Don't Fool With The Dips (feat JR Writer, Hell Rell & 40 Cal) (4:06)
Don't Fool With The Dips (Scratch-a-pella) (0:45)
Review: A-Trak! You may have been introduced to him as a World Champion turntablist, an iconic indie record label owner, half of Duck Sauce, a producer, a festival DJ, a remixer, Kanye's Tour DJ, or former Juicero advocate, but you may not know that he had a hip-hop record label in the early to mid 2000's, known as Audio Research Records. During this time, Trizzy hooked up with arguably 2 of the best hip-hop groups to come out of that era, producing records for Little Brother and the mighty Dipset. One of the very few Little Brother records that 9th Wonder didn't produce, 'Step Off' falls right in line with the LB aesthetic. A-Trak got busy with a bouncy joint that ended up on tons of mixtapes, available only on ARR 12" until now. Same story with the B-side; there, A-Trak teamed up with Dipset for 'Don't Fool With The Dips!' featuring 40 Cal, Hell Rell, J.R. Writer. Now re-released in collaboration with Fool's Gold Records on 7" vinyl alongside new, original artwork by RHEK.
Review: Aesop Rock were a fixture of the New York underground hip-hop scene throughout the early 90s and began writing and honing his rapping delivery, culminating in his first album in 1997. Daylight came out just a few years later in 2001 to critical acclaim, including later being ranked at number 68 on Fact's "100 Best Indie Hip-Hop Records of All Time" list. The title track showcases the talents of the producer, largely recognized as one of the last links of the 90s New York style of the genre. Being respectful of his roots, Aesop Rock samples in some classic parts of other 80s tracks onto his sublime downtempo jazz foundation for a perfect example of the style known as Conscious. Not to be outdone, 'Nickel Plated Pockets' is the perfect B-side to this EP, bringing a harder sound to balance out things. Included are the instrumentals for each of the three tracks to make this DJ friendly.
Review: Tokyo-based hip-hop producer Southpaw Chop teams up for the first time with rapper A.G. D.I.T.C. for a fatal coup de grace in the vein of chop-up-chintzy and scratch-sampling hip-hop. "The mood is definitely deadly", goes the pre-chorus of this gangsta rap heater, as D.I.T.C. both muses on an gripes after the many changes seen in his local LA ends, Laurel Canyon. Exchanging cryptic wordplays - Canon for firearm, for example - we har lyrical shots fired ("I drop the clues but it's too deep to mention" / "who put you on billboard, who made you a demon, with a career to kill for") against those contemporary rappers who'd buy careers with drug or blood money, while Chop the main man deftly juxtaposes 50s jazz with psycho strings.
Let The Power Flow (Horny remix instrumental) (3:59)
Review: Nothing is off limits for The Altered Tapes crew who are known for cutting, splicing and cross-pollinating anything they can gets their hands on from the worlds of hip-hop and beyond. Every time they drop a new 7" it sells out in quick time, such is the impact of the blistering beast they design. This new one is another potent weapon in the form of a rework of Snap's classic. 'Let The Power Flow' (Horny remix) is driven by dusty breaks and florid trumpet leads, plenty of mean bars and slick funk lines. On the flip is an instrumental that's just as compelling.
Altered Tapes Vs King Most - "I Wanna Vivrant Thing" (The Maestro remix)
ATCQ - "Scenario" (Boombaptist dubplate)
Review: Chicago's Altered Tapes alter two brand new ones for their latest 7", making up for a short AWOL period with two mashups of the utmost rawness and class. First, on the A-side, comes a slick homage to ATCQ's brightest star Q-Tip, who nonetheless, shockingly, only ever scored one hit single in his lifetime, 'Vivrant Thing'. We are reminded of this once again, if only for the fact that it shouldn't have been the case, through Altered Tapes and King Most's raw but relaxed new version. The B-side marks an unusually roomy and reverberative rework of the Tribe's 'Scenario' by their fellow editor Boombaptist, bringing dub effects-laden heat to an already wild tune.
