Studio Equipment charts

Notes: Alpha Duo is a stereo precision VCA with ring modulation, overdrive and distortion.

Alpha Duo's VCAs have three modes:

1) Two quadrant, for classic VCA behaviour
2) Four quadrant, where the VCA responds to both positive and negative Gain CVs. This creates a classic ring modulator.
3) In four quadrant separate (4S) mode, each of the two VCA channels is controlled by separate gain CVs, turning Alpha Duo into two independent VCA/ring modulators.

Alpha Duo also features three drive modes.

1) In Drive Mode zero the overdrive circuit is not active, giving a clean signal.
2) Drive Mode One is a tube style soft overdrive. Like a tube, the positive and negative parts of the waveform are distorted differently, producing a pleasing, warm fuzz.
3) Drive Mode Two is a harder clip - more like a transistor amplifier - for a harder edged distortion.

Alpha Duo's signal path is DC coupled, so it's great for processing CVs as well as audio.

Specifications:
Width: 10HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable
Power Requirements:
+12v: 200mA
-12v: 50mA
+5v: 0mA

Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
GainCV [Zero attenuation]: +/-5v nominal
Pan CV [Zero attenuation]: +/-5v nominal

Outputs:
Dual/Stereo: +/-5v nominal, +/-11v max

Notes: When workspace is at a premium, don't compromise on quality. With the 8020D, Genelec's renowned accuracy and reliability will fit your project and your space.

The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.

Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.

Notes: The ARTIFAKT Lo-fi Elements is the first pedal of its kind - a comprehensive collection of all the hazy, scratchy, wobbly, and broken tones that epitomize the term 'lo-fi'.

Like a mega-delay or mega-reverb, Artifakt is a "one-stop shop" for all the most sought-after lo-fi effects including old vinyl replications, tape modulation and saturation, bit crushing, sample rate reduction, dark reverb and echo, filtering, compression, glitch, and more.

Source Audio has dedicated much of the past three years to meticulously honing each of these sounds as well as engineering an entirely new hardware design with an easyto-use interface that places the pedal's full capabilities at your fingertips.

Navigating through the seven positions of Artifakt's effect selector knob unleashes a symphony of sonic transformations, each akin to engaging a new pedal with its own unique brand of lo-fi.

The first effect on the dial is Radio, tune into its crackling nostalgic tones where static frequency filtering and noise generation evoke the charm of a vintage radio struggling to dial in a signal.

The Tape engine conjures the sound of vintage tape machines by blending subtle compression, overdrive, tape flutter, and pitch modulation to invoke effects like slapback, chorus, doubling, and tape saturation.

uVerb is a primitive reverb effect with bouncing echoes similar to the reverb on 8-bit gaming systems.

The Crush effect voyages the realm of bit-depth quantizing and sample rate reduction, all finely sculpted with the resonance of a MoogTM-style ladder filter.

Ladder, inspired by the revered R-2R ladder filter, offers both envelope and LFO modulation control for classic and dramatic filter sweep effects.

Vinyl faithfully emulates the crackle and pop of vintage records, from pristine 180-gram vinyl to well-loved gramophone platters.

Glitch adds an unpredictable edge, capturing fragments of your performance and hurling them back at random speeds and pitches.

Pairing the Artifakt Lo-fi Elements with Source Audio's completely reimagined and reengineered Neuro 3.0 software elevates an already great pedal to new heights. Access free, stage-ready presets from Neuro's expanding library of factory and Neuro Community presets.

Explore Neuro's extensive editing capabilities to blend and experiment with the various lo-fi elements mentioned earlier-it's a limitless effects palette for crafting unique lo-fi sounds. Artifakt also boasts stereo inputs and outputs, full MIDI control via the 3.5mm TRS in and thru jacks, dual footswitches, 128 presets, and more.

Notes: Third-gen version of Benidub's 'plug and play' spring reverb is better than ever. Lush, vintage spring reverb now with adjustable filter routing and built-in soft clipping circuits to add saturation.

Supplier's Notes:
Spring reverb preamplifier combined with a LP-HP filter

SPRING AMP III marks the third iteration in the renowned "Spring Amp" series: desktop effects designed to bridge the gap between audio mixers and spring reverb tank, offering dynamic filtering options in an intuitive and ready-to-play package. A culmination of Benidub's expertise and your feedback, combined to create the ultimate Spring Amp.

