シンセサイザー

Notes: Part of Sonicware's brilliant Liven series of affordable, creative groove boxes, the Ambient O packs in layers of drone, textures and noise sources to create engrossing soundscapes. Creative, experimental fun.

*** Firmware version 1.5 update- March 2025 ***

Temperament Settings for Each Track

In addition to the standard 12-tone equal temperament, you can now set 7 different temperaments per pattern, including Pure intonation, Pythagorean tuning, and Solfeggio frequencies.

64 Sound Pattern Palettes

Featuring 32 newly added sounds & patterns, along with 16 Sound Healing Vibes sounds.

Relaxation Playback Mode

Arrange your favourite patterns, set repeats and fade-outs, then let it gently fill your space with ambient sound. (Seamless pattern changes improved: if sound settings remain the same, transitions will now be smooth without audio interruptions.)

Master Tune Now Adjustable in Hz?Master tuning, previously adjustable in cents, can now also be set in Hz increments (410 - 470 Hz).

Line In Selectable on NOISE Layer

The NOISE layer can now be selected to Line In, allowing the application of Filter, LFOs, and other track-level controls to the input signal.

New LFO Waveforms & Assignment

Added three slow LFO waveforms (L.SIN, L.TRI, L.S.RN). Additionally, oscillator level can now be assigned as an LFO destination.

Pitch Bend Range Setting

You can now configure the pitch bend range in the system settings.

Changes in Oscillator Usage

Due to specification changes, the NOISE layer now consumes only one oscillator, while the ATMO 2 structure now consumes three oscillators.

Bug Fixes & Improvements

Fixed MIDI CC issues and addressed other minor bugs.


Supplier's Notes:
Your Personal Soundscape:

Conversations between Oscillating Tones and Your Mind

Immersive Ambient Generator

4 layers of tone and texture-Drone, Pad, Atmos, and Noise-merge to generate deep resonance and continuous transformation.

Ambient O (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.

Blendwave Modulation Synthesis

Sonicware conducted extensive research into creating undulating and fluctuating tones for Ambient O, resulting in the development of a new wavetable-based synthesis.

Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for Ambient Music.

4 knobs/8 parameters offer a wide range of tone creation.

A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.

6 Structures - Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.

Noise and Space

The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.

Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.

Extensive Effects Section

Ambient O is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.

In addition to the reverb, the Ambient O offers an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.

Sequence up to 64 steps per pattern.
Random playback of sequence phrases.
Probability of notes sounding can be set from 25 - 100%.
Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.
Overwrite notes in real-time with one touch while playing back sequence phrases.
The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

Specifications

[Synthesiser]

- Note Hold function
- 128 Sound Pattern Palettes (incl. 16 types of preset palettes)
- Mixing including level/pan for each layer
- Layer (Sound) copy and paste function
- Tune All function changes the pitch of all layers (i1 octave in 20-cent steps, adjustable in 1-cent step)
- Standard polyphony: 10 voices (depending the structure's oscillators x simultaneous voices)

4 Layer Construction
Drone, Pad, Atmos Layers
- New Blendwave Modulation Synthesis for creating undulating and fluctuating tones
- 6 Structures, 32 Waves
Drone 1: 2 oscillators, modulates Detune
Drone 2: 2 oscillators, modulates Harmonics
Pad 1: 3 oscillators, modulates Harmonics
Pad 2: 3 oscillators, modulates Harmonics
Atmos 1: 1 oscillator, ring modulation on output
Atmos 2: 2 oscillators (frequency modulation), modulates Pitch

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Unison mode (adjustable detune)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Noise Layer
- 1 Structure, 8 Waves
Noise: 1 oscillator, modulates Pitch
- Loop or One-shot playback, White noise mixing
- 16bit - 32kHz Linear PCM sampling (stereo)
- Up to 8 seconds of sampling per sample (crossfade settings from 1 to 4 seconds)
- Auto start sampling function with the input level (input level can be set)
- Import and export of a slot of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Polyphonic mode
- Mono mode (adjustable glide time)
- Legato mode (adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)
Each layer has its own envelope, filter and 2LFOs.

- Attack
- Release

- Low Pass Filter
- High Pass Filter
- Band Pass Filter

- 2 LFOs assignable to various parameters (individually adjustable)
- Adjustable LFO Shapes and trigger count

[Effects]
9 types of high-quality reverb (Send amount to reverb and shimmer adjustable per layer)
- Small.L
- Small.M
- Small.H
- Large.L
- Large.M
- Large.H
- Infinity.L
- Infinity.M
- Infinity.H
6 types of diverse master effects
- Tape Delay
- Reverse Delay
- Overdrive
- Bit/Rate Crush
- Tilt EQ
- Stereo Chorus
The above reverb and master effects can also be applied to external sources from the LINE IN.

[Sequencer]
- 4 tracks (1 track on each layer)
- Up to 64 steps per pattern
- Step length can be set from 1/1 to 1/32 or 2/1(Breve) to 8/1(Maxima)
- Real-time recording
- Overwrite REC function for real-time sequence replacement
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order

[MIDI]
- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: Another innovative groovebox from Polyend, the Synth allows you to sequence and perform up to three synths from eight different synth engines. Unique Smart Grid feature allows single-button chords and note followers.

Supplier's Notes:
Compact Design. Massive Sound. Unmatched Innovation.

Easily Play 3 Synths at Once

The power of three synth engines is at your fingertips, all running together seamlessly. Whether you're in the studio or performing live, you can juggle between different engines, adjust parameters on the fly, and layer effects with ease. The built-in sequencers, arpeggiators, and all new smart grid system keep everything flowing smoothly, letting you focus on creativity without interruption. With instantly recallable scenes, you can save and recall every detail of your setup.

Eight Synth Engines to Explore

Dive into a world of sound with eight distinct synth engines, each offering its own unique character. Whether you're drawn to the classic analogue warmth of FAT or the evolving textures of GRAIN, you'll find the sound to shape your creations exactly the way you want:

PHZ: A modern take on phase distortion synthesis with options for both retro and cutting-edge tones.
PMD: Physical modelling technology that simulates realistic instruments or creates entirely new sonic expressions.
GRAIN: A granular engine with two modes, burst and cloud, ideal for rhythmic textures or sweeping ambient layers.
WAVS: Morph between wavetables with intricate control over scanning and phase shifting to create evolving textures.
VAP: A dual-oscillator polysynth that draws inspiration from the classics, offering rich, lush pads and detailed soundscapes.
FAT: Massive sound with three oscillators and vintage ladder filters for deep basses and expressive leads.
ACD: The ultimate recreation of iconic vintage monophonic synths, but with increased customization.
WTFM: A unique FM synthesis engine that uses wavetable-based oscillators for complex sounds without the usual FM complications.

Three Customizable Effects

Take your sound to the next level with three onboard effects, each fully customizable to suit your style:

MOD: This versatile modulation engine can take you from subtle choruses to wild, feedback-heavy flanging.
DEL: Dual delay lines with five unique models, giving you the flexibility to sync with your track or create complex delay effects.
REV: Three reverb modes - Natural, Plate, and Warp - let you add anything from subtle space to massive, otherworldly reverbs.

Reimagined Rhythms

Unlock your full creative potential with three independent sequencers and arpeggiators. Control every aspect of your rhythm, from swing to groove, transposition, and more. Whether you're building tight, rhythmic patterns or sweeping melodies, this system adapts seamlessly to your music.

For Performers, Sound Designers, and Innovators Alike

Always Musical Smart Grid for Live Play

Stay in control even during the most chaotic performances. The customizable Smart Grid ensures every note and chord stays in the desired scale, while making live performances smoother and more intuitive.

Scenes on Demand

Imagine having every setting - from synth engines to sequences - saved in one easy-to-recall Scene file. Build entire live sets and instantly access them with a touch. Plus, share your unique setups with the community

Combo Knobs for Quick Tweaks

Create dramatic builds or subtle shifts with customizable combo knobs. Whether controlling one or all three synths at once, adding movement and dynamics to your sound has never been easier.

Polyphonic Aftertouch

Express every nuance of your performance with polyphonic aftertouch. Adjust multiple parameters with just the pressure of your fingers, allowing for truly expressive, dynamic control over your sounds.

A Dream for Sound Designers

Intuitive 3x3 Knob Matrix

Designed for hands-on control, the 3x3 knob matrix lets you quickly access and tweak key parameters. No need to dive into endless menus - everything you need is right in front of you, ready for real-time adjustments.

Real-Time Visual Feedback

Every adjustment you make is instantly reflected in the visual interface, giving you clear, real-time feedback on how your sound is evolving. Whether you're tweaking filters, modulating oscillators, or adjusting LFOs, you'll see the changes happen as you hear them.

Endless Customization

Expand your creative palette with SD and USB storage. Easily load new wavetables, presets, and entire setups, or share your creations with others. With endless possibilities, this synth is designed to grow with you

Notes: Part of Teenage Engineering's high-end Field series, the OP-XY is best seen as a pro groovebox, combining polyphonic synthesis, sampling and sequencing. More music-focussed than its OP-Z predecessor, the OP-XY represents a new flagship for TE.

Supplier's Notes:
No-compromise, dual-CPU boosted and fully rebuilt sequencer, sampler, and performance instrument, based on the much-loved workflow of the OP-Z. Now including built-in cv, effect sends, and a best-in-class DAC. with 8 individual instrument tracks and 8 auxiliary tracks for controlling any external synthesizer, modular or otherwise, and adding effects. It's probably the most complete, portable sequencer ever built. It's here. It's real. it's black.

And it's got so much more than you've wished for.

The exterior is all black, and matches the exact dimensions of OP-1 field. A distinct grayscale gradient is at its centre, making it clear that OP-XY is all about serious sequencing. Hands-on graphics on the high-resolution display are all grayscale, with a bright red to indicate recording and parameter locks. all vital keys have LEDs to stay in full control.

Experience the ultra fast sequencing workflow. Punch-in FX lets you add quick, rapid-firing, unique, live variations and adding individual step components creates an extra dimension and deep rhythmic patterns. randomize note timing, velocity and pitch, or use live automation to alter filters. Use brain to create chord progressions, generating tracks that reinvent themselves. Literally.

Run every track, independently, at different speeds and lengths to form powerful polyrhythms. create new sequences every time with step components, variations that can be added to any step on the sequencer, controlling everything from altering pitch to bending, skipping or even multiplying steps.

Main audio-out

Multi-out, featuring:
MIDI
CV/gate
Sync
Aux audio
MIDI IN
AUDIO IN
USB-C

The 2 Vrms main output drives any sound system, real loud. Keep everything locked in sync and sequenced with the multi-out and take control with MID IN. process and sample external audio with the audio-in. control, record and charge with the audio/midi host over USB-C, plus a complete wireless experience with midi over Bluetooth LE -keine bedingungen [no strings attached].

Compose your album, head off to the gig, plug and play immediately, then keep everything locked-in with all the I/O you could ask for. 16-hour, battery-powered freedom lets you perform for hours on-end. create, produce and perform anywhere. Mit allen bedingungen [all strings attached]

The bottom left side features a pressure sensitive pitchbend

Instrument tracks:

8 individually sequenceable instrument tracks
8 unique synth engines
3 samplers
independent send levels per track

Step components
14 unique step components for advanced step sequencing
Apply up to all 14 to every step screen
480 x 222px IPS TFT display

Patterns
9 patterns per track
up to 64 bars per pattern
spread across 4 pages
presets per pattern

Effects: reverb, delay, chorus, distortion, lo-fi, phaser

Hardware
Dual blackfin processing cores
Dual DDR memory
Triple-core dsp co-processor
2x controller MCU's for wireless & low power IO domain

Sensors: 6-axis IMU accelerometer

Microphone: immediate, high quality sampling with the built-in microphone.

Connectors: 3.5 mm stereo line-out with headset mic support
3.5 mm multi-out
3.5 mm midi in
3.5 mm stereo line-in

Tactile input
2 octave musical keyboard
68 ultra low profile mechanical buttons
Pressure sensitive pitch bend
4 x multi purpose grayscale encoders

USB
USB type C connector
USB MIDI host & device
USB audio host & device

Notes: A fresh new take on synthesis from the legendary Moog. The Labyrinth combines two generative sequencers with parallel analogue signal paths to create evolving sounds and patterns.

Supplier's Notes:
Labyrinth, a semi-modular instrument and idea machine, discovers patterns, layers, and textures both familiar and unheard. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies. With parallel analogue signal paths, this unique instrument shines when adding colour to the static backdrop of a drum pattern or bassline. Fully capable of standing on its own, or adding depth to your existing rack, it's equally at home in a live set or at the centre of a humble bedroom studio. Labyrinth is the lightning in a bottle that drives a studio session deeper into undiscovered creative caverns.

The beating heart of Labyrinth is a robust dual sequencer, which uses chance operations to construct two unique eight-step paths which twist and curve around each other, forming a mesmerizing path of sound. With a comprehensive patch bay, Labyrinth can be synced via analogue clock or MIDI while processing, directing, and being influenced by other kit.

Tune your instruments together and let Labyrinth improvise alongside in key while you play Matriarch. Patch Labyrinth and Spectravox together for animated spectral movement. Combine Labyrinth with Mavis in a 104HP rack for expanded modularity.

These are just a handful of many playful setups where Labyrinth fits. Whichever path you choose, have Labyrinth guide you.

Dual generative sequencers create intertwining melodies that mutate over time. It's a fountain of inspiration that uncovers patterns you can capture, return to, and evolve.

A fresh approach to the signature sound of classic Moog synthesizers with a smooth West Coast-style voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analogue synthetic drums.

