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Cat: 717580 Rel: 06 Feb 19
 
Four channel stereo mixer with line-level, modular-level & headphone outs
Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 2 in stock $174.78
Cat: 717581 Rel: 06 Feb 19
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 2 in stock $175.82
Cat: 601496 Rel: 31 Oct 17
 
3 linear VCA's based on a discrete OTA core
Notes: The ADE-50 provides 3 all-analogue voltage controlled amplifiers based on a modern operational transconductance amplifier design.

The VCA's are designed to provide a good balance between the performance and specification of modern 'on-chip' VCA's and the character and musicality of classic analogue designs.

The OTA core of each VCA is fully discrete - it is built from only resistors, capacitors and transistors - however, the CV conditioning, audio input and output stages are built using high-quality op-amps giving the best balance between musicality, character and performance.

The ADE-50 provides a good signal-to-noise ratio, linearity, attenuation, an output level at unity gain at 5V CV input, minimal CV 'bleed' and minimal output offset/bias.
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 3 in stock $151.90
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Cat: 625062 Rel: 22 Sep 16
 
Mini Mod Discrete Cascaded VCA Module
 1 in stock $159.18
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Cat: 708115 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $176.86
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Cat: 708117 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $165.42
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Cat: 708087 Rel: 23 Jan 19
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $193.51
Cat: 688825 Rel: 01 Aug 18
 
Wave twister/distortion module - black, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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 1 in stock $184.14
Cat: 584252 Rel: 15 Apr 16
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 3 in stock $195.59
Cat: 679163 Rel: 09 Mar 18
 
Eurorack recreation of classic sampler filter with added resonance & voltage control
Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.
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 1 in stock $185.18
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Cat: 584259 Rel: 15 Apr 16
 
High quality quad linear voltage controlled amplifier (VCA) synthesiser module - 8HP wide
Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)
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 5 in stock $167.50
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Cat: 683889 Rel: 28 Mar 18
 
Fuzz module featuring three voltage-controllable parameters - 12HP
Notes: The Baron Samedi circuit produces all sorts of extreme fuzz sounds with a fundamentally gated nature. It's easy to think of the pedal as a supernatural harmonic generator of sorts - with a fuzz sound that goes from tame to obnoxious and a row of three extremely interactive knobs, it's easy to dial in a wide range of broken speaker, AM radio, sub-oscillating and scooped mid sounds - and everything in between.

The heart of this module is the same as that of the pedal, so you can nail all the sounds the pedal has to offer. The attenuverter-equipped CV inputs are designed to drag your yet-pristine synth signals into a chaotic, loud and vulgar afterlife.

With modifications that allow it to be used with modular level signals, the Baron Samedi module can act like a waveshaper or a saturator - but add CV and all bets are off. The LIFE CV deepens or flattens the notch of the tone control, the DEATH CV adds PWM-like textural manipulation, going from very quiet to very loud in the process, and the BURIAL CV acts as a gate of sorts. Some extremely unique, somewhat ring modulation-like sounds can be had when feeding audio-range signals into the DEATH and BURIAL CV inputs. It goes without saying that there is a lot of merit in running CV into all three inputs simultaneously for maximum sonic mayhem.

The module would not be complete without a dry/wet blend knob, useful both as a performance tool and to fine tune the amount of textural distortion desired.
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 1 in stock $162.29
Cat: 714519 Rel: 25 Jan 19
 
Gritty sounding delay effect with open feedback path - 10HP
Notes: The Coma Reactor module from Animal Factory Amplification is an innovative delay with a variety of sonic possibilities.

It is based on a PT2399 delay chip and offers amazing routing and sound design options.

The Coma knob is an attenuator for the input signal. Low levels can generate funny noises. The input signal is mirrored at the Thru output, for further processing with another module.

There are separate dry and wet potentiometers to adjust the desired effect amount.

The delay time ranges from 30 to 2000 ms. It can be controlled manually via the Time knob or with control voltage thanks to the MOD input, which is equipped with an attenuverter and a switch for setting the amount of modulation. Furthermore there is a LED which indicates the CV polarity.

The delay features a feedback knob for controlling the repeats. Turned fully clockwise it will bring up self-oscillation.

