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Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.

While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.

With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.

Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.

Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.

Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.

Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.

Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.

Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.

Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.

4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.

The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.

OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.

OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

Notes: Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.

In its latest iteration, Bloom is a powerful 3-channel, 64-step CV and gate sequencer with a plethora of additional features and configurability compared to its predecessor. Apply clock-synced ratchets per step, dial in the Mutation range for random note variation, and even save and recall your Branches with your saved sequence!

Each channel now has a new output: Mod! The Mod output is a third, modulation-focused output that stays in sync with your melodic CV and rhythmic Gate outputs. Patch up dubstep-style filter madness, build sequenced amplitude or panning variations into your signal, or send a no-frills LFO that syncs perfectly with your patch!

Bloom's roots are grounded in algorithmic variation and probability. Sequences can be dynamically resized and rotated, while notes can receive ornamental musical trills or arpeggios. There are also new probabilistic controls beyond Mutate, including random step muting, ratcheting, and slewing!

Bloom's front panel now features a Reseed button, which dice-rolls a whole new sequence for you, as well as a MIDI output that sends all sequence data through a 3.5mm TRS MIDI jack!

Beyond the front panel controls, Narwhal brings even greater flexibility to Bloom. Set custom settings, use a full sequence designer interface to import sequences into your Bloom, and so much more.

Plant the seeds of your next patch with Bloom.

Notes: With DeFeel Enjoy Electronics have redesigned and applied the Fill concept to make it usable in the world of modular synthesizers.

This device is designed to break the chain between the sequencer and everything that comes after it, allowing you to intervene at the right time and create unique variations.

A modular device that's not going to generate anything, but is created to degenerate the monotony.

DeFeel isn't about complex button presses or cryptic menus. Here, creativity reigns supreme. Design your rhythmic patterns with an intuitive touch. Simple lines and vectors come to life on the multitouch display, allowing you to experiment and craft unique sequences with remarkable ease.

With DeFeel, we offer musicians and performers a powerful and versatile tool to enrich their performances and compositions. With its intuitive programming, sleek design, and innovative translucent panel, DeFeel stands out as a unique device poised to revolutionize the way modular synthesizers are used and perceived.

Notes: The OXI One MKII is the culmination of years of refinement, shaped by invaluable input from our community and artists. We've integrated powerful new features and optimized the workflow for unparalleled speed and creativity. The result? The most robust, intuitive, and affordable sequencer available today.

The OXI One MKII takes everything you loved about its predecessor and amplifies it. Now equipped with 8 sequencers and support for up to 64 tracks, it offers unparalleled flexibility for crafting complex compositions. Enhanced rhythmic sequencing, advanced composition tools, and expanded connectivity options make the MKII a powerhouse for music production. With a refined, intuitive workflow and a host of new features, the OXI One MKII delivers more functionality, more precision, and more creative freedom than ever before. More is More. Long celebrated as a go-to sequencer for melodic creativity, the OXI One MKII is now equally powerful on the rhythmic front.With expanded generative options, it allows you to effortlessly add dynamic variations to your compositions - unlocking endless creative possibilities. Featuring conditionals, modulation lanes, and LFOs tied to each sequencer mode, the OXI One MKII ensures that your creativity moves at the speed of inspiration. This sequencer empowers you to craft intricate, evolving patterns with ease. With a top of the line repeats engine, accumulators, and the enigmatic Flow button your compositions will be taken to the next level. More than just a studio centerpiece, the OXI One MKII is a powerful performance tool. With enhanced performative features, it equips you to play your arrangements and compositions live with precision and freedom. Whether in the studio or on stage, the OXI One MKII is your ultimate creative partner.

While the OXI ONE MKII is a new release, it retains the familiar workflow of the original OXI ONE now refined and enhanced. With significant feature upgrades and improved usability, the MKII sets a new standard as the ultimate sequencer.

With 6 sequencer modes OXI One MKII is the most versatile sequencer on the Market.

Multitrack: 8 independent tracks with customizable parameters; expandable to 64 tracks for vast creative potential.

Chord: Innovative chord generator with diverse types, voicings, Chromatic Mode, and custom scales for rich progressions.

Poly: Up to 7 voices with unique per-note chance and logic conditions for dynamic editing.

Mono: Full control over monophonic tracks, enhanced with accumulators for intricate melody creation.

Stochastic: Generative sequencing for evolving melodies with precise rhythm and pitch control.

Matriceal: Rule-breaking sequencer with four independent lanes for velocity, octaves, and notes, designed for experimental flexibility.

Our innovative CHORD MODE lets you effortlessly create dynamic chord progressions with diverse chord types,voicings, and bass options via intuitive menus. The built-in chord arpeggiator transforms chords into lush, evolving soundscapes. The HARMONIZER syncs other instruments to your chords, maintaining perfect harmonic unity. MODULATE your chord track with LFO, MOD lanes, or External CV. Applied modulations carry over to linked instruments, keeping your music dynamic and evolving.

4 Knobs For Total Control Of Any Parameter: All parameters of every menu are shown in the screen and can be modified with their respective encoder. No menu diving needed. With OXI One MKII the workflow is even more refined.

The OXI ONE MKII elevates sequencing with enhanced logic conditionals, transforming simple compositions intointricate, vibrant sequences effortlessly. Its innovative Accumulator and Repeats Engine delivers rapid, intuitivevariation, setting it apart from other sequencers. Expanded with eight modulation lanes per track and a broaderrange of internal destinations, the modulation system is more powerful than ever. Plus, a fresh suite of generative tools sparks inspiration, breathing life and endless creative possibilities into your music.

