual podcast or creating content on the move, the Interview PRO's unique set of features make it an ultra-versatile and high-quality solution for capturing your voice.

Never Lose a Recording

With over 40 hours of 32-bit float on-board recording, you have the ability to recover any recording in post-production that was too loud or too quiet, so you can always be sure that your interview, presentation or performance has been captured safely. You can even record without the Interview PRO connected to a receiver, making it an ideal portable field recorder.

RODE Central

RODE Central is an easy-to-use desktop and mobile companion app that allows you to configure your Interview PRO anywhere, access and export your on-board recordings (desktop only), and update your firmware. Download it for free to unlock the full potential of your Interview PRO.

Note: OS Requirements - MacOS 10.15 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.

Specifications

Capsule: Electret Condenser
Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20Hz - 20kHz
Signal-to-Noise Ratio: 74dB
Dynamic Range: 102dB (as per IEC651)
Maximum SPL: 122dB SPL
Wireless Connectivity: RODE Series IV Wireless 2.4GHz
Transmission Range: Up to 200m (line of sight)
Computer Connectivity: USB-C (USB SuperSpeed 5Gbps)
Power Requirements: In-built lithium-ion rechargable
(charged via USB)
Recording Capacity: 32GB (over 40 hours of recording)
Operating Time: Up to 25 hours
Bit Depth: 32-bit
Sample Rate: 48 kHz

Minimum OS Requirements: macOS 11
Windows 10: iOS 14, Android 11

Compatible RODE Software: RODE Central, RODE Connect, UNIFY, RODE Reporter, RODE Capture, RODE Central Mobile

Mechanical specifications

Colour: Black
Weight (grams): 250
Dimensions (millimetres):
Length: 258
Width: 47
Height: 47

What's in the Box

1 x Interview PRO
1 x RM3
1 x SC34
1 x Windshield
1 x ZP2

Notes: Make any studio monitors sound better

High-definition monitoring for all

Upgrade any studio monitors instantly with the first out-of-the-box acoustic room correction system that anyone can afford. ARC Studio combines a standalone correction processor, new ARC 4 measurement software and a room analysis microphone.

There's a reason all today's top-tier studio monitors are adding active room correction - it supercharges their performance and ensures mixes translate flawlessly. ARC Studio offers this same massive boost in performance and accuracy to any monitor in every studio.

For the first time in the recording industry, an affordable hardware processor can be used as a correction and calibration system for any type of studio - be it home, project or professional - without the limitations of a software-only system.

Standalone digital acoustic correction system
Dramatically improves your mixing accuracy
Works with any monitor system in any room
Installs in minutes in any studio or space
Sonically invisible, audiophile performance
Emulates top monitors and playback systems
Customize your monitors' performance to taste

Improves mixing accuracy

Your room has a big impact on how you hear your music. The size, shape, materials and furniture all work to distort the frequency and stereo balance of your monitors, degrading your sound.

ARC 4's all-new algorithm analyses and corrects these issues in minutes. Your music snaps into focus, with more controlled low-end, tighter transients and pinpoint stereo imaging. It's like an instant upgrade to your monitors.

And when you trust what you hear, you'll mix faster and more confidently than ever.

Installs in minutes

Plug the mic into your interface and you'll be guided through measuring acoustical spots within your listening position. IK's award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading your monitors' performance.

An all-new listening experience

ARC 4 stores the correction profile and loads it into the ARC Studio processor, sitting invisibly between your interface and monitors to apply to all incoming signals. The standalone processor corrects studio monitors in any studio, including hardware- and console-based setups.

Audiophile performance

ARC Studio features a 120 dB(A) analogue input to analogue output dynamic range, 0.5 Hz to 40 kHz frequency response and ultra-stable clocking for vanishing low jitter, offering total sonic transparency and a level of accuracy you only find in mastering-grade audio converters.

And it connects to your studio and monitors via balanced XLRs with power-safe relay-based hard bypass - so when bypassed you're protected from sudden power-related pops. Between the premium audio quality and ARC Studio's all-new correction algorithm, you'll enjoy the most natural, transparent monitoring ever.

Affordably priced

ARC Studio hardware is not only designed and made in Italy to the highest precision and quality standards, but its clever engineering makes it available at a fraction of the cost of other hardware solutions.

Now everyone can dramatically improve the sound in their mixing environments: from a single pair of monitors to multiple monitoring systems, up to large facilities with multiple mixing and recording rooms.

Improves any studio

For pro studios, whether in-the-box or console-based, ARC Studio allows for a sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system's sonic quality.

For DAW-based studios, ARC Studio frees you from the hassle of inserting plug-ins on the master bus of your work and preserves zero-latency monitoring setups, plus it allows you to listen to your preferred streaming service with acoustically corrected monitoring without messing around with system drivers.

You can create a profile for every configuration, listening position or even monitor pair. Whether you're in a makeshift studio or a world-class one, fine-tuning your monitoring to your taste has never been easier and has never sounded so good.

Customise your monitors

Customise your setup for ideal performance no matter your preference. ARC 4 offers deep control over each profile so it always sounds its best:

Target curves

ARC 4 now comes with 9 factory target curves for most situations. The default curve offers optimally balanced results with other specific curves for different needs or setups.

Adjustable correction range

By default, ARC corrects the entire frequency spectrum, but you can define limits to both upper and lower correction ranges separately. This is useful if you want to preserve the unique voicing of your monitors or are just looking to correct a certain frequency range.

