Review: Crazed equestrian songwriter Neil Young hears the first reprisal of a formerly unreleased album, deemed one of his great "lost" albums. Recorded in 1977, Young commented on the record's various inspirational breeding grounds: Florida's Oceanside beach, Triad Studios in Miami, and Crazy Mama's in Nashville, and of the fact that it was "quite a personal record, mostly made up of acoustic songs with no bass or drums." Known of for years online, where it was place-held with a hand-scrawled album cover, the record now comes with full-blown official cover art, documenting Young in the brief interim period between American Stars 'N Bars and Comes A Time (1977-78).
Review: Neil Young's Ragged Glory is a masterful return to form, blending raw power with a grungy edge that solidified his status as the "Godfather of Grunge." Released in 1990, this album with Crazy Horse is one of his most distortion-heavy works, offering a gritty, jam-packed sound that contrasts sharply with his earlier folk and country rock roots. Songs like 'F*!#kin' Up' and 'Over and Over' showcase Neil's ability to lock into extended grooves, delivering music that's both intense and heartfelt. One of rhe album's standout tracks, 'Mansion on the Hill,' carries a nostalgic weight, while 'Country Home' evokes warmth and memories of simpler times. The instrumentation is where Ragged Glory truly shines. Each track, is loaded with powerful guitar solos and heavy riffs. Neil's collaboration with Crazy Horse is unfiltered, spontaneous, and fiercely alive. With the closing track 'Mother Earth (Natural Anthem)' closing the album out in style, Ragged Glory remains a triumph. Its a raw, unapologetic album that shows Neil Young at his grungiest best.
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