State variable resonant voltage-controlled filters that morph between lowpass and bandpass responses let you experiment with smooth command over complex tonal shapes.

A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.

A comprehensive patch bay for integration with a wide variety of other modules in your rack and studio.

In the box

Labyrinth Semi-Modular Parallel Generative Analog Synthesizer

Power Supply
Patch Sheet Overlays
Patch Cables (5x 12")
Registration Card
Quickstart Guide
Cheat Codes
Safety & Warranty Manual

Weights & dimensions

Product only:

Weight: 3.1lbs/1.5kg
Dimensions: 12.84" W 5.64" D 4.2" H/32.61cm W 14.33cm D 10.67cm H

Product in box:

Weight : 5.29 lbs / 2.4 kg
Dimensions: 14.16" W 8.16" D 6.6" H / 35.97cm W 20.73cm D 16.76cm H

Analogue synthesis engine:

Sources: VCO, MOD VCO, RING MOD, NOISE Generator SIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1x Voltage-Controlled State-Variable Filter, 2x Voltage-Controlled Amplifiers MODULATORS: 2x Decay-only envelope generators

Dual generative sequencer

2x 8-step Generative Digital Sequencers

Patch bay

Jacks: 32 x 3.5mm
Inputs: 20 Input Jacks
Outputs: 12 Output Jacks

Rear panel

Audio: 1/4" TRS Headphone or 1/4" TS Instrument
Power: Power Supply connection SECURITY: Kensington Lock slot

Power supply (included)

Style: Wall adapter; barrel connection; centre-pin positive INPUT: 100 - 240VAC; 50 Hz - 60 Hz OUTPUT: +12VDC; 1200mA

Power consumption
Typical: 4.0 W

Notes: Limited edition Stellar version of the excellent MiniFreak, Arturia's hybrid digital/analogue six-voice polysynth. Versatile and distinctive thanks to a wide range of digital oscillator engines.

Supplier's Notes:
Dark sky synthesis

MiniFreak Stellar is a special edition of the mighty polyphonic hybrid keyboard. The same dual digital sound engines, gnarly analogue filters, advanced modulation, sequencing and stereo effects, but with a dark intergalactic edge that will take your sound into deep space and beyond.

T Minus

2 Engines, 6 voices

The same powerful hybrid instrument loved the world over, redesigned to take your studio beyond convention and your sound, beyond the stratosphere.

Space age look

Discover a synth with a striking all-black exterior, decorated with stylish and characterful graphics that reflect the controls.

Hybrid polysynth power

With 2 engines, 6 voices and 23 oscillator modes, MiniFreak stellar is a compact synth powerhouse that just keeps getting better with ongoing free firmware updates.

Mirrored in software

Enjoy the same wild hybrid sound in your DAW of choice, complete with modelled analogue filters, with MiniFreak V, a like-for-like VST. Use the same presets physically or virtually, and tweak the VST with MiniFreak Stellar's controls for a seamless creative flow.

Outer space free bank

MiniFreak Stellar comes with a free sound bank designed for outer space sonic exploration.

Featuring a range of synths, leads, sequences and SFX - travel beyond the event horizon and discover an otherworldly realm of ambient and atmospheric sounds.

Dark Sky style

From the resonance UFO to the ADSR rocket launch - take command of your sound with an out-of-this-world attitude.

It's not just the sleek all-black keys that stand out. MiniFreak Stellar is adorned with playful graphics that bring the signal chain to life and symbolize the unique effect of each control.

Extraterrestrial Sound

MiniFreak Stellar comprises a vast constellation of sounds that unite, merge and mutate for totally playful and daring results.

From ethereal wavetable sweeps to gritty noise-driven textures, 8-bit superwave basslines to crisp Karplus-Strong plucked strings, combine MiniFreak Stellar's arsenal of 23 distinct engines in any way you see fit, for an impressive array of synthesis.


Between the proprietary algorithms and exclusive oscillator modes crafted by module-masters Noise Engineering and Mutable Instruments, a plethora of impactful and inspiring sounds await your discovery.

More than meets the eye

MiniFreak Stellar packs a punch with a range of scintillating digital and wavetable oscillators, cutting-edge FX and a simple-yet-powerful modulation matrix. But that's not all.

Inject movement and momentum into your sound design with advanced sequencing and arpeggiation, and seamlessly integrate with any DAW using MiniFreak's VST-twin.

Melodic propulsion

Effortlessly take your sound in a new direction.

MiniFreak Stellar's sequencer and arpeggiator allows you to lock variety into your patterns, introduce dramatic octave jumps, and drop-in repeats and mutations on the fly.

A sequence that never fully repeats, thanks to MiniFreak's Spice & Dice randomization and one-touch mutations.

Virtual Doppelganger

Explore the power of MiniFreak Stellar in your favorite DAW with mirrored sound and architecture.

MiniFreak V is a comprehensive standalone instrument, perfect for taking your Freak-infused production on-the-go, as well as offering seamless integration between hardware and software for a workflow that can suit your every need. Simply click Link to MiniFreak, and you're all set!

Platform Specifications

Windows
Win 10+ (64bit)
2.5 GHz CPU
4 GB RAM
2GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments

Required configuration
VST, AAX, Audio Unit

What's in the box

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions

Size: 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight: 6.48 lbs. (2.94 Kg)

Notes: No oscillators, 8 voice polyphony.

The Steampipe is a true physical modelling synthesizer developed in close collaboration with Dutch company 112.dB.

The Steampipe has no conventional oscillators. Instead, it mimics the way sound is created in wind instruments and it is fine-tuned to create a wide range of sounds - everything from wind instruments to strings, pipe organs, crazy effects and beyond. The Steampipe has three major sections - STEAM, PIPE and REVERBERATOR.

The STEAM section can be compared to the lungs and mouth of a musician. The generator creates the flow of air or "steam", the envelope in this section determines the force with which it is blown out. DC/noise is the noise you get when blowing out. DC/Noise on the Steampipe can also be replaced with an external audio source.

The PIPE section can be compared to a flute. In the pipe, the tune is formed. Push (in feedback) bounces the steam like it does in a flute and generates the tone. The delay box subsection changes the flute's tuning and shape.

The REVERBERATOR adds space and ambience to the sound.

The Steampipe is optimized for performance with wind MIDI controllers and it works great with any MIDI keyboard. The overtones the Steampipe produces are very organic and rich and it comes with great-sounding presets. The Steampipe is rather versatile and allows for nuanced sonic exploration, conjuring sonic imagery ranging from from wisps of cloud to fairground band organs, then to industrial horns of the railroad and finally, to massive, otherworldly ambiences.

Notes: Suzuki's iconic Omnichord returns with the OM-108, a modern update of the classic formula featuring new digital synth sounds alongside the original omni1 and omni2 analogue synth circuits.

Supplier's notes:
Released in 1981, the Omnichord is an electronic musical instrument with an automatic accompaniment function (auto bass/chord) and equipped with a harp sensor. By pressing a chord button and sliding your finger on the harp sensor (strumplate), an arpeggio corresponding to the chord is heard, allowing anyone to easily accompany a song. Omnichord does not require any previous musical experience with an instrument, or even knowledge of staff notation. All that is needed are the chord names required to play a song which is a method commonly known as 'tab'. Combined with its portability, Omnichord became extremely popular, especially in Europe and America as a new musical instrument that anyone can enjoy - anywhere. In addition, due to the unique electronic sounds that are reminiscent of the 80's, and the tactile way musical expressions are achieved, Omnichord has developed cult status around the world. It not only appears in recorded music, but also publicity photos, and has featured in the titles of songs and albums. The Omnichord name was discontinued after the OM-300 (released in 1996), but its popularity as a unique musical instrument has endured the test of time, and now, over 40 years later the Omnichord returns with the OM-108.

Simply press a chord button and slide your finger on the strumplate. In this way, you can play accompaniment to almost any song on the very same day you first try the Omnichord!

Suzuki put a great deal of effort into the design of the Omnichord so that it accurately reproduces the sound of the OM-84, a model that is hailed as a masterpiece for its tone and versatility. To achieve this in the OM-108, Suzuki decided to apply the same method for sound creation as the OM84, incorporating real analogue circuitry into the new model. In total, the OM-108 is equipped with 10 types of strumplate tones, whilst "omni1" and "omni2" reproduce the classic sound of the OM-84, revived for future generations to enjoy.

The OM-108 includes a selection of timeless instrument tones that are both retro and current. The "celeste", "harp", and "piano" featured in previous models. The "FM piano" tone is new, this is an electric piano sound that helped define 1980s music. The OM-108 is equipped with. "omni1" and "omni2" which use real analogue circuitry. Other tones are reproduced using PCM sound generation.

There are 10 tones...omni1/omni2/harp/celeste/A.piano/guitar/FMpiano/organ /vibes/banjo(omni1 and omni2 have the same Main Voice but different Sub Voices).

The model OM-84 was equipped with two electronic harp tones, allowing the tones to be layered and played. OM-108 reproduces this function. A tone that sounds beautiful when layered with the Main Voice has been assigned as a Sub Voice. To control each layer, simply turn the appropriate Volume knob. This enables real time control changes adding expression to your sound.

Even though many rhythms included in the OM-108 share the same names as previous models, they have been updated to incorporate rhythm patterns that are current. Also, for the first time on Omnichord, a trap beat (Hip Hop) has been included. Suzuki have selected "usable" rhythms that will allow you to play a wider variety of songs.

There are 10 kinds of rhythm...rock1/rock2/slow rock/country/swing/disco/hip hop/funk/bossanova/waltz

The "sus4"' and "add9" chords, often used in popular music, have been added. It is now possible to play a total of 108 chord types, hence the model number 'OM-108'. The Omnichord has developed into an instrument that can be played more intuitively without having to substitute other chords.

Equipped with a wide type strumplate similar to models OM-100 onwards. Every corner of the plate responds sensitively to light touch, so you can concentrate on playing without stress.

In addition to the melody keyboard, the OM-108 is equipped with drum pad mode for the first time as a function (when the "KEYBOARD" button is pressed). Owners of the OM-108 will be pleased to note the drum pad is assigned not only to the chord button, but also to the strumplate. This allows for the creation of interesting beats using the OM-108 retro drum kits.

The OM-108 not only sends chords and strumplate data, but also drum performance information from MIDI OUT. Strumplate information can be sent on two MIDI channels, allowing you to layer tones with external MIDI sound sources, or to layer the OM-108 internal sounds with external sound sources. The OM-108 has evolved into an instrument that invites you to explore more creative sounds using MIDI.

The OM-108 includes rhythm voicing from the OM-84, which is extremely popular for its early 1980s retro sound. You can switch the rhythm tones between OM-108 and OM-84 by using a special 'power-on' operation.

Although it has a built-in speaker, the Omnichord is small, lightweight, and battery-powered*, making it easy to carry and play. Connect an external amplifier and headphones, and you can perform anywhere, such as in the studio, performing at a live venue, or just playing in your bedroom! *Powered by 8, AA batteries or dedicated AC adapter (both sold separately).

Using "REAL TIME CONTROL", the OM-108 integrates multiple functions for switching the way chords and rhythms are played. Whether you want to play at free tempo (without rhythm), add bass accompaniment, or start with a drum prelude, you can easily switch in real time even during a performance.

When connecting to an external speaker etc., you can turn on/off the sound produced by the speaker of the instrument. This is useful when you want to monitor your own sound during live performances. This is a new feature included on the OM-108 in direct response to user's requests.

Specifications

Chord buttons: 38
Chords: major, minor, 7th, major7th, minor7th, augmented, diminished, suspended4th, add9th
Voices: 10 tones (main, sub tones) / 4 octaves
Rhythm Pattern: 10 patterns
Control: Master Volume, Chord Volume, Main Voice Volume, Sub Voice Volume, Sustain, Rhythm Volume, Tempo
Button Controls: Power, Chord, KEYBOARD ON/OFF, Voice Select, Rhythm Select, Chord-Manual/Auto, Chord Hold, Rhythm-Start / Sync Start
Other Functions: Instant OFF, Transpose, Octave Shift, ON/OFF SPEAKER, Master Tuning
Speaker: 10cm
Amplifier output: 4.3W
Jack: DC inlet, LINE OUT (monaural standard), headphone output (Stereo mini), MIDI OUT
Power Supply: AC adapter, 8 AA alkaline or Ni-MH batteries (all sold separately)
Power consumption: 3.7W
Continuous battery operation time: Approximately 8 hours
Measurement: W45.7 x D25.0 x H5.18cm(17.99 x 9.84 x 2.04 in.)
Weight: 1.2kg(2.65lb)
Accessories: Melody keyboard overlayer

Accessories (sold separately, not included)

AC adapter 100-240V
AD1-1210A(100-120V)
AD3-1210A(220-240V)
Strap pin OSB-108
Gig Bag OGB-108

Notes: A clever take on generative sound, the Crum Hum is a three-voice soundscaping instrument, capable of creating unique melodic and harmonic tones based on 12 different sound engines.

Supplier's Notes:
Crum Hum is a 3-voice experimental and expressive soundscaping instrument with generative, ever evolving melodic and harmonic creation.

3 melodic voices with expressive touch control

12 different Sound engines

Generative & randomized melodic and chord generation

12 different Scales

Delay, Reverb, Overdrive, LFO

3.5mm CV output

3.5mm Clock input

Send and receive Midi sequencing and Midi CC.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: One of the best synths money can buy. Hugely expressive PolyBrute engine expands to 12 voices with the same beguiling combination of FullTouch keyboard, Morphee control and ribbon strip. Immense

Supplier's Notes:
Unleashing the full power of PolyBrute

Continuing the legacy of its predecessor as one of the most powerful and expressive analogue synths ever made, PolyBrute 12 goes a step further.