This new all-in-one dub reverb and filter machine features a full suite of powerful and intuitive controls, making it easy to dial in your favourite spring reverb tones in the studio or on stage.

Everything you loved about its predecessor it's still there, enriched with new features and even more playability than before.

Benidub added a push-button switch for routing settings, allowing you to place the filter before or after the spring tank for more mellow or dramatic swings. SAIII now features an in-built soft clip circuit on both input and filter which lets you push your sound even further without damaging your performance and get that classic, warm, musically pleasing saturation which adds rich complexity to your swells. Every feature is clickless and the circuit has an in-built low noise filter alongside Class-A discrete components.

The Spring Amp III is designed to be a plug-and-play dub reverb effect, delivering the classic dub sound instantly upon connection.

Features

Extra low noise reverb pick up amplifier and innovative power amplifier

Discrete transistors front end amplifier for the best achievable noise figure, and a 7.5W constant current amplifier drives 8ohm input reverb tanks for maximum volume and best treble response.

Inbuilt 12db/oct resonant HP-LP VCF

The Spring Amp III has an inbuilt analogue filter with controls on its cutoff, resonance, and modulation. It features a crossfader between low-pass and high-pass filters outputs and a click-less switch to place the filter before or after the spring tank.

Independent volume controls

Filter and preamplifier have independent volume controls, enabling the unit to function as a standalone filter or directly after an instrument with a line output.

Specifications

1. Power input: 12VDC,1A, centre positive, 2.1mm x 5.5mm barrel connector.
2. Audio input/output: 1/4" bal. or unbal. mono jack. Balanced connection improves the signal-to-noise ratio
3. Gain: sets the input amplifier gain, from unity gain to overdrive.
4. Cutoff: sets the filter's cutoff frequency.
5. Resonance: sets the amount of filter's resonance.
6. LFO wave: switches between 6 different LFO waveforms.
7. Spring tank connections: 1/4" unbal. mono jack to RCA.
8. Reverb volume: sets the spring reverb volume.
9. Dry to filter: sets the amount of dry signal that, after being filtered, is added to the unit's output.
10. Pre/post springs: click-less switch to change the spring signal routing, allowing for the filter to be placed before or after the spring tank.
11. LPF/HPF: crossfade between HP and LP filter outputs.
12. LFO rate/depth: dedicated controls to set the filter's cutoff modulation speed and amount.

Compatible spring tanks:

The Spring Amp III needs to be connected to a compatible spring-tank in order to work correctly. Please never connect the Spring Amp III to a tank without making sure that it is a compatible one.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Rene is the world's only Cartesian Sequencer for music synthesizers.

Named for the French philosopher & mathematician Rene Descartes, it uses his Cartesian coordinate system to unlock the analog step sequencer from the shackles of linearity.

Notes: Everything you need, nothing you don't.

The PreSonus Quantum ES Ultimate Bundle is your one stop shop for professional studio-quality recording. Featuring the high-performance Quantum ES 2 USB-C Audio Interface with all-new MAX-HD mic preamps, a Studio One Pro software license and 12 months of access to tools, extras, add-ons, and more with Studio One+, a pair of powerful Eris 3.5 Studio Monitors packed with low-end punch, a pair of HD9 dynamic high-definition headphones, and an exceptionally clear M9 cardioid condenser microphone, the PreSonus Quantum ES Ultimate Bundle gives you everything you need to create like a pro.

PreSonus Quantum ES 2 USB-C Audio Interface

2x2, 24-bit / 192 kHz USB-C Audio Interface
High Performance Signal Flow - Custom low-latency drivers and low-noise converters.
All-New MAX-HD Mic Preamps - The culmination of 30 years of innovation, our rigorously redesigned preamps feature digitally-controlled analog with +75 dB of gain range.
Co-Developed with Fenderr - Front-facing instrument input engineered for guitarists by industry-leading experts.
Auto Gain - Dial in recording-ready levels, hassle-free.
Universal Control App - Full control and metering from your mobile device, desktop, or tablet.

Studio One Pro DAW Recording Software License Included

Studio One Pro software license and 12 months of access to tools, extras, add-ons, and more with Studio One+.