Thanks to an integrated send/return path it is possible to use the module with external effects. The volume of the external effect is controlled by the Return potentiometer. If nothing is connected to send/return, the delay signal is routed internally through a crude twin-T Bandpass Filter. The effected signal can be fed back into the delay circuit thanks to a dedicated Return Feedback knob.
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 2 in stock $167.50
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Cat: 665167 Rel: 02 Nov 17
 
Overdrive/distortion module
Notes: Full-blooded distortion - Pit Viper is a solid state overdrive for hard-boiled musicians. The circuit can generate clean, beefy signal boosts. However, its true strengths lie in aggressively screaming distortions with a tangible character.

Pit Viper comes equipped with the following control elements:

- Toxicity: Gain potentiometer - Please turn up for heavy distortion.
- Hiss: Tone knob - Turn clockwise to cut the treble.
- Venom: Volume potentiometer
- Fear: Three-stage soft clipping switch - Activates normal soft clipping or a more tube-like version with less treble.
- Malice: Three-stage hard clipping switch - Activates beefy hard clipping or a spongier version with less treble.
- Blend: Dry / Wet potentiometer
- Bite: CV input plus attenuator to cut the high frequency range. Without a cable plugged in, the knob can be used for adjusting the treble manually.
- Saturation: CV input plus attenuator and on/off switch to influence gain and saturation.
- Filter: CV input plus attenuator and on/off switch to control the Viper's VCF circuit.

Via a jumper on the circuit board, users can choose between several filter types:

- Passive clipped low pass
- Unbuffered high pass
- Buffered high pass
- Buffered low pass

Furthermore, there is a trim potentiometer on the circuit board, which can be used to adjust the gain.

PLEASE NOTE: Any scratches on the front panel are part of the Pit Viper's design.
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 3 in stock $156.05
Cat: 711948 Rel: 10 Jan 19
 
Compact four-channel morphing vector mixer & quadraphonic panner for modular setups - 6HP
Notes: The V3KT is a 6HP, 4-channel morphing vector mixer/quadraphonic panner with dedicated CV logic outs!

V3KT makes it very easy to animate vector mixes/synthesis, dynamic quadraphonic panning, or automate distribution of a signal through quad high-quality VCA channels. With easy operation and dedicated CV logic outs that can be fed back into your patch, it is truly an instantly inspirational piece of kit!
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 1 in stock $187.26
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Cat: 688798 Rel: 10 Sep 18
 
Flexible dual waveform module - 7HP
Notes: Timber is very flexible wave shaping module that can produce rich timbres by adding harmonics to simple waveforms (triangles and sinewaves) or any other signal. It has 2 different unique wave shaping circuits - I. - the WAVE DRIVER and II. -the WAVE FOLDER and voltage-controlled crossfader to fade between the different circuits or between one of them and the clean input signal.

Both circuits share the same control voltages: the SHAPE which sets the input amplification before the wave shaping circuit and the SYMMETRY control which adds voltage offset to the input signal to provide various asymmetric overdrives or wave folding sounds. There is also voltage FBK CV jack which when provided with positive voltages feeds respective portion of the output signal back to the input which results in chaotic and aggressive behaviours. It is calibrated to work well with 5V gate voltages.

I. the WAVE DRIVER is an overdrive circuit with one folding stage and it has 2 configuration 3-way switches (9 different configurations). The drive switch can set the overdrive character to SOFT or HARD or something in between. The FOLD switch can set the folding threshold to HI or LO or it can turn the folding stage off in the NO position.

II. the WAVE FOLDER is a novel take on the serge style wavefolding circuit which has specific behaviour to abuse the high gain of the input amplification stage to provide rich high frequency timbres with higher settings of the SHAPE parameter. It has a configuration switch which can either activate clean 4 stage wavefolding in the OK position or highly asymmetric folding stage in the KO position that provides strange metallic character. The NO position provides only the very last overdrive-folding stage.
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 2 in stock $185.18
Cat: 668626 Rel: 09 Nov 17
 
Quad MIDI to CV converter - 6HP
Notes: MIDI Thing is a compact 4 channel MIDI to CV/Gate interface featuring 12 bit conversion that allows V/Oct control with around 1 cent precision.

MIDI Thing offers four different functional modes:

- Mono: One MIDI channel - Pitch, velocity, bend, modulation & gate
- Duo: Two MIDI Channels - 2x Pitch, velocity & gate
- Multi: Four MIDI Channels - 4x Pitch & gate
- Drum: Eight trigger outputs

All modes have Clock and ST/SP outputs.