A multi-faceted tool for musical expression, PolyBrute 12 lets you seamlessly evolve and control any parameters while playing. The input-perfect sensitivity of the keyboard, the bi-timbral morphing presets, the multi-axis Morphee controller, the Ribbon controller - all work in perfect harmony so you can breathe vitality and intricate dynamics into your sound.

PolyBrute's in-the-moment sonic display would not be possible without the raw energy of its Brute oscillators and dual enhanced classic filters. This, combined with its intuitive interface, elegant modulation Matrix and advanced software companion make PolyBrute 12 a synth for the ages - a matrimony of Brute force and human touch.

Full touch, full control

Discover a next-generation keybed and new aftertouch modes that bring you into a direct and tactile connection with your sound.

PolyBrute's patented FullTouch keyboard provides the exact position of every key across the entire range of movement. This not only allows for precise and dynamic aftertouch expression but it also puts versatility at PolyBrute's core - allowing you to go from regular playing modes to exceptional aftertouch and envelope control at the touch of a button.

You can also use PolyBrute 12 to control any MPE-compatible VST. If you don't have a MPE compatible DAW, you can still record expressively using MIDI 1.0, although at a lower resolution.

Mono Aftertouch

In this mode, the note is triggered by regular keyboard velocity and the classic aftertouch area corresponds to an assignable aftertouch signal, where all the voices receive the same level and amount of expression. Great for applying a unified modulation effect to a chord or phrase.

Morph between sonic worlds

Seamlessly blend from one patch to another and find that perfect middle ground

Each preset is made up of two sonic states, A & B. A dedicated Morph knob lets you seamlessly explore a continuum of sound between them. This, combined with the Morphee controller and PolyBrute's keyboard, paves the way for endless patch evolution and expressivity.

Analogue heart, seismic sound

PolyBrute's sound begins with two analogue VCOs sharing much of the same sonic architecture that has made the Brute family renowned.

Each oscillator generates sawtooth, triangle and square waves simultaneously, and you can mix between them to shape just the right signal source and timbre.

Dial in VCO 1's Metalizer wavefolding to escalate from pure to punchy. Bring in VCO 2's sub-oscillator to add an extra lower octave and some added rumble.

Dial in edgy FM effects by modulating VCO 1's frequency with VCO 2, or subtly alter a continuous range of harmonics with soft or hard sync.

1 VCF 1 Steiner

A 2-pole 12db/octave Steiner filter design with continuous sweepable slope types, as seen across the Brute range. The addition of the proprietary Brute Factor feedback control lets you add anything from subtle warmth to a electrified growl.

2 VCF 1 Ladder

Inspired by Dr. Bob Moog's legendary 4-pole 24db/octave ladder design. A low-pass classic, with added gain compensation and asymmetrical distortion to add upfront grit to your polyphonic patches.

Modern modulation sources

Modulation has always been essential in animating synth sounds.

PolyBrute weaves a web of envelopes and LFOs that's intricate and unpredictable in equal measure - a dynamic display of sonic motion.

Three Envelope Generators

PolyBrute's VCF and VCA have velocity-sensitive ADSR envelopes hardwired outside the Matrix for instant gratification. The third Envelope Generator features a delay stage (DADSR) and can be assigned to sculpt any Matrix modulation targets. Use the various repeat and loop modes to add complex movement to your patches.

Three Envelope Generators

PolyBrute's VCF and VCA have velocity-sensitive ADSR envelopes hardwired outside the Matrix for instant gratification. The third Envelope Generator features a delay stage (DADSR) and can be assigned to sculpt any Matrix modulation targets. Use the various repeat and loop modes to add complex movement to your patches.

Three LFOs

PolyBrute's three syncable LFOs span an extremely wide range - facilitating anything from beautiful evolving soundscapes to clangorous audio-range modulation. Options for waveshaping, polarity and retriggering let you take your sound way outside the box. Experiment with Matrix routing and tempo/MIDI sync for hyper-rhythmic effects.

Enter the matrix

The flexibility of modular patching combined with digital precision and analogue richness makes for a transcendent polysynth experience.

32 target parameters, 64 connections in total. Rearrange PolyBrute's signal chain with the touch of a single button. Dial in positive or negative amounts, intuitively assign one or more destinations via any relevant controls, instantly route PolyBrute's array of performance controllers and advanced modulation sources to influence just about anything in the instrument's chain - all without a convoluted array of wires.

But the Matrix doesn't just take care of PolyBrute's all-encompassing modulation routing - it's the centrepiece of every aspect of its architecture. In Presets mode, use the Matrix to select any of the 768 patch memory locations. Morph mode accesses advanced morph state editing. Sequencer mode transforms the Matrix into an intuitive visual pattern editor.

Main Features

61-keys with FullTouchr MPE Technology keyboard
Pitch Bend, Mod Wheel, Ribbon controllers
Morphee touch and pressure sensitive 3D controller
Osc and Noise Mixer with Filter routing
12dB/Oct Steiner Parker Filter

Continuous LP>Notch>HP>BP morphing
Cutoff, Resonance, Brute Factor

24dB/Oct Ladder Filter with Distortion
Three Envelopes
Looping capability
Two ADSR
One DADSR
Three stereo digital effects
Modulation FX : Chorus, Phaser, Flanger, Ring Modulation
Delay : 9 algorithms including BBD, Digital delay
Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer
Distortions : Subtle Tape, Classic Distortion, Soft Clip, Worn Out Tape, Germanium, BitCrusher, DownSampler
Arpeggiator, Matrix Arpeggiator, Sequencer
Stereo audio output
2 expression and 1 sustain pedal inputs
Two Analogue VCO's
Saw
Triangle + Metalizer
Square + Pulse Width
Sub
Linear FM
Hard Sync
Noise Generator
Continuous tone from rumble noise to white noise
Three LFOs
LFO1 and LFO2 with waveform selection
LFO3 with waveform shaping using Shape and Symmetry
Rate control & Tempo Sync
Various retrig options
480 presets and 768 preset slots
12x32 Modulation Matrix
Notes, Accent, Slide per step
3 tracks of automation
MIDI and USB I/O + analogue clock I/O

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration
Works in Standalone, VST, AAX, Audio Unit.

Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content

PolyBrute 12 Unit
Power Cord
User Manual
Registration Card

Instrument dimensions
Size : 38.3 x 17.1 x 6.1 inches (972 x 435 x 156mm)
Weight : 50.7lbs (23kg)

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: Super affordable but fun analogue synth, the LORE does two-oscillator FM synthesis to create experimental tones, drones and textures. Power via USB-C, output over 3.5mm jack socket.

Supplier's notes:
Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: Pink version of Soma's excellent Lyra-8. Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier's Notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Building on Supercritical's back catalogue, the Redshift provides a range of characters, based around the Demon Core Oscillator and Neutron Flux Filter. Six-voice analogue design with multitimbral options, MPE control and DSP effects.

Supplier's Notes:
Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

Notes: Typically creative stuff from Pittsburgh Modular, the updated Voltage Lab is the pinnacle of the brand's synth output. Dual oscillator design with a 16-note touch controller, built-in sequencer and MIDI control.

Supplier's Notes:
The Pittsburgh Modular Voltage Lab 2 is a cutting edge synthesis laboratory that offers a new palette of analogue textures and waveforms to sonic researchers. Newly developed wave shaping capabilities paired with powerful synthesis tools, and a deep, performance oriented controller join together to create a complete sound design laboratory. This instrument has a very physical sound. The tones it creates feel natural and alive, with traditional waveforms becoming the seeds of unique new shapes and sounds that shift between analogue physical modeling and more unfamiliar, abstract timbres.

Laboratory Oscillator 1

Voltage Lab 2 includes a pair of Laboratory Oscillators. Each with a unique set of newly invented waveshaping tools designed to expand the sonic potential of analogue synthesis. Laboratory Oscillator 1 introduces Center Clipping to analogue synthesis. Center clipping unlocks independent control over the top and bottom of the waveform, allowing for detailed manipulation of harmonics and timbre without affecting pitch. It does this by processing waveforms from the center out as opposed to traditional methods which work from the peaks inwards.

Laboratory Oscillator 2

Laboratory Oscillator 2 introduces a host of new sonic possibilities with two new waveshapers. Pulse Symmetry and Reflection. Pulse Symmetry creates a new species of pulse wave that adds a step between the top and bottom of the waveform. The resulting wave looks like a set of stairs where the depth of the center step can be adjusted in addition to the pulse width. Wave Reflection takes the bottom half of the waveform and reflects it onto the top half. Each waveshape responds to this differently. For example, a saw wave morphs into a triangle while triangle and sine waves lose their fundamental harmonic and jump up an octave.

Pittsburgh Dynamics Controllers

The new Dynamics technology imparts Voltage Lab 2 with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voices of the Voltage Lab 2.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Voltage Lab 2 sounds more natural or complex compared to other instruments.

Touch Controller 2

The Touch Controller 2 enables artists to blend traditional pitched performances with the freedom to openly experiment, creating a flexible playground for music creation. Two independent channels offer a combination of real time, expressive playing and in-depth sequencing. Assignable scales, step conditions, jumps, chance effects, generative sequencing, and a host of other tools, come together allowing musicians to both create and interact with complex systems.

A Florist and Echos

The Voltage Lab 2 includes a set of analogue time based effects, Florist and Echos. The Florist is a flanger/chorus hybrid that focuses on brighter, short time shifts with highly controlled feedback allowing for maximum ringing before self oscillation. Echos is a more traditional, darker analogue BBD delay that also utilizes highly controlled feedback to provide a larger number of repeats before falling into self oscillation. Both effects are perfect for traditional workflows and unconventional experimentation.

Complete Set of Modular Tools

The Voltage Lab 2 includes a host of fully modular, analogue and digital synthesis tools to support and enhance it's core functionality. Analog tools include flexible mixers, a pair of complex function generators, noise, sample and hold, and an LFO. Digital tools cover external MIDI, arpeggiator, and a robust chance sequencer. The Voltage Lab 2 toolset is deep enough for all types of sonic experiments.

Notes: Drawing on the iconic Mono/Poly synth from 1981, the Multi/Poly reimagines Korg's heritage for the 21st century. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Explore breathtaking analogue-inspired sound with the limitless power of digital technology. The multi/poly is the first synthesizer to use Korg's next-generation analogue modelling technology, building on the distinctive combination of big, bold sounds and modular-derived experimental features that made the Mono/Poly legendary. It's like having a polyphonic modular system in a compact, hands-on package, offering limitless possibilities for sound designers and synth enthusiasts alike.

Create hardware mashups with East-coast, West-coast, and wavetable oscillators alongside a wide selection of newly modelled filters. Bring these sounds to life with models of different envelopes, VCAs, and portamento circuits, while virtual voice cards add organic timbral variation. The Layer Rotate feature triggers new Programs with each key press, while Kaoss Physics, Motion Sequencing 2.0, massive modulation capabilities, and more allow for deep sound exploration.

Next-Level Analogue Modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly different character, creating rich and naturally evolving timbres. Just like in an analogue synthesizer, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended-release time, newly played notes "catch" the envelope at its current state rather than restarting from zero. Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave differently depending on voltage, with varying thresholds for turning on and off, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

Four Oscillators Per Program for Complex Tones

multi/poly offers four oscillators per Program, providing thick, multi-layered tones. You can choose from three types of oscillators:

Classic oscillators:

These faithfully model traditional analogue waveforms with stunning accuracy. The 11 options include both single and dual waveforms, giving you rich, thick sounds. Front-panel knobs offer control over pulse width, triangle "lean," dual-waveform blending, and more.

Digital oscillators

Play wavetables with up to 64 steps, like vintage hybrid synths or modern Eurorack modules. Start with over 200 factory wavetables or import your own using the Editor/Librarian software for macOS and Windows. You can even import Modwave wavetables or convert wavetables from popular software formats. The 30+ Modifiers allow you to reshape wavetables, while 8 Morph Types (Stretch, Flip, Mirror, etc.) process them in real time.

Waveshaper oscillators

Inspired by West-Coast synthesis, these oscillators take simple waveforms (sine or triangle) and process them through a shaper table, producing dynamic harmonics. Use the Berkeley shaper for traditional wavefolding timbres, or choose from over 90 shaper types for a vast array of tones. The multi/poly also supports modulatable pulse width, adding richness and motion to your sound.

Additionally, the multi/poly includes a noise generator with dedicated filtering and saturation, and a ring modulator with inputs from the oscillators. You can create powerful sounds by leveraging the enhanced sync and x-mod capabilities, which expand on the Mono/Poly's original design. Create unique tones by syncing oscillators 2, 3, and 4 to oscillator 1, or split sync and x-mod into pairs for independent control.

Dual Modelled Filters for Maximum Flexibility

multi/poly's filters are newly redesigned to offer a range of classic and modern options. The multi/poly also includes the MS-20 LP and HP 12dB/octave Korg 35 filters, recreating the aggressive, distinctive sound of the MS-20. For gentler tones, use the SE M/P 2-pole filter, which offers continuous control for sweeping between lowpass, band-reject, and highpass, with a separate bandpass mode. multi/poly's filters support audio-rate modulation, allowing you to modulate filters using any oscillator or the ring modulator for bright, fizzy, and bubbling effects.

