Back catalogue: All genres

Review: UK funkateers out on the cosmic frontier in the early 80s Atmosfear let this synth-stroking, bass-slapping star-gazing escapade loose in 1982 and OG presses have been known to fetch a fair a penny among collectors in the past. A proud piece of UK jazz boogie, it's not heard to hear why it's been in such demand. Timeless, spacious and laced with intoxicating vocals and a superbly trippy dub version on the B that was way ahead of its time. Grab it while you can.

Review: As Tangent, one of London's cherished underground institutions, marks a decade of unforgettable nights, it does so with a meticulously curated compilation on Mr Bongo. The new release is more than a celebratory gesture; it's a sonic anthology reflecting the essence of a decade spent at the heart of the city's underground scene. Curated by Tangent's own John Gomez and Nick the Record, the compilation presents a blend of rare and dancefloor-ready tracks that have defined their parties over the years. This isn't merely a collection of past hits; it's a celebration of the edits that transformed these tracks into Tangent anthems. Alongside remastered reissues, the CD edition includes three exceptional edits by Nick, John, and Dan Tyler of the Idjut Boys, each crafted with the kind of attention to detail that only years of club experience can bring. Nick's collaboration with Dan Tyler on Leo Basel's 'Quelle Drole De Vie' breathes new life into a 1987 remix, honing in on the standout elements of the original. The result is a vibrant, French boogie-infused track that promises to elevate any dancefloor. John and Dan's rework of Love Isaacs' 'Surprise Surprise' offers a cosmic twist on 80s electro-funk, extending the grooves and adding a highlife touch that enhances the track's dancefloor potential. The compilation's crowning piece is Nick's edit of Rick Asikpo and Afro Fusion's 'Let's Get High'. This 12-minute reimagining takes the energetic climax of the original and expands it into a frenetic, cosmic journey, showcasing synthesised jazz-funk in its most exhilarating form. This release is not just about revisiting old favourites; it's about acknowledging the transformative power of edits and the unique role Tangent has played in shaping London's underground music scene over the past decade.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


As Tangent, one of London's cherished underground institutions, marks a decade of unforgettable nights, it does so with a meticulously curated compilation on Mr Bongo. The new release is more than a celebratory gesture; it's a sonic anthology reflecting the essence of a decade spent at the heart of the city's underground scene. Curated by Tangent's own John Gomez and Nick the Record, the compilation presents a blend of rare and dancefloor-ready tracks that have defined their parties over the years. This isn't merely a collection of past hits; it's a celebration of the edits that transformed these tracks into Tangent anthems. Alongside remastered reissues, the CD edition includes three exceptional edits by Nick, John, and Dan Tyler of the Idjut Boys, each crafted with the kind of attention to detail that only years of club experience can bring. Nick's collaboration with Dan Tyler on Leo Basel's 'Quelle Drole De Vie' breathes new life into a 1987 remix, honing in on the standout elements of the original. The result is a vibrant, French boogie-infused track that promises to elevate any dancefloor. John and Dan's rework of Love Isaacs' 'Surprise Surprise' offers a cosmic twist on 80s electro-funk, extending the grooves and adding a highlife touch that enhances the track's dancefloor potential. The compilation's crowning piece is Nick's edit of Rick Asikpo and Afro Fusion's 'Let's Get High'. This 12-minute reimagining takes the energetic climax of the original and expands it into a frenetic, cosmic journey, showcasing synthesised jazz-funk in its most exhilarating form. This release is not just about revisiting old favourites; it's about acknowledging the transformative power of edits and the unique role Tangent has played in shaping London's underground music scene over the past decade.

Review: Initially released in South Africa in 1982, Gyedu-Blay Ambolley's sophomore set is now regarded as a boogie-era Highlife classic. Here issued on CD for the very first time via Mr Bongo, the album features the Ghanaian star brilliantly joining the dots between driving disco-funk, jazz-funk, intoxicating slow jams, calypso, dub reggae and his beloved highlife. Highlights come thick and fast throughout, with standouts including heavy percussion jam "Simigwa", the boogie-dub skank of "Adwoa", the down-low grooves of "Walking Down The Street" and the killer disco highlife anthem "It's High Life". Simply essential.

Review: Ana Frango Electrico has been hailed by some as among the finest talents to emerge from Brazil's new wave of late, commanding a glassy, rhythmically-deft vocal and production style that finds its natural home in their native Brazilian boogie and chamber pop. Me Chama De Gato Que Eu Sou Sua is by far the most impressive addition to Electrico's repertoire yet, upping the ante to reflect disco's historically romantic rambunction as a prime sonic space for queer expression and her own proclivities to the style and its South American offshoots.

Review: When Atmosfear released "En Trance" in 1981, jazz-funk ruled UK dancefloors. The British outfit's lauded debut album reflected this fact, brilliantly joining the dots between jazz-funk, soul, disco, jazz-dance and the soundsystem dub influences that were becoming increasingly prevalent in British music at the time. As this re-mastered Mr Bongo reissue proves, it remains a potent and hugely enjoyable album all these years on. Check, for example, the dub effects, sweet vocals and punchy sax riffs of "Free Tonight", the rubbery dub disco/jazz funk fusion of "Creator's Dream", the Azymuth-esque antics of "Interplay" and the synth-laden former single "Invasion".

Review:  When Atmosfear released "En Trance" in 1981, jazz-funk ruled UK dancefloors. The British outfit's lauded debut album reflected this fact, brilliantly joining the dots between jazz-funk, soul, disco, jazz-dance and the soundsystem dub influences that were becoming increasingly prevalent in British music at the time. As this re-mastered Mr Bongo reissue proves, it remains a potent and hugely enjoyable album all these years on. Check, for example, the dub effects, sweet vocals and punchy sax riffs of "Free Tonight", the rubbery dub disco/jazz funk fusion of "Creator's Dream", the Azymuth-esque antics of "Interplay" and the synth-laden former single "Invasion".