- Current needs: +12V: 32mA, -12V: 8mA
- Width: 6 HP
- Depth: 30 mm (inc. power connector)
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 1 in stock $159.18
Cat: 728707 Rel: 24 Jul 19
 
Ring modulator based on the ARP 2600's 4014 ring mod - 8HP
Notes: Mobula is Delta Sound Labs' faithful take on the classic ARP 2600 ring modulator model 4014. This particular processor is renowned the world over for its clean sounding ring modulation effect. Due to its unconventional circuit design, where the positive and negative parts of the signal split between two two-quadrant multipliers, it achieves what is referred to as a four quadrant multiplication.

Built with a combination of modern closely matched and discrete transistors this super skiff friendly module is faithful to all of the original features, with the single addition of independent switching of input signal DC-blocking. This module is DC-coupled; meaning it will happily process both control voltages and audio signals at the flick of a switch. The unique electronic architecture leads to both significantly increased low frequency response and superior carrier suppression when compared to traditional transformer based ring modulation designs.
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 2 in stock $155.01
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Cat: 676691 Rel: 21 Sep 18
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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 1 in stock $177.90
Cat: 734880 Rel: 10 Jul 19
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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 4 in stock $151.15
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Cat: 738634 Rel: 09 Jul 19
 
Quad AD-generator with four independent Attack-Decay envelopes - 28HP
Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.
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 1 in stock $151.89
Cat: 745782 Rel: 09 Sep 19
 
Controller unit for the A-155 sequencer
Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step addressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analogue CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analogue outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be connected to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.
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 1 in stock $170.63
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quote 745782
Cat: 745783 Rel: 09 Sep 19
 
Controller unit for the A-155 sequencer
Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step adressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analog CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analog outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be conneted to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.

The functions of the Start/Stop/Step/Reset buttons and inputs are the same as for the "old" control unit of the A-155:

A high level at the Start input or operating the Start button starts the sequence from the momentarily addressed step. Not working in "CV controlled step address" mode.

A high level at the Stop input or operating the Stop button stops the sequence (the last active step remains addressed). Not working in "CV controlled step address" mode.
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 1 in stock $157.09
Cat: 671598 Rel: 29 Nov 17
 
Monophonic MIDI/USB interface Eurorack module with outputs for gate, clock, reset & two outputs for CV's
Notes: A-190-4 is the replacement for module A-190-1 which is no longer available. The functions of A-190-1 and A-190-4 are nearly the same (Midi In, Midi Out, CV1, CV2, Gate, Clock, Reset). But the operation of the A-190-4 has been improved because a 3-digit LED display is available. The current values of all parameters (like Midi channel, reference note, clock divider) can be read back and modified by means of up/down buttons. In addition, A-190-4 is equipped with an USB interface and the external +5V supply is no longer available. Consequently, the additional charges for the 5V adapter fall away.

The module width is the same for A-190-1 and A-190-4. In the A-100 basic systems the A-190-1 will be replaced by the A-190-4 from about May 2014.

Important notes:

- The Scale (SCA) and Tune (TUn) parameters remain unchanged when the module is initialized! Otherwise the initialization would overwrite the adjusted values. Because of the tolerances of electrical parts there are no fixed values for SCA and TUn which are valid for all modules. The values for SCA and TUn differ a bit from module to module because of the tolerances of electrical parts. In case that the module has been adjusted totally wrong: typical values are 100 for SCA (coarse) and 55 for TUn (coarse).

- The module comes with installed bus jumpers for CV and Gate. One has to remove the jumpers if e.g. an A-164, A-190-1, A-190-2, A-190-3, A-185-1 or A-185-2 is already connected to the CV and/or gate lines of the same bus board! If the A-190-3 should be used as CV and gate source for the A-100 bus the CV and gate connections of other CV/gate sources to the A-100 bus have to be removed. Otherwise short circuits are made between the outputs of the CV or gate transmitters!

- The gate level of the A-190-3 can be changed from +5V to +12V. For this the jumper on JP10A (behind the CV Note socket, labelled "GATE 5V JP10A") has to be removed and installed to JP10B (behind the 16 pin bus connector, labelled "GATE 12V JP10B").