M/Poly: A 4-pole self-resonating filter, modelled on the Mono/Poly.
Mini: A ladder filter from a famous American mono-synth, with reduced resonance at low frequencies-perfect for bass.
Pro: From the first programmable polyphonic synthesizer, offering strong resonant sweeps.
Ladder HP/BP: 4-pole self-resonating highpass and bandpass filters.
Use the Drive circuit to add weight or distortion, ranging from subtle thickening to extreme saturation. You can use two filters at once in series or parallel, with each source (oscillators, noise, and ring mod) having its own balance control to crossfade between filters. Modulate the A/B balance for even more creative sound shaping.

The Power of Four

multi/poly's structure allows you to build four Layers, each containing a separate Program. This adds an entirely new dimension of sonic complexity, as you can layer up to four Programs simultaneously in a Performance. These can be used to create massive, multi-layered sounds or creative splits and velocity-triggered variations. Each Program features its own set of oscillators, filters, envelopes, LFOs, and effects, allowing you to craft detailed, evolving performances that change with every key press.
Each Program starts with four oscillators, a noise generator, and both sync and x-mod capabilities. These are processed through two independent filters, providing massive tonal flexibility. For modulation, multi/poly includes four loopable DAHDSR envelopes, five LFOs, and six Mod Processors, allowing you to create detailed and evolving sounds.

Layer Rotate for Evolving Performances

The Layer Rotate feature allows you to cycle through these four Programs with each key press, ensuring dynamic, ever-changing performances. Inspired by the original Mono/Poly's paraphonic mode, Layer Rotate offers endless creative possibilities. You can set the Layers to trigger in random or repeating order and use them in combination with the arpeggiator for complex, mind-bending patterns.

Production-ready Effects

The multi/poly's effects ensure your sounds are polished and ready for the stage or studio. Each layer features three dedicated effects, along with a send to the Performance's master reverb and a master parametric EQ. In addition to standard effects like compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll have access to unique sound-shaping processors such as the Wave Shaper, Talking Modulator, Reverse Delay, and Multiband Mod Delay, as well as the famous Overb from the OASYS and Kronos. multi/poly also includes modelled effects like Vox guitar amps, Vox wah, Vintage Distortion, CX-3 Rotary Speaker and Vibrato/Chorus, multi-head tape echo, and a collection of classic guitar pedals, giving you endless possibilities to shape your sound.

Built to Perform

An instrument that sounds this great deserves to look and feel fantastic, too. The new semi-weighted keybed is smooth and expressive, providing a responsive playing experience, while the knobs offer just the right amount of resistance, perfect for fine-tuning your sounds. The solid aluminium front panel ensures durability, making it road-ready for live performances, while the wooden side-panels and blue-on-black colour scheme are a stylish nod to the original Mono/Poly design. Plus, the multi/poly comes with a custom-made soft case, making it easy to transport and protect your instrument wherever you go.

Notes: A creative approach to video synthesis courtesy of Critter & Guitari, the Eyesy generates real-time visuals to accompany a musical sound source. Deeper programming options allow you to control the graphics, trigger changes via MIDI or even code your own patterns.

Supplier's Notes:
Welcome to the world of the EYESY - Critter & Guitari's video synthesizer! The EYESY reacts to your music to create endlessly mesmerizing visuals. Simply plug it in and start creating. But don't be fooled by the simplicity of the EYESY, there are many features and goodies hidden inside. Whether you are creating live visuals, working on a music video, or want to program your own graphics, the EYESY will become an indispensable tool.

Modes

The EYESY comes with numerous pattern generators called modes.

Navigate the modes using buttons, and then tweak their visual appearance using five knobs. The modes respond to audio input in various ways; from smooth undulating patterns to rapid fire animations. The controls allow you to effect various elements of the patterns and colours. There is also a setting that allows the graphics to pile up in vibrant collages.

Save and Load

Store your current settings and screen grabs.

When you happen upon a setting that you like, press the scene save button to save it. This scene can now be recalled at a future time.

You can press the screen grab button to take a picture of the current frame, providing a quick way to generate interesting still images from your moving videos. Access all of your screen grabs from the browser-based interface.

MIDI Input

The EYESY's USB-MIDI & TRS-MIDI inputs offer a wide range of controllability.

Incoming MIDI Notes and Clock can change a mode's behaviour. The knobs can automated by sending MIDI controller messages from a sequencer or your favourite performance software. Program Change messages may also be sent to select your saved scenes.

Customise

Curate your EYESY for you.

You can add and remove the pattern generating modes to make the device as simple or complex as you like. The saved scenes are stored in a single file that can be saved and edited. All of the resources are managed through a simple-to-use web browser-based interface.

Coding

If you really want to go deep, you can also program your own modes for the EYESY.

Edit and create your own modes! The modes are all open source and based on an open platform. You can make changes to the modes and create new modes using the browser-based editor. Modes are written in the Python programming language.

Included items:

Power Supply:
Input: 100-240VAC @ 50/60Hz. Output: 9VDC, 1.3A, Center-positive polarity.
USB-WiFi Adapter (Ralink 5370 Chipset, 2.4GHz)

Included storage:
A microSD card holds the operating system and modes. There is ~4GB for available for mode storage.

Notes: Part of Sonicware's excellent Liven series of compact groove boxes, the Mega Synthesis draws on the unique sound of the Sega Mega Drive/Genesis games console to create characterful 80s/90s synths.

Supplier's Notes:
Revive the SONIC sensation of the golden era!

Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects

You too must have fallen under the spell of the extraordinary visuals and sounds of the groundbreaking 16-bit video game console that once dominated the world! It was powered by the iconic "YM2612" sound chip, a legacy that endures even today.

The MEGA SYNTHESIS has resurrected the sound engine of this chip. Sonicware have faithfully recreated the 4-operator FM sound module, the 8-bit PCM sound module, and the "SN76489" PSG (Programmable Sound Generator) sound module used by the original console.

4-operator & 8-algorithm FM sound module with precise sound editing in Edit Mode - Including extra features like fine-tuning operator ratios, which was impossible at the time.

PSG (Programmable Sound Generator) sound module - Synthesize basic waveforms and white noise to recreate iconic retro-game-sounds.

And the 8-bit PCM sound part of YM2612 - Recreate the sound of PCM playback controlled by the Z80 microprocessor used at the time.

Sampling capabilities (8-bit - 12kHz: up to 8 seconds / 24kHz: 4 seconds / 48kHz: 2 seconds, 96 stored samples)

Legacy Mode to faithfully replicate the sound of the era

This feature simulates the characteristically grungy sounding quirks of the YM2612 sound and can be turned on/off for each track.

In the FM tracks, you can separately configure FILTER [frequency response simulation] and LADDER [replication of the unique 9-bit DAC]. And the PCM track can also be played back in 4BIT, allowing you to create the sound to your preferences.

Create Diverse Game Music with a Sophisticated 6-Track Sequencer and 10 Types of Effects

Creating game music is a breeze with this intuitive sequencer, featuring a straightforward 6-track layout comprising 3 FM synthesis tracks, 2 PSG synthesis tracks, and 1 PCM sample track. woo
Specifications

Synthesiser


FM sound module [Tracks 1, 2, 3]
- 4 operators - 8 algorithms
- Maximum polyphony: 6 voices
- Sound editing in FM Edit mode

- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

PSG sound module [Tracks 4, 5]

- 11 types
Square wave
Noise (Low/Mid/High) -> Square wave
Pulse Wave
Noise (Low/Mid/High) -> Pulse Wave
Noise (Low/Mid/High)
- Maximum polyphony: 4 voices

- Polyphonic mode
- Mono mode with adjustable glide time
- Legato mode with adjustable glide time
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

PCM sound module [Track 6]

- 8bit - 12/24/48kHz (switchable) linear PCM sampling (mono)
- Up to 8 seconds of sampling per sample (12kHz), 4 seconds (24kHz) or 2 seconds (48kHz)
- Auto start sampling function with the input level (input level can be set)
- Auto-slice function (equal division by number of slices or length of one slice)
- Maximum polyphony: 3 voices (1 voice in One-shot mode)?- 96 sample memory slots (16 x 6 banks)
- Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.

- Drum mode (Drum kit performance)
- One-shot mode (Sample playback or chromatic performance)

- Sweep with adjustable speed, range, and curve
- Switchable between sweep envelope and LFO

[Effects]

Effect send amount can be set independently for each track

- Send Delay
- Insert Delay
- Reverb
- Crusher
- Distortion
- Compressor
- Low pass filter
- High pass filter
- Isolator
- Remix Performance effect

[Sequencer]

- 6 tracks
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when playback is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Step copy and paste function
- Track copy and paste function
- Duplicate to extend a sequence
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function (Loop playback possible)
- Track level and pan can be set independently
- Parameter Lock function to record parameter settings for each step
- Sound Lock function to record sound settings for each step
- Note playback probability can be set from 25 to 100% for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]

- Notes, control changes, clock input/output
- Import and export user data
- Firmware update via Sysex

[Unit]


27 keys (with a hold function)

- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: Your versatile production companion for on-the-go!

The Xsynth may look like a master keyboard, but it's so much more: As a fully-fledged synthesizer, it's perfect for sketching ideas and turning them into reality - anytime, anywhere. Based on the acclaimed Xkey series, this portable synthesizer offers not just unmatched mobility but also an integrated MIDI and audio interface. Whether in the studio, on the road, or at home, the Xsynth is the ideal solution for those who value performance, flexibility, and sleek design.

4-in-1 Mobile Production Companion

Your ultimate production companion for creative freedom on the go! Combining a 25-key keyboard with polyphonic aftertouch, a MIDI interface, an audio interface, and a built-in synthesizer, Xsynth serves as your musical sketchbook, expanding your creative horizons. Wherever you go, Xsynth goes with you - it operates as a standalone synthesizer or seamlessly integrates with a DAW and other hardware as a versatile controller. Soon, Xsynth will become the cherished centerpiece of your setup.

Connectors

Xsynth is very thin, and still has all the connectors you need.

Multi-sensitive Keys

Xsynth comes with 25 velocity sensitive keys that follow exactly the octave range of traditional pianos. Despite the slim design they even provide polyphonic aftertouch.


Encoders and Display

All synthesiser functions and parameters can be accessed quickly via the encoders with real time updates and information on the Xsynth display.

Smart Buttons

Durable rubber smart buttons provide features like Pitch Bend, Modulation, Hold, allow the change of the keyboard Octave range, Glide and you can enable or disable the powerful integrated Arpeggiator of Xsynth.

Bundled Software

In order to get you started right out of the box, Xsynth ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included:

Bitwig Studio 8-Track - the trim and effective DAW to start producing, performing, and designing sounds like a pro for use on up to eight tracks of audio / MIDI, incl. the Bitwig Essentials Package, a versatile selection of handpicked presets and sounds. Record instruments, create your arrangements, design new sounds, or just jam - every feature has been developed by musicians, for musicians!

Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze, no matter where you are, right there on an iPhone or iPad when connecting Xsynth.

Whether you are a hobby musician, home studio owner, freelancer or podcaster - WaveLab LE helps you to bring your music, voice and sound recordings to a more professional level. This easy-to-use mastering and audio editing software from Steinberg turns your computer with Xsynth into an audio analyzing, editing and publishing studio.

Notes: SOLAR 42F is a unique experimental electro-music instrument, an analogue microtonal ambient drone machine. It will inspire you to find a new and spontaneous approach to composing music. It gives you the ability to create a multi-layered, massive sound. The instrument is oriented for live performances, creating film soundtracks, theatre soundtracks, atmospheric sounds, microtonal and background music.

It is an improved version of the older SOLAR 50 model. The instrument was inspired by early electronic musical instruments of the 1920s and 1950s, notably Leo Theremin's "Harmonium" instrument, as well as science fiction film soundtracks.

The new version of the Solar 42F has added a LIN/EXP CV switch, sub oscillators in volt octave voices and a band pass and stereo distortion mode to the filter. Other quality of life improvements include modified graphics - inputs have been labeled in black and outputs in red for convenience - bypasses for each channel of the effector and a LED indication in the joystick unit.

Notes: Moog enter a fresh chapter with a huge new synth. Full-on eight-voice bi-timbral analogue goodness, featuring selected highlights of Moog's iconic synth circuits from over the decades. Classic Moog sound, updated and bigger than ever.

Supplier's Notes:
Meet Muse, an eight-voice analogue bi-timbral polyphonic synthesiser - the culmination of over 5 years of dreams, design, and passion. Muse is an intuitive and powerful instrument built on the rich history of Moog that simultaneously gazes boldly into the future. This studio or performance centrepiece is driven by eight analogue voices, each with two VCOs, modulation VCO, dual VCFs, and a stereo VCA - all with that recognizable, kinetic analogue quality.

Muse represents a melting pot of classic Moog designs paired with forward-thinking controls in one complete instrument. Moog have selected the very best of vintage Moog circuits to create Muse - inspired by Moog Voyager oscillators, MF-102 Ring Modulator, CP3 Mixer, 902 VCA module, and a 904a Filter.

With 16 banks of 16 patches, you'll encounter beautiful pads, organic FM plucks, attention-grabbing leads, subterranean basses, stage-oriented key splits, as well as 2 banks reserved for your own sonic discoveries. Explore and express yourself endlessly with cutting-edge digital controls for powerful modulation capabilities, dedicated macro control, customizable envelopes, and multiple flexible LFOs. Shaping sound with Muse is a pleasure - the synthesizer and synthesist grow as one as the adventure continues for years to come.

Muse was created for, and by, modern musicians, producers, and sound designers who appreciate performance-oriented controls, intuitive knob per function layout, and "More" menus for every module. Built for stage and studio with a 61-key Fatar keyboard with velocity and channel aftertouch, a left-hand controller with pitch and mod wheels, and a programmable Macro knob makes the experience of interacting with Muse inspiring, intriguing, and innately playable.