OXI ONE MKII supports both modern and legacy connectivity, ensuring full integration with all your studio gear sonothing gets left behind.DIN Sync, MIDI, CV/Gate, USB, and Bluetooth allow you to connect anything to the OXIONE MKII. 8 CV and Gates, use USB as Device or Host mode, Bluetooth to connect your tablet or mobile phoneand use it as another musical instrument and with the Split v2 expansion you can connect up to 6 MIDI Lanes. Nothing is left out in your studio with OXI ONE MKII.

OXI ONE MKII is built for durability and performance, using premium components, advanced technology, andrugged materials to handle demanding studio use and tough touring conditions. Featuring a sleek aluminiumun body, high-grade silicone pads, and robust aluminium knobs, it delivers professional build quality at an accessible price - making it one of the best value sequencers on the market.

Notes: Fueled by the success of its DJControl Inpulse range and the DJControl Inpulse T7, the DJControl Inpulse T7 Premium Edition comes with a range of unique enhancements and sleek finishes that will make it easier for modern DJs to scratch and perform anywhere.

The controller features a high-quality premium fader module, two new slipmats ideal for scratching, two slipmats ideal for traditional mixing, a transport case and eye-catching gold details and markings.

Designed primarily to serve the hip-hop and scratching community that embraced the original DJControl T7 most enthusiastically, this new controller from Hercules will add a little extra heart to every beat.

The DJControl Inpulse T7 Premium Edition comes with two software licenses, Serato DJ Lite and DJUCED. It is compatible with Serato DJ Pro

Notes: Monolit by Lightreft is a cutting-edge, multifunctional MIDI-computer that transforms your music production experience. Designed for musicians who seek precision and flexibility, MONOLIT offers seamless integration with all DAWs and hardware devices, customizable presets, and an intuitive interface for effortless control and creativity.

Whether you're diving into your DAW or jamming out with external hardware instruments, MONOLIT has you covered. An endless library of presets at your fingertipsieach one offering 8 banks, with 8 sliders and 8 buttons per bank. That's a whole lot of control!

For each slider and button, Lightreft present a range of versatile options. You can record MIDI automation, set delay times for slider movements, send notes and LFOs, and adjust various parameters directly within the device. This flexibility ensures that you have complete control over every detail of your setup.

But it doesn't stop there. MONOLIT is as versatile as you are, allowing you to connect other devices like Gamepads, Keyboards, Monome Grid , or any MIDI device you fancy. This means you can take command of your entire setup, all through one sleek, powerful interface. Whether you're crafting the perfect beat, tweaking synths, or anything in between, MONOLIT is the tool that brings your musical ideas to life with ease and style.

Designed and assembled in Japan, MONOLIT is ready to be shipped worldwide.

Specifications

Enclosure: the casing and front panel are made entirely from a single piece of aluminum.

Screen: multi-bright monochrome display 128x64 with a cozy pixel font

Controls: 8 sliders and 13 buttons providing full control

Banks: 8 banks with a total of 64 fully customizable sliders and buttons per peset

Memory: Save, load, and edit presets, and switch between them with ease

Compatibility: MONOLIT works with any DAW or hardware device that supports MIDI

Connectivity: TRS to MIDI, USB-C outputs, as well as USB input to connect external devices

MODES: 4 customizable slider modes and 2 button modes, with more on the way in future updates

Notes: MESS is a pedal that opens up a new world of possibilities. MESS blends traditional sound shaping with generative and performance power with four independent effect tracks can befreely assigned to over 120 studio-quality effects, all with sequenceable control over multiple parameters. Start a sequence and create entirely new textures that evolve in time - from lush ambient washes to glitchy chaos. Or switch off the sequencer and use MESS as a powerful, traditional multi-effects pedal.

Mess features 120 high-quality, stereo effects, ranging from traditional to the experimental. Choose from analog-style modulation and time-based staples or innovative spectralizers andnew ways to use granular engines.

MESS's 16-step grid pad is a real time sequencer and editor - with intuitive hands-on control that rewards experimentation without an advanced degree in sound design required. Sequence effect parameters, start or stop sequences without cutting out the effects, or build complex
polyrhythmic patterns that evolve as you play.

Each track runs independently, with detailed control over parameters, time divisions and length .Create slow spectral sweeps by slowing a sequencer down to 1/16th of the chosen tempo while increasing the speed of a microlooper for chaotic glitchy stutters all in the same patch. MESS has the tools to build-up textures or tear them apart.

MESS turns effects into an instrument. Unlike conventional multi-effects units that rely on staticpresets, MESS offers dynamic, programmable, and performative sound design. This effectspowerhouse is equally at home on pedalboards, in modular synth setups, or integrated intoDAW-less setups making it ideal for guitarists, synthesists, drum machine enthusiasts, and sound designers.

Notes: Oradea is a quadruple voltage controlled analogue resonator. You can use it to enhance external audio or to generate tones. It can mimic the resonant characteristics of physical objects or spaces. Oradea's frequency response can be tuned over the entire range of audible frequencies with V/oct response. The module offers precise control over the resonance of each band up to extremely high values with long response to pinging. Oradea is additionaly equipped with four individual trigger inputs for exciting its filters with internally generated, uniform, and finely tuned impulses.

