Back catalogue:

Review: Motley Crue's 1989 release stands as a defining moment in their career, capturing the essence of late 80s rock with its high-octane energy and memorable hooks. The album features a blend of hard-hitting tracks and melodic ballads, showcasing the band's versatility. The remastered edition enhances the original sound, bringing clarity to the intricate guitar riffs and dynamic rhythms. This release serves as a testament to the band's enduring influence in the rock genre.

Review: Motley Crue's Dr. Feelgood celebrates its 35th anniversary with a deluxe edition that captures the full power of their legendary 1989 release. Featuring hit singles like 'Kickstart My Heart', 'Dr. Feelgood', 'Don't Go Away Mad (Just Go Away)', 'Without You', and 'Same Ol' Situation (S.O.S.)', the album showcases the band's powerful blend of hard rock and glam metal. The title track, with its gritty guitar riffs and unforgettable chorus, set the tone for an album that would top the charts and solidify the Crue's status as rock icons and this anniversary edition offers a remastered version of the album along with rare demos, live tracks and exclusive memorabilia. The set includes a 24-page replica tour book, a replica tour itinerary, and a range of collectibles like posters, patches, and guitar picks. It brings listeners back to the band's two-year Dr. Feelgood World Tour, a defining moment in their career. Dr. Feelgood remains a landmark in rock history, blending rebellious energy with personal recovery themes, making it both timeless and relevant decades later.

Review: Few bands embody pure, unfiltered rock'n'roll like this power trio, whose vicious sound was forged in sweat, speed and sheer volume in the squats of West London and went on to effective bulldoze the line between hard rock and punk overnight. Driven by the unmistakable growl of their frontman and bassistiequal parts outlaw poet and rock deityithe group delivered some of the most incendiary riffs in history, backed by a rhythm section that hit like a runaway freight train. This edition pairs the original 12-track studio recording with an originally televised full-throttle live set from Belfast in 1981, capturing the band at their most primal. From the precision attack of 'Love Me Like a Reptile' and the relentless stomp of '(We Are) The Road Crew' to the sheer force of 'The Chase Is Better Than the Catch', the first half is a masterclass in unhinged rock'n'roll. The second half turns up the intensity even further, featuring live versions of 'Overkill', 'Bomber', and 'No Class'iraw, deafening, and unstoppable. Remastered from the original tapes, this edition is a high-voltage reminder of why they remain one of the loudest, fastest and most influential bands of all time.

Review: Fans will endlessly debate the creative high watermark of Motorhead's lengthy career, but there's no doubt that this album, their fourth, was the commercial peak of the trio. Originally released in 1980, with a wonderfuly spaghetti western cover shot doubtless shot in Camber Sands or somewhere similar, it reached number four in the UKalbum chart, at a time when physical sales were pretty close to an all time high. The album's title track is of course their ultimate calling card, from its iconic riff to its lyrical celebration of gambling one of the ultimate metaphors for a - or even the - rock and roll lifestyle. But its greay production job by Vic Maile means the band sound brighter and sharper here than ever before, the sessions doubtless seriously waking up the sleepy Herfordshire town of Rickmansworth where it was recorded. There's also a slew of memorable songs, naturally enough, from 'Love Me Like A Reptile' - who says romance is dead - to '(We Are) The Road Crew', the impossibly speedy two minute thrashout 'Bite The Bullet' and 'The Chase Is Better Than The Catch'. Gambling's for fools, as the song says, but this one is an odds on dead cert.

Review: The second studio album from metal behemoths Motorhead saw the trio - in their classic line up form of Lemmy (bass, vocals), Fast Eddie Clarke on guitar and Philthy Phil Taylor on drums - truly hit their stride. In probabality, this LP, originally released in 1979, produced the biggest crop of classics of any in their career, with 'No Class', 'Capricorn', 'Stay Clean' and 'Metropolis' all joining the title track in the ranks of songs that would remain staples of their live sets for literally deacdes to come. The year is significant, as Overkill marks the band harnessing the anarchic overtones of punk to their metal power, with plenty of lyrical attitude added to the sharp riffing, 747-like basslines and double kick drum onslaught. This reissue restores the original tracklisting without the frills and extras of the 2005 remaster, but when it's all as shitkicking as this, why mess?!

Review: Boom! The year of 1979 saw not one but two classic Motorhead albums being dropped like atomic bombs on an unsuspecting but appreciative public. After the Overkill LP really put the 'Head on the metal map earlier in the year, Bomber consolidated their position as, to quote Spinal Tap's slightly tongue in cheek compliment, one of Britain's loudest bands. In fact, their show at Port Vale in 1981 would appear in the Guinness Book of Records as the loudest ever. Of course, there is much more to them than sheer volume and firepower though. Frontman and bassist Lemmy had cut his teeth as a roadie for Jimi Hendrix and tracks like 'Lawman' follow a similar lineage of blending heavy, psychedelic blues with a genuinely groovy funkiness. When they're on top form the trio of Lemmy, guitarist Fast Eddie and Phil Taylor are a finely trained crack squad, pulling some deft musical moves and unexpected about turns, too. Virtuosity neatly disguised as utter barbarianism - just how we like it. The Bomb!