Back catalogue: All genres

Review: Fifty years after its original release, and over 20 since its first reissue, the quiet Beatle's landmark solo record All Things Must Pass has been punctiliously expanded once more, offering a complete sonic and archival overhaul. Spearheaded by Dhani Harrison and Grammy winner engineer Paul Hicks, the collection is a deluxe format-multiple, with one Uber Deluxe Box Set coming housed in a bespoke wooden crate and featuring 70 tracks. Alas, this CD edition is but a mere optical truncation, offering the humble and prudent listener a much sublimer curated experience: rooted in George Harrison's growing frustrations within the Beatles and a desire for artistic autonomy, 'Isn't It A Pity', 'Let It Down' and 'I'd Have You Anytime' still lie among the most enduring songs of Harrison's Tibetan Buddhist era, and with none other than compression master Phil Spector at the mix controls, you can be certain of a well-smoothened sonic experience from front to back.

Review: George Harrison's Living in the Material World, released in 1973, further deepened his exploration of spirituality while maintaining a sharp focus on worldly issues. The album opened with the beautiful 'Give Me Love (Give Me Peace on Earth)', which became a chart-topping hit, showcasing Harrison's talent for blending heartfelt lyrics with memorable melodies. His guitar work shone throughout the record, particularly on tracks like 'Sue Me, Sue You Blues', where his sharp reflections on The Beatles' legal struggles were matched by his masterful playing. Spiritual themes permeated the album, with songs like 'The Lord Loves the One (That Loves the Lord)' and the title track seamlessly blending meditative lyrics with intricate arrangements. Harrison's acoustic guitar, tabla, and orchestral elements created a warm, textured sound that was both intimate and expansive. The overall quality of Living in the Material World was a testament to Harrison's growth as both a songwriter and musician. This 50th anniversary edition highlighted just how important the album had been, reaffirming its place as a richly rewarding follow-up to All Things Must Pass and a key moment in Harrison's solo career.

Review: The ongoing success of the musical showcasing his work, the terrific (and very Sheffield-centric) Standing At The Sky's Edge, has done much to remind listeners of Richard Hawley's qualities as a songwriter. He's genuinely one of Britain's best of the last few decades, though the varied ways in which those are presented has not always gone down well with listeners. On In This City They Call You Love - another reference to beloved Sheffield - Hawley returns to the smooth, string-laden sound which marked out his most commercially successful album, Coles Corner. His voice - deep, rich and at this point bordering iconic - naturally takes centre stage on a set packed with touching and thoughtful ballads. It's a winner, but then the majority of his albums are.