Review: Experimental jazz meets electronic on this hybrid chimera of an album, wherein Gozen Atila aka. Anadol saw to a troupe of Istanbul jazz musicians recording over her pre-made synth jazz compositions. The sonic result is a strange recollection of Byzantine backstreets, noir sonic judders and hauntologic Persian dirges. It's enthralling because it's hard to break down where electronics end and live elements begin; 'Eciflere Gel' is a toe-tapping, hi-hat shuffling backlit crime-drama jazz bit, while 'Ablamin Gozleri' is completely different: a hauntingly electronic folk song. 'Istasyon Plajinda...', meanwhile, is a time-stopping and doomy ambient soundscape cut. Via everything from organ automation to subversion of tradition, Anadol has created a masterpiece.
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