PreSonus Eris 3.5 Studio Monitors

3.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 1/4-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off, transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo 1/8-inch TRS to 1/8-inch TRS cable


PreSonus M9 Microphone

Exceptionally clear cardioid condenser microphone
Vintage-inspired sound
Satin nickel finish
Die cast zinc housing
18mm pure aluminium diaphragm
20Hz-20kHz frequency response
Shock mount

PreSonus HD9 Professional Monitoring Headphones

Dynamic high-definition headphones with high-resolution drivers
Precision-tuned acoustic chamber
Extended bass response
Comfortable and long-lasting ear pads
Lightweight and collapsible

Features

PreSonus Quantum ES 2 USB-C Audio Interface - High-performance 24 bit / 192 kHz USB Recording Interface.
Studio One Pro DAW Recording Software License Included - Studio One Pro software license and 12 months of access to tools, extras, add-ons, and more with Studio One+.
PreSonus Eris 5 Studio Monitors - 3.5-inch media reference monitors packed with low-end punch and studio-quality sound.
PreSonus M9 Microphone - Exceptionally clear cardioid condenser microphone
PreSonus HD9 Professional Monitoring Headphones - Dynamic high-definition headphones with high-resolution drivers.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Offering the incredible versatility we've come to expect from Keith McMillen, the advanced K-Mix BLUE is a mappable, customisable control surface and integrated audio interface. A serious all-rounder.

Supplier's Notes:
K-Mix BLUE is a performance upgrade of our K-Mix high-quality 8×10 digital mixer, USB audio interface, and advanced touch-sensitive MIDI/DAW control surface.

The New K-Mix BLUE Edition features:

Upgraded, ultra-accurate and low noise uPre preamps

New ultra-durable ABS-Polycarbonate finish

Full Ableton Live 11 control surface integration.

Audio Interface

K-Mix is a pro-quality USB audio interface with transparent uPre preamps for quality recording in the studio or on the stage.

Programmable Mixer

K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer.

Control Surface

K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Notes: Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A/B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac/PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A/B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK Multimedia packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios.

Specs

iLoud MTM MKII Specifications
Type: 2-Way/3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz +/- 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within +/- 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1/4" TRS balanced input; 1/8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm/10.39" x 160 mm/6.3" x 130 mm/5.12"
Weight (per speaker): 2, 5 kg/5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
USB-B to USB-A 2.5 m/8.2 ft. cable

Notes: Updated version of the White Whale pedal follows the same formula of 60s-inspired tremolo and spring reverb, with an improved power amp for higher fidelity. The essence of iconic amp effects in a single pedal.

Supplier's Notes:
Inspired by the match-made-in-heaven of vintage effects found on 60s American amps, White Whale V2 sets out a new objective to pack bigger real spring reverb and tremolo sounds in the same pedalboard friendly enclosure (17 x 12,5 x 7,5 cm).

The 3-spring reverb tank assembly housed inside White Whale's enclosure has remained the same, but Crazy Tube Circuits have upgraded the power amp driving the springs for increased headroom and wider frequency response. Following the signal topography of vintage units, Crazy Tube Circuits have also upgraded the dwell control to allow you to dial the right amount of signal that goes into the springs for a mellower or splashier reverb sound. Real spring reverb found in 60s American tube amps and external reverb units featured a tube power amp driving the spring assembly via an output transformer, so analogue circuit has been delicately tuned to emulate the tube and output transformer saturation that was produced on higher dwell settings.

Each of these vintage units had its own reverb effect qualities so Crazy Tube Circuits tried to categorize them according to the most emblematic ones with a toggle switch selecting the size and decay. The user can select between the milder reverb qualities of a short to medium 2-spring reverb tank, the liveliness of a medium to long 2-spring reverb tank as found in most blackface amp designs and the dense reverb qualities of a long 3-spring reverb tank assembly. A reverb's tone control comes after the recovery stage at the output of the reverb tank and affects only the wet sounds for lively and drippy or smooth and mild reverb tones. Use the mix control to blend your desired amount of wet signal on top of the dry guitar signal. Higher reverb mix settings tend to get lost in the mix, so we've made sure you'll be heard loud and clear by incorporating a volume control capable of up to 20db boost.