Individual outputs allow you to externally process each band separately. Resonant frequency gain compensation prevents uncontrolled distortion (the gain at peak does not increase with resonance). There is a VCA and a polarity switch in each channel, so you can remotely shape the overall amplitude and manually change the phase response.

Technical details
Eurorack synth compatible
20hp, 40mm deep (incl. ribbon bracket)
Current draw: +210mA / -190mA
Reverse power protection

Expandability

Expandable with Arad Resonator Commander, offering three additional features. It has direct audio inputs for individual channels. There are manual buttons and gate inputs for clickless muting and unmuting of the channels. Another group of four buttons acts in parallel to the excite inputs of Oradea, allowing for manual triggering.

Notes: Control Forge's core functionality is drawn from the E-mu Morpheus's insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.

At its most basic, it's an 8-segment function generator with variable time and target voltage level for each segment. Each segment's level can be defined either absolutely or relative to the ending level of the previous stage and can optionally be quantized to the nearest 1/12 volt, additionally, each segment's level may have a user defined range of randomness of either linear or gaussian distribution.

'Tempo Mode' lets you specify each segment's length in musical note values relative to a tempo set in BPM. The time scale may be modulated under CV control or manually via the encoder during runtime.

There are 67 different transition shapes between segments (indicated graphically on the display during selection), from linear and exponential shapes to various flavours of random, chaotic, and many more that don't lend themselves to one-word descriptions, including the ability to pass CVs directly through to the output for individual segments. Also included are 'DC' shapes that allow the module to be used as a sequencer with all of the module's available programmability. When combined with the Preset Sequencer described below, sequences can be hundreds of steps long and modified in real time manually or by CVs.

Each segment may optionally have a conditional jump mode that results in a jump to another selected stage if a particular condition is met. e.g. a CV being above or below the selected conditional value, the presence or lack of a gate or logic high at their respective inputs, rising or falling edges at the inputs, etc. So, in addition to one-shot shapes, extremely elaborate cyclical patterns can be programmed that evolve based on the various conditional inputs.

Control Forge's AutoChain functionality allows the creation of two very specific kinds of multi-preset patterns: A multi-preset retriggerable pattern (like a long syncable LFO), and a multi-preset 'envelope-like' pattern with retriggerability, an optional sustain section, and a 'release' section that's jumped to on gate fall. Two independent triggers can be programmed to fire in response to a variety of events and can be used to affect either CONTROL FORGE itself or external modules.

500 presets can be saved and recalled. a preset sequencer allows stepping through up to 200 user-defined series of presets under trigger, clock or manual control. This allows contours and sequences of almost unlimited length and complexity. All presets and sequences can be transferred to any number of Satellite modules, which can then operate as stand-alone modulation sources, completely independent of the Control Forge.

Notes: Featuring extensive connectivity, the Tetrachords can act as a bridge between a modular system and the rest of a studio.

The unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.

The Tetrachords is capable of calibrating its CV OUTS to individual oscillators. This can significantly improve how in-tune oscillators will play when sequenced by the Tetrachords, especially for sequences with a wide pitch range. It features a basic tuner, designed to help keep CV controlled oscillators in tune with MIDI instruments and with each other.

Notes: Based off Euterpe's classic Vertice filter bank, this fully analogue multimode filter biasts an integrated preamp and transistor based distortion. This saturates the signal in order to generate harmonically rich sounds for the filters to manipulated.

The Itinera boasts four modes: LPF, BPF, HPF and notch, allowing for a wide range of possibilties, especially when combined with the 3 selectable resonance paths.

These 3 paths - transistor, diode and Innesco - each offer their own characteristics. The Itinera alos has two CV controllable feedback functions, "Vindicta" and "Formant", which help create feed back effects.

With two audio inputs and four CV inputs, the Itinera offers tons of potential for creative applications, not only as a filter but also as a saturator!

Notes: You cannot describe exactly what it is; you can make any kind of music using The DROP, from roots pre-sequences techno to ambient landscapes, from 8-bit craze to pop-style dancy-fancies. And you'll play it live! The DROP is designed to be played, like any other musical instrument.

A self-contained analog groovebox, that uses LFO as a clock generator with divider - no programming needed to get highly complex absolutely crazy neverending and never repeating (analog!) rhythmic galore and fractal textures. Otherwise, it can be triggered manually with a pad, or via external trigger; so it works like a highly sophisticated drum module.

Six unique analog noise osclilators, classic BD generator with old-style analog VCA, sub-octave oscillator with an extra click; all patched (or repatched) to two wide-range LFOs or anything external - via bananas - for neverending rhytmic galore, and then soaked in a specially designed analog saturation. Full, bold, vivid and textured, rich analog sound; because of a highly ingenious, odd and peculiar circuits. Think NOS, discrete, germanium and unobtanium.

Thanks to a fully analogue design The DROP can play the same sequence for hours without being annoying. A vast field for experimentation thanks to a modular design with all its inputs and outputs. You'll lose yourself in a black hole of sounds repatching it even without any external modules. Banana sockets used in The DROP are compatible with any external synths and modules; eurorack or buchla or analog sync; no problem. You can even use bare cable without jacks to patch bananas. What about playing The DROP with jacks touching banana sockets? Did you know that your bare fingers are good for patching it too? Go bananas!

Drop is bringing back the real, instant joy and fun of playing electronic instruments live, for music beyond grids, borders, and programming, that makes an art happen as a reward.