Review: This is a limited edition pink vinyl aversion of a new one from Analog Mutants aka MC Phill Most Chill, DJ and producer Snafu, and DJ Grazzhopper. Tittyshaker is a lively follow-up to last year's Confidence 45. True to its playful title, the track delivers an 80s-inspired beat reminiscent of hip-hop's fun side, when sampling kids' TV tunes was common. With a Sesame Street-like charm, Phill's cheeky request to "shake their titties" comes off as lighthearted rather than problematic. In a musical landscape shaped by boundary-pushing artists like Megan Thee Stallion and Ice Spice, Tittyshaker channels that same bold energy.
Review: In a meeting between generations of broken beat titans, Andrew Ashong and Kaidi Thatham's Sankofa Season rightly earned classic status soon after its release in 2020, and now we're being taken back into the heart of these tracks with a heavyweight remix package from some serious talent. Mala's imperious dubstep touch brings some low-end pressure to 'Low Ceilings' or Shy One chopping up 'Learning Lessons' in her peerless deft style, there's a lot of ground covered by this considered gathering of minds. Special mention goes to Equiknoxx's Gavsborg and Shanique Marie, bringing a sweetly soulful touch to 'To Your Heart'.
Review: Prolific Philly rap eccentric Lynx 196.9 teams up for a first-time collaboration with the un-knock-downable legend Kool Keith for an incendiary new mini-album, 'Bandoleros', a concept piece intended as a modern spaghetti Western soundtrack. The rat-helmeted wordsmith and the surrealist vigilante prove an unsurprisingly wicked combo, as both emcees glide suavely over boom-bap centrepieces sampled from various spaghetti film sources, while detailing the blueprints of their various forthcoming jailbreaks.
Review: Few labels are better at saving up big cut-and-paste tunes from the world of hip-hop, r&b, funk and breaks than Heat Rock. Here they come again with more of the goodness, firstly with Nick Nack. His 'And Ya Say' roll deep, with smooth bars flowing freely over the leggy drums. On the reverse, Chicago's Altered Tapes crew offer up their own unique take of hip hop classic 'Still Running' in the form of a shuffling Bossa B-boy flip which has Latin percussion and ass-wigging drums. Both of these are floor-friendly cuts that pack in plenty of heritage.
Review: German label Oonops Drops is ever more essential if you ask us and tidy 7"s like this prove why (as does their mission to focus is on "sustainability, climate protection and socio-cultural values".) 'Bird's Lament' is a top tier tune from Slick Walk x Sneaky with live drum breaks and serene strings making for a reflective late night vibe. On the flip of this limited edition and clear slice of wax is Avantgarde Vak with the sweet hip hop sounds of 'Keep Ya Eyes Up' then Toshiyuki Sasaki with his sublime 'Toshi's Bonus Breaks.'
Review: As long as there is hip-hop, debate will rage as to which album by A Tribe Called Quest is their finest. Of course, they're all superb, but 1993's "Midnight Marauders" - their third full-length - may well be the best of all. That's a big call, but we'd ask any doubters to give it another listen. The New York crew is in particularly fine form on the mic throughout, while the backing tracks, which make great use of crunchy, head-nodding beats and hundreds of superb, hand-picked samples, are amongst the most intricately produced, groovy and deep ever committed to wax. It's one of those hip-hop sets that should be in the collection of any committed music head, and not just rap fans.
Review: In 1991, A Tribe Called Quest released The Low End Theory, a groundbreaking album that solidified their status as hip-hop legends. Building on the jazz-infused sound of their debut, the album featured sparse grooves and expertly chosen bass samples, with jazz bassist Ron Carter contributing to 'Verses from the Abstract.' DJ Ali Shaheed Muhammad's minimalistic approach allowed Q-Tip and Phife Dawg's lyrical prowess to shine, showcasing their clever wordplay, humor, and social commentary. Tracks like 'Butter' and 'The Infamous Date Rape' addressed misogyny, while 'Rap Promoter' and 'Show Business' critiqued the music industry. The album's production is consistently smooth, with standout tracks such as 'Check The Rhime' and 'Jazz (We've Got).' The posse cut 'Scenario,' featuring Leaders of the New School, is a legendary closer. The album's influence on hip-hop is undeniable, inspiring future artists like Kendrick Lamar and Outkast. The Low End Theory remains relevant and refreshing, a testament to Tribe's creativity and unflappable style. It's a masterful blend of thought-provoking lyrics and impeccable production, making it one of the greatest hip-hop albums of all time.
