Back catalogue: Techno (すべて)

Review: The Distorsion camp offers up its first sampler as a way of teasing you with the sort of quality sounds and artists it has on its roster. First up is a three-way collab between Citybox, Hankook & Orebeat whose 'Dangerous Changes' is an intense breakbeat workout for the peak time. Orebeat & Alex Clubbers keep the energy levels high and inject early 00s video-game style synths, Orebeat & Citybox keep it dark and raw with 'Gangsta' and Orebeat & JottaFrank laced up their thrilling breaks with acid lines and sleazy vocals on "Noche De Paris.' This is potent stuff for strobe-lit floors.

Review: Trident is dropping a couple of top EPs this month. One is from Derrek Carr, and one is this double white 12" that finds Deltamaxx and O En One join forces. They take us on a storytelling trip through cosmic techno that varies in mood and tempo. 'Conexxion' rides a nice rubbery, bumpy groove with incidental and wispy synth sounds, then 'Delta Pavonis' seems to soundtrack a beach party up amongst the stars. There are darker, more heady cuts like 'Donnager' and icy electro cinematics on 'Isonoe' to make for a worthy collection of sounds that work on the dancefloor and beyond.

Review: It's time to strap yourselves in for another bumpy techno trip at the hands of the Eya label. Manuk kicks off with surging drums and cantering synth lines that all face into a future space on elastic basslines. Oli Silva will be known atop any fans of Craig Richards' The Nothing Special label as that is where he debuted backed in 2017 and firstly here he goes solo on 'Mutant Mindset,' a twisted bit of cyborg techno funk. Then he links with regular collaborator Manuk for the airy jungle breaks of 'Multiple Minglings' before a punchy analogue Hi-Ryze Freedom mix closes out.

Review: Ohm Series #10 continues to be a shining example of the remarkable work being done in the dub techno genre, consistently featuring top-tier producers who excel in their craft. On Side-1, Monomood kicks things off with 'Spring In Space,' a track that boasts deep sub-bass hits and long, blending chords. Its strong kick and clean production make it a powerful example of dub techno at its finest. Following this, Octal Industries delivers 'Rewind Repeat,' a piece that layers epic strings and a soaring melody over an abstract broken beat. Powerful and evocative! Side-2 opens with G-Prod and Taho's'"Light Forest,' an uptempo dub techno track with a techy edge. Its smooth production and dancefloor-ready vibe make it a seamless fusion of technical prowess and groove. Closing out the release is Gradient's 'Track 4,' which offers classic dub techno sounds. Gradient's exceptional craftsmanship is evident in this track, which epitomizes the lush textures and hypnotic rhythms that define the genre. Overall, Ohm Series #10 upholds its reputation by delivering high-quality dub techno that resonates with both purists and new listeners alike. This release is an ideal example to the innovative spirit of the genre.

Review: Sometimes it really does seem like Perth-via-UK house mainstays Craigie Knowes, well... know! Emphatic of their own personal, cratebugging expertise, it would seem that their knack for tracking down and contracting brilliant yet not totally refined dance music talent stems from some unshakeable expert quality: perhaps some business-insider access to info about burgeoning underground artists we're not in on? Whatever the case, Berlin's Olsvanger is the next model musician to be called up, his former founding efforts of the likes of Tofistock and Powerpuff Tracks proving credential assets for the furthering of this aural arrester, 'The Core'. With two Kalahari Oyster Cult releases already under his belt so far, you know what you're in for: 'Goldman's Propeller' and 'Lava Luva' provide extra fishy aquamarine breaks and sexy sample-held step sequencings, perfect for lone raving over break-fast. Ptooey!

Review: Opal Sunn's 'Elastic' lands on Test Pressing Recordings as the first in a trilogy, bringing together Alex Kassian and Hiroaki Oba's knack for genre-blending electronic soundscapes. Known for their captivating live sets, they've crafted an EP that traverses moods and styles. The A-side opens with hypnotic deep trance, layering rich synth textures and rolling grooves. Over on the B-side, things get lush and atmospheric: one track dives into dub influences, saturated with warm basslines and echoing chords, while the final cut drifts into serene, ambient territory. It's an impressive start that shows their mastery of both rhythm and space.

Review: 3 track EP by Overlords of the UFO, including 2 previously unreleased tracks and one track released on an earlier EP named Transcendental Overdrive.

All tracks were produced in the late 90's.

This EP continues the trademark retro sci-fi analogue synth vibe of Overlords of the UFO and is the 2nd release by Enlightenment Records.

Review: Following up that excellent Synchronicity on EP Phonica AM a couple of months back, hero of the Birmingham scene Subb An returns with more underground quality with this new one on the mighty 20/20 Vision. 'State Of Flow' is an emotive and breathtaking affair that's equal parts acid, progressive breaks and UK tech house with a seething Reese bassline lurking throughout that underpins angelic vocals. Over on the flip, remixes come from Adam Pits who takes you beyond the strobelights to reach for the lasers on his ravey take, followed by Armec's menacing experimental techno rework.