Specs

ARC Studio Specifications

Audio

AD and DA converters: AKM Velvet Sound™
Audio conversion and internal processing sampling rate: 96 kHz
Audio conversion resolution: 24-bit
Internal processing resolution: 32-bit float
Frequency Response: 2 Hz - 45.0 kHz (- 2.0 dB)
Dynamic Range: 120 dB (A-weighted)
THD (20-20 kHz): 0.00035%
THD+N (1 kHz@-1dBFS): -107 dB
Channel Crosstalk (1 kHz): -122.5 dB
Max Phase Deviation: +7- 20Hz, +16- 22kHz
Input Impedance (balanced): 20 kOhm
Output Impedance (balanced): 50 Ohm
Maximum output level: +17 dBu

Latency

Natural Phase mode: 1.4 ms
Linear Phase mode: 42 ms

Power

Powered by included Power Supply Unit
Dimensions

Size: 14.4cm / 5.6" x 12cm / 4.72" x 4.5cm / 1.77"
Weight: 465g / 1,03lb

Package includes

ARC Studio room-correction processor
ARC Measurement Microphone (depending on the version)
ARC Measurement Microphone Clamp (depending on the version)
USB C-Type to USB A-Type cable (1.5 m / 4.92')
Power Supply Unit
Registration card

System Requirements

Macr (64-bits)
Minimal: Apple M1 or Intelr Core i5 Processor, 4 GB of RAM, macOSr 10.15 or newer (macOS 11 or newer required for Apple Silicon Processors).
Supported Plug-in formats: Audio Units, VST 2, VST 3, AAX.
Works with any audio interface with a phantom powered XLR microphone input and a pair of outputs for monitoring.
44.1 kHz or 48 kHz sampling rate is required for the measurement process.
One free USB port required.

Windowsr (64-bits)

Minimal: Intelr Core i5 Processor or equivalent, 4 GB of RAM, Windows 10 (64 bit) or newer.
Supported Plug-in formats: VST 2, VST 3, AAX.
Works with any audio interface with ASIO drivers, a phantom powered XLR microphone input and a pair of outputs for monitoring.
44.1kHz or 48kHz sampling rate is required for the measurement process.
One free USB port required.

Requires an OpenGL 2 compatible graphics adapter.

Notes: This DJ controller bag is the perfect size for the DDJ-GRV6 (not included). Made with an EVA Durashock moulded body, black ballistic polyester, black fleece lining, and egg-foam lid, it's tough enough to protect the unit against bumps and scrapes, but lightweight for easy carrying.

Notes: DJ controller bag for the OMNIS-DUO

This DJ controller bag is the perfect size for the OMNIS-DUO. Made with an EVA Durashock molded body, black ballistic polyester, black fleece lining, and egg-foam lid, it's tough enough to protect the unit against bumps and scrapes, but lightweight for easy carrying.

Specifications

Maximum Dimensions (WxDxH): ext: 560 × 400 × 110 mm / int: 500 x 310 x 80 mm
Materials used: EVA Durashock Molded Body
Black ballistic Polyester
Black fleeced lining
Lid egg-foam
Includes strap

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the NI S8 or Pioneer DDJ-RX/SX3) in the main compartment. The UDG Controller Sleeve is available in 2 sizes: Medium & Large skillfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight: 2,40 kg / 5.28 lbs
Outer Dimensions (W x H x D): 73.0 x 43.0 x 14.0 cm | 28.7 x 16.9 x 5.3 inch
Inner Dimensions (W x H x D): 71.0 x 40.0 x 11.5 cm | 27.6 x 15.7 x 4.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:
Pioneer DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR2, DDJ-SR, DDJ-S1, DDJ-T1, DDJ-Ergo
Pioneer XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor Kontrol S3, Traktor Kontrol S8
Denon DJ MC7000
Numark NS4FX, NS6II, Mixtrack Platinum/ Pro 3, Mixdeck Quad, 4Trak, N4
Reloop Mixon 8 Pro, Mixon 4, Touch, Terminal Mix 8, Beatmix 4
Roland DJ-505
or similar size controllers

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the Native Instruments S3/ S4 MK3/ S2 MK3 or Pioneer DDJ-REV1/ 400 or Numark Mixtrack Pro FX) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skilfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight 1,70 kg / 3.74 lbs
Outer Dimensions (W x H x D): 56.5 x 37 x 18 cm | 22.2 x 14.5 x 7.1 inch
Inner Dimensions (W x H x D): 54 x 34 x 9 cm | 21.3 x 13.4 x 3.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:

NI Traktor Kontrol S3, S2 MK3, S4 MK3, S5, S2 MK2, S4 MK2, Komplete Kontrol S25
Pioneer DDJ-REV1, DDJ-400, DDJ-RB, DDJ-SB3, DDJ-SB2, DDJ-SB, Toraiz SP-16
Numark Mixtrack Pro FX, Mixtrack Platinum FX, NVII/ NV, Mixtrack Pro II, Mixtrack Quad, Mixtrack Pro
Reloop Beatmix 2 MK2, Beatpad 2, Terminal Mix4, Terminal Mix 2
Denon DJ Prime Go, MC6000MK2, MC4000, MC3000, MC2000
Akai MPC Live II, MPC Renaissance, APC-40 MKII, MPK225, MPD232
Novation AFX, Nocturn 25, Launchkey 25, Impulse 25, 25SL MK2
Hercules DJControl Inpulse 300, Universal DJ, DJControl Jogvision/ Air+/ Air+S/ Wave, DJConsule 4-MX, DJConsole RMX 2
Korg Minilogue, Taktile 25
American Audio VMS 5/ VMS 4
Behringer CMD Studio 4A
Allen & Heath Xone 4D
Livid OHM 64
Arturia Origin Desktop
M-Audio Xponent, Axiom 25
Mixars Primo
Gemini G4V DJ, GMX, Slate 4/ 2
Roland DJ 202, JP-8080
Stanton SCS.4DJ
American Audio VMS 4 / 5
Vestax VCI-380, VCI-400DJ, VCM 600
or similar size controllers