A hypnotic stereo Diffusion Delay processor was inspired by golden era vintage digital rack delays with a unique and powerful set of diffusion, multi-tap, and filter behaviours. Craft complex echoes and diffused tonal smears that add dimension and depth to any patch.

In addition to Muse's creative immediacy, the powerful arpeggiator invites you to generate melodic ideas with compelling patterns and rhythms. With Muse's deep sequencer, you'll unravel unique patterns and gestures - further develop these discoveries with parameter recording, generative/probabilistic functions, and detailed editing of every note in the sequence - Moog Muse is a limitless canvas of musical exploration.

Moog Muse Specs:
Synthesiser type - Polyphonic, Bi-timbral Analog Synthesizer
Sound engine - Analogue
Polyphony - 8 Voices
Keybed - 61 full-size semi-weighted Fatar keybed with Velocity and channel Aftertouch
Controllers - Pitch Wheel, Modulation Wheel, Macro Knob, Keyboard Octave switch, Hold switch, Sustain Pedal input, Expression Pedal input - all pedal functions are assignable
Panel controls - 44 knobs, 16 sliders, 129 buttons - OLED screen
Analogue voltage-controlled oscillators - (x2) Selectable Triangle/Sawtooth mix, variable width Pulse wave, Octave (16', 8', 4', 2'), Frequency (+/- 7 Semitones), Wave Mix (blends Triangle/Sawtooth with variable Pulse wave), FM routing and amount, Hard sync
Analogue ring modulator - Ring modulation between Oscillators 1 and 2
Analogue voltage-controlled modulation oscillator - Selectable waveform (Sine, Sawtooth, Reverse Sawtooth, Square, Noise), Audio range toggle switch, Keyboard tracking, Keyboard reset, Unipolar switch, Pitch Modulation routing and amount, Filter Modulation routing and amount, Pulse Width Modulation routing and amount, VCA Modulation amount, Panning switch
Analogue noise generator - White noise
Analogue voltage-controlled mixer - Independent level control for OSC 1, OSC 2, RING, MOD OSC, and NOISE. Overall OVERLOAD control
Analogue voltage-controlled filters - (x2) Moog transistor ladder filters (1 with highpass/lowpass modes), Cutoff Frequency, Resonance, KB Tracking Amount, Envelope Amount, Linked Operation, Routing (Series, Parallel, Stereo)
Envelopes - (x2) Attack, Decay, Sustain, Release, variable curves per stage, Multi-trig, Loop, Velocity
Analogue voltage-controlled amplifier - Volume per Timbre, Pan position per Timbre, Pan Spread per timbre
Diffusion Delay™ - Configurable stereo signal processor, Delay Time Left, Delay Time Right, Feedback, Character, Mix, analogue bypass switches (to maintain 100% analogue signal path)
Output section - Master Volume, Headphones Volume, Low Cut EQ
LFO - (x2) Rate, Amplitude, Waveform selection (Triangle, Sawtooth, Square, Sample-and-Hold, User customizable), Keyboard Reset
Pitch LFO - Rate, Ramp Down through Triangle to Ramp Up Shape control, One-Shot Envelope toggle, Keyboard Reset, Pitch Modulation routing and amount
Glide - Selectable glide type (LCR, LCT, EXP), Glide amount
Clock - Clock rate, Tap Tempo
Arpeggiator - Per-timbre with Clock Division, Octave range, Pattern, Direction, Gate time, Rhythmic programming, etc.
Sequencer - 64-step sequencer with Clock Division, Transport controls, Sequence chaining, Step editing, Modulation capabilities, and memory capacity of 16 banks of 16 sequences
Programmer - Browser via OLED screen with 16 banks of 16 patches, Mod Map, Arpeggiator settings, Sequencer with per-step settings, Global settings, etc.
Voice control - Mono or poly voice count per timbre, Unison/Mono, Detune, Timbre editing, Voice stealing configuration
Chord memory - Chord memory with per-key functionality
MOD MAP - 16 modulation slots per timbre per patch with controllers and mathematical transform functions

Rear panel

Audio outputs - Main Left, Main Right (14" TRS)
Headphones - Stereo 1/4" (located on the front edge of the Left Hand Controller)
Pedal inputs - Sustain, Expression (1/4" TRS; Configurable through Mod Map or for use as 1/4" TS CV inputs)
Control voltage inputs - CV IN 1, CV IN 2 (1/8" TS)
Control voltage outputs - CV OUT 1, CV OUT 2 (1/8" TS)
Analogue clock input - CLOCK IN (1/8" TS)
Analogue clock output - CLOCK OUT (1/8" TS)
MIDI - 5 Pin DIN MIDI IN, OUT, THRU; MIDI over USB
USB B - USB-B connector for interfacing with a computer or other host MIDI device
USB A (HOST) - USB-A connector for connecting to other instruments with Muse as the MIDI host

Power
Style IEC Cable
Input: 100 - 240VAC; 50 Hz - 60 Hz

In the box

Moog Muse 8-Voice Polyphonic Analog Synthesizer
IEC Cable
Quick Start Guide
Registration Card
Safety & Warranty Manual

Weights & dimensions

Product Only
Weight: 14.55 (kg), 32 (lbs)
Dimensions (W x D x H): 99 x 42 x 11 (cm), 39 x 17 x 4.5 (inches)
Product In Box
Weight 18.92 (kg), 43.92 (lbs)
Dimensions (W x D x H): 116.7 x 55.2 x 24.7 (cm), 45.96 x 21.72 x 9.72 (inches)

Notes: Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply: stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: Vintage FM synthesis meets analogue character in the TWISTfm. Eight-voice polyphonic sound engine with superb versatility thanks to 15 filter modes including Heat saturation and adjustable resonance.

Supplier's Notes:
Unleash the full potential of FM synthesis with TWISTfm, a cutting-edge polyphonic synthesiser that blends vintage FM synthesis with advanced analogue filtering and modern control. Designed to offer a rich, dynamic sound palette, TWISTfm is the perfect tool for musicians and sound designers looking to push the boundaries of sonic creativity.

At the core of TWISTfm are two legendary Yamaha OPL-3 YMF262 FM chips paired with dual YAC512 stereo DACs, providing 8 discrete voices. Each voice is equipped with its own analog multimode filter for an unparalleled range of sound design possibilities.

With HEAT and Dual Resonance Modes: Featuring 8 individual analogue filters, inspired by the iconic designs of Mutable Instruments, TWISTfm gives you precise control over sound shaping with 15 filter modes, including low-pass, high-pass, band-pass, phaser, notch, and more. The HEAT parameter adds anything from warm, subtle saturation to harsh analog distortion, allowing you to push the filters to their limit. Additionally, you can switch between two resonance flavors-LIQUID, for smooth and subtle resonance, and MS20, for more aggressive, cutting tones. With digital control over resonance and cutoff, the filters offer flexible modulation and the ability to store settings with presets.

TWISTfm's MPE mode fully supports three dimensions of control-pitch (X), timbre (Y via CC74), and pressure (Z)-offering precise per-note modulation for unparalleled expressiveness and depth in your sound.

Whether you're composing in the studio or performing live, TWISTfm's robust feature set and intuitive design make it a powerful addition to any setup. Its combination of vintage FM tones and modern control capabilities offers a unique, versatile sound engine capable of producing everything from smooth ambient pads to aggressive basses and leads.

Notes: The legendary MicroKorg gets a major overhaul, bringing this iconic instrument right up to date. Eight voices of powerful, punchy and inspiring virtual analogue sound. A superb all-rounder, suitable for all styles of music.

Supplier's Notes:
A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: Based on the iconic Mono/Poly analogue synth of the early 1980s, the Multi/Poly draws on decades of tech innovation to offer something fresh and exciting. Super versatile analogue modelling engine allows you to create unique synth voicings.

Supplier's Notes:
Multi/poly module

Breath-taking analogue-inspired sound with the limitless power of digital technology.

Summary

The multi/poly module takes analogue modelling to new heights, offering musicians and sound designers an incredible fusion of classic analogue warmth and cutting-edge digital power in a compact, rack-mountable module form. Inspired by the legendary Mono/Poly, this revolutionary synthesizer features four oscillators per program, advanced modulation capabilities, and a wealth of hands-on controls, allowing you to craft everything from rich, layered textures to futuristic, experimental tones. The new 19" rack-mountable enclosure has the same controls as the keyed model yet boasts an easily transportable form factor that fits neatly into any studio or desktop production system.

Overview

Inspired by the legendary Korg Mono/Poly, the new multi/poly analogue modelling synthesizer delivers breathtaking analogue sounds combined with extraordinary digital power and flexibility.

Korg is now pleased to introduce the multi/poly module: all of the multi/poly's incredible features and sounds in a compact 19" desktop/rackmount package. With support for MIDI 2.0 property exchange and poly aftertouch, the module is an excellent companion to Korg's Keystage controller. It's also fully compatible with programs from the multi/poly native software, as well as an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed model, yet is easily transportable and fits neatly into any studio or desktop production system.

Next-level analogue modelling

multi/poly features redesigned, incredibly detailed filters and oscillators, and advances in analogue modelling that take this technology to a new level. Each voice contains a Virtual Voice Card, where oscillators, filters, envelopes, LFOs, and portamento circuits are modelled to reflect analogue hardware component variations. As a result, each voice can have its own slightly di6erent character, creating rich and naturally evolving timbres

Just like in an analogue synthesiser, voice cards continue to play even if you're not hearing them. Envelopes evolve naturally, meaning if you play a long pad with an extended release time, newly played notes "catch" the envelope at its current state rather than restarting from zero Oscillators and LFOs maintain phase, while resonance continues to ring out. Pitch drift mimics the subtle instabilities of true analogue hardware.

The multi/poly also includes envelope curvature presets inspired by classic synths like the Mono/Poly, MS-20, ARP Odyssey, and Prophet 5. Additionally, analogue VCAs behave di6erently depending on voltage, with varying thresholds for turning on and o6, which has a strong impact on the Amp Envelope's character. multi/poly models VCA responses from the Mono/Poly, MS-20, Prophet 5, Mini, Odyssey, and more, alongside a linear option.

MIDI 2.0 property exchange and polyphonic aftertouch support

All models of multi/poly, hardware and software, support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to Korg's Keystage controller.

Rack-mount and desktop compatible

The multi/poly module is cleverly designed for both desktop and rack-mount use. The front panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets over a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio

Specifications

Maximum Polyphony: 60 voices (varies depending on settings)
Dimensions (W× D × H) 483 x 172 x 107 mm / 19.02" x 6.77" x 4.21"
Weight: 1.7 kg / 3.75lb
Included items: AC adapter
Other specifications are the same as for multi/poly.

Notes: Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: A lovely creative approach to generative synthesis. Dual voices with triangle/square wave oscillators, shift register and envelopes can be patched via banana cables to create unique grooves and drones.

Supplier's Notes:
Double Knot v3

The Double Knot v3 is a small generative synthesizer with two voices and corresponding sequencers. This instrument has a simple architecture which is capable of a wide variety of sounds, including rhythms and drum patterns or textural and grating noise sounds. The interface is made up of knobs, switches, and banana plugs for patching. The two voices of this device each consist of a triangle/square wave oscillator, a shift register sequencer, an enveloper, and a voltage controlled amplifier. A clock sets the tempo of the shift registers.

The voices of the Double Knot are pre-wired, in a linear chain of functional blocks. The patch points are available to route modulations, influencing the simple linear voices. The game of this device is to investigate the relationships between the elements of the synth using the knobs, switches and patch-points.

FAQ

How many banana cables do I need? and what length?

8 or 10 cables around 12" long is a great start.

Can I patch this with my other synth?

Only what is safe for this synth. The banana ports of this device can handle max +/- 8V at all inputs and outputs assuming at least a 1k output impedance in the other device. The response range of the voltage inputs is ~1.2v - 8V (range of a TL07x powered by 9V).

Is this synth good by itself, or does it rely on other devices to be useful?

Some good sounds can be had using this device and a handful of banana cables.

Notes: Co-developed by the late Chris Huggett, the Mantis is PWM's flagship synth, a duophonic hybrid design with high-performance digital oscillators and state-variable analogue filters. A fitting tribute to a legendary synth designer.

