Back catalogue: All genres

Review: Soma sub-label Avoidant Records recently put out a fantastic collection fo electro cuts but it was a digital only release. Now some of the standouts from it get pulled together on this fresh new 12"that joins the dots between Europe and Detroit. DJ Godfather kicks off with some rapid fire 313 electro, squirrelling bass and slick claps then 'One Direct Line' from The Exaltics is more cosmic and blissed out with lush ambient synths. On the flip, Flug goes hard with mad digital patterns and Blaktony layers up jacking drums, corrugated bass and dark hits. Great stuff.

Review: Budapest's Dalmata Daniel rewire the electro efforts of Timothy K. Fairplay for their ninth 12", which also includes a B-side icing by none other than fellow producer Norwell. These four retrofuturist cosmopolitan jams are heard divided between the two artists, and do well to flaunt the specific valences of their production styles, which, while doing well to stick to the cosmic aesthetic, cannot help but betray unconscious stylistic hallmarks. Fairplay's is as tweezy and kick-phat as ever, with 'Caliber 9' being the obvious choice as the sonic equivalent of a 70s infographic on telecoms gone haywire. Norwell's take on the vibe is breaksier and more muted, with closing number 'Natives' being the cut of choice, burbling in a vat of liquid acid and emotive smoke.

Review: Fasme, aka Tom Ferreira, has made a couple of decisive moves over the past couple of years. First appearing alongside Maelstrom on Central Processing Unit, and then landing a release on Feel My Bicep, the man's talents in the field of emotionally charged electro and braindance is showcased structures of 'A Year'. Even at its more angular, the EP is grounded by Ferreira's strong sense of melody, giving it a proper quality on this outstanding four-tracker, from the warm, lightly acid-flecked climes of 'Launcher' to the more mechanoid structures of 'A Year'.

Review: Analog Concept Vol. 3 delivers a striking collection of forward-thinking deep techno, blending electro, acid, and sci-fi elements to push boundaries across its four tracks. Fasme opens with 'Crying Robot', a standout acid electro monster that's both raw and energetic, setting the tone with its sharp, robotic intensity. CCO's 'Solar Sail' follows, bringing a darker, sci-fi edge to the mix. Its blend of EBM and new beat creates a timeless, futuristic trip that feels immersive and cinematic. Side-2 kicks off with Unwonted's 'Frontier', a high-energy electro track laced with trance elements, adding a hypnotic, rave-ready vibe. Serge Geyzel closes the compilation with 'Flash', a heavy-hitting deep electro cut that dives into darker, alien soundscapes. Its deep techno undercurrents enhance the track's sense of foreboding and mystery. Overall, Analog Concept Vol. 3 captures a thrilling array of deep, futuristic sounds. Take a journey through techno's more experimental and atmospheric realms with this Russian label. Each track stands strong on its own while contributing to the cohesive, forward-thinking vision of the compilation.

Review: Frank De Groot has an accomplished history in gnarly electronics which reaches back to the 90s, and he's been recording with Steffi's Klakson label as Fastgraph for most of that time. Here the label are returning their attention to one of his most sought-after joints, the incredible Evasive Manoeuvres EP. This is the kind of electro to make you sit up and pay attention - it's uptemo, dark and edgy, with an atmosphere you could cut with a knife and a grubby, underground attitude perhaps only bested by the Bunker Records crew. Serious gear for those who like their electro as moody as possible.

Review: The fifth release on Kimchi Records comes wrestled from the hands of Ecuadorian mastermind Fauna Extinta, aka. Nicola Cruz. The First EP under the alias, we hear Nicola make use of electro analogia to explore idea of a biology that once was, but no longer is, and now lingers only in memory or myth. Drawing on ideas of creation, biogeography, evolution and extinction, the likes of 'Everything Is A Green Screen' and 'Features Of Human Beings' serve as biosynthetic, existential meditations on change, urging us to imagine new realms, alternative means for actualizing the human spirit.

Review: Fidelio and Luca Piermattei hook up here to explore worlds where acid, techno and electro all happily coexist. Fidelio's A-side offers three cuts that fuse 90s acid rawness with baroque drama that results in a unique mix of classical organ melodies and razor-sharp basslines. Punchy kicks and sizzling hi-hats drive the energy as you're happily lost on a neon-lit techno odyssey. On the flip, Piermattei's 'Gas' features a fluid bassline and glitching robotic vocals that are eerie yet inviting and 'Third Rec' (with Tascam 122) rounds out the release with pulse-driven electro and intricate percussion, perfect for late-night explorations.

Review: Soundscape Versions delivers its third edition of the various artists series and offers four effective cuts between subtle house breaks, acid house, electro and atmospheric techno. Featuring Kintaro 89, Faune, Arian Alexander and Douala.

Review: Uniquely squeezy new funk by Robotron and the Funkadelic camp. Laying down a phat, uptempo synthfunk slew - 'Toy-Boy', 'Save Your Love' and 'Funk With Me' - alongside myriad liner note puns such as "are you ready to funk off?" and "we give a funk!", you can be sure that the tone of this one is kept both light and heavy, in a mutually opposing but impactful way. The B-side 'Save Your Love' is the particular highlight, presenting a rather interesting fusion of Italo, freestyle, street soul... it's kind of got everything.

Review: Not to be confused with Stefan Robbers' early alias, this Florence 12"series reaches back to 2013 amidst a string of low key club cuts with an emphasis on quality and originality. On the 14th in the series, we lead in with the snappy, mellow electro tones of 'Modmood' with its poppy vocal hooks in the midst of the 808 jamming. 'Crazy' offers another strong singalong moment as we get snatches of a Beyonce classic set to a brooding electronic backdrop. This series is a unique enterprise exploring the divide between underground dance music and mainstream pop and coming up with something truly compelling which might just create an unforgettable moment in the club.

Review: As a former member of Kraftwerk, Wolfgang Flur is never short of offers to collaborate. On Time, his first solo album for three years, he's once again taken up many of these offers. So alongside regular collaborators Peter Duggal, U96 and Miriam Suarez, you'll also find contributions from New Order bassist Peter Hook, Thomas Bangalter (aka Vangarde, taking his disco-making father's moniker surname here) Detroit electro and techno pioneer Juan Atkins (who appears on opener 'Posh'), and long-serving techno producers Anthony Rother and Fabrice Lig. As a result, Time is rooted in sharp electro, synth-pop and revivalist new wave, but also offers nods to techno, electroclash, acid house and proto-trance, with Suarez and Flur take it in turns to add their own atmospheric vocals. If you enjoyed Flur's previous album, Magazine, you'll lap this one up - it's an even stronger proposition.