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Back catalogue: All genres
Juno's full catalogue of All genres
シングル
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アルバム
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Review: Short n' sweet is perhaps the prevalent ideal of pop music today. Sabrina Carpenter's nectarous new record is a delightfully brief pick-me-up, one that nails the style. Described as a "pocket-sized popstar with a larger-than-life artistic presence" by Polydor, Carpenter's depiction as an idol of convenience and portability feels apt for today's always-on, attention-frazzling zeitgeist. Quick songwriterly syrups brightened-to-perfection productions help Carpenter trade in themes of youthful exuberance and glib spirit, as echoes of country music efflux through trap and ratchet pop; a quick rinse-off in an infinity pool of post-Taylor-Swift gloss. Titles like 'Sharpest Tool', 'Espresso', '15 Minutes' and 'Bed Chem' all seem to affirm the record's effective immediacy: and Carpenter owns the stimulant shot, as she taunts a romantic rival: "you'll just have to taste me me when he's kissing you..."
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Review: After a 16-year hiatus since 4:13 Dream, The Cure returns with the anticipated Songs Of A Lost World. The first single, 'Alone', marks a powerful resurgence for the band. Unlike the somewhat unfocused production of their last album, 'Alone' brings back the bold, expansive sound fans have longed for. It's a stunning track, filled with emotional depth and lush instrumentation, blending synth strings with chiming guitars. Robert Smith's voice remains as poignant and expressive as ever, defying time with its raw, emotive power. The song feels like both a return to form and a bittersweet farewell, hinting that this may be the band's swansong, while the five album songs trailed live in recent years, as swansongs go this is a hugely impressive one.
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Review: Doechii drops a vivid, genre-blurring mixtape, riffing on her Floridian roots and personal battles, relaying them over an arresting artistic statement. Raised in Tampa, she first gained attention with the viral hit 'Yucky Blucky Fruitcake' before signing with Top Dawg Entertainment in 2022. The mixtape's title and cover, with Doechii holding an albino alligator, nod to her "Swamp Princess" nickname and symbolize resilience" as she explained, "This mixtape is my riposte. I am no one's prey; I was born to be the predator." Doechii confronts industry pressures, sobriety, and self-worth with sharp lyricism and stylistic versatility, over standouts like 'Denial Is A River' and 'Boom Bap'.
… Read morePlayed by: Juno Records Staff Picks
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Review: Glass Animals' fourth studio album, I Love You So F***ing Much, arrives in both vinyl and CD formats, with this being the latter. It marks a welcome return almost four years after their chart-topping single 'Heat Waves' which took them to all new levels go global game as the best-selling single of the year. Frontman Dave Bayley's global rise during the pandemic inspired the album but despite the success, testing positive for COVID-19 meant they missed the 2022 Grammys ceremony after being nominated. The record delves into the challenges of fame and is poised to elevate the band to new heights.
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Review: The latest album from Michael Kiwanuka continues his exploration of soul, folk and jazz, with production from Danger Mouse and Inflo. Following the path set by his previous work, the album offers a familiar yet comforting sound, blending rich soul vibes with subtle jazz influences. The opening track, 'Floating Parade', sets the tone with its dreamy, nostalgic atmosphere, while 'Lowdown' - a two-part track - channels 70s Afro-rock with a laid-back vibe. Kiwanuka's introspective lyrics reflect themes of self-reflection and gratitude, with tracks like 'One and Only' and 'Stay By My Side' offering heartfelt messages to his family. Musically minimalist, the album emphasises warmth and simplicity, as seen in 'Live For Your Love', where Kiwanuka expresses regret and appreciation for his wife's patience. The album's standout moments draw from 70s soul and afro-rock influences, bringing a fresh twist to Kiwanuka's signature sound. Overall, this album provides a comforting, soulful experience, showcasing Kiwanuka's growth both musically and personally, offering listeners an intimate and reassuring journey through his life and musical evolution.
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Review: Snoop Dogg's highly anticipated Missionary reunites the iconic duo of Snoop and Dr. Dre, delivering a nostalgic yet forward-looking album. Marking their first full collaboration since Doggystyle in 1993, the project promises the timeless synergy that defined West Coast hip-hop, featuring Dre's signature g-funk production infused with fresh, modern twists. The 15-track album boasts an impressive roster of guest artists, including Jhene Aiko on the lead single 'Gorgeous', Eminem, 50 Cent, Method Man, BJ the Chicago Kid and a posthumous contribution from Tom Petty on a reimagined version of 'Last Dance with Mary Jane' featuring Jelly Roll. Dre himself steps out from behind the boards, appearing as a guest on three tracks. Notable samples from Sly & The Family Stone's 'Thank You' and The Police's 'Message in a Bottle' enhance the album's funk-rich, melodic soundscapes. Missionary reaffirms Snoop and Dre's legacy as hip-hop pioneers.
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Cat: 758343 9. Rel: 13 Mar 25
Indie/Alternative
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Review: One of the most startling aspects of Todd Philips' Joker sequel - aside from the creepy, claustrophobic, horror-leaning moodiness of Hildur Guonadottir's original score - was the director's decision to get its lead character to belt out cover versions of well-known songs, jukebox musical style. It's that aspect of the film's soundtrack that's showcased on this release, rather than Guonadottir's incredible score. Joaquim Phoenix and Lady Gaga, then, are the undoubted stars of the show, belting out - individually or collectively - such familiar favourites as 'That's Entertainment', 'That's Life', 'When You're Smiling (The World Smiles With You)' and 'To Love Somebody'.
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