Mad Sound Factory DROP offers a wide range of sounds including kicks, basses, hi-hats, and weird noises. With features such as tone generator, mixer section, noise generator, and two LFOs, The DROP allows for creative patching and modulation possibilities. The instrument also offers a unique DROP button that can trigger sounds and add a fun element to performance. It can be controlled through analog clock signals or MIDI sync. Designed for both live performances and studio use, this instrument offers a wide range of sonic possibilities for musicians looking to experiment with rhythm and sound design. The DROP is pretty compact - it easily fits in a backpack or ordinary shopper or whatever you use to drop your swimsuit to. It can be powered via USB-C from any power bank, phone charger or a laptop, pocket nuclear reactor or even a solar battery, if your star is close enough and you have enough sunny days to play with it. Modern world demands and requirements.

Notes: A Streamlined Classic! Maander-M Wavetable Synth with Analog Filterbank & Sequencer

The Flame MAANDER-M is a compact reimagining of a well-regarded classic from the Flame lineup - now more affordable and streamlined, but still packed with the same sonic depth. At its core is a wavetable synth engine, fed into the 12-channel analog bandpass filter bank, controlled by the internal pattern sequencer.

Sound sources include a polyphonic wavetable and FM oscillator, an analog white noise generator and an external audio input. The internal sequencer offers one polyphonic note track (up to 4-voice chords) and 14 mono tracks. The latter are dedicated to the filter channels, the audio input, and the noise source. Each track has its own VCA with individual envelope control and is accessible via MIDI notes.

Patterns can be created and saved as patches, and played live with ease. The built-in arpeggiator and keyboard scaler make the MAANDER a powerful tool for live jamming and generative sequencing. Updates, patch management, and wavetable loading are handled conveniently via MIDI SysEx.

New in this version: direct oscillator output, stereo noise output, and stereo audio input. Maander comes fully mounted in a powered 56HP wooden skiff to get started right away.

Notes: The ultimate way to experience audio

Full bass immersion

SUBPAC is revolutionizing the way audio is created and experienced. Building off our success in the studio and on stage, the SUBPAC X1 represents the next step on our journey to deliver the highest-fidelity immersive audio solutions ever made. Trusted by top artists, producers and DJ's, including Timbaland, Finneas (Billie Eilish), Richie Hawtin, Fat Boy Slim, and Dub Fire, and used in thousands of studios worldwide. The SUBPAC X1 is the next frontier in audio that fully engages you in the physical dimension of sound, quietly and accurately transferring deep immersive bass frequencies directly to the body.

The SUBPAC X1 is simple to use, just connect with your Music, Video Games, VR Experiences, and Movies, and feel things like you've never experienced before - SUBPAC IS THE FUTURE OF AUDIO.

One Subpac. One system.

SUBPAC X1 is Designed for Dual Use

For your chair

Anywhere you sit and engage with audio

For you to wear

Big Bass, Anywhere

Connect to the deepest feeling

Unparalleled Bass Response.

Customise & control

Mobile and PC app control over filters, EQs, time alignment, tactile and headphone levels, and other advanced settings.

Power & precision

Redesigned audio path and software optimizations for improved fidelity, increased power and more headroom.

Comfort & flexibility

Interchangeable strapping solutions for both seated & wearable uses, providing a more comfortable and ergonomic fit.

Modular

Removable wired analogue I/O and remote for the X1, and the optional C1 for professional-grade interface options.

Bluetooth wireless freedom

Connect wirelessly via Bluetooth Bluetooth 5.0 AD2P, aptX HD & LE Audio.

Pro grade

Highest quality component selection to meet the most rigorous demands in the studio, on stage, and everywhere you connect to audio.

A unified experience

The SUBPAC X1 System Combines Hardware & Software

Inputs:

3.5mm Stereo TRS Analog Line Input
USB Audio Class 2.0 over USB Type-C
SUBPAC Ultra Wideband Wireless Audio
Bluetooth A2DP

Outputs:

3.5mm Stereo TRS Headphone Output
+130dB SNR, +122dBA DNR
-112dB THD+N, 2.0Vrms into *100kO
-110dB THD+N, 1.0Vrms into 32O
*100kO = 100,000O

Power:

Integrated rechargeable Li-Ion battery
Up to 8hrs battery life
USB Type C Power Delivery
Included USB Type C 45W charger
Tactile Frequency Range:

Adjustable between 1-250hz
Mobile Control App:

iOS and Android compatible

Review: Limited to just 2000 copies, this gargantuan boxset collates every solo record from original Black Sabbath vocalist/reality TV star/heavy metal legend Ozzy Osbourne dating from his seminal 1980 debut full-length Blizzard Of Ozz all the way up to his most recent 2022 swansong Patient Number 9, with ample space even provided for the much-lauded rarities compilation Flippin' The B-Side. Individually numbered, this mega deluxe boxset also comes complete with ten full-size posters of vintage photos, a gold bat vinyl slipmat, and a numbered vellum certificate of authenticity personally signed by the Ozz Man himself.

Notes: Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop and then you realize: You can't find your way out of the chaos you've created!

The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever.

This doesn't have to happen!

With Drop, you can now map your MIDI equipment across devices and easily store different controller positions as snapshots. During performance, you can jump back to these snapshots at any time (JUMP mode) and trigger them. All of this can be quantized and with variable fade time, allowing you to use a snapshot for slowly building tension and automatically have multiple controllers move simultaneously.