Review: The general consensus is that We Got It From Here, Thank You 4 Your Service, A Tribe Called Quest's sixth and final album, is something of a triumph, with many critics hailing it as the best full-length of 2016. It's certainly a fine set, full of their trademark musically rich backing tracks (enhanced, this time round, with a greater reliance on live instrumentation), conscious lyrics and distinctive, on-point vocal delivery. Given their legendary status within hip-hop, it's unsurprising to see a string of similarly high profile guests dotted throughout, with Busta Rhymes, Andre 3000, Kayne West, Consequence, Jack White and Elton John (presumably in sampled form) all lending a hand. Even if you're only mildly interested in hip-hop, this should be essential listening.
Review: This two-disc compilation serves as both a tribute and a comprehensive dive into the legacy of one of hip-hop's most influential groups. A Tribe Called Quest were instrumental at the start of the 90s for helping the hip-hop genre move into more conscious lyrics that thanks to the members, took storytelling to a new level. Creating some of the most catchy tracks in hip-hop history, the group continue to grow in respect as one of the best acts in the genre of all time. With a mix of career-defining hits, rare B-sides and fresh remixes, this package is a rich exploration of their artistry. Tracks like 'Can I Kick It?', 'Electric Relaxation' and 'Scenario' stand as monuments to their enduring impact, racking up millions of streams and inspiring new generations of listeners. Previously unreleased gems 'Mr. Incognito' and 'The Night He Got Caught' feel right at home alongside anthems like 'Award Tour' and 'Bonita Applebum', highlighting the group's versatility and storytelling prowess. The inclusion of remixes, such as 'Lyrics To Go (Tumblin Dice Remix)' and 'Oh My God (Remix)', adds layers of freshness to timeless classics. The attention to detail in this collection is remarkable. Tracks like 'Jazz (We've Got)' and 'Check The Rhyme' sound revitalised, with crisp production showing their intricate melodies and sharp lyricism. From the playful narrative of 'I Left My Wallet in El Segundo' to the bold swagger of 'Buggin' Out,' every track contributes to the story of a group widely considered to be one rap's all time greats.
Review: A Tribe Called Quest's Anthology is a masterful compilation that distills the essence of their groundbreaking hip-hop career into one essential collection. Spanning from their early gems like 'Luck of Lucien' to the jazz-infused brilliance of 'The Low End Theory' and the infectious groove of 'Award Tour,' this album encapsulates the evolution and influence of the group over a decade. It's a perfect introduction for those new to their discography, capturing all the highest points of their journey. Tracks like 'Find a Way' from 'The Love Movement' and Q-Tip's solo debut 'Vivrant Thing' add depth and diversity, showcasing their enduring impact on hip-hop culture. Anthology not only celebrates their innovative sound but also highlights why A Tribe Called Quest remains a top listen for any hip-hop enthusiast.
Rock Rock Y'all (feat Punchline, Wordsworth, Jane Doe & Mos Def)
Scenario (remix - bonus track)
Money Maker (bonus track)
Hot Sex (bonus track)
Oh My God (remix - bonus)
Jazz (We've Got) (Re-recording - bonus track)
One Two Sh*t (feat Busta Rhymes - bonus track)
Review: Influential and ground breaking American hip-hop legends A Tribe Called Quest dropped their fifth album The Love Movement in 1998. It was the last one with their complete original line up before the passing of Phife Dawg. It continues stylistically from where the previous album, Beats, Rhymes and Life, left off with the group's signature minimalist beats, r&b overtones and jazz-flecked production, all of which was taken care of by The Ummah. The mature vocal themes, laid back delivery and subtle style of the album makes it one of the many classics in their oeuvre. This limited reissue spreads it over six sides of essential wax.
