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Back catalogue: Funk Soul & Jazz
Juno's full catalogue of Funk Soul & Jazz
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Review: Blue Note Re:imagined finds Decca and Blue Note jin their immeasurably forces for a new series of releases that rework classics from both back catalogues. They are often collisions of old and new talents and form a bridge between jazz generations. This latest offering kicks off with Steam Down's version of Wayne Shorter's "Etcetera" (Ft. Afronaut Zu) and Yazmin Lacey's version of Dodo Greene's - "I'll Never Stop Loving You." Both make for lush, involving listening and mark another fine entry in this series.
… Read morePlayed by: * Record Breakin' Music *, Juno Recommends Jazz
in stock $13.82
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Review: Hip-hop heads love nothing more than classic Blue Note material getting a modern fix up. And that's what we have here as Kay Young and Venna and Marco Bernardis join forces to work their magic on Marlena Shaw's 'Feel Like Making Love' and Donald Byrd's 'Where Are We Going?' This limited 7" is a taster from the 16-track compilation Blue Note: Reimagined II. It's packed with the neo-soul, r&B and hip hop scenes finest contemporary talents adding new magic to the still standout original source material. Like volume one, it's an absolute must-have, as is this 45rpm.
… Read more in stock $9.91
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Review: As fast-rising underground stars in their own right, you'd expect any collaborative album from soul-fired South London singer/songwriter/beat-maker Tom Misch and prolific jazz drummer Yussef Dayes (best known for his now long-running collaboration with Kamaal Williams) to be rather good. "What Kinda Music" is, with the pair mixing and mangling elements of soul, jazz-funk, electronica and jazz, a set that defies easy categorisation. Both musicians exceed themselves throughout, with tipsy electronics, sweeping strings, bass, effects-laden guitars, woozy synth lines and Misch's heartfelt, soul-flecked vocals offering a perfect foil for Dayes' loose-limbed, headline-grabbing drumming.
… Read more in stock $23.46
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Review: Larry Young was an American jazz organist, whose claim to fame lay in his use of the Hammond B3 organ in a genre context it wasn't regularly used for: post-bop. 'Unity' came out in 1965, and saw him collaborate with trumpeter Woody Shaw, saxophonist Joe Henderson, and drummer Elvin Jones. The aim was to transcend each artist's tendency towards individualism, producing a stunning mood piece that brought out the organ in a surreptitious yet noticeable context. Young's playing renders the instrument popping, bright and vibrant.
… Read morePlayed by: Juno Recommends Jazz
in stock $31.27