Supplier's Notes:
Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment

Specifications

200 Patches
All patches in RAM so can be overwritten
Bank A: 100 Factory presets
Bank B: 100 User presets (all set to initial patch)
Compare function
Initialise patch function

Duophonic with 2 analogue signal paths
Mathematically generated oscillators designed by Chris Huggett
Analogue signal path designed by Chris Huggett

2 Oscillators plus sub-oscillator per voice
Sine / Triangle / Saw / Pulse plus additional wave types
Shape control and shape modulation input
Will create pulse width modulation on the pulse waveform with perfect square at the centre
Pitch modulation control
Octave selects per oscillator
OSC 1 SUB follows oscillator 1 parameters

Oscillator Drift
Creates random pitch variations between oscillators

Multi-mode state variable VCA filters with overdrive
2 Analogue filters - 1 per signal path
Low Pass / Band Pass / High Pass in 12dB and 24dB configurations
Additional WBAND (series) and WSTOP (parallel) types
Filter Cutoff
Filter Cutoff Modulation
Filter Resonance
Filter Width
Filter Width Modulation
Filter Keytrack

LFO (Low Frequency Oscillator)
2 LFOs
4 waveshapes per oscillator
Fade In / Fade Out parameter
SYNCable
Rate control

Envelopes
2 Independent envelopes
ENV 1 normalised to amplitude
ADSR
+ Sustain Fall parameter for shaping during key-down
+ Repeat which can be used to create looping envelopes
Velocity positive and negative control

Ring modulation

Mixer
First mix: OSC1 and OSC2
Second mix: OSCillators and noise
Third mix: OSCillators + noise and Ring modulator

VCA (Voltage Controlled Amplifier)
All amplification is done in the analogue domain in multi-stage VCAs

Modulation Routes
Control - 6 choices of modulation parameters
Source - 6 choices of effectors from envelopes and LFOs
Scale - choices of controls used to scale the effect of the modulation

Glide
Glide amount
Auto-glide mode

Indicator LEDs
Two LEDs for Voice
LED for Keyboard activity

Master tune

Master volume

Triggering
ENV 1 Legato
ENV 2 Legato
LFO Keytrig
LFO Keytrig

Connections
Master power switch
DC 9V input
USBC
MIDI IN / OUT / THRU
Sustain pedal input (switch)
Pedal input (continuous)
Stereo 1/4" line Outs: L/Mono and R
Stereo 1/4" headphone out

Multi-function Joystick control
Left / right for pitch bend
Performable vibrato
Latching hold mode

Arpeggiator
6 arpeggiator types
- Up, Down, Up/Down 1, Up/Down 2, Played & Random
Sync rates control from 2nds to 32nds
Tap tempo button
Swing including positive and negative swing
Auto clock sync
- Detects MIDI or USB-MIDI clock and synchronises the arpeggiator automatically
Latch via joystick HOLD
6 Octave range

Dedicated tempo control

Duophonic mode control
Duo mode
Duo mode with simple filter
Pan control for duophonic voicing

Digital Effects
Reverb time
Reverb level
Reverb High Pass Filter
Reverb Low Pass Filter
Chorus level
Chorus type

Keyboard Control
37 Full-size semi-weighted velocity-sensitive keys
Channel aftertouch
Octave shift

Weights and Dimensions (product unboxed)
620 x 320 x 110 mm
5.3 kg

Includes:
Power Supply (9V 600mA)
USB C lead
Getting Started Guide

Notes: A legendary past, a powerful future.

microKORG is one of the world's most successful synths, having helped to shape music production for more than twenty years. Merging the essence of what made the original a global success with an array of powerful new features, the microKORG 2 once again redefines the landscape of music creation. It maintains the essence that has made its predecessor a mainstay in studios and on stages while introducing innovative, contemporary elements that resonate with today's musicians. The microKORG 2 is not just a new instrument; it's a new chapter in synth history.

Seamlessly sculpt your sound with refined controls

Dive into the microKORG 2 and discover how easy and intuitive creating the perfect sound can be. Korg have equipped it with five dynamic knobs, each one a gateway to fine-tuning your sound across any musical genre with speed and precision. Whether you're crafting lush pads or searing leads, the expanded bank selection puts every era of music right at your fingertips.

The centrepiece of the microKORG 2 is its stunning 2.8-inch colour display. It's not just about looks; this display makes tweaking your sound a visually immersive experience. Watch parameters come to life with animated effects, giving you instant visual feedback as you shape your sound. And for those who love to see music as well as hear it, a quick tap switches you to an oscilloscope view, literally showing you how your soundwaves evolve and change.

Korg have packed the microKORG 2 with the latest tech, but don't worry, it's all about enhancing your experience, not complicating it. Whether you're a synth veteran or just starting, you'll find its interface welcoming, straightforward, and comprehensive, letting you dive deep into sound creation without getting lost in the technicalities. It's all about keeping the joy in music making - and the microKORG 2 does just that.

Crafting vocal perfection: the new vocal processor

The original microKORG is renowned for making complex vocal synthesis accessible and fun. Known as the synthesiser with its own mic, it has been the choice for producing unique robotic voices for over two decades - a feat typically reserved for specialized equipment. The true magic of the microKORG has always been in its ability to simplify complex sound engineering. Taking a leap forward, Korg have outfitted the microKORG 2 with a new vocal processor that goes well beyond the beloved classic vocoder effects. Korg are introducing advanced vocal processing technology at your fingertips, including hard-tune pitch correction for creating smooth and polished vocal tracks. Additionally, the new harmonizer feature allows you to layer and pitch-shift your vocals, enriching your music with depth and complexity.
As for effects, the microKORG 2 offers a rich array of options. Layer your vocals with immersive reverb, crisp delay, and a diverse range of sonic textures to fully realise your creative vision. The iconic gooseneck mic, now featuring a stylish metallic neck, is the perfect complement to this powerful vocal processor. Whether you're aiming for rich harmonies or contemporary auto-tuned effects, the microKORG 2's vocal processor is a versatile tool for unleashing your vocal creativity.

Master live performances with loop recording and arpeggiator

Discover a new level of musical creativity with microKORG 2's loop recorder. This feature brings a familiar yet powerful tool for modern musicians into the microKORG world. Ideal for crafting layered backing tracks, the loop recorder allows you to loop segments of music and overlay your own performance, enhancing your creative expression in real-time. While loop recorders are well-known in the music world, their integration into the microKORG 2 opens up new avenues for experimentation and performance, perfectly complementing the synthesiser's robust capabilities.

The loop recorder is designed for simplicity and ease of use, featuring three simple buttons: record, play/stop, and undo/redo. The user interface is streamlined for immediate understanding and use- long-pressing the buttons reveals recording and playback settings, ensuring you're always in control and can focus on your performance.

The microKORG 2 also includes an arpeggiator, perfect for adding rhythmic complexity to your compositions. Activate it with a simple press of one of the eight program number buttons, and watch as it infuses your music with intricate patterns and textures. The combination of the loop recorder and arpeggiator opens up a world of possibilities, allowing you to craft a performance that is truly and uniquely yours.

Explore sounds across the ages

Discover microKORG 2's rich tapestry of sounds, where you get to play with a whole new range of tones. It's all about choice here - the new program selector is your gateway to genres far and wide. Fancy a bit of retro?

Specifications

Keyboard: 37 keys (velocity sensitive mini keys)

Synthesiser
Sound Engine: Analogue modelling synthesis system
Number of Timbers: Max. 2 (when Dual)
Maximum number of voices: Single 8 voices, Dual 4 voices

Vocal Processor
Maximum Polyphony: Vocoder 8 voices, Hard Tune 4 voices, Harmonizer 4 voices, Hard Tune & Harmonizer 2 voices

Effect types: Modulation, Delay, Reverb, Equalizer
Arpeggiator: 10 types, step arpeggiator function
Programs 256 programs (4 Banks x 8 Categories x 8 Programs)
Display: 2.8-inch IPS LCD display
Inputs/Outputs: OUTPUT - L/MONO, R terminals: 6.3mm TS phone jack, unbalanced
HEADPHONES jack: 6.3mm stereo phone jack, unbalanced
MIC IN - CONDENSER: +5V 3.5mm TRS mini phone jack, unbalanced
MIC IN - DYNAMIC: 6.3mm TS phone jack, unbalanced
AUX IN: 3.5mm mini stereo phone jack, unbalanced
DAMPER/SWITCH: 6.3 mm phone jack
MIDI IN,OUT
USB Type C

Power supply: 9V DC (AC adapter), six AA batteries (alkaline or NiMH)
Battery life: Approximately. 4 hours or more (when using alkaline batteries)
Dimensions (W x D x H) 542 x 238 x 65 mm
Weight: 2.1 kg (without batteries and microphone)
Included items Condenser microphone, AC adapter (DC 9V)

Notes: All black version of Sonicware's excellent digital synth. The ELZ_1 Play features an impressive 17 different digital synth engines, including low-bit retro sounds and the unique DNA Explorer.

*** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

Supplier's Notes:
17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: *** As of November 2024, Firmware 1.1 has been installed, including effects such as 4-Pole Filter, Trim Filter, Ambient Hall, Ambient Infinity and Ambient Room ***

17 Distinctive Synth Engines-Unlike Anything You've Ever Heard
The ELZ_1 play's synth engines are built from scratch using 32-bit floating point math. From hard low-bit textures to organic FM tones to granular synthesis, the ELZ_1 play offers unique synth engines unlike any other synthesizer.

LOW-BIT OSC: 2 ~ 8 bit variable low-bit oscillator. Sine, square, triangle and sawtooth waves.
STANDARD OSC: 32-bit floating-point processing high resolution oscillator. Sine, square, triangle and sawtooth waves.
CUSTOM OSC: Choose 2 waveforms / period of cycles.
DNA EXPLORER: Extract and generate waveform DNA from audio.
SiGRINDER: Granular synthesizer engine.
MASKED NOISE: Noise oscillator.
SAND FLUTE: Extract and generate tone from noise.
8BIT WAVE MEMORY: Editing your own waveform.
8BIT WAV MEM (MORPH): Morphing 3 waveforms.
8BIT WAV MEM (FM MODE): 2 operators, 8bit FM mode.
8BIT WAV MEM (WARP): Generates an intermediate waveform by crossfading two waveforms.
8BIT WAV MEM (ADSAR): Waveforms change according to envelope.
8BIT WAV MEM (TIME): 3 waveforms change in the orders.
FM SYNTH: 4 operators with 31 algorithms, 32-bit floating point processing.
ZTRINGS: Physical Modelling Strings engine.
SUPER OSC: Super synth engine with 5 detunable sub-oscillators.
STK DRUMMER: Drum machine engine equipped with 5 types of drum kits. (SmplTrek .stk file compatible)

28 Effects to Elevate Your Sound-From Soothing to Striking
Unlock a world of sound by combining 3 insert effects from 18 types and 1 master effect from 10 types, including Shimmer Reverb.
Insert effects: overdrive, distortion, fuzz, crusher, chorus, stereo chorus, flanger, phaser, tremolo, vibrato, ring modulator, auto wah, delay, reverse delay, ping pong delay, auto pan, tape echo & reverb, 4 pole filter, trim filter.

Master effects: hall, room, plate, arena, tunnel, infinity, custom reverb, crusher, ambient room, ambient hall, ambient inf, vinyl simulator & cassette tape simulator.

Flexible 4-Track Looper-Layer, Loop, and Remix with Ease
The newly developed 4-track looper allows easy recording, playback, and overdubbing by simply pressing the track buttons. You can record not only ELZ_1 play performances, but also LINE input and USB audio input.

Instrument Redefined - Velocity-enabled keyboard, Built-in Stereo Speakers and More:
To make it a musical instrument that is pleasant and expressive to play, the keyboard has been improved to support velocity on all keys, and high-quality loud stereo speakers are built into the side panels. It is also equipped with an SD card slot, USB-C, and DIN-MIDI jacks for flexible handling of audio and MIDI.

Notes: In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: A complete system which really showcases Make Nose's experimental approach, the Resynthesizer features Make Noise classics like the Spectraphon and Morphagene and hands-on control via the PrssPnt, alll housed in a 4 Zone CV Bus Case.

Supplier's Notes:
The ReSynthesizer can trace its origins to Spring 2023, with Walker and Rodent putting together a collection of modules to announce and demonstrate the Soundhack Spectraphon at Superbooth '23. These modules would need to complement Spectraphon in a way that would show its true capabilities. As such, this specialized layout comprised a single-system overview of the last 8 years of Make Noise module designs.

After Superbooth, Walker and Peter continued to use a similar system configuration in videos for Make Noise's Youtube and Instagram Channels, prompting some folks to speculate if it was to be Make Noise's new 7U system. At that time there were no plans for a new system; in fact, this layout had been intended as temporary all along, but it was made a useful layout in almost all cases. (The layout even gained the popular unofficial moniker "System X" thanks to the speculative work of Cinematic Laboratory and others.) Choices like the unusual placement of the Morphagene, adjacent to Spectraphon, which was initially assumed would be mainly for a very specific use-case, quickly became second nature to patch. The Spectraphon and Morphagene work together to ReSynthesize raw materials into lush soundscapes, microsound manipulations, or wherever the path leads.

In early 2024, Make Noise announced DXG for the easy mixdown of mono or stereo signals, and PrssPnt to add physical touch interaction. With these pieces in place, the ReSynthesizer is born. Pairing the Spectraphon with the Morphagene and the core Make Noise CV generation suite, and housed in the powerful and portable 4 Zone CV Bus Case, the ReSynthesizer is an open design blackboard ready for experimentation and discovery.

Make Noise put this collection through its paces and have found it to hold up to any test thrown at it!

Specifications

Size: 7U
Total HP: 208 @ 3U, 104 @ 1U
Dimensions: 22.25" x 14" x 7.25" w/ lid

Notes: Hands-on hardware synth goodness in a boutique desktop format, feauting an eight-voice digital supersaw engine and four-pole filter. Built-in delay, reverb, chorus and freeze effects can be used to process external signals.

Supplier's Notes:
Design philosophy

Knob-For-Knob Functionality:

Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.

Curated, Onboard Effects:

With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.

Plug and Play Functionality:

The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)

Quality Craftsmanship, Intentional Design:

Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.

Open Source Platform:

Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.

Synth core

Oscillator:

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

Control Modes:

The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.

More Features & Controls:

To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.

Onboard effects

All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

Freeze:

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.

Delay:

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.

Reverb:

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

Chorus:

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Controls

Synth core:

Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope

Arpeggiator:

"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock

Effects:

Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level

Rear panel

Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth

Notes: Two VCOs (oscillators) are input to the VCF (filter) and output through DELAY (can be turned off).

The VCO can be a 4LFO module, which is a mix of 4 LFOs, a noisegenerator, an LFO, and a SUB OSCILLATOR, and the VCF can be an LFO.

