Back catalogue:

Review: On this 1954 eponymous album it is often said that Sarah Vaughan put in her best vocal turns. She offers up nine intake standards with trumpet playing from the legendary Clifford Brown. He brings some slick bop styles while Herbie Mann's flute and Paul Quinichette's tenor often shine through in some of the many magic solo passages. The reissue has been mastered from original tapes and pressed on nice loud, clear, heavyweight vinyl for a truly high end jazz experience.

Review: The upcoming reissue of Sarah Vaughan's Sassy on 180g mono vinyl is ideal for jazz fans. This edition promises a truly remarkable listening experience, thanks to the meticulous mastering by Ryan K. Smith at Sterling Sound. Sourced from the original analog tapes, the album is pressed at Quality Record Pressings, ensuring exceptional sound quality. Sarah Vaughan, affectionately known as "Sassy" or "The Divine One," showcases her extraordinary vocal talent on this 1956 classic, recorded with Hal Mooney and his orchestra. Vaughan's dynamic range, rich tone, and remarkable control are on full display, delivering stunning renditions of standards like 'Lush Life', 'Only You Can Say', 'The Boy Next Door' and 'I'm the Girl.' The album's analogue warmth and 'Tubey Magic' make it feel as though Vaughan is performing live right in your living room. Part of Verve's Acoustic Sounds Series, this reissue stands out for its audiophile-grade production. With 180-gram vinyl, a high-quality gatefold sleeve, and tip-on jackets crafted by Stoughton Printing Co., this release is designed for both serious collectors and those new to Vaughan's timeless artistry.

Review: Sarah Vaughan with Michel Legrand is a brilliant collaboration that showcases the remarkable talents of two iconic artists. Released in the 1970s, this album captures Vaughan's stunning vocal ability, supported by Legrand's masterful arrangements and direction. The lush orchestration complements Vaughan's voice, elevating her performances to new heights. From the opening track, 'The Summer Knows', you thrown into a world of romance, nostalgia, and pure musical excellence. Legrand's compositions, like 'What Are You Doing the Rest of Your Life?' and 'Once You've Been in Love', are transformed into unforgettable vocal pieces through Vaughan's unique interpretations. Her emotive delivery breathes life into each song, with every note feeling personal and deeply moving. The recording has a timeless, studio feel and the chemistry between Vaughan and Legrand is palpable. Their synergy is particularly striking in tracks like '(Brian's Song) The Hands of Time', where her voice and his arrangement intertwine beautifully. This album, once a hidden gem, stands as one of the finest examples of a singer and composer working in perfect harmony.