- The module is a USB device or slave in USB mode. It has no USB host function (like computers or laptops with type A USB connectors).
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 1 in stock $176.86
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quote 671598
FORTHCOMING
Endorphin.es Airstreamer Envelope Generator Module
Cat: 734888
 
6HP function generator
Notes: Airstreamer is a function generator with AD, ASR and loop mode. The curves can be altered in shape. A 1V/octave input makes it possible to play the module like an oscillator.

- Fast and effective envelope generator with variable slope curves and three modes: looping, attack-sustain-release (ASR) and attack-decay (AD)
- 320 khz samplerate, zero aliasing CV generation
- 1v/oct input, bipolar and unipolar outputs, selectable end of cycle outputs
- Thru-zero VCA input that inverts the envelope when CV goes to negative voltages
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coming soon $152.93
FORTHCOMING
Endorphin.es Milky Way Stereo FX Module
Cat: 734890
 
Multi effects module - 6HP
Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type
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FORTHCOMING
Endorphin.es Squawk Dirty To Me VCF Module
Cat: 734886
 
Stereo filter with voltage controlled resonance - 6HP
Notes: The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end
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coming soon $182.06
Cat: 712709 Rel: 10 Dec 18
 
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed through AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.
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 2 in stock $198.71
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quote 712709
Cat: 702204 Rel: 19 Oct 18
 
Dedicated drum mixer with a compressor - 14HP
Notes: Erica Synths Drum Mixer with extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and adds power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.
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 1 in stock $195.59
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quote 702204
Cat: 712712 Rel: 10 Jan 19
 
Stereo mixer, 4 stereo in, with limiter - 10HP
Notes: Drum Stereo Mixer completes the drum mix and has configurable stereo inputs to receive signals from stereo FX modules and stereo output to interface the modular system with external devices. LEDs next to each input give visual feedback on a signal level.
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 1 in stock $165.42
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quote 712712
Cat: 690932 Rel: 14 Jun 18
 
Bi-directional MIDI to clock conversion module - 6HP
Notes: Erica Synths MIDI to Clock V2 is an essential module if you wish to sync your modular system to MIDI devices.

What sets Erica Synths MIDI <-> Clock module apart from others is that it works BOTH WAYS - it derives analogue clock from MIDI messages AND you can flip a switch and turn incoming analogue clock to MIDI clock and sync your MIDI devices to your modular. For more versatility the module can be used with several incoming clock PPQs, plus, divisions and multiplications of incoming clock are available straight away.
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 1 in stock $155.01
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quote 690932
Cat: 644211 Rel: 06 Apr 17
 
Expansion module for the Moog Mother-32 - 10HP
Notes: Mother's Little Helper is a companion module intended to be used with the Moog Mother32 semi-modular synthesizer. The MIDI out port allows CV/Gate control of Bank and Patch, changing the assign output, and allows turning on/off the MIDI controlled sustain ability of the Mother32. In addition, a Sample & Hold circuit has been added that is designed to be gate driven.
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 2 in stock $164.80
Cat: 731956 Rel: 16 May 19
 
3-channel module for recording & playing back movements of controllers - 6HP
Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers. These can be recorded with each channel's individual knob. The movements will be output as control voltages. The recording time per track is over one minute. The playback speed is adjustable. All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory). The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).
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 1 in stock $155.01
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quote 731956
Cat: 731957 Rel: 03 Jul 19
 
Small compact joystick module with recording function - 8HP
Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.
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 1 in stock $155.01
Cat: 680747 Rel: 08 Mar 18
 
Compact joystick module with 8 memory slots & sequencer functionality - 10HP
Notes: With the Memory Joystick, you can control your modular system like an old video game console. Movements of the stick are recordable. Eight positions can be stored and recalled via buttons. Alternatively, it is possible to jump from one to the next value. The feel is then similar to a step sequencer. You can even vary the playback behaviour.

The Memory Joystick will always start in MANUAL MODE:

Moving the joystick generates CV at the X and Y outputs. Pressing HOLD will freeze the current position. The joystick movements are always being recorded in the background while the SAVE button is blinking. By pushing the SAVE button, now lit permanently, the playback of your movements will start. A RESET impulse resets the loop. Easy and enjoyable!