A particularly useful feature, is firing snapshots in DROP mode at exactly the right moment, precisely at the end of a pattern of, for example, 8 bars. For this purpose, Drop features an integrated master clock that counts any number between 1 and 32 bars (= cycle). In DROP mode, you can schedule a snapshot to trigger at the end of a cycle, build tension and go crazy on effects until then, and lean back as the snapshot automatically turns the controllers at exactly the right moment, bringing your live set back to solid ground.

Saving and recalling snapshots is quick and simple even during live situations, allowing you to work spontaneously with new snapshots on-the-fly during your performance. The LED buttons always provide clear visual feedback about what's happening. If you want to plan further ahead, you can prepare sequences of DROP snapshots according to your song arrangement in the studio. Then use CHAIN mode to automatically trigger them sequentially on stage. Multiple chains and banks of snapshots are available, allowing you to configure your live set according to a song-by-song structure.

As with our Warp Synthesizer, Drop has two main operating levels: The PLAY level with direct hands-on access to the most important parameters, and the MENU level for studio configuration. The PLAY level is reduced to the essentials, such as the clear progress display (how many bars until the DROP at the end of the cycle), similar to a countdown clock. The buttons can be used for beat jumps, allowing you to spontaneously extend or shorten a break. Also, the number of bars per cycle and the quantization behavior can be changed on-the-fly. Everything is easily and directly accessible without submenus or hidden button combinations.

Mapping is done in the MENU level, directly on the device. No additional software is required, ensuring Drop isn't dependent on outdated operating systems in the future. Copy/paste/move functions and MIDI-Learn help with quick setup. Furthermore, an integrated MIDI monitor allows recording and analyzing incoming and outgoing messages. All possible MIDI commands are supported, including 14-bit CCs (NRPN), Program Change, Bank Select, Aftertouch, Pitchbend, and of course CCs and Notes.

Each controller enables macro mapping by sending up to eight different MIDI messages simultaneously to any MIDI output port. Individual curves can be assigned to each destination. This allows you to control multiple devices simultaneously with one knob, giving you a manageable number of highly expressive controls for your live set.
MIDI messages can also be assigned to snapshots, so that, for example, device programs and banks can be changed automatically in sync with a snapshot DROP.

On the output side, four MIDI In/Out ports via TRS jacks (types A and B) and two USB-C ports are available. Device and host modes are automatically detected, allowing connection not only to synths and grooveboxes but also to external keyboards, two laptops, or other MIDI controllers via USB.

Thanks to the multiple outputs, each connected device gets its own dedicated MIDI port with full data rate and all 16 MIDI channels, plus its own independent MIDI clock. This can even be adjusted individually for each output down to the millisecond, ensuring all devices run in perfect sync. Additionally, there are two CV outputs that can also be used for clock signals or as freely assignable 0-5V CV voltages. If one of the receiving devices accidentally falls out of sync, e.g., by accidentally pressing the stop/play button, Drop offers a quickly accessible resync button that resynchronizes all devices at the beginning of the next bar. As a master clock generator, there's also a nudge function for manual beat matching (DJ-style), or you can simply synchronize Drop to an incoming MIDI clock or a 0-5V clock from your modular system.

Another function is the reception and forwarding of incoming MIDI signals. Via the MIDI merge function, incoming messages can be filtered by channel and distributed to the connected devices. This allows a master sequencer that outputs sequences for all devices on multiple channels to be connected and appropriately routed through Drop. Drop adds the MIDI messages from its own controllers (MIDI merge), so the receiver gets the sum of both signals. You can go even further and integrate an external MIDI keyboard, allowing you to play some of your own notes in addition to the sequencer. Such routing was previously mainly reserved for software solutions, but now you can save having a laptop on stage, as Drop takes over this hub function.
The silicone buttons for snapshots can also be used as a 4x4 clip launcher for Ableton Live integration, parallel to snapshot control. Simply load the corresponding script from below into the appropriate folder on your computer. Drop now offers navigation through Ableton clips with RGB LED feedback, play/stop functionality for clips and tracks, scene triggering, and even the ability to start a scene in sync with a snapshot DROP.

Even without Ableton, the button matrix doubles as a convenient mini keyboard, allowing you to trigger notes on your favorite synth without lugging around extra gear. It includes practical features like customizable scales and transpose functions to enhance your playing flexibility.

Drop can be powered via USB-C, allowing it to be elegantly connected to a laptop with just one USB-C cable. However, an external power supply is also included to effectively prevent the notorious ground loops in branched USB setups. The power supply also contains globally compatible power adapters (EU, UK, US, AU), making it ready for global tours. The package also includes a USB-C cable, a USB-C to USB-A adapter, and two MIDI-TRS cables with 3.5mm stereo jacks.

The solid metal housing, metal faders and encoders, and high-quality soft-touch buttons guarantee long-lasting enjoyment and professional touring reliability.

Notes: After five years of conceptualization, development, stress, company destruction and relocation, redesign, existential questions, prototyping, and willpower, WMD's Skorpion is ready to decimate and reanimate whatever you throw at it -- creating goosebump worthy sounds you've never heard before.

