Back catalogue: All genres

Review: This Biscuit release is a fierce four-track punch built dancefloor disruptors. Opening the A-side, France's BOOH (aka BOOOoo! Records co-founder) delivers 'Hidden Between Two Ferns,' a punishing blend of EBM and electro that morphs with dark energy. A2 sees Argentina's Micro.Tron bring pure electro muscle with 'Microclima Robot,' a rhythm-heavy cut that hits with precision. On the flip, JJ Fortune drops the epic and destructive 'Then I Dropped It' while Vloon closes with a snarling, high-voltage electro weapon. Raw, trippy and relentless, this one's built to shake basements and bend minds.

Review: Emma Noble, the emerging soul singer from London, delivers a powerful performance on the girl group soul anthem 'Unstoppable'. Her second single, it's poised to become a next-gen floor-filler; catch us playing it on repeat, *in flagranti*, after it premiered on Craig Charles' BBC6 Soul Show in early 2025. 'Going Going Gone' backs it up on the B-side, as the first single from FPE's upcoming album Waves. Hearing rising Australian singer-songwriter and pop genius J Mahon on vocal duties, the track's catchy brass sections combine with J's androgynous soul vocals, and evokes the sounds of young Motown artists in the style's 60s adolescence.

Review: Scottish producer Milton Jackson returns to Freerange with four club-rooted collaborations that bridge Glasgow's punch with Detroit's finesse. It's a new release that brings Brian Kage on co-production and mastering, HazMat Live on synth duties, and Jon Dixon supplying characteristically sharp keys i and the results are as warm and robust as you'd expect. 'Fire Emoji' opens with a stripped-down, pressure-cooked club tool: all booming low-end, echoing vocal wisps and crisp arrangement. 'The Sunsetters' is the emotional peak, built around a fluid synth solo from HazMat Live and buoyed by plush pads and 909 accents. On the flip, 'Wanna C U' nods to both sides of the Atlantic, fusing US house depth with the swing and snap of UKG. 'The Shine', featuring Jon Dixon, is the most musically rich of the lot i gliding chords, broken grooves and cosmic jazz touches make it a standout closer. Rooted in deep house but flexible in feel, these tracks feel fully lived-in: tactile, soulful and beautifully engineered. Four cuts that do damage without shouting i a smooth burner from a seasoned crew.

Review: Since being snapped up by Defected a few years ago, the reinvigorated Nu Groove label - originally home to some of the earliest NYC deep house recordings ever released - has done a good job in balancing essential reissues with new EPs from artists whose music neatly fits their ethos. Jimpster, a man who has been serving up impeccable deep house for decades, is their latest recruit. Fittingly, he's delivered an EP of nostalgic, colourful deep house of the kind that could have been produced by Nu Groove stalwarts The Burrell Brothers in 1990 or 91. For proof, check the tactile, analogue-rich retro-futurism of 'The Phoenix', the warming deep NY garage-house bump of 'Lightening In Me' (featuring vocalist Oliver Right) and the synth-rich sonic sunshine of 'Beat Of An Era'.

Review: Montreal's Jump Source makes it six with four tracks engineered for maximum impact on the dancefloor. Side A features 'Bleach' and 'Condenser,' which are all about building and sustaining tension through bold, cyclical progressions. 'Condenser' was co-produced with Sabola and leans heavily on the Roland SH-05, which anchors the track with analogue grit. The mood shifts of the flip with vocal-driven cuts from Martyn Bootyspoon and Frankie Teardrop adding a hint of introspective flair to the club ready grooves. 'On' takes a confrontational edge, while 'Get It Done' rides a cooler groove.

Review: Razor-N-Tape's white label series serves up its first-ever various artists collection here, and it opens with Windy City master Glenn Underground. His 'Happy House' is a joyous disco stomper with florid strings and lung-busting vocals. Rahaan adds his own edit to 'Be Cool', which is a jazzy dancer with magnificent guitar work and brassy horns. 'Hot Damn' (JKriv edit) keeps the love flowing with funky disco house energy and an air of hands in the air celebration and The Patchouli Brothers flip 'Love Explosion' into a strident, front foot wafered and pumping disco funker with gorgeous vocals. There I so much sunshine and joy in these tunes that they melt even the stoniest of hearts.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Five years after its first release, Emotional Response is serving up this welcome reissue of Alexis Georgopoulos and Jefre Cantu-Ledesma's classic Fragments of A Season. They came together after five years of superb releases and reached new highs here even though they aren't necessarily household names. It saw them turn in some wonderfully expressive compositions played out across all manner of organic instrumentation. The richness of the production and the highly developed ideas embedded within this gorgeous LP should resonate for a long time to come, not least because the pieces are all so easy on the ears.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Experience the white knuckle energy of the band's early U.S. tour at the legendary punk club, with a mix of tracks from their 1977 debut In the City and their second album - also released '77 - This Is the Modern World. Technically named the Rathskiller, the Boston venue was nicknamed The Rat and built a reputation as a basement dive bar that has hosted acts that have gone on to be the biggest names in rock. The Jam are a case in point and on red hot form here with the Paul Weller-led band thrashing through the likes of 'Carnaby Street', 'In The City' and 'All Around The World' in an unpolished, ramshackle and intimate way that the studio albums can't conjure.

Review: It's all gone... 2025 marks the decade since Pete Tong, folk-vernacular-approved DJ and radio tastemaker, joined forces with conductor Jules Buckley and The Heritage and The Essential Orchestra to reimagine electronic dance anthems through the grandeur of orchestration. Over the years, their redos have made club classics symphonic, purpled in a way few other reimaginers could beat. To celebrate, Pete has now curated a special anniversary compilation, with orchestral renditions of iconic tracks such as 'Pjanoo', 'Lola's Theme', 'Killer,' 'Insomnia', '9PM (Till I Come)', and 'Your Love'.