Review: The hip-hop legends' fourth album, released in 1996, marked a pivotal shift in their musical journey. The production, led by The Ummahia collective including Q-Tip and the late J Dillaiintroduced a more minimalist and darker tone compared to their earlier, jazz-infused works. Tracks like '1nce Again' and 'Stressed Out' exemplify this evolution, blending introspective lyrics with innovative beats. The reissue offers a renewed appreciation for the group's willingness to experiment and evolve, highlighting a significant chapter in their discography.
Review: There was a big fuss made when Aaliyah's music finally made it to streaming services late last year, which shows just how in demand it remains over a quarter of a century after it first hit record stores. Her self titled long player was an early and frankly just about unbeatable blueprint for r&b that has more than stood the test of time. With guests posts from Static From Playa and Timbaland she opened up on all manner of subjects from rejection to love, personal anxiety to better times. The slick production still sounds fresh, as does the timeless vocal work.
Review: Here's a chance to cop a pivotal piece of R&B history on vinyl. Aaliyah's second album was released in 1996, when she was just 17, and she was already one of the most commanding artists in modern R&B. Working closely with Missy Elliot and Timbaland on a number of the tracks, she made a significant step on from her debut with a revitalised and forward-leaning sound, and all while finishing drama school and preparing to star in Romeo Must Die. One In A Million is solid gold start to finish, and given how costly original pressings of it can be on the second hand market, this reissue is long overdue so grab it while you can.
Luniz - "I Got 5 On It" (feat Michael Marshall - Tethered mix From US)
Review: Composer Michael Abels and Oscarr winner Jordan Peele have hooked up plenty of times on the big screen before, and this is another hugely successful partnership. Us was released in March 2019 and is an original nightmare that is set in present-day Santa Cruz on the Northern California coast. Lupita Nyong'o and Black Panther's Winston Duke star and the score features many highlights such as a 30-person choir, ten of them kids, on 'Anthem', while plenty of Eastern European instruments, violins and percussion were also employed. 1995 hip-hop anthem 'I Got 5 On It' by Luniz is also included and never fails to stand out.
Review: A deluxe edition of this album that expands on an already captivating musical journey. Originally released in 2023, it garnered critical acclaim for its unique blend of soulful vocals, intricate bass lines, and masterful production. This expanded version adds new dimensions to the experience, featuring collaborations with a diverse array of artists, including Durand Bernarr, Samm Henshaw and Danielle Ponder. Tracks like 'Le Depart (Feat. Durand Bernarr)' and 'Serena (Feat. Samm Henshaw)' showcase the collaborative spirit of the project, while remixes from Young Franco and Jitwam inject fresh energy into familiar favourites. Oasis masterfully blends personal storytelling with political themes, her lyrics exploring themes of identity, social justice, and self-discovery. The result is a sonic tapestry that is both deeply personal and universally resonant, inviting listeners to connect with the music on multiple levels. With its expanded tracklist and diverse range of sounds, it's a must-have.
Review: The tenth full-length from the literal most verbose MC in the hip-hop genre Aesop Rock, has been described as "A concept album about an organization offering lifestyle and industry-specific applications designed to curate a desired multi-experience." Following on from 2020's exceptionally dizzying Spirt World Field Guide, some of the core themes of the absurdist search for peace and tranquillity resurface across Integrated Tech Solutions but in a new guise of app placements, corporate speak and artificial goals that keep the masses confined within digital, monitored bubbles. Predominantly self-produced like the majority of the artist's recent output, the beats fluctuate from eerie minimalism to hallucinatory, overwhelming sonic stews, all dictated by humorous yet reliably virtuosic bars and flow. Ten LPs in and Mr. Aesop (or Mr. Rock) sounds as confident, concerned, curious and crazed as ever.
Garbology(gatefold coloured vinyl 2xLP + MP3 download code in spot-varnished sleeve (comes in different coloured vinyl, we cannot guarantee which one you will receive))
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