The tremolo section has also been upgraded to feature harmonic tremolo, besides the opto and tube bias found in the previous incarnation of Crazy Tube Circuits' "marine mammal". This hypnotic and mesmerizing effect originated on certain models of the brown and blonde era amps and does frequency-based modulation by shifting between high and low frequencies compared to the amplitude-based modulation (opto and tube bias) that shifts between volume levels. Crazy Tube Circuits have made sure to include the two most significant variations of harmonic tremolo, as found in the original amps, that differentiate in the range and sweep of pulsating frequencies. The depth control sets the intensity of modulation while the range of the speed control has been extended beyond the span of vintage amps' to make sure we'll maximize your creativity. The volume control will boost the signal, if needed, even in the hardest throb settings.

Another upgrade found in the White Whale V2 is that the two effect sections are now completely independent and you can select the effects order so that the tremolo effect comes before the reverb or vice versa. This gives you the option to make heavenly combinations as optical and tube bias style tremolo usually sound better when placed after (post) the reverb effect while the harmonic tremolo usually sounds better when placed in front (pre) of the reverb effect. The two onboard footswitches are used to engage or bypass each effect section and feature a power-up bypass/engage pre-set function. That way you can select which state your pedal will go to when you plug the power supply. White Whale V2 also features a remote switcher input jack where you can control the bypass state of each effect section remotely via your favourite external effects switcher or via the matching artwork remote control dual footswitch (sold separately). Reverb's mix can also be controlled via an expression pedal and tremolo's speed can be controlled by either an expression pedal or external tap tempo footswitch (expression pedals / tap tempo footswitch are not included).

The surf-friendly light green colour adds to the overall drippy experience of a real spring reverb and tremolo that will fit on your pedalboard. If your amp setup doesn't have these effects by design, you have now found your perfect match.

Notes: Stereo formant filter with wavefolding, saturation, and a tap-tempo LFO

Fala Versio is a stereo formant filter designed with pure musicality in mind. Rather than creating classic vowel shapes, Fala gives the sounds it shapes a vocal quality while retaining the musicality of the sound. Fala's signal chain features up to 24 bandpass filters, post-filter saturators, three allpass filters, a pre-filter wavefolder, and a suite of dynamics-control utilities. Fala makes it fun to make nice or gnarly tones, and easy to morph between them.

Fala also features a built-in clockable stereo LFO with sine or noise oscillators to modulate the filters and to bring some panning animation into your patches.

Whether you want resonant, vocal tones or uniquely modulated filth, Fala Versio is the perfect tool to take your patches to new timbral spaces.

Already own a Versio? Try Fala and all the Versio firmwares now at the Firmware Swap app for free. Overlays will be available in January 2025.

Size and power:
10 HP
+12v 125 mA
-12v 10 mA
Fala - from Portuguese falar: "to speak"

Versio - from Latin: "versatile"

"Versatile speech"

What's in the box?

Module
Power cable
Micro USB cable

Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase separately.

Notes: Inspired by vintage tape echoes and spring reverbs, the Echo Cinematic combines EQ, delay, reverb, filtering and extensive automation options to create a highly playable echo module. From dub madness to more subtle ambience, this one's a real beauty.

Supplier's Notes:
Echo Cinematic is a practical stereo effects device inspired by the dub music culture that emerged from Jamaica and landed in London during the early 1980s. Analogue tape delays were routinely patched into the mixing desk through a channel strip, to be EQ'd and fed back to themselves via the FX send bus. The engineer could manipulate the EQ and FX send controls to create a constantly evolving rhythmic texture, a feedback loop teetering on the edge of self-oscillation. Echo Cinematic does away with the need for a sophisticated mixing desk and expands on this principle with a versatile resonant filter and five independent sources of automation built into the module; two LFOs for both EQ and delay modulation, a 30 second knob recorder capable of simultaneously controlling every knob on the front panel, and two external CV inputs, instantly assignable to any control as you insert a patch cable.

The EQ section features three filter types: a high/low-pass filter, a peak/notch filter, and a classic comb filter. Each of these can be patched into either the feedback loop (Dub Mode), the delay output, or the entire signal path, including the dry signal. The delay section offers up to two seconds of delay with a tap delay facility that also applies grid snapping, allowing your delay settings to be constantly locked to your beat or to a clock signal. Reverb duties are taken care of by the lush 24-bit stereo reverb, as featured on Knobula's other cinematic modules.

Notes: DIG unearths the true soul of digital delay and doubles it; two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Strymon's thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG's three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. The second generation DIG keeps the same distinctive rack-mount digital delay tones from Strymon's original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

The powerful tone knob control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o'clock for a flat response.

