Back catalogue: Trance

Review: Kevin de Vries collaborates with rising stars Y do I on his latest EP and it is a three-track journey showcasing the signature Afterlife sound. Merging emotionally charged moments with driving basslines and electrifying energy, the duo strikes a balance between light and dark while cooking up grooves that resonate deeply. Each track embodies the label's ethos of fostering close dancefloor connections through rhythm, emotion and vibration. This is evocative, painstakingly designed melodic techno with pristine synth work and sleek drums that carry you into all new worlds.

Review: Seb Taylor is a veteran of the UK's coastal psychedelic and goa trance circuit, operating under many a name but none doing so much justice to the sound as that which came out as Digitalis. Madrid's Organic Signs know this, and have set about paying tribute to Taylor's influence with a sequel release to 1998's The Third State LP. Its psycho-spiritual successor, The Fourth State now makes up a pair, both of which are ascendant trance trouncers, aural aids for the psychonaut music fan's life's work of escaping systems of global social control.

Review: Following his acclaimed 'Love Dub So' EP, Nick Barber's Doof returns to Mysticisms with The Love Mixes-early, raw recordings from cassette-only archives. Made in 1990-91 while studying philosophy in Cambridge, these tracks fuse the spirit of Pink Floyd and Goa's Full Moon parties with the rise of UK trance culture. Crafted with minimal gear and pure DIY energy, the recordings capture the wide-eyed excitement of a scene still being born. Hand-dubbed and passed around at afterparties, one tape reached Mute Records and it was that which sparked Doof's Novamute debut. Now remastered, The Love Mixes offers an unfiltered window into the roots of electronic trance.

Review: Shout out to Greek powerhouse Kinesthetik Recordings for making it all the way to a half a century of releases there. They celebrate in the best way they know - with more tranced-out sounds from artists in their orbit. Giorgio & Andreas open things up with 'Nice One' and its thudding tech drums and cosmic synth lines. Diskinesia gets much more raw and moody with the edgy drums of 'Back & Forth' and Interphase then drops a pair of industrial tech thumpers. Giorgio & Andreas reappear with a raw, roughshod and deep groove and Marcelino Sanchez's 'Motive One' offers dub techno to close.

Review: A dynamic fusion of ghetto electro, trance and techno, this record is a fresh spin on familiar sounds. The title track, 'Booty Trance (feat Detroit's Filthiest)', is sure to stand out with crisp production that blends high-energy trance melodies with the raw edge of ghetto electro, creating an electrifying single. 'Another Time' shifts gears, drawing on 90s influences to craft an electro-techno hybrid that feels both nostalgic and forward-thinking. Its futuristic vibe and driving rhythm make it a standout for fans of classic electro with a modern twist. On Side-2, the Rawtakes Refix of 'Booty Trance' strips back the trance elements, leaning deeper into electro with a nod to Cybotron's iconic 'Clear'. The result is a grittier, street-smart version that feels grounded yet innovative. Closing the EP, the remix by Aura T-09 and Wheez-ie transforms the track into a hardcore techno anthem. The stomping beat and reimagined trance melodies elevate the energy, blending celestial tones with raw intensity. This EP is creative within the techno genre with diverse interpretations that will resonate across dancefloors and playlists alike.

Review: Unstoppable trance and hard trance from Talla 2XLC and DJ Tandu, two underground DJs and hyper-uppers from the formative heydays of the Frankfurt trance scene. Known for their many torrential mix series most notably, the pair have nonetheless never stopped releasing music. This new extended mix of 2023's 'Velvet' is the third link in the chain after the original 'Velvet' came to Unsubmissive Records in 1999. Several iterations in, 2XLC and Tandu contrast each other heavily with hard and melodic versions of the track especially, Tandu's especially blowing away with its synthetic melodies and washes.

Review: Fantastic Planet (which is also the name of a great 1972 sci-fi flick) is back with a powerful new collection, Survival Mode, which goes way beyond music and is in fact dedicated to the fight for freedom in Georgia. It draws on a diverse lineup of visionary artists who serve up sounds that embody resilience and resistance and call upon the instinct to persevere when all other options are gone. For those in Georgia fighting oppression, it's about unyielding determination to defy silencing forces, and the power of that translates into the music. All four cuts are cutting-edge techno sounds with jungle breaks, empowering spoken word slogans and beats that give you the energy to stand tall.

Review: Yves Deruyter has spent forty years as a pioneering force in dance music; kown for his huge sets and anthemic musical procurements, his trajectory follows a familiar arc as an early tooth-cutter on Belgium's underground scene heralding later international recognition. His hits like 'Rave City' and 'Calling Earth' shook the earliest and staidest foundations of trance. To celebrate his career, a new ten-vinyl compilation celebrating Yves' work here proves that relevance isn't about trends - it's about a distinctive sound and an undying connection to the dancefloor.