A little more complex, but not less enjoyable, is the second mode of operation. By pushing MEMORY, you enter the MEMORY MODE:

In this mode, you can use the eight buttons to save eight different joystick positions. This means you have a memory of eight values for the X and Y CV-outputs. You can then play these eight memory slots manually with the respective eight buttons, or sequentially with a CV at CV-MEM or with triggers at the TRIGGER input. While being clocked you can choose nine playback PATTERNS by the position of the joystick. So this module is also a joystick-playable eight-step sequencer!

The memory in MEMORY MODE is non-volatile, meaning you can power off your module and return to the exact setting.

Another nice feature of the Memory Joystick: The orientation can be varied by 180 degrees! This way, you can decide whether you want the buttons and jacks on the top or bottom of the module. When using the module upside-down, there is a nice little trick: Push a little switch on the back of the module to invert the X & Y outputs and also shift the starting position of the sequencer by four steps.
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 1 in stock $179.98
Cat: 673003 Rel: 22 Dec 17
 
Channel sub-module of the high-quality, expandable CGM Creative Mixer system
Notes: The CGM Creative Mixer is a modular mixing solution for Eurorack modular systems, designed to obtain a flexible setup, providing all the tools you may need in studio and during a live performance, as well as everything you may want to control via CV. Up to 8 Channels may be connected to a single Group, taking care also of its powering. You can connect also up to 4 Groups to a Master module.

The Channel manages mono signals via the 3.5 mm input mono jack. It has a main stereo VCA with CV in and attenuator (RED), a direct output post main VCA (pre or post fader), two parallel sends with mono VCA with CV in and attenuator for each send and pre/post fader switch (YELLOW and GREEN), and a PAN control with offset CV and offset pot. This, together with the latching buttons for mute, solo in place, and PFL, manages the incoming signal and distributes it to the Group module.
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 1 in stock $170.63
Cat: 673004 Rel: 13 Dec 17
 
GROUP sub-module of the high-quality, expandable CGM Creative Mixer system
Notes: The CGM Creative Mixer is a modular mixing solution for Eurorack modular systems, designed to obtain a flexible setup, providing all the tools you may need in studio and during a live performance, as well as everything you may want to control via CV. Up to 8 Channels may be connected to a single Group, taking care also of its powering. You can connect also up to 4 Groups to a Master module.

The Group gets and sums the L/R post fader signals (WHITE) of all the linked Channels, sums all the signals from the YELLOW and GREEN sends, and manages the sends (mono) and returns (DUAL MONO or STEREO), summing it to the signals from the CHANNELS. It also manages the solo in place activation on all the linked Channels, and provides a L/R output for the outgoing signal, or (via a jumper on the back of the module) a L/R output of the sum of the returns signals.
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 1 in stock $168.55
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quote 673004
Cat: 744063 Rel: 12 Sep 19
 
CEM3340 based VCO - 10HP
Notes: CEMosc is here, a stable AS3340 based VCO which tracks beautifully, and is feature rich. Easy to build and calibrate too.

CEMosc features:

- Onboard voltage regulation for tuning and tracking stability
- A rotary octave switch as well as a fine tune knob
- Both manual PW as well as PWM are available
- Linear and Exponential FM inputs, each with attenuators
- Both soft and hard sync
- Sawtooth, Triangle and Pulse outputs
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 1 in stock $185.18
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quote 744063
Cat: 614142 Rel: 16 Jun 16
 
Eurorack filter synth module based on Roland System 100M VCF - 10HP wide
Notes: Frequency Central "System X Filter"

Frequency Central proudly announce the release of the 'System X Filter'. It's a clone of the Roland System 100M VCF, and uses 2 x LM13700. There's an additional 12dB/oct output which is 180 degrees out of phase with the 24dB/oct output. Mixing the two outputs will give bandpass.

Usage instructions:
First up, classic 24dB/oct LPF. The two VCOs are my Hearn Morley HMVCO1c, there is a little -1oct subosc added as FM of the VCF towards the end of the clip:

http://www.frequencycentral.co.uk/wp-content/uploads/2012/07/Roland-12 1-24dB-LPF.mp3

Next, the 12dB/oct LPF output, again a touch of subosc FM towards the end:

http://www.frequencycentral.co.uk/wp-content/uploads/2012/07/Roland-12 1-12dB-LPF.mp3

Finally, by mixing both 12dB/oct and 24dB/oct outputs in equal amount we have the bandpass mode:

http://www.frequencycentral.co.uk/wp-content/uploads/2012/07/Roland-12 1-Bandpass.mp3

Module width: 10HP
Module depth: 65mm
Current draw: +10ma/-10ma
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 1 in stock $150.85
Cat: 720430 Rel: 28 May 19
 
Trigger & CV sequencer - 6HP
Notes: The TRAX is a compact 6 HP Eurorack module that manages to combine the best elements of classic sequencers mixed with some amazing new features. It offers a wide range of possibilities from traditional to the more experimental algorithmic type sequencing.

