Back catalogue: All genres

Review: Israeli funk quartet Sababa 5 and Japanese singer-cum-bellydancer Yurika Hanashima join forces again on 'Kokoro', a combination of two song suites: four brand new concoctions and four beloved older tracks. Sababa 5's unique combination of Middle Eastern funk and Mediterranean rhythm makes a surprisingly sensational combination with Japanese Jazz-fusion sensibilities. Opening track 'Empty Hands' is a string-led proposition by Yurika: When your hands are empty, you hold everything you need. The guitars are expressive without overpowering Yurika's gentle vocals - it's the perfect track for a sunny drive home. The real selling point here is the clutch of tracks from Sababa and Yurika's storied past, namely 'Tokyo Midnights, a jangly, groove-filled song describing a smoke-filled, drink-fueled night through the capital. This version is pressed on classic black vinyl, but has been in high demand on the artist's own store - so act fast.

Review: It can be something of a surprise to know that Young Gun Silver Fox hail from modern-day London, as the sound of this album couldn't be more '70s-tinged and Californian if it was sporing sideburns, reefer-in-hand and discussing the Watergate scandal. Redolent of the like of Steely Dan, The Doobie Brothers and even The Eagles, 'West End Coast' thankfully has chops and talent to stand as much more than a mere retro curiosity or museum piece - ditties like 'You Can Feel It' and 'In My Pocket' channel vocalist Andy Platts' falsetto croon, heavenly harmonies and AM radio production to considerable satisfaction for all.

Review: What proportion of the rock 'n' roll pantheons Neil Young will occupy when he finally (God forbid) stables the Crazy Horse is anyone's guess, but you'd better believe it will be more than most artists. 'Homegrown', until now at least, was at risk of being missing from those chapters, which would have been a crying shame given it epitomises what a songwriting tour de force he was in the 1970s. There's a raw feel to the album that goes beyond the near-50-year-old born-on date, perhaps best encapsulated in the fact we open mid-note - the tape started rolling after the maestro began playing. At the time Young was reeling from a breakup, and eventually decided not to release the album at all due to its personal subject matter. Now ready to let the world in, it's quintessential Young but also one of the closest we've ever got to his soul, albeit retrospectively.

Review: Where do you start with a new album from Neil Young? One of the great rock artists of the 1970s hasn't stopped since - much to the joy of many and the derision of others - and here presents his staggering 39th studio album. Recorded in the mountains of Colorado, as those who watch the accompanying film will know only too well, in many ways it's his most significant work since "Le Noise", and certainly has the power you'd hope from reunification with backing band Crazy Horse. "Colorado" is incredibly personal and intimate, and yet also focused on subjects that are much farther reaching than you or I. It's politically charged and socially motivated, while never forgetting it's the small stories that often resonate most with listeners. A true master here closer to the top of his game than he has been in a very long time, if there's justice in the world it will win over new fans by the bucketload.