Skorpion is the epitome of WMD's ethos, "New Sounds, Maximum Experience". Painstakingly designed UI, all the CV I/O and controls you could ask for, and a broad spectrum of subtle to 100% NOT subtle swarms of harmonics, chaos, and character. This module is packed full of features to provide continuously explorable fun whether you are experimenting or meticulously crafting a sound that is 100% yours.

Skorpion builds on WMD's's long pedigree of experimental module designs, exploring a new method of wavefolding using thresholds and target voltages to control a powerful vector core. The design process has been very technically challenging, using high speed cmos and precise analog design with hybrid digital overlay for a solid UI.

Skorpion is an 8-stage analog wavefolder that allows you to precisely mangle simple waveforms into complex shapes with a fun, hands on fader interface. Taking the concept many steps further, internal modulation sources allow for macro animation of multiple parameters simultaneously, creating rich, evolving harmonic movement never heard before in hardware.

The Controls

The SHAPE and SLOPE controls allow for smoother or harsher added harmonics, and the 1V/OCT CV input is required for tracking timbre across notes.

FOLD controls the input gain of the signal, causing it to hit each of the eight THRESHOLDS causing a reversal in the output at each point. The signal can be driven towards one of three TARGETs: 5V, the Sliders, or the signal at the CLIP jack (normalled from IN).

SLOPE controls the baseline rate of the output, the higher the slope, the higher the harmonics. The overall slope rate is modified by 1V/OCT and SHAPE.

SHIFT is the classical vertical shift that makes the wavefolder sound like a chorus with subtle modulation.

SHAPE is a feedback control affecting the slope rate of the wavefolder. Eight different sources are available for feedback. The SYM switch decides whether the modulation is applied symmetrically when above or below 0V.

OUTPUT controls whats at the output jacks, the DRY signal, the WET signal, or a mid side stereo processed WIDE signal. WIDE is generated using a second vector core with a variable short delay. If all THRESHOLDS are inactive, a gate is normaled here. The intention being that if the input signal is too low to cause any folding, the OUTPUT circuit is pulled DRY so that you never get silence from the Skorpion.

The EQUALIZE THOLDs switch disables the sliders and forces an equally spaced threshold more akin to classic wavefolders. Modulation is disabled in this mode. Also controllable with a jack.

TARGET ORDER determines which slider is selected when the threshold is activated. Basically, it allows for a different order on the way up as way down producing pleasingly different timbres when using the sliders for target.

SYNC has three modes, OFF in the center. HARD which resets the vector core to 0V at every zero crossing of the input waveform. and SOFT which vectors core toward 0V at the current rate.

HALT IF TARG=0 makes the vector core draw a horizontal line if the TARGET slider for that threshold is at 0 (fully down).

ANIMATION - Sliders, Spring Action Switch, and Macro Envelope:
There are 13 total internal modulation sources. A primary MACRO ENVELOPE, eight (8) Threshold LFOs, and four (4) CV modulators that normal to the FOLD, SLOPE, SHIFT, and SHAPE attenuverters. The CV modulators can be LFOs or Envelopes.

The switch rests in the center, making the sliders control the THRESHOLDs. When held to the left, the sliders set the TARGETs. When held to the right, the sliders control the MACRO SETUP detailed below.

The MACRO ENVELOPE is an Attack/Hold/Release style envelope. A gate here will start the envelope, lighting the LED blue, while the envelopes level will glow red. The times for Attack and Release are controlled in the MACRO SETUP mode by the first two sliders.

The MACRO ENVELOPE modulates the amplitude of all LFOs. If the CV modulators are set as envelopes, then the gate will start the envelopes, but they otherwise operate independently.

MACRO SETUP:

Parameters are modified in MACRO SETUP by holding the switch to the right and moving respective sliders.

Macro Envelope's Attack Time
Macro Envelope's Release Time
Threshold LFO Amount
Threshold LFO Rates
Fold LFO/ENV Rate/Time - CV(5)
Slope LFO/ENV Rate/Time - CV(6)
Shift LFO/ENV Rate/Time - CV(7)
Shape LFO/ENV Rate/Time - CV(8)
Envelope Times are shortest at the bottom of the slider and longest at the top.

LFO Rates are slowest at the bottom of the slider and fastest at the top.

Fold, Slope, Shift, and Shape modulation

Specifications
20HP
38mm Depth (with power cable)
Power: +200mA, -160mA
LFO rate: 0.0016Hz to 6Hz
ENV time: 0.05s to 600s

Notes: The super compact Nord Drum 3P combines stunning playability with unlimited sound design possibilities. New features include integrated multi-pad, Reverb and Delay effects, a simplified sound selection mode and new Sound Banks for quickly creating custom kits on the fly.

The Drum Select feature lets you browse a wide selection of great sounding drums sounds, simply assigned to each pad individually. Easily replace toms, cymbals or kicks in seconds by selecting from our new preset library. The Drum Select banks feature 9 categories of great preset sounds that can be easily assigned to any of the six pads/channels - and is a great starting point in rehearsal situations when you need to find the right sounds in a matter of seconds. The categories include Bass drums, Snare drums, Toms, Hi-hats, Cymbals, Percussion, Bells, Tuned Percussion and Effects.