With a variety of tones, you can create various sounds even with a subtle knob position.

It can be used with a single 9V battery or a 9V DC center negative adapter.

CV IN can be used with CV input to the filter. (VCO1.2,VCF)

INPUT is capable of audio input. The input sound goes to the filter- delay (can be turned on and off) in parallel with the built-in VCO.

CV IN can be input from +8 volts to -8 volts.

This analogue synth runs on DC9V negativecenter or a 9V battery. 2 VCOs go to VCF and Delay. VCO receives 4 modulations inside. NOISE GENERATOR,4 mixed LFO and SUB OSC. VCF receives CV of LFO.It becomes the wave filter with it. ? Delay section has the on/bypass switch. INPUT goes to VCF and DELAY with internal VCOs.

Notes: ALM's latest complete modular system, the Turismo combines classics like the Squid Salmple sampler and ASQ-1 sequencer to create a cohesive, engaging synth. The ultimate Eurorack starting point?

Supplier's Notes:
The Turismo is our fully modern Eurorack modular workstation, blending a curated mix of our
flagship analog and digital modules for a versatile and creative patching experience. It offers
a distinctive ALM character, designed for both precision and fun.
The workstation delivers everything from analog bass, bleeps and leads, lush chords, filtering,
extensive sampling, and DSP effects combined with various sequencing styles and numerous
modulation options plus full MIDI integration. It's an all-in-one creative hub that's endlessly
explorable.
Designed also with live performance in mind, the travel-sized 84hp system fits in a rucksack
and comes with a Decksaver cover for added protection. With MIDI, stereo line-level input,
and headphone output, it's perfect for live sets, DAWless jamming, and seamless studio integration. The system features a custom design with unique coloured controls and neodyme
bronze anodized side panels.
The Turismo is a perfect starting point for Eurorack beginners, offering a seamless pain-free
entry into modern modular synthesis that's immediately playable. For seasoned users, it's a
ready-to-use and well balanced cutting edge system designed for effortless creative exploration.

Feature List:

Numerous analog and digital sound sources including oscillators, chords, samples, noise
and more.
Sample recording and eight channel sample playback.
Five analog VCAs and numerous patch-able digital level controls.
Two fully analog multimode resonant filters.
Three inbuilt Sequencing options to run numerous synced melody and rythmic patterns.
Numerous modulation sources including LFOs, Envelopes, randomisation, quantisation,
syncing etc.
Stereo FX Processing with 18 different programs including reverbs, delays, granular processing and more.
Various utilites - S&H, mults, mixers, slew limiter, etc.
Stereo line level in and headphones out.
Three channel MIDI pitch, trigger and clock synchronisation.
Custom look modules and neodyme coloured case only available as part of the Turismo.
Includes international power, deck saver and patch cables.

Tech Specs:
Dimensions: 440 x 264 x 120mm
Weight: 3.24kg
Size: 6u / 84HP
Power: 12V 4A (approx)
Connectivity: TRS MIDI IN, Stereo Line level In, Stereo Line/Headphone out, USB-C ports
for firmware upgrade.

What's Included:

Turismo System & Modules
ALM023 / mmMidi & mmT expander
ALM022 / SQUID SALMPLE
ALM020 / QUAID MEGASLOPE
ALM026 / MULT
ALM036 / TAZM-O
ALM042 / CIZZLE
ALM032 / MFX
ALM037 / MEGA MILTON
ALM035 / ASQ-1
ALM034 / Pamela's PRO Workout
ALM028 / Pip Slope (mk II)
ALM030 / MCFx2
ALM033 / MEGA-TANG
ALM019 / HPO

Included patch cables:

15cm (x10)
30cm (x10)
60cm (x10)
90cm (x3)
120cm (x2)
MIDI DIN to TRS adapter cable
Squid Salmple USB stick with full sample banks
Universal 12V 5A power supply
Decksaver
Printed Manual

Notes: High-end digital synthesis from this boutique German brand. The Manatee combines distinctive spectral synthesis with virtual analogue and FM methods, creating multi-layered polyphonic sound with MPE control.

Supplier's Notes:
Manatee is the most advanced multitimbral synthesizer from Fred's Lab.

This project has been a labour of love, with 3 years of meticulous engineering work put into every aspect of its creation.

Powered by 2x dual-core DSPs and high-fidelity DACs, Manatee offers a minimum of 16 voices of pure digital sound shared between 4 parts. Coupled with a hands-on user interface putting all important synthesis parameters at fingertips reach, Manatee is a joy to explore and play with.

Fred's Lab new Spectral Engine, bolstered by a selection of modern VA Algorithms, delivers a beautifully unpolished raw sound, calling to be refined with the smooth multimode filter.

Manatee offers numerous per-voice and per-part complex modulation sources and wiring, including 'Meta Envelopes' and 'Custom LFOs'. MIDI expression controllers, such as polyphonic aftertouch, can shape modulation amounts at will. The additional 3-slot modulation matrix offers extra flexibility to the default routing options.

The multi-part architecture includes a dedicated stereo delay module and 2x equalizer sections for each part, providing up to 8 seconds of delay and various equalizer shapes like low cut, low shelf, high cut ... Additionally, a global insert reverb with various algorithms is there to add spaciousness to the entire mix.

Finally, the sturdy, powder-coated steel chassis of Manatee is full of robust parts, including metal potentiometers screwed to the panel, high-endurance switches, and high-reliability audio connectors. Built to withstand the rigors of touring and endless hours of use, Manatee is a durable choice for musicians and sound designers.

Connectivity

1x Line Level Main Bus - 6.35mm TR jacks
1x Line Level Aux Bus - 6.35mm TRS jacks (with return path)
1x Headphones Output - 3.5mm TRS jack
1x MIDI DIN5 Trio (IN, OUT, THRU)
1x Clock input - 3.5mm TRS jack (with start / stop)

Mechanics

Powder coated steel chassis
23x Metallic Potentiometers (panel screwed)
18x Illuminated Switches
8x Tactile Switches
Dimensions: 265 x 140 x 50 mm
Weight: 1.60kg

The Spectrum Generator

The Spectrum Generator uses pre-defined reference spectra and various harmonic manipulation tools to provide precise control and alteration of the timbre. Adjust formant, rotation of bins, the waveform used for signal reconstruction and more to craft the raw character. These parameters can be modulated for some complex soundscape creation.

The Sub-Oscillator

The Sub-Oscillator is designed to complement the Spectrum Generator, providing a wide range of sonic material to choose from. It features modern Virtual Analog Algorithms for classic waveform generation and super-saw and super-square waveforms. Additionally, it can play user-imported short waveforms for even greater versatility in sound creation.

The Noise Module

The Noise Module is an advanced source including a built-in continuous low-pass to high-pass filter for precise control over the noise spectral content. The noise sample rate can be programmed to generate crackles, glitches, or pure white noise, depending on the needs.

The Ring Modulator

The Ring Modulator is an iconic tool that multiplies the outputs of the two oscillators, making it perfect for generating inharmonic tones, special effects, and percussive sounds.

The Multimode Filter

The Multimode Filter uses hand-written assembly algorithms based on latest research on analogue modeling technology. It offers classic shapes in 12 and 24dB/octave, with filter tracking and self-resonance capabilities. The built-in saturations add subtle warmth and colour to the sound. The filter has a very smooth & natural ground character and react very fast to cutoff changes handling filter FM and fast envelopes with style.

The Overdrive

The Overdrive is a post-filter effect with a range of models, from gentle saturation and tube overdrive to more aggressive signal destruction through bitcrushing and clipping. It adds grit, warmth, and distortion to the sound for a dynamic and expressive performance. Algorithms are very natural sounding, analogue-like.

Meta-Envelopes
The Meta-Envelopes share their Attack, Sustain, and Release parameters, while each Decay stage is independent. Envelope stages can be switched on or off, allowing for a variety of shapes from a full ADSR to a simple gate. MIDI Velocity can be set to influence the Attack and Decay times, and envelope amplitude can be scaled with aftertouch. Envelopes can be looped and reset on triggering or set to keep its previous value.

Custom-LFOs

The Custom-LFOs provide an eclectic set of more than 16 waveforms, including noises and other algorithms, waveforms which can be chained together to create complex modulation sequences. Each LFO has its own AR envelope with Rise and Fall controls, and can be MIDI clocked and restarted for precise synchronization. Additionally, some MIDI parameters can influence the LFO amplitude.

The Modulation Matrix

The Modulation Matrix consists of 3x slots for each voice, providing extensive routing options to enhance the hardwired connections. The matrix offers a large selection of sources and destinations that cover almost all sound parameters. The modulation amount can be scaled by common MIDI parameters such as Aftertouch, Velocity, and more, allowing for expressive playing styles.

The Delay Module

The Delay Module offers Mono, Stereo, and Ping-Pong modes, with MIDI clock synchronization and adjustable feedback, mix, and colour controls. It supports a range of delay lengths, from very short - resonator-like - to free delay length up to 8 seconds. Each part has its own independent delay module.

The Equalizer Section

The Equalizer Section features two independent equalizers for each part, offering cut, boost, or shelf modes and adjustable corner frequencies. This is a powerful tool for blending the sounds of the different parts.

The Part Mixer

The Part Mixer provides flexible routing (audio buses), volume and panning controls for each part. It also defines the amount of signal sent to the master Reverb.

The Master Reverb

The Master Reverb is a high-quality algorithmic reverberation unit with a pleasant not bright but clean sound. It offers multiple programs with rooms and halls. This reverb is a handy mixing tool, making the overall sound more cohesive and polished.

Electronics

Manatee is powered by 2x 200MHz dual-core DSPs, offering advanced audio synthesis capabilities and an impressive dynamic range. Included too are 128 MBit of SRAM, 512 kBit of EEPROM, 4x 24-bit Burr Brown DACs, and transparent line and headphone drivers.

User Interface

The interface offers hands-on controls over all major synthesis parameters for all sound modules. The strong torque potentiometers feature Nylon knobs that provide a satisfying haptic feel. The high contrast 16x2 LCD screen clearly displays feedback through both text and small graphics.

Notes: An excellent combination of West Coast and East Coast synth philosophies, the Implexus features a complex wave generator and wave folder, analogue low-pass filter and sinkable LFOs and stereo delay.

Supplier's Notes:
The IMPLEXUS is a hardware desktop synthesizer combining west - and east-coast synthesis techniques into a single formfactor. The IMPLEXUS uses analogue waveshaping, folding and audio rate modulation to create a immense range of sounds and textures!

The IMPLEXUS is a performance-oriented musical instrument which will inspire you to compose music and explore its unique soundscape. The IMPLEXUS has a carefully designed analogue signal path with many unique ways to create intriguing sounds. The many sound shaping methods and modulation possibilities help you to create west-coast style harmonically rich sounds as well as thick east-coast analogue sounds.

The IMPLEXUS has a powerful "one-knob-per-function" interface with graphical feedback, utilizing LED rings to indicate modulators. The drone mode, tap tempo and looping envelopes let you explore the IMPLEXUS as a standalone sound generator. The MIDI and Eurorack compatibility and clock synchronisation options make sure it can be played in every setting. The IMPLEXUS is built to last. It has metal shaft potentiometers, an aluminium casing with scratch and solvent resistant graphics and an internal power supply (no adapter!). The IMPLEXUS is a characteristic, unique and complete musical instrument.

"West-Coast"

The characteristic sound of the IMPLEXUS comes from shaping and folding a sinewave, resulting in a complex waveform. The shaping and folding can be modulated at audio-rate in a single knob turn utilizing the second generator. Instead of subtracting you will be adding harmonics. After tweaking for a while you will be surprised to find out you didn't touch the filter... yet.

Unique filter design

The IMPLEXUS offers a 12dB/oct VCF with a unique analogue topology. This filter offers a lowpass and highpass mode. For cutoff modulation there is an envelope amount control with polarizer and a CV input on the back of the IMPLEXUS. There is an input mixer that has amplitude control over three inputs: complex generator, basic generator and the sub-oscillator.

Syncable delay

The IMPLEXUS has a stereo digital delay with dry/wet, delay-time and feedback control. There is a subtle modulation difference between the left and right channels to create a wide stereo image.
The delay can be synchronized to MIDI and external (modular) clock sources. Also the delay can be synchronized to Tap Tempo. For clock synchronization there are five divisions: 1/1 3/4 1/2 1/3 1/4.

Global pitch controls

The IMPLEXUS has a global pitch control section offering control over glide rate and pitch envelope amount. There is a dedicated vibrato LFO with manual control over amount and frequency.

Syncable LFO's

The IMPLEXUS has two LFO's with a variety of waveforms and multiple modulation destinations. The LFO's offer a wide range of 0.01 - 100Hz and can be BPM synced to MIDI and external clock. The LFO's can also be synchronized to Tap Tempo and can even be set in five different divisions.

Connections

The IMPLEXUS offers a 1/4" stereo balanced output. In addition to that there is a stereo headphone output with dedicated volume control.
There is standard MIDI input and thru over DIN and USB. Also there is a eurorack compatible patchbay on the back. This extends the sound and modulation possibilities of the IMPLEXUS even more!

Built in VCO tuner

There is a strobe tuner with 3 LED's on board, which lets you tune both the Complex and the Basic generator to a perfect "A" within just a couple of seconds.

A unique project by a small company

Majella Audio is a small company, and because of that, Majella Audio do most of the design and development themselves. The amount of hard work and effort that went into this project is what makes the IMPLEXUS a unique piece of gear with outstanding build quality. Majella Audio have created a few "How its made" videos to give you an insight into the design and development of the IMPLEXUS, which are viewable on their web page.