With unique new features like Evolve, once you enter a pattern or two, the TRAX is able to compare the patterns and generate numerous related patterns instantly for you to access. In addition, the Remix feature will provide 256 variations of each pattern entered.

The TRAX features a Trigger Output, 2 CV Outputs, and an Analog Clock Input that doubles as an Output when reconfigured. Combine the TRAX module with the new MIDI BUS module to control TRAX with a MIDI Clock, send TRAX MIDI Input, or even send MIDI Note Output from the TRAX!

Each Trigger and CV part have their own parameters to control playback type, direction, remix, evolve, phi, randomize, copy/paste, offset, loop steps, loop bars, and a regeneration loop point for evolve and phi modes. And our unique CV Links feature allows any or all of these parameters to be used independently, or instead follow the Rhythm part's parameter values to behave more like traditional sequencers.

A host of Global features provide playback, sync, tempo control, swing, mute, fills, rec type, independent CV output quantization to 29 different scales, MIDI, MIDI to CV conversion, and screensaver.
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 5 in stock $171.66
Cat: 739110 Rel: 28 May 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The TRAX is a compact 6 HP Eurorack module that manages to combine the best elements of classic sequencers mixed with some amazing new features. It offers a wide range of possibilities from traditional to the more experimental algorithmic type sequencing.

With unique new features like Evolve, once you enter a pattern or two, the TRAX is able to compare the patterns and generate numerous related patterns instantly for you to access. In addition, the Remix feature will provide 256 variations of each pattern entered.

The TRAX features a Trigger Output, 2 CV Outputs, and an Analog Clock Input that doubles as an Output when reconfigured. Combine the TRAX module with the new MIDI BUS module to control TRAX with a MIDI Clock, send TRAX MIDI Input, or even send MIDI Note Output from the TRAX!

Each Trigger and CV part have their own parameters to control playback type, direction, remix, evolve, phi, randomize, copy/paste, offset, loop steps, loop bars, and a regeneration loop point for evolve and phi modes. And our unique CV Links feature allows any or all of these parameters to be used independently, or instead follow the Rhythm part's parameter values to behave more like traditional sequencers.

A host of Global features provide playback, sync, tempo control, swing, mute, fills, rec type, independent CV output quantization to 29 different scales, MIDI, MIDI to CV conversion, and screensaver.
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 1 in stock $162.92
Cat: 674888 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Generator has been designed to replicate the original functionality of the Gristleizer's oscillator section, but with many new additions. With a brand new design from Roy Gwinn, the TG2 Generator is far more stable than its predecessor, featuring 1V/Oct tracking amongst other features. However, as with its original, the TG2 spans from low frequency ranges into the audible range, and makes for a killer bass oscillator as well as a fully featured LFO.

The core of the oscillator is based around a shape-variable ramp generator, with similar functionality to that found in the Korg MS Modulation Generators. Here, the Shape control takes the Ramp output from a descending sawtooth, through triangle, to an ascending sawtooth shape. This varying ramp waveform is then input to a wave-folder, which outputs both Fold and Pulse waveforms, based on how the Gain and Offset controls are set. Lastly, the original ramp waveform is fed into a comparator for the Clock output, the pulsewidth of which is variable using the Shape control.

The Gain and Offset of the TG2's wave-folder are both voltage controllable, as well as its Frequency via an attenuated control input and a 1V/Oct control input. The TG2 can also be reset by external sources via the Sync input.
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 1 in stock $188.31
Cat: 674890 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Filter presents one of the key components of the Gristleizer in a Eurorack module - its JFET-controlled multi-feedback band-pass filter. Its characteristics are not unlike a wah-wah pedal, whilst also being able to create other vocal tonalities, especially with several summed in parallel. Whilst originally controlled by the Gristleizer's oscillator, the TG3 can be controlled by any control source available in a Eurorack system.