The Sound generation takes place in the three sections Tone, Noise and Click. The sounds of the Nord Drum 3P are all synthesized in real-time - allowing you to both sculpt and play sounds with a unique dynamic response, regardless if you prefer to play with drum sticks or from a sequencer. The Tone Section is specialized for creating tonal and harmonically complex sound spectras and has four synthesis modes - Resonant synthesis, Subtractive Synthesis, Frequency Modulation and Ring Modulation synthesis. The Resonant synthesis mode offers a wide range of complex spectras inspired by materials like drum heads, marimba, vibraphone, tines and cymbals. A unique feature includes the possibility to tune harmonic spectra. The Subtractive Wave types include Sine, Saw, Square, Pulse waveforms and T-Bridge Oscillators and are brilliant for creating classic synth-type drum sounds and effects. The FM Synthesis mode features 6 different FM algorithms where the Frequency parameter controls modulation amount and Spectra controls modulation frequency. The Ring Modulation mode features 2 different types of Ring Modulation.

The Nord Drum 3P offers great control over the dynamic response of the harmonic spectras. When using Resonant synthesis waveforms the upper parts of the harmonic spectra be controlled with velocity, giving it a brighter timbre when played hard. When using the Subtractive synthesis mode, the Frequency parameter controls the cut-off frequency of a Low-Pass filter and the Dyn Filter controls how much the filter should respond to velocity. The Decay controls the decay of the whole spectra, with a choice of Linear and Exponential decay envelopes. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. The Punch Decay adds more attack to the Tone by giving the fundamental pitch an ultra-fast envelope at the very beginning of the sound. The Bend parameter provides a powerful, velocity sensitive pitch envelope. Use it to create attack-like effects but also more radical bending sounds that travel up or down when played such as the sound of a raindrop, tablas or the classic 80's - pioouw - tom-sound.

The Noise section is all about producing noise and is very powerful. Create anything from silky smooth hiss to gritty gravel to give the Tone part of the sound more texture. The Noise can be sculpted with Low-Pass, High-Pass or Band-Pass filters with Cut-Off and Resonance controls. Once you've found the noise of your choice, it can be adjusted to respond dynamically to velocity in the same manner as with the Tone section with the Dyn Filter control. The Decay control is just as powerful, with a choice of Linear, Exponential and Gated decay types. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. Combine this with the equally powerful dynamic controls of the Tone Section and it won't take long before realizing the potential for creating complex sounds with fascinating material-like behaviors!

The Click-section is a specialized section for an ultra-short attack to the sound. A wide range of different click types are available as well as a level control for finding the sweet spot where the Click merges with the other elements and becomes one coherent sound.

Each of the 6 channels of the Nord Drum 3P has its own powerful effects - Drive, EQ and Ring Modulation. Adding just a touch of Drive to your sounds can make a huge difference in terms of realism, while the Sample-Rate reduction is perfect for Lo-fi crackling effects. Ring Modulation can be used for slow tremolo-like effects to total atonal mayhem.

The Mute Group gives you the option to create sounds that can cancel each other out. Only one of the members of the group can sound at a time, and can be used for creating a close/open hi-hat behavior and emulating muting techniques from hand percussion.

Tuned Percussion kits can be created instantly by selecting one of the Scale Presets, which include Chord Scales, Pentatonic, Hang Tunings and Hexatonic.

The handy Edit All mode let's you edit all 6 channels simultaneously, for example reverb, distortion or delay.

MIDI in/out is also available for using the Nord Drum 3P with any kind of MIDI pads or sequence it from an external MIDI Sequencer. All of the Nord Drum 3P sound parameters can be controlled via CC-controls over MIDI. If you own an iPad don't miss our free iPad app Nord Beat, specifically designed for sequencing the Nord Drum 3P via MIDI.

The Channel Mixer sets the level for each channel and also features a Pan control for creating a lush stereo image. If you like to send the kick to a separate output, just pan that channel all the way to the left and the other channels to the right.

Everything you play when using the multipads and external input is automatically output to the MIDI output, making the Nord Drum 3 a brilliant controller for other sound sources via MIDI.

Notes: A new method of sonic experimentation, communication, and connection has arrived. Say hello to Messenger, a next-generation analog synthesizer that celebrates classic Moog circuitry and introduces modern features to shape the future of sound design.

Messenger is a new Moog monophonic analog keyboard synthesiser designed for the electronic musicians, producers, sound designers, sonic tinkerers, and analog dreamers of today and tomorrow. Engineered to open new portals of art and expression through sound, the instrument is ready to be a trusted creative companion for any musical genre or style at any point in your synthesis journey.

If you're new to synthesis, welcome. You're exactly where you need to be. Messenger's intuitive layout with clearly labeled controls invites immediate hands-on exploration and encourages a deeper understanding of how to shape and sculpt sound. For experienced synthesists and sound designers, Messenger is packed full of innovative twists on beloved analog circuitry, blending the iconic, raw Moog sound with flexible, modern features designed for use on stage or in the studio. This synthesiser has two oscillators with wavefolding functionality, a sub-oscillator with continuously variable waveshapes, dual looping ADSR envelopes, 32 semi-weighted full-size keys with velocity and aftertouch, and the legendary Moog ladder filter augmented with resonance bass compensation, multiple filter slopes, and true multimode functionality. Messenger's 256 on-board presets allow for immediate saving and recall of your favorite sounds. An intuitive arpeggiator and expression/sustain pedal inputs make this an indispensable live tool, while its unique sequencer with probabilistic controls and modular connectivity set Messenger up to be at the core of your studio or home setup.

Craft soaring leads and deep, rumbling basses. Create delicately textured pads and flowing arpeggios. Build beats with custom kicks, snares, and toms. Explore dense drones and inharmonic metallics. Pay attention to how these sounds impact the way you hear the world around you.