Notes: ***B-STOCK: Without original box and no accessories but product in perfect working order***


Inspired by retro tracker software, Polyend's innovative hardware sequencer offers an alternative to conventional grooveboxes and DAWs. Fully standalone with built-in sampler and synths.

Supplier's Notes:

The Polyend Tracker is a unique take on a retro form factor, aimed at artists who break patterns on a daily basis. Don't let the classic look fool you, Tracker is equipped with powerful modern functionality, FX, and the forward thinking creative tricks that Polyend brings to all of their highly regarded instruments.

The Polyend Tracker is an innovative, inspiring and immediate tool for music-making. It functions as a sampler, a synthesizer, a powerful sequencer, and a MIDI controller.

A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

Large screen, ergonomic keyboard, and a big knob for fast and easy navigation.
It's standalone and portable - everything you need to produce an album wherever you are.
Sampler, Wavetable or Granular Synthesizer and FM Radio for limitless inspiration.
Powerful Step Sequencer and Song Arranger for finishing your piece in a flash.
Performance mode lets you creatively break, mangle, and augment your patterns when playing live.
Bidirectional MIDI to play with other software and hardware.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you'll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you're in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

In the box
Polyend Tracker
USB-A power adapter
USB-C cable (2 m)
3.5 mm to 2x 6.3 mm adapter
Minijack to MIDI DIN adapter
16GB MicroSD Card
MicroSD to USB-A Adapter
Manual

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: Top quality sound from this classic condenser design. Ideal for vocal recordings but also suitable for most instruments, the OC16 is a perfect all-rounder for studio use, podcast production or broadcast.

Supplier's Notes:
Elevate Your Craft. Explore Your Sound.

Legendary sound quality meets unrivalled state-of-the-art technology when you pick up the Austrian Audio OC16 large diaphragm condenser microphone.

This robust and powerful mic combines the patented CKR6 capsule and Austrian Audio's "Open Acoustics" design approach to deliver an utterly transparent and natural sound that has been highly acclaimed in the press.

The OC16 is perfect for studios of any size-whether you're tracking in a bedroom studio or topping the Billboard charts.

Each handmade CKR6 capsule - the same that is used in the OC18 - is tested and measured in-house before leaving the factory in Vienna, ensuring superior precision and quality.

Precision Meets Passion

Each handmade CKR6 capsule is tested and measured in-house before leaving the factory in Vienna, ensuring superior precision and quality.

The OC16 performs with impressive versatility, capturing pristine sound on any instrument - from drums to acoustic instruments, electric guitars, pianos, wind and string instruments vocals, podcast recordings, live streaming to broadcast applications.

For sound engineers, recording artists, musicians, voice artists, and content creators looking for professional sound and outstanding quality, look no further than the Austrian Audio OC16 large diaphragm condenser microphone.

Technical Specifications

Directional characteristic: Cardioid
Frequency range: 20Hz - 20kHz
Sensitivity: 11 mV/Pa
Equivalent noise level: 14 dB SPL (A)
Max. SPL: 148 dB SPL
Analogue low cut filter: 40 Hz, 160 Hz
Impedance: 275 O
Load impedance: > 1 kO
Supply voltage: 48 V (<2.2mA)
Main connector: XLR 3 pin
Dimensions: 157 x 66 x 34 mm
Weight: 335g

Notes: PlayFader mnml has exactly the same functionality as the classic yellow edition.

Featuring a light grey PlayCase and buttons, all the traditional PlayFader button colours are represented on the front panel allowing you to easily find what you're looking for. This allowed for a more toned-down aesthetic that we've fallen in love with!

PlayFader is a 2 channel CV & MIDI portable sequencer.

Each channel of PlayFader features CV and Gate outputs that are controlled by its Fader and Play button. Move the Fader to change the CV level, press the Play button to output a variable-width gate or trigger.

PlayFader also outputs 2 channels of MIDI - select from Notes, Chords, CC's and many more output options. MIDI mirrors the analogue outputs so you can control anything with a MIDI input while also controlling your analogue CV synths, pedals etc.

PlayFader runs either to its own internal clock with full transport controls and tap tempo, or loves making friends with external clocks. Sync can be by CV or MIDI, in or out.

Select from your own fully customisable user scales or smooth voltage ranges of 2, 3, 5 & 8v in addition to live transposition.