As well as a couple of Frequency control inputs, the TG3 also adds Register and Resonance controls to the original filter circuit. The Register control shifts the resonant frequency of the filter core itself, whereas the Frequency control affects the gating of the filter's JFET. The Resonance control allows the circuit to self-oscillate easily, allowing for the TG3 to be used as a sound source as well as a filter. The TG3 also incorporates a Drive parameter (with final clipping circuitry added for taming the filter core) as well as an output Level control.
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 2 in stock $152.93
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quote 674890
Cat: 674891 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Modulator presents another key component of the Gristleizer in a Eurorack module - its JFET-controlled voltage-controlled amplifier. Whilst originally controlled by the Gristleizer's oscillator to achieve tremolo (or amplitude modulation) effects, the TG4 can be controlled by any control source available in a Eurorack system and, therefore, be used as a conventional VCA with some added features.

The Bias control sets the initial control point of the amplitude modulation, whilst a control voltage attenu-verter for CV2 allows for full control over how the amplitude is modulated. On top of this, the TG4 features a Dirt control, which allows the user to alter the behaviour of the JFET stage. At zero Dirt, the Modulator offers a super-clean VCA, whilst at maximum Dirt, waveforms become drastically mutated, at times beyond recognition. With the Dirt setting at 12 o'clock, the Modulator behaves exactly like the original VCA circuit of the Guitar Effects Pedal design. Also note that the JFET tends to exhibit second-harmonic distortion, similar to that of vacuum-tube amplifiers. Therefore, the TG4 presents not just a VCA, but also a module for adding distortion and character to audio signals.
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 3 in stock $152.93
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quote 674891
Cat: 744610 Rel: 06 Sep 19
 
Eurorack receiver for the Wave sensor that allows Wave to connect to modular synthesisers - 4HP
Notes: The Wavefront module is the Eurorack receiver for Wave that allows Wave to connect to modular synthesizers. With Wavefront you can completely bypass the computer and bring unprecedented sound control, effect shaping and manipulation to modular setups.

Use subtle gestures to add vibrato to your favourite lead synth module, or use more visible gestures while performing.

The buttons are great for triggering sequences while the tap lets you interact with percussive modules in a completely new way. Drumming on a table has never been as fun!

To use Wavefront you need one Wave (ring) per module.
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 1 in stock $187.26
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quote 744610
Cat: 643379 Rel: 13 Sep 17
 
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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 7 in stock $184.14
Cat: 643384 Rel: 27 Mar 17
 
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 1 in stock $181.02
Cat: 664820 Rel: 03 Oct 17
 
2 channel low-pass gate with integrated mixer - 10HP
Notes: DYNAMIX is a fast two-channel Low Pass Gate, dynamics manager and mixer, the core of which is derived from our 0-COAST synthesizer. The LEVEL parameter provides simultaneous voltage control over the Amplitude and Frequency content of audio signals, operating as a VCF/A. The DYNMC parameter accepts audio signals or control voltages and converts them into a signal that may increase or decrease the LEVEL parameter thus allowing for Expansion, Compression and Ducking. The summing section is complete with an AUXiliary INput allowing for the chaining of multiple MIX units (modDemix, Optomix and RxMx modules) to create large, non-centralized mixes.

The DYNAMIX is functionally similar to the Optomix LPG: a fundamental element in the sound of West Coast Synthesis, however, rather than using the Vactrol component that gives the Optomix its characteristic "slow" sound, the DYNAMIX circuit utilizes transistors in a topology that has more in common with East Coast instruments. This combination of West Coast technique and East Coast circuitry is No-Coast synthesis at its best, allowing the Low Pass Gate to be used in tandem with an extremely important East-Coast synthesis circuit: the ADSR, a 4-stage Envelope generator we call CONTOUR.

Width: 10HP
Depth: 24mm
Power @+12V: 55mA
Power @-12V: 45mA
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 2 in stock $163.34
Cat: 557491 Rel: 19 Dec 14
 
Two channel low pass gate synth module
Notes: A two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.

Revision 2 adds audio side-chain compression and expands CV generation and processing capabilities.
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 1 in stock $193.51
Cat: 557453 Rel: 19 Dec 14
 
Compact voltage controlled oscillator (VCO) module specifically designed for generating SINE waves
Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.
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 2 in stock $185.90
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