Review: Originally released in 1993, seminal UK duo Orbital's Brown Album marked a bold leap forward in emotional depth and sonic ambition for electronic music. Tracks like 'Halcyon + On + On,' 'Impact (The Earth Is Burning)' and 'Lush 3-1/3-2' showcase the duo's masterful blend of driving rhythms and lush melodic textures. It was hailed as an instant classic at the time and made Mixmag's Best Dance Albums of All Time list. It has endured well over the last 30 years and is now reissued on vinyl for the first time in a decade, with a half-speed remaster and new liner notes by Andrew Harrison.

Review: Although their debut single 'Chime' hit the UK top 20, it's the duo's iconic second album in 1993 that marks the moment when the Hartnoll brothers transcended the UK rave underground and became bona fide electronic superstars. This faithful reissue brings back a record that didn't just capture the spirit of the time i it helped shape it. The Brown Album takes Orbital's sound to a new level of sophistication and emotional depth. Tracks like 'Halcyon + On + On' are serene, dreamlike soundscapes that remain some of the most beautiful in electronic music history. Meanwhile, 'Lush 3-1' builds and blossoms with hypnotic layers, a masterclass in dynamic progression, a perfect balance between transcendence and tension. 'Remind' and 'Impact (The Earth Is Burning)' are pulsing techno beasts that dip and drive, blending rave intensity with atmospheric richness. Each track flows into the next with seamless ease, crafting a journey that feels both epic and intimate. The Brown Album isn't just a milestone in Orbital's career i it's a timeless work that continues to influence electronic music today. Essential listening for anyone who wants to understand the genre's evolution.

Review: There's a strong argument to be made that 1993's Orbital II, popularly known as 'The Brown Album', is the Hartnoll brothers' finest single album - a sublime fusion of bustling breakbeats, heady vocal samples (many provided by then unknown vocalist Alison Goldfrapp), twisted acid lines, memorable melodic motifs, and rush-inducing breakdowns. Here reissued in remastered and expanded form, the set - which includes fan favourites 'Lush 3', 'Halcyon' and the superb 'Impact (The Earth is Burning)' the album sounds as fresh and forthright as ever. This time round, it includes a second CD featuring key cuts from the two-part 'Raddicio' EP (including two takes on the Scott Walker-sampling 'The Naked & The Dead') and superb revisions of Lush 3 by Underworld and Psychick Warriors Ov Gaia.

Review: The iconic UK duo's equally recognisable second self-titled album i better known as the Brown Album i remains a towering achievement of early 90s electronic music. Originally released in 1993, it blurred techno, ambient and rave into a sprawling, richly detailed soundscape. This deluxe reissue, spread across four records, is the most rewarding edition into one of the genre's most enduring masterpieces. The remastered original tracks i from the shimmering melancholia of 'Halcyon + On + On' to the urgent pulse of 'Impact (The Earth Is Burning)' i still sound breathtakingly vital. 'Lush 3-1' and 'Lush 3-2' in particular benefit from the new half-speed vinyl cut, giving extra weight to their cascading synths and intricate rhythms. The real treasure for longtime fans lies in the bonus material including live recordings like the propulsive 'The Naked and the Dead' and the hypnotic 'Sunday'. Meanwhile, the lavish packaging i complete with a hardcover book, vintage flyers, and even a slipmat i reinforces how pivotal this album was in shaping Orbital's legacy. Sprawling yet intimate, futuristic yet deeply human, the Brown Album still feels like a world unto itself i and now, it's more expansive than ever.

Review: Last year, the Hartnoll brothers gave their debut album, 1991's 'Green Album' (officially simply titled Orbital) the deluxe reissue treatment, offering an expanded quadruple CD edition backed with a detail-packed hardback book. They've now moved on to its similarly superb sequel (the 'Brown Album') from 1993. It gets a similar treatment, with a freshly remastered version of the original album (CD1) being joined by two discs of single versions, B-sides, remixes and 'Peel Session' cuts (including legendary Underworld and Psychik Warriors Ov Gaia takes on 'Lush 3', and the duo's own originally US-only extension of 'Impact'), and a fourth CD containing a previously unreleased live recording from the Limelight in New York in 1992. Oh, and a fine hardback book telling the story of the album. An early Christmas present for Orbital fans!

Review: It comes as a surprise that brothers Tom and Ed Russell - Tessela and Truss, together known as Overmono - are set to release their debut album. That's because their names are synonymous with a certain bleak UK techno sound, following the trend of imagery associated with the likes of St. Etienne, Mt. Kimbie or Real Lies, plus their music and live sets have seen to a wealth of stonking tracks over the years. They're arguably the popularisers of live techno for the next generation, so in 2023, we're floored by the Mandela-effecting notion that they haven't put out an album before. Thankfully, 'Good Lies' is their magnum opus, blending elements from emotive UK soul (the St. Panther feature on 'Walk Thru Water'), future garage (spot the Tirzah samples on 'Is U'), and pirate radio chatter and crud (basically every other track). Nu-school ravers rejoice; this is your defining album.

Review: Overmono have become real techno darlings in the last two years. And rightly so - they have served up a fine run of EPs in that time which now brings us to their debut album Good Lies. They are also an award-winning live act who have brought new energy and invention to techno as well as a next level grasp of sound design. As such the pair are two of the most revered artists in the UK with a hardcore fan base who pack out their every gig. They will find plenty to love here on an adventurous record that features all the hallmarks you would expect of this duo as well as plenty of freshness.