Each channel has two recording buffers which you can jump, swap and copy between.

PlayFader also has 7 FUN FX modes... for now.

Based on the TE pocket operator punchFX, there is a dedicated FUN button. The idea is that the FUN modes modulate and influence your recorded pattern contents while using the faders to change relevant parameters for the mode you're in.

All FUN modes will be addressable by the built-in accelerometer in future firmware (coming soon), which should be bonkers amounts of fun.

PlayFader has a protective lid that doubles as a stand and feels great in your hand if you want to hold it and play- this is the PlayCase.

When you're travelling, all the controls are safely protected by the lid, held in place with a handy wristband which supports LGBTQ+ equality around the world.

The lid can then be flipped onto the back of PlayFader when you're ready, giving you some grip and a bit more height, making it perfect to play all day!

PlayFader is a versatile CV, Gate and MIDI sequencer & looper that loves to make friends with modular synths, vintage synths, any synth or sampler with MIDI, guitar pedals, and anything else with CV and expression inputs. It can even be a great controller and sequencer for your DAW & computer-based workflow.

You can also read the official manual and quick reference guides and these are always instantly accessible from the QR code on the back of every PlayFader.

See below for all the technical details, what's in the box and more.

Technical Bits & Pieces

2 x 60mm-Throw Bourns Faders.
Custom Moulded Recycled Plastic Play Case with a protective Lid that doubles as a stand.
Unique Flat Keycap Buttons with Cherry MX Switches.
2 x ChromaCaps Mk2 Silicon Fader Caps.
Ultra Low Profile MultiComp Pro Jack Connectors.
5mm Perspex Laser Cut and Printed Acrylic Front & Rear Panels.
Stonewall Rainbow Wristband to hold Frame Case and Lid together for transport. All profits from sales of Stonewall merchandise go into funding their vital work for LGBTQ+ equality in UK and around the world.
2 x 3.5mm CV Outputs - Adjustable from 0-8v, Continuous or Pitch Quantised. Requires Mono Patch Cable.
2 x 3.5mm Gate Outputs - Adjustable from 3ms Trigger to 95% Duty Cycle. Requires Mono Patch Cable.
1 x 3.5mm Switchable Comms Output - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
1 x 3.5mm Switchable Comms Input - Select between Analog Clock Pulse (Mono Cable) or MIDI Control & Transport (TRS MIDI).
MIDI Type-A Communication.
Stackables will fit snugly!
MyVolts 9V Ripcord USB Power Cable included.
2 x 3.5mm to MIDI 5-pin Type-A Adapters included.
1 x 3.5mm to 1/4inch Floating Ring - CV to Expression Cable included.
4 x Knurlies 3M included.
4 x 3m Black Ultra Thin Flat Wafer Head Screws included.
Some nice stickers included, of course.

Notes: At its heart, Alpha Pro is four identical VCAs, each with overdrive and stereo outputs. However, it's also possible to link any of the VCAs together to form a voltage controlled mixer. This flexibility allows Alpha Pro to replace a bank of VCAs, sub-mixers and even your output mixer.

Each VCA has two Signal inputs and a summing mixer with individual attenuators.

There are two mix buses, allowing each VCA to act stand-alone or as part of the mix. So you can configure two separate sub-mixes, with any of the VCAs contributing to the mix, or use all channels to make an 8 input, stereo output main mix.

The VCA gain is controlled by the Initial Gain knob, and two Gain CVs - again mixed together, each with an attenuator. Having two Gain CV inputs allows for more complex modulation possibilities without needing another CV sub-mixer.

Gain response can be set to exponential or linear.

The XING switch enables zero crossing detection to prevent clicks on very fast CV inputs.

Two drive modes are available, a soft clip and a harder fuzz, with the DRIVE control increasing the gain into the overdrive circuit to increase the effect.

The VCA output is stereo, with manual and CV control of pan - again, with an attenuator.

Alpha Pro is available now as a 'founders edition' which includes the Alpha Switch as standard.

