Review: Mary Lattimore's standing as one of the foremost harpists in active service is without doubt at this stage, but even by her considerable reputation this record is a standout moment in a glittering career. Over the course of two years, the dedicated improviser committed herself to focused sessions and collaborated with an impressive cast of characters from The Cure's Lol Tolhurst to Slowdive's Rachel Goswell. The over-arching theme is one of the inescapable nature of change, as crystallised in the crumbling Croatian hotel Lattimore references in the album title. It goes without saying the musical results are achingly beautiful, nuanced and fathoms deep.
Review: This is what happens when acclaimed Los Angeline harpist Mary Lattimore enlists Slowdive's Neil Halstead fo production duties. A lush, and liquid listening experience that is as graceful as it is confident, blurring the lines between classical and ambient in a way that seems to echo centuries of traditional, almost Medieval tones and contemporary electronic adventures alike.
Lattimore's work has previously been described in terms of 'dreamscapes', and few have been painted more vividly than Silver Ladders. These are deep dive arrangements that expand and contract like breathing, allowing the artist's signature instrument to shine while submerging it in swells of refrain. Movement is constant, and yet the record feels mill pond still. Hardly par for the course, even in the fertile sonic ground she works in. Step inside and prepare to be captivated.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.