Back catalogue: Techno (すべて)

Review: Following great releases on Dansu Discs, Carpet & Snares and Timeisnow, Italian DJ and producer Davide Piras aka DJ Chupacabra returns this week on the second part of Innsbruck-based label Mont Lake's five-year celebrations. His track on side A 'Growler' is a dusty and swing-fueled deep house jam that is as much off-kilter as it is absolutely infectious. Over on the flip, it's over to Mias Void - better known as Matthias Vogt - the veteran German producer who delivers another offbeat cut on the darkly emotive hi-tech soul of 'We Used To Be Detroit' receiving a remix by Berlin's Iron Curtis up next, injecting it with some mad breakbeats.

Review: FOXBAM INC is back to build on the momentum of their first EP with a second one that packs a mighty punch. This one kicks off with EBY, who this year has been cooking up acid for 40 years and here offers the warped low ends and garage-techno power of 'Goldtooth'. Foxtrot vs Ma Bla then mashes up old school samples with earth-shattering bass on 'Deep Down Inside' and bRz vs Stije is a double-time hard techno stomper with warped synths and twisted bass that is inspired by and named after ISCO, a concept from Einstein's general theory of relativity that makes predictions about the dynamics of black holes.

Review: Bunker and Mantra are bringing the classic Chicago sound back to the dance floor with this incredible mini album full-on old school '88 style acid house tunes entitled 'The Second Age'. Retro drum machine rhythms pump out some infectious acid grooves to go along with repeated vocal edits, classic analogue synths and funky acid basslines.

Review: It's time to strap yourselves in for another bumpy techno trip at the hands of the Eya label. Manuk kicks off with surging drums and cantering synth lines that all face into a future space on elastic basslines. Oli Silva will be known atop any fans of Craig Richards' The Nothing Special label as that is where he debuted backed in 2017 and firstly here he goes solo on 'Mutant Mindset,' a twisted bit of cyborg techno funk. Then he links with regular collaborator Manuk for the airy jungle breaks of 'Multiple Minglings' before a punchy analogue Hi-Ryze Freedom mix closes out.

Review: In an age when the techno shoved in your face is often the reductive bastard offspring of hard style and throwaway trance, releases like Maroki's latest for the relentlessly great Lobster Theramin are exactly what we need to keep faith. Caution, though - use what's here sparingly, as these be monsters. More than living up to the EP's name, Pots & Pans packs four tracks that emphasise playful and at times erratic percussion, used in similar ways across the lot but to different ends. The title number is a low-slung growler made for horizontal fist-punching, 'Boiler' drops dubstep-influenced breaks into the mix while stretching our minds through a wormhole - arguably the subtle winner here - while 'San Andras' opts for bouncing high energy acid worbles, and 'Hasnoot' goes for a main stage lengthy build followed by driving rhythms. Nothing you've not heard before, but all incredibly effective and perfectly executed.

Review: After first surfacing digitally late last year, Matisa's Steel City Dance Discs label debut finally makes it onto vinyl - and not a moment too soon. Hard to pigeonhole but fiendishly heavy and floor-friendly, the four cuts on offer are rave-igniting workouts that somehow manage to sound both nostalgic and genuinely fresh. For proof, check opener 'Brillatine', where a warped, all-action bassline, fizzing electronics, Orbital-style female vocal snippets, jumpy stabs and pots-and-pans percussion hits cluster around a skittish, warehouse-ready breakbeat. 'Eyeliner' is a slightly more rave-centric chunk of heady breakbeat hardcore revivalism with added M1 organ motifs (and a rap-less accompanying hip-house style tweak from label boss Mall Grab), while 'Lip Plumper' is a muscular, hands-aloft house workout with layered percussion aplenty.

Review: 'Connection' feels more direct in emotion than some of The Maghreban's early works, sonically encapsulating an up-close and personal feel that reflects the personal qualities of the artist (Ayman Rostom), and his East African and Middle Eastern roots, more than anything else. I was becoming more comfortable with connection whilst making it, rather than keeping to myself.More driven by drum-machine loops, and the cinematic mysteries one can fit around it, it's also got features from rapper Nah Eeto and singer Abdullah Miniawy, painting a smokey, dark and modal-jazzy picture of (a haunted) house.

Review: Berlin-based artist Pavel Milyakov collaborates with Yana Pavlova, Martyna Basta, Richie Culver and Torus on Enthropic Vision, an album-length collection of tracks spanning diverse genres. The A-side starts with the melancholic ambience of 'Moon Chant', featuring the ethereal vocals of Krakow experimental music scene veteran Martyna Basta, before 'Tesco' brings bleak trancey loops blended with British contemporary artist Richie Culver's spoken word poetry. 'Eternal Break', with Netherlands-based artist Torus, is all low subs, ecstatic pads and abrasive breaks, then the B-side kicks in with 'Gabba 17' - not a 170bpm gabba anthem, but rather a ghostly techno workout with an admittedly urgent 4/4 kick - and continues with another tune featuring Richie Culver's spoken word fused with breaks. The album closes with the grim beauty of 'The Thrill', recorded in collaboration with Ukrainian singer Yana Pavlova and transports more wised up listeners back to the hypnagogic universe of the duo's 2021 Blue LP.