Specifications:
Width: 38HP
Depth: 22mm excl. power cable. Approx 32mm inc. shrouded power cable

Power Requirements:
+12v: 250mA
-12v: 100mA
+5v: 0mA

Inputs:
Signal (Zero attenuation): +/-5v nominal, +/-12v max
Gain CV (Zero attenuation): 0-5v nominal
Pan CV (Zero attenuation): +/-5v nominal

Outputs:
Stereo: +/-5v nominal, +/-10v max
With Drive Modes 1&2 outputs are normalised to around +/-5v max

Notes: Mid-sized recording option with a bit of everything: analogue mixer, audio interface, built-in stereo recorder plus versatile digital effects. All you need in a single box.

Supplier's notes:
Don't let the classic analogue mixer design fool you - the StudioLive ARc-series mixers were built to record. With a pristine analogue front-end, high-gain XMAX-L mic preamps, and a 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analogue EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfils the needs of both modern musicians and content creators.

A full-featured audio interface:

The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks - plus a click. Eight lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analogue mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer.

The channel that does it all - even Bluetooth connectivity:

The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the 1/8-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.

A complete recording solution for studio and stage:

The StudioLive AR12c audio interface and analogue mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus' Capture live-recording software. Create complete studio productions with our award-winning Studio One Artist DAW. With two professional recording applications included with your StudioLive AR12c, you're ready to record right out of the box.

Stereo recording without a computer:

Imagine you're rehearsing with your band and want to record your session to analyse later. Or perhaps you're in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR12c's stereo SD recorder has you covered. Insert any SD/SDHC card and you're ready to record your main mix to listen to later, so you'll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.

Effects without latency:

Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR12c mixer's onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too - with or without the dry channels - to blend with your multitrack recording. Experiment in post-production to your heart's content.

All the connections you need with a familiar look:

Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR12c is the ultimate recording solution. The four mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus' famed XMAX mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR12c audio interface will be the centre of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR12c is the perfect recording and mixing solution for the modern musician and content creator.

Notes: Jackson Audio presents the TWIN TREM, a pedal that features two distinct tremolo effects: a Harmonic Tremolo on the right side and an Optical Tremolo on the left side. Each tremolo is equipped with independent Speed, Depth and Volume controls and can be used separately as stand-alone effects (or combined) to create rich, unique and percussive sounds.

Each tremolo side has different LED indicators (red for Harmonic, blue for Optical and magenta for Combined). These LEDs also visually display each section's speed, making it easy to sync the two tremolos together.

The TWIN TREM boasts four top-mounted jacks, allowing versatile signal routing. You can run it like a standard pedal, routing the signal in through the first jack and out through the last. Alternatively, you can route the signal through the Harmonic side first, pass it through a reverb or another effect, and then into the Optical side, preserving the classic placement of optical tremolo after reverb, just like in many amplifiers.

These routing options opens up endless possibilities for integrating the TWIN TREM with other effects in your signal chain. If you have a stereo setup, the right side can run through the Harmonic tremolo, while the left side passes through the Optical.

In addition, offering comprehensive control over pre- and post-effects tremolo placement all helps to make the TWIN TREM an essential tool for building a complete rig.

Notes: Etna is an advanced triple-control Analogue Multimode Morphing Filter & Digital Control, that has been meticulously designed for precise and dynamic sound shaping. It allows for rapid or smooth transitions between diverse filter settings, known as snapshots.

Each snapshot comprehensively defines all of the filter's parameters, which can be adjusted either swiftly or gradually. These transitions are controlled through an applied voltage or clock and triggers, with the flexibility to use up to eight distinct stages for creating complex filtering effects in various audio applications.

In addition to its morphing capabilities, Etna incorporates analog controls that enable real-time, expressive modifications to the parameters of each saved snapshot. This enhancement not only enriches the morphing process but also provides a tactile, live experience that adds significant depth and nuance to the audio output, making it a powerful tool for both studio and live performance settings.

The response of each filter has been designed with top-end components, incorporating Q and passband compensation. This enables its use as three multimode filters, with all necessary analog control.

Dimensions: 20 HP
Power consumption: 165mA@+12V, 88mA@-12V

Notes: Inspired by vintage drum synths, the unique Seven Sisters creates everything from classic percussion tones through to experimental synth effects. Play via buttons or trigger inputs compatible with widely available sequencers.

Supplier's Notes:
Seven Sisters is a percussion synthesizer with seven voices that aims to capture the essence of late '70s instruments like the Syncussion and Syndrum.

