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Review: While born in Jamaica, like many of the Windrush Generation Robert Thompson AKA Dandy made his name in the UK, subsequently making some of the earliest - and most successful - British Ska records with the assistance of Australian entrepreneur and Crossbow Records founder Millie Small. This fine compilation, one of the first to showcase the work of a UK-based ska star, tells the story of Thompson's work in 1964 and '65, much of it alongside fellow vocalist Keith Foster as Sugar N Dandy. There's much to enjoy throughout, with highlights including the organ solo-sporting delight of 'Oh Dear', the fuzzy jazziness of 'I'm Not Crying Now', the Mod-friendly 'Blues Got a Hold On Me' and his superb ska cover of Hermans Hermits' hit 'I'm Into Something Good'.
… Read more in stock $11.49
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Cat: DB2CD 143. Rel: 20 Jun 24
Dancehall/Ragga
Review: For the label's latest essential two-disc trawl through the archives of Jamaican music culture, Doctor Bird has decided to take us back to the late 1970s and the dawn of dancehall - then a kind of harder, more upbeat take on reggae rather than the drum machine-powered rhythmic powerhouse it became. The Volcano Dancehall Albums Collection features a quartet of full-length excursions produced by early dancehall hero Henry 'Junjo' Lawes: Barrington Levy's influential 'Bounty Hunter', 'Weh Dem a Go Do' by young deejay/toaster Cocoa Tea, and a pair of sets by fellow patois proto-rapper Charlie Chaplin ('Sound System' and the superb 'Dancehall Rockers'). Throw in a handful of essential bonus cuts (including the full 12" version of Barrington Levy's take on Horace Andy favourite 'Skylarking') and you have an indispensable collection of formative dancehall classics.
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NINEY THE OBSERVER / VARIOUS
Roots With Quality: The Observer Singles 1980-1983 (unmixed 2xCD)
Cat: DB2CD 145. Rel: 15 Aug 24
Roots/Lovers Rock
Review: Cherry Red's Doctor Bird offshoot continues to trawl through the archives of legendary Jamaican label Observer and its' owner and producer-in-chief, Winston Holness AKA Niney The Observer. Having previously focused on the label's 1970s output, they've now turned their attention to the early, where Holness was influential in defining the formative dancehall sound. The first disc here boasts the vocal sides of singles, with Holness and his in-house bands providing a platform for such undoubted talents as Freddie McGregor, Don Carlos, Third World, Yellowman and Sugar Minott. Disc two, meanwhile, is the one for dub heads: an exhaustive collection of instrumental 'riddims' laid down by the Roots Radics and mixed in true 'version' style by Holness.
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NINEY THE OBSERVER / VARIOUS
Dreadlocks Coming To Dinner: The Observer Singles 1973-1975 (unmixed 2xCD)
Cat: DB 2CD137. Rel: 14 Mar 24
Classics/Ska
Review: While not as celebrated as some of his Jamaican contemporaries, Winston Holness AKA Niney The Observer was a hugely successful record producer. This excellent two-disc set does an excellent job in rounding up the best of his output between 1973 and '75, a period where he enjoyed countless hits at home and over in the UK. There's naturally plenty of goodness to be found amongst the 49 tracks on show, with cuts featuring now well-known Jamaican scene stars - think Junior Delgado, Delroy Wilson, Big Youth, Max Romeo, Junior Byles, Horace Andy, U-Roy and ska survivor Tommy McCook - being joined by more dubbed-out 'versions' (credited to his studio band The Observers') and local hits by artists whose fame rarely spread beyond the Caribbean (Winston Wright, Hubert Lee, Earth & Stone). In an indispensable introduction to one of Jamaica's finest producers of the 1970s.
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Lee Scratch PERRY / VARIOUS
Soulful I: The Jamaican Upsetter Singles 1969-1970 (unmixed 2xCD)
Cat: DB2CD 152. Rel: 14 Nov 24
Classics/Ska
Review: On its latest deep dive into the Jamaican reggae archives, the Doctor Bird label has returned to the early years of one of the style's most iconic producers, Lee 'Scratch' Perry. The music showcased on this two-disc set was initially released on Perry's own Upsetter imprint in 1969-70 and contains a mix of vocal numbers, instrumental 'versions' and alternate takes from the archive. There's naturally tons of highlights amongst the 50-plus tracks on show, including the organ-rich ska flex of The Upsetters' 'Night Doctor', the soulful rocksteady sweetness of 'Kiddy-O' by the Silvertones, the slow-dance excellence of Busty Brown's 'I Can't See Myself Cry About You', the low-slung shuffle of The Upsetters' 'Bab Thool' and the bona fide anthem that is 'Django Shoots Again' by Val Bennett and the Upsetters.
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VARIOUS
Silver & Gold: The Sunshot Records Collection 1969-1971 (unmixed 2xCD)
Cat: DB2CD 156. Rel: 16 Jan 25
Classics/Ska
Review: Doctor Bird's latest deep dive into Jamaica's seemingly bottomless reggae archives takes us back to the turn-of-the-1970s and the short-lived - but undeniably successful - story of singer-turned-producer George Philips AKA Phil Pratt's Sunshot Records imprint. It's the first ever retrospective of the label's output, in part because few copies of the showcased records ever made it out of Jamaica. Reflective of the period when rocksteady was fading and roots reggae was beginning to emerge, the cuts on disc one - fronted by such legendary singers as Ken Boothe, John Holt and Horace Andy -comprise the best of the singles released by the label between 1969 and 1972. Disc two contains more singles, B-sides and rarities, alongside all ten tracks from Pat Kelly's Breezing album.
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VARIOUS
Feel Good All Over: The Sunshot Singles 1972-1973 (unmixed 2xCD)
Cat: DB 2CD160. Rel: 10 Apr 25
Classics/Ska
Review: .This essential album from Doctor Bird highlights the great Phil Pratt's remarkable work during a pivotal era in Jamaican music. Feel Good All Over: The Sunshot Singles 1972-1973 digs into his work during that golden time and turns out both many well-known hits and some rarer gems, a total of 30 of which appear on CD for the first time. This collection captures the energy of a time when Pratt, alongside a new wave of equally bold and ambitious producers, pushed against the established norms of the island's music scene and brought in new influences. The result is a treasure trove of some of the finest and most influential reggae recordings from the pre-roots period including deep-cut gems like Delroy Wilson's aching 'Heart Made Of Stone', the romantic harmonies of The Soul Syndicate and swagger of 'Phil Pratt Thing'.
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