Review: The Moiss Music label seems to like to drop their EPs two at a time. They did it in February and they're doing it again in May. This eighth outing collects four more lively disco cuts, each with their own subtle influences. Berobreo's 'White Rabbit' for instance has funky undertones with loopy guitar riffs and nice breaks. The Magic Track's 'Jamming With Mom' meanwhile is more sensuous and deep, with late-night synth work and seductive vocals. Oldchap's 'I Want To Show You' has an expressive soul vocal with more low-slung grooves and Alexny's 'Not Bad' then gets quick, clipped and loopy for its lip-pouting disco thrills.
Review: Athens of the North 'house band' East Coast Love Affair recently returned to action with 'I'm So Glad', a driving disco-funk outing tailor-made for sweaty club sessions. For this speedy follow-up, they've recruited effortlessly soulful vocalist Theo Suess and musically flipped the script. Built around skittish lo-fi beats, immersive chords and bubbly synth-bass, 'Tonight' sits somewhere between deliciously deep house and lo-fi boogie. It's genuinely brilliant, with Suess providing an immaculately emotive lead vocal on the A-side main mix. The flip-side 'Dub' is superb, too, with snippets of Suess's vocals echoing across an enveloping, loved-up instrumental backing track.
The Family Daptone - "Hey Brother (Do Unto Others)" (3:52)
Soul Fugue - "The 100 Knights Orchestra" (4:58)
Review: Soul and funk heads won't want to miss this very special seven-inch from the Daptone Records crew, and not just because it's the label's 100th "45". The A-side features an all-star '60s soul cover of the Frightnrs rock-steady cut featuring vocal contributions from Saun and Starr, James Hunter, Lee Fields, Naomi Shelton, Duke Amayo, the Frightnrs and two legends who are no longer with us: Charles Bradley and Sharon Jones. It's a one-off that won't be repeated for obvious reasons, but more importantly it's very, very good. Over on the flip main man Bosco Mann takes charge, conducting and producing "two opposing armies" of woodwind and horn players from the label's expansive musical roster. As you'd expect, it's something of an epic.
Review: Bobby Harden & The Soulful Saints are back with a new 7" that arrives in conjunction with their new album Bridge of Love with arrives in May. These two tunes exemplify what to expect from the long player with sleek seventies pop sounds. 'One Night of the Week' is led by Harden's voice with the dexterous Soulful Saints adding the buttery support next to Latin percussion, horns and even a string quartet. On the flip is the exuberant 'Rase Your Mind'. This outfit has performed live and recorded together with acts such as Sharon Jones & The Dap-Kings and The Wu-Tang Clan and it's easy to see why.
Review: Presenting two previously unreleased tracks from the late Queen of modern soul, Sharon Jones, and her Dap-Kings. 'Don't Wanna Lose You,' penned by sax stalwart Neal Sugarman, exudes soul sophistication with its infectious groove and vibe. Sharon's powerful vocals soar over the track, showcasing her unparalleled talent. On 'Don't Give a Friend a Number,' the mood shifts to a haunting, r&b-infused atmosphere. Sharon delivers a commanding performance as she confronts an unfaithful lover, with eerie background vocals adding depth to the track.
Review: New 7" from Jamaican roots vocal harmony group Kushart, with France's Sons Of Africa on rhythm and production. 'Foundation' brings up the A, presenting to the listener a foundational affirmation of the "gift of life", which resounds in the song's chorus, and complements an overall opining of love, heraldry and freedom. On the B, there's a beautifully noir closing instrumental; end credits music for a righteous celebration, of the return to the land of the Lamb.
Hakuchu No Shugeki - Theme (feat Terumasa Hino Quintet) (5:10)
Review: The Norio Maeda Trio's 'Alpha Ray' and Terumasa Hino Quintet's 'Hakuchu No Shugeki - Theme' have been unearthed gems from Japan's musical past, revived for contemporary audiences by Jazz Room Records. 'Alpha Ray' exudes hot Latin vibes from the Swinging Sixties, earning its place in Shibuya Jazz Dance Folklore during the Acid Jazz Boom. Meanwhile, 'Hakuchu No Shugeki - Theme' transports listeners to the stylish world of 1970s Japansploitation cinema with its soulful jazz groove reminiscent of Blue Note's golden era. Both tracks, now available on 45 RPM vinyl, promise to ignite the dance floor with their infectious rhythms and timeless charm. Jazz enthusiasts won't want to miss this double dose of vintage Japanese jazz excellence.