Each voice is equipped with multiple oscillators, noise generators, and filters, providing rich, complex tones beyond the capabilities of the original devices. This allows you to recreate classic sounds or craft more realistic snare, hi-hat, and cymbal effects. The result is a powerful percussion synthesizer that blends the essence of early drum synthesis with modern flexibility.

You can trigger Seven Sisters using the buttons at the bottom of the unit or trigger inputs at the top. It's the perfect companion for your Beatstep Pro, Korg SQ-64, Eurorack, or other trigger sequencers, whether in the studio or on stage.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Another innovative groovebox from Polyend, the Synth allows you to sequence and perform up to three synths from eight different synth engines. Unique Smart Grid feature allows single-button chords and note followers.

Supplier's Notes:
Compact Design. Massive Sound. Unmatched Innovation.

Easily Play 3 Synths at Once

The power of three synth engines is at your fingertips, all running together seamlessly. Whether you're in the studio or performing live, you can juggle between different engines, adjust parameters on the fly, and layer effects with ease. The built-in sequencers, arpeggiators, and all new smart grid system keep everything flowing smoothly, letting you focus on creativity without interruption. With instantly recallable scenes, you can save and recall every detail of your setup.

Eight Synth Engines to Explore

Dive into a world of sound with eight distinct synth engines, each offering its own unique character. Whether you're drawn to the classic analogue warmth of FAT or the evolving textures of GRAIN, you'll find the sound to shape your creations exactly the way you want:

PHZ: A modern take on phase distortion synthesis with options for both retro and cutting-edge tones.
PMD: Physical modelling technology that simulates realistic instruments or creates entirely new sonic expressions.
GRAIN: A granular engine with two modes, burst and cloud, ideal for rhythmic textures or sweeping ambient layers.
WAVS: Morph between wavetables with intricate control over scanning and phase shifting to create evolving textures.
VAP: A dual-oscillator polysynth that draws inspiration from the classics, offering rich, lush pads and detailed soundscapes.
FAT: Massive sound with three oscillators and vintage ladder filters for deep basses and expressive leads.
ACD: The ultimate recreation of iconic vintage monophonic synths, but with increased customization.
WTFM: A unique FM synthesis engine that uses wavetable-based oscillators for complex sounds without the usual FM complications.

Three Customizable Effects

Take your sound to the next level with three onboard effects, each fully customizable to suit your style:

MOD: This versatile modulation engine can take you from subtle choruses to wild, feedback-heavy flanging.
DEL: Dual delay lines with five unique models, giving you the flexibility to sync with your track or create complex delay effects.
REV: Three reverb modes - Natural, Plate, and Warp - let you add anything from subtle space to massive, otherworldly reverbs.

Reimagined Rhythms

Unlock your full creative potential with three independent sequencers and arpeggiators. Control every aspect of your rhythm, from swing to groove, transposition, and more. Whether you're building tight, rhythmic patterns or sweeping melodies, this system adapts seamlessly to your music.

For Performers, Sound Designers, and Innovators Alike

Always Musical Smart Grid for Live Play

Stay in control even during the most chaotic performances. The customizable Smart Grid ensures every note and chord stays in the desired scale, while making live performances smoother and more intuitive.

Scenes on Demand

Imagine having every setting - from synth engines to sequences - saved in one easy-to-recall Scene file. Build entire live sets and instantly access them with a touch. Plus, share your unique setups with the community

Combo Knobs for Quick Tweaks

Create dramatic builds or subtle shifts with customizable combo knobs. Whether controlling one or all three synths at once, adding movement and dynamics to your sound has never been easier.

Polyphonic Aftertouch

Express every nuance of your performance with polyphonic aftertouch. Adjust multiple parameters with just the pressure of your fingers, allowing for truly expressive, dynamic control over your sounds.

A Dream for Sound Designers

Intuitive 3x3 Knob Matrix

Designed for hands-on control, the 3x3 knob matrix lets you quickly access and tweak key parameters. No need to dive into endless menus - everything you need is right in front of you, ready for real-time adjustments.

Real-Time Visual Feedback

Every adjustment you make is instantly reflected in the visual interface, giving you clear, real-time feedback on how your sound is evolving. Whether you're tweaking filters, modulating oscillators, or adjusting LFOs, you'll see the changes happen as you hear them.

Endless Customization

Expand your creative palette with SD and USB storage. Easily load new wavetables, presets, and entire setups, or share your creations with others. With endless possibilities, this synth is designed to grow with you

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.