Features/specifications

Generators
Analog Complex Generator consisting of a waveshaper cascaded by a wavefolder to create Complex Waveforms
Analog Basic Generator
Sub-Ocscillator one octave below Complex Generator
Dedicated octave switches with 6 octave settings
Pitch modulation sources: Envelope, Vibrato, Glide, Pitchbend, External 1V/oct (CV)
Cross modulation: Linear FM, Folding, Folder DC Bias

Filter:
Analog VCF
12dB/oct Slope
Switchable Low-pass/High-pass
Mod Envelope to Cutoff with attenuverter
External CV for Cutoff
3x audio input from the Generators

2x LFO section:
Accurate digital waveform generation
5 waveform shapes: Random, Square, Sine, Ramp, Saw
Syncable from all clocking sources or "Free" running
Frequency range: 0.01 Hz-100 Hz
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16
Destinations options LFO 1: Bias, Folder, Harmonics,
Destinations options LFO 2: Bias, Folder

2x Analog Envelope Generators:
1x Modulation EG and 1x Amplitude EG
Attack, Decay, Sustain, Release controls
Velocity amount per Envelope
MOD EG is Loopable as AD-LFO triggered by gate
MOD EG Destinations: Filter Cutoff, Harmonics, Folding, Global pitch
AMP EG has 'DRONE" mode for instant sound generation

Delay FX:
Digital Audio Delay with Analog Dry/Wet mixing
Maximum delay time: 1 second
Syncable delay time from all clocking sources
Clock divider options: 1/4 | 3/16 | 1/8 | 1/3 | 1/16

Performance Features:
"One Knob Per Function" philosophy
LED ring indicators for visual feedback and easy understanding of CV signal routing
Guitar Style Tuner for Basic and Complex Generator making it easy to tune the IMPLEXUS
Drone mode for instant sound without any external gear necessary

Physical:
2mm thick solid aluminium casing
Graphics are underneath the anodisation layer and thus scratch and solvent resistant
Handcrafted wooden side panels made from regional oak
All metal shaft potentiometers
High quality switches and connectors (Neutrik)
Internal power supply (AC Input 100-240 VAC)
No adapters needed
Dimensions: W 345 mm x D 206 mm x H 75 mm
Weight: ca. 3kg
Serial number plate

Connectivity:
External CV inputs: Pitch (1V/oct), Gate, Velocity, Folding, Harmonics, Bias, VCF cutoff
External CV outputs: Complex generator, Basic Generator, Clock output
MIDI IN over USB
MIDI IN over DIN
MIDI thru over DIN
1/4" TRS Balanced line outputs
1/4" Dedicated stereo heaphone amp

Clocking options:
External Modular/Eurorack Clock (automatic detection)
MIDI clock via DIN or USB (automatic detection)
Tap Tempo

Global Controls:
Master Volume
Headphone Volume
MIDI Channel selection

Notes: Flux brings forth the musicality and expression of classical instruments, such as violin or vocals, enriched by new timbres and the flexibility of postmodern instruments, harnessing the power of current technology. It is a high end professional synthesizer with unique expressive possibilities, an innovative interface design with top quality digital-to-analog converters and analog components.

Flux features a unique continual touchless keyboard that offers seamless control over a number of sound parameters without quantisation. In many ways, it is inspired by the Theremin, offering the unique opportunity of controlling sound by moving your hands in the air without touching any object.

Unlike the Theremin - which works by virtue of the capacitive coupling of hands and antennae - Flux is based on magnetic principles. Two magnetic bows are pressed between your fingers, and the interface is a multipolar magnetic sensor, registering the bows' positions and movements. The X coordinate of the artist's right-hand bow controls the note's pitch, while the Z coordinate controls volume. The left-hand bow's X, Y and Z coordinates control the various synthesis parameters. Since a magnet has two poles, Flux not only detects the bows' spatial coordinates, but also the bows' angle. This means that flipping the right-hand bow on the Y-axis changes the octave, which allows a range of six continuous octaves without transposing the keyboard. With transposition you can get a range from sub-bass all the way to ultrasonic. The left-right tilting of the right-hand bow on the X-axis controls two independent modulation parameters.

The left-hand bow controls the timbres. The timbral sensor, placed in the left part, has six poles, and independently registers positive and negative magnetic fields. This lets you change which parameters you control by flipping the bow, allowing you to control up to twelve independent sound parameters. Together with the pitch, volume and two additional tilt parameters on the right-hand bow, you have access to a total of sixteen sonic controls that you can use during performance, without ever touching the surface of the instrument.

Summing up the concept of Flux: the most direct and immediate way to play with a large number of synthesis parameters in a musical way, creating a dynamic timbre composition. Different synthesis algorithms (engines) will be created as complete musical instruments for direct timbral control. All engines will be available in a single firmware and any engine can be launched in a fraction of a second. Presets will allow the user to save and recall the entire state of the synth including engine and all tunings.

SoMa Laboratory developed Flux with the aim to create a modern instrument for academic music, offering powerful sonic tools such as distortion, complex FM and physical modelling of non-existent, surrealistic musical instruments. It works in monophonic, duophonic and polyphonic modes. Staccato-enabling and quantisation modes are available. The quantization function has an adjustment parameter for vibrato. Flux has a stable, even, and clearly marked note scale. This makes it much easier to learn and to intone cleanly than on the Theremin.

Flux's synthesis is DSP-based. It features built-in spatial FX. The digital-to-analog converters and the analog circuit are based on our in-house designs using Hi-End principles

Notes: The UNVO-1b powered by a centre negative DC 9V adapter or a single 9V battery.

It also contains two VCOs (oscillators) with a wide range.

The frequency and waveform of the SUB oscillator are changed, and they are input to the main, respectively. Each of them has a range switch, so it works like an LFO under the switch. The colour of the range switch (white, black) corresponds to the colour of the SUB.1 and SUB.2 on-off switches next to the FREQ knob of the main oscillator.

When the WAVE switch is turned on, the WAVE knob is activated, and the SUB OSCILLATOR.1 and 2 are shaken.

The main VCO×2 is mixed and fed into the strain + filter circuit. This special filter has a FREQ knob and a TUNE knob. The TUNE knob powerfully amplifies the input signal while also tracking specific pronunciations.

The filter is a circuit that has been fine-tuned so that it can very effectively enhance the bass and treble of this input signal.

Unlike other switches, the noise-on switch moves sideways, left (VCO.1), middle (OFF), and right (VCO.2). They are populated in VCO.1 and 2, respectively.

The UNVO-1b is a noise machine that can output a very strong signal that generates a variety of noise sounds.

The black painted aluminium die-cast case is painted with a black matte paint with a laser and scraped to make letters.

This analogue synth runs on DC9V negative centre or a 9V battery.

The main 2 VCOs can receive 2 oscillators and noise generator inside and go to 2 different filters.

2 oscillators can be tuned with each two FREQ. knobs and controlled with the wave knob.

RED switch is for wave knob working.
Black and White for tone of oscillators

Notes: ***B-STOCK: Box opened, product in perfect working order***


An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: JMT have designed a very complex interplay between the two oscillators, using two different oscillator circuits with different circuit configurations, and two different waveform conversion circuits attached to each. The output is then routed through a circuit that was developed from the SNB-2b, which emphasizes and distorts the bass, mids, and treble, and which have been tuned to work well with this oscillator.

Fine-tuning of circuit part values was performed to obtain a sound with depth as well as intense distortion by fine-tuning the knobs.

This runs on DC 9V negative center or a 9v battery.

Noisy analogue synthesizer oscillator with distortion function that can emphasize HI, MID, and LO.

The oscillator can be input to a VCO with a wide range and a SUB VCO adjustable by LEVEL.

The VCO and SUB VCO are designed to affect each other in complex ways, so a wide range of sounds can be created by subtle combinations of knob positions.

The MODE switch makes the connection between the SUB VCO and VCO more complex, and the LEVEL knob can be used to adjust the level of the SUB input to create different waveform changes.

By fine-tuning the LEVEL, SUB, VCO knob, you can create a variety of sounds by emphasizing high, mid, and low frequencies.

The CV IN jack is a 3.5mm jack. OUT PUT 6.5mm

Notes: A year ago, Jomox brought out the Mod FM as a eurorack module.

Now, Jomox present almost the same synth, but as a desktop unit, with its own PSU, Midi, standard 1/4" balanced outputs and analogue volume control.

The Mod FM D has an analogue side chain stereo input that gets routed into the Mod FM D effects, and can be mixed to the synth.

The ratio of synth + input/effects can be controlled via an analogue dry/wet potentiometer.

The Mod FM D is a completely self-contained 8 voice FM synth in desktop format, which can create powerful sounds out of the box without lacking the commonly provided CV modulation possibilities.

It provides 4 Operators and 2 LFOs/VCOs per voice. Additionally, it has 2 analogue filters and analogue VCAs per voice which apply analogue warmth and depth to the Mod FM D, although the FM engine is digital of course.

Each voice has its own CV/Gate inputs and an individual output. There is a mix output which separates even and odd voices. Here you can mix internal effects like delay and reverb to the stereo output signal.

Next to the CV/Gate control, the Mod FM D has Midi in and out and a USB C connector which handles Midi too.

Even without diving too much into complicated setups you can create extremely good sounding and metallic FM sounds, snappy bases but also soft and deep sounding analogue style sounds as tons of crazy weird stuff.

Furthermore, the Mod FM D offers a variety of external cv modulations in order to modulate each operator individually or control the FM envelopes.

The Mod FM D is fully multitimbral, i.e. each voice can play an own sound in Multi Mode which gets stored as a complete multi set (not only vectorized). That is, you can copy a single sound to the desired multi, but edits made on that particular multi get stored along with the multi set.

Hence, we have the biggest advantage of the hybrid approach:

Analogue and modular is great but can be very complex, and you might be trapped in a system where you never reach again the pretty sound of the latest session. Storability certainly helps.

The different sections in more detail:

Matrix FM:

4 operators are arranged in a matrix, in which every operator (= sine oscillator) can be modulated by each one of the other three.

The 16 endless potentiometers of the matrix adjust the modulation amount (FM amt) and the base frequency of the operators.

For each operator you can change the base frequency by the diagonal knobs.

There are several overtone modes that determine if one operator is controlled by the keynote (or CV) = base operator, or if it's locked in as overtone (= overtone operator) to the assigned base operator. For the base operator, the number resembles xxx semitones added to the keynote.

For the overtone operator, the adjusted number is the xxx = Nth overtone or harmonics to the base operator frequency.

The locked overtone operator tracks the base operator and is still able to modulate and being modulated.

Each operator has an ADSR envelope. This envelope can also be used to frequency-modulate the operator.

Algorithm:

The algorithms from the known FM synthesis are actually special cases to the whole matrix.

As it gets pretty quickly uncontrollable if you turn all the knobs due to the feedback, Jomox have decided to implement the algorithms. There are 26 algorithms, that are derived from the DX9 with its 4 operators.

At this menu it's even possible to change the frequency mode of each operator to a fixed frequency that is edited in single Hz and which does not follow the keynote, but only modulation. That makes sense for e.g. percussive sounds.

LFO/VCO:

Each voice has 2 LFOs which can modulate either the frequency (FM) or the amplitude (AM) of an operator. Every LFO addresses 64 different wave forms that are displayed in the right OLED display.

There is another feature: each LFO can be switched into a VCO that covers the whole audio range. You can even mix it into the signal chain and it tracks to the keynote. The former LFO rate parameter turns into a detune parameter. That is, you can create classic sounding rectangle/sawtooth analogue basses or string pads - and much more of course.

Filter:

Each voice contains an analogue filter which is build up with the chip SSI2140 from Sound Semiconductor, which is an improved modern version of the old SSM2040, designed by Dave Rossum, and which had been used in Oberheim synths and the early SCI Prophet-5.

The filter has a classic 24dB output and a 12dB state-variable multimode-filter. The three basic characteristic outputs LP/BP/HP can be cross-faded continuously with one parameter called shape.

Both filter outputs 24dB/12dB can be mixed independently.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The VCA is a fast transistor-vca which is important for snappy sounds. The same transistor-vca is used in all Jomox drum products. Therefore the ModFM can be used as a rich source for technoid drums and percussions of any kind.

On the analogue voice board there is another sound source: Metal Noise. It can be mixed into the filter independently from the digital engine (= FM synth) and offers again an inexhaustible pool of weird sounds.

FX:

The Mod FM D also has an FX section added: reverb and 2x delay. These only work on the stereo mix output. The delay can be beat-synchronized via midi clock and offers a very short delay time in millisecond range. That gives you flanging and oil-can-like effects.

Specifications

8 voices fully multi timbral FM synth
4 operators per voice
Full modulation matrix / 26 algorithms
2 LFO/VCOs per voice
Balanced stereo 1/4" jack outputs
Stereo Hi-Z 1/4" jack inputs
Analog effects mix
Outputs for each voice plus mix out
CV/Gate per voice
CV modulation inputs per operator
True audio FM modulation inputs
True analogue filters per voice
24db low pass
12dB multimode LP/BP/HP cont. shape
True analogue VCAs per voice
Midi in, out
USB C device
Digital reverb, 2x stereo delay
Full storability, also CV amounts
128 presets, 118 multi sets
2x 128x64px OLED displays

Power consumption: 12V=DC 2A max.

Dimensions:

Width: 318mm
Depth: 180mm
Height front: 44mm
Height back: 72mm

Weight: 1,9kg (4.4 lbs)