Review: Sound Of Thunder outta France lands at release number ten here with another gorgeous slice of lovers rock on 45rpm. It features contemporary producers and vocalists Loic Paulin & The SOA offering up A-side single 'Jason White'. At less than three minutes it is the definition of short but sweet but in that time it manages to make its mark with the yearning vocals really hitting home next to nice heat-damaged organ chords and a classic reggae rhythm. On the flip, Mellowmood spins out the sounds via plenty of mixing desk tweaks on his version 'Poor Jason Dub'.
The Inn House Crew - "Headlock Riddim" (feat Vin Gordon & Bongo Herman) (3:07)
Fawda Don - "Warrior" (3:24)
Barry Issacs - "So Mi Get It" (3:16)
Review: Winston Ready has played a big part in the evolution of reggae booth as a solo artist and as the mic man for The Cimarons. He has had plenty of hits in his time and is now a regular on this label, Room In The Sky, with a couple of tunes dropping this month alone. 'Cool It Amigo' is first up and is an earthy one with shakers and fat horns over deep bass. The Inn House Crew then appear as usual with a head-twisting dub and on the flip are two more cuts that rework the original, firstly Fawda Don's 'Warrior' then Barry Issacs's 'So Mi Get It.'
The Rits Riddim Force - "Moonlighting" (instrumental) (2:58)
Review: Room in the Sky welcomes us back to their world with Winston Reedy & The RITS RIddim Force. Here they cover The Eternals' classic Studio One hit, 'Stars' in their own unique and inimitable style. It is laden with rolling drums and fleshy bass. Trilling chords, buttery smooth vocals and tumbling congas all make it an earthy and authentic roots sound that sweeps the heart and gets the head nodding. Flip this one over and on the b-side, you will find a decent instrumental version that is more stripped back.
B-STOCK: Torn sleeve, otherwise in excellent working condition
Duration Rhyme (vocal mix)
Duration Rhyme (acappella)
Duration Rhyme (Tofubeats remix)
Review: ***B-STOCK: Torn sleeve, otherwise in excellent working condition***
Recorded in 1999 but only released in December 2020 on Takecha's excellent 120A EP, 'Duration Rhyme' is a simply gorgeous slab of sunrise-ready deep house in which glistening chords, sun-kissed melodies, elongated chords and jazz-funk synths rise above a locked-in beat. Previously, we've only ever heard an instrumental mix, even though Takecha recorded a full vocal version with singer Mayumi Tusruta at the tail end of the '90s. Here that mix finally gets released, and it really is a doozy: a super-sweet, life-affirming affair that sits somewhere between deep, warming pop and classic deep house. It comes backed with a luscious, piano-heavy, jazz-funk-flecked dancefloor revision from Tofubeats and a handy acappella.
Review: Kaidi Tatham back on 2000BLACK needs little explanation really, does it? Anyone who takes broken beat and neo soul seriously should already be slipping this on in their cart, but for the uninitiated this is one of the grandmasters of the sound in full flight. 'Galaxy' is a beautiful, uplifting soul-boogie jam with a stunning vocal turn from Lola Violet, and it comes in two different twists depending on the energy you need to bring to your set - for us the 'Uptempo Mix' is a perfect shot of joy in the arm. 'A Message From Above' cools things down with gorgeous keys, a characteristically snagging beat and sultry horns, and 'Ergonomic Structures' slinks into the sweetest of downtempo funks that'll have you head nodding hard and keeping you chill all in the same beat.
Review: The latest short form offering from Scottish alternative indie rockers Teenage Fan Club will do nothing to dissuade fans the Glaswegians remain at the cutting edge of their sound. After a four year hiatus, they've returned to hit us with catchy, upbeat, sweet and jangly aural sugar that masks the rather melancholic lyrical content. 'Home' bounds along with summer seemingly pouring from every guitar chord, while Bellshill's finest sing of dejection, frustration and longing.
Then we are told 'Everything's Falling Apart' through harmonious vocal delivery on the B-side: an understatement of epic proportions given the current global situation, it's indicative of the band's well-established modus. Packing suggestion and inference beneath easily-accessible instrumentation is a sure fire way to make as many people as possible stop for a long, hard think.
Review: Cultured Swiss techno label Acquit has put together this cheeky little 7" from Trecci with one great tune on each side. 'Invisible Self' is the opener and it is a delightfully curious, inviting blend of soft focus synth loops and smeared pads that sounds like waking up on a distant planet. On the flip, 'Sit And Wonder' starts with pensive piano chords which are eventually carried away on a supple deep house grove with loopy bongos and a feel-good sense of late-night cruising. Tasteful stuff for sure.
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