Review: The mission continues here for Reservoir Dub Records who have been working most recently on putting out this one "Aim High' tune on a 10" with four different cuts from four different artists. This one features the legendary Macka B and the talented saxophonist Guru Pope bring their skills to a rhythm that was originally produced by the one and only dub-making don that is Jacin, while all the cuts have been expertly mixed by Gamma Sound's N-Tone DUB. It's a heavyweight package of fresh dub sounds with nods to the old school but plenty of new school cool.
Review: Niney The Observer's Set Dub Free vinyl delivers two exceptional dubs straight from the heart of the 1975 dub scene, a period when the genre was reaching its peak. On the Side-1, 'Set Dub Free' presents an unreleased dub cut of Michael Rose's 'Freedom.' This track showcases Niney's mastery in crafting deep, resonant dub that captures the essence of the era. The production is rich, with heavy basslines and echo-laden effects that transport listeners to the golden age of dub. On Side-2, 'Dub Born Free', features a rare King Tubby dub cut to 'Rasta No Born Yah,' originally voiced by Sang Hugh. This track is a true gem, blending Tubby's innovative mixing techniques with Niney's powerful rhythms, creating a sound that's both timeless and deeply rooted in reggae history. This 10" is ideal for any dub enthusiast looking into the creative forces that shaped the genre.
Review: The Nut Jumpers is a collaboration that brings together Helen Shadow, Ricky Lee Brawn (of The Stargazers and The Big 6), and 'Mr. Dynamite' aka Jake Calypso, and it finds them blend their talents into a diverse yet authentic rock'n'roll experience. With Helen's stellar guitar, Ricky Lee's dynamic drums, and Jake's vocals, harmonica, and bass, their sound spans rockabilly, rock'n'roll, blues boppers, and sixties vibes with effortless cool. They fuse these influences seamlessly, occasionally evoking guitar riffs reminiscent of Link Wray in a way that means The Nut Jumpers deliver a rich musical tapestry that resonates with classic authenticity and a contemporary edge.
Review: Noton Records - an outfit dedicated largely and almost solely to the output of experimental electronic / minimal legend Alva Noto - here presents the full 10" box set version of Infinity, the mammoth set of originally 72 (here just 50) "sound graffities" commissioned to the artist by contemporary art exhibition Documenta X. The aim of Documenta X was to abstract the member of the public from their everyday lifeworld, exposing them instead to bare sonic spaces in which modernist sound fragments were played back, expressly challenging the collective listener's cochlear gaze. None of these pieces amount to full songs on Noto's part; instead they serve as auditory "throw-ups", to borrow from graffiti parlance, mirroring the unconscionable nature of certain visual or aural perceptions - public art works, gradual alterations in the environment, etc. - as we perceive them only intuitively, only in passing, as we submit to the daily bustle of the street. It comes as no surprise that many of these pieces were also played in public spaces outside the white cube, such as airports and public spaces: the tracks squeeze and bend time-space with twinging noisebursts and glitching digital scuzzes; cortically, convexly, chirally inverting the dysthymias of urban life and transience.
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