Timeless and Intuitive: Messenger builds on the DNA of Moog's most iconic and prolific monosynths - Minimoog Model D, Voyager, Grandmother, Subsequent 37 - and puts a new spin on a familiar format with innovative circuits and timeless analog sound.

A Legend Reborn: The legendary Moog transistor ladder filter gets some new tricks up its sleeve. A unique pole-mixing design allows the ladder filter to preserve bass frequencies as resonance is increased via the RES BASS switch while keeping its sonic legacy intact. Low-pass mode adds a 2-pole filter slope in addition to the classic Moog 4-pole low-pass filter slope.

Inspiration at Your Fingertips: 32 full-size semi-weighted keys with velocity and aftertouch, a robust metal panel, 256 presets, and knob-per-function controls mean Messenger is endlessly playable and ready to bring to your next gig.

Compositional Powerhouse: Effortlessly record sequences of up to 64 steps, integrate chance operations, and introduce random fluctuations and parameter recording. Experiment with a plethora of arpeggiator patterns and cascade notes into infinity.

Sound Design and Modulation Playground: Two loopable ADSR envelopes, two LFOs, and expanded frequency and audio rate modulation options via Oscillator 2 provide a wealth of modulation options and deeper assignable possibilities.

Comprehensive Connectivity: Messenger integrates seamlessly into any studio or live setup with six analog control voltage (CV) patch points, an external audio input to the filter, expression and sustain pedal inputs, and 5-pin DIN MIDI in/out as well as MIDI over USB-C.

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: One of the best solutions for 7"/10"/12" record cleaning, HumminGuru's ultrasonic approach automatically restores your records, cleaning and drying within 7 to 15 minutes per disc. Simple, easy to use and effective.

Supplier's Notes:
The HumminGuru Ultrasonic Vinyl Record Cleaner

An all-in-one ultrasonic vinyl cleaning machine that automatically cleans and dries your record in just 7 to 15 minutes. It is compact, lightweight, quiet and compatible with 100v-240v.

HumminGuru ultrasonic vinyl record cleaner not only brings your dirty records back to life; its ease of use and intuitive design also makes record cleaning a more pleasant experience. It has been designed to clean and dry the vinyl records in one step using ultrasonic cleaning system. With 40kHz frequency, it is effective to remove the contaminants and dust on the record without causing any damage to the surface of the record. Less is more. Its lightweight and compact design make it easy to transport and creates more space to store. The simple yet elegant look was created to intuitively fit into your lifestyle. HumminGuru would be your best option in quality for price and value.

Maintenance Features

Air Filtration - To prevent external dust from blowing back onto the record during the drying process. The filter is washable and replaceable, which makes for easy maintenance.
Water Filter - A detachable water filter in the water tank gives an option to reuse the cleaning water. The filter is washable, which makes for easy maintenance.
Removable water tank - Water tank is removable for easy cleaning and maintenance
Replaceable rotation wheels - Easy to replace with HumminGuru assigned maintenance tool

Specifications

Item Name: HumminGuru Ultrasonic Vinyl Record Cleaner
Net Weight: 3.1 kg
Material: ABS & Stainless Steel
Colour: The New Blue
Dimensions: 34 x 15 x 28 cm
Adapter (Supported Voltage): 100 - 240 V AC 50-60 Hz
Water Tank Capacity: 400 ml
Ultrasonic Frequency: 40 kHz
Packing Volume: 38 x 21 x 37 cm
Packing Weight: 4.88 kg
Cbm: 0.03
Certifications: RoHS Directive 2011/65/EU, (EU) 2015/863
1 Year Warranty: HumminGuru comes with 1 year world-wide warranty.

Humminguru supports all commonly used voltage standards from 100v-240v.

The package comes with:

Ultrasonic Vinyl Record Cleaner
A Cleaner Lid
Power Cord
Manual Instruction
Removable Water Tank x 1
Maintenace Tool x 1
Replacement kit (2 pairs of rotation wheels, 5 pcs of air filters and 5 pcs of water filters) x1
Adapters for 7" and 10" records

Notes: Big brother to the excellent MicroFreak, the MiniFreak is a hugely impressive hybrid synth, teaming dual digital sound engines with analogue filters for creative approaches to polyphonic sound.

Supplier notes:
MiniFreak is a 6-voice polyphonic hybrid keyboard that fuses two digital sound engines with analog filters, outside-the-box sequencing, and instant-access modulation in a playful, curious, and sometimes unpredictable way. MiniFreak encourages users to escape the ordinary and explore the unconventional with a 37-note velocity-sensitive keybed with aftertouch, weave intricate evolving performances with multiple modulation lanes, and discover endless sweet spots with a built-in digital FX engine - a wildly creative experience.

Unprecedented hybrid polyphony

With over 20 modes to choose from including Virtual Analog, FM, and Additive, the interplay between MiniFreak's two oscillators can result in truly unique compound sonic behavior. With 6-voice polyphony, analog filters, and the ability to process engine 1 through engine 2, MiniFreak puts premium polyphonic synthesis exploration into a compact & tactile instrument that's as addictive as it is powerful.

Customizable & experimental sound design

Embellishing the popular Freak modulation matrix, MiniFreak gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

Mix-ready stereo sound

MiniFreak comes with stereo outputs and 3 digital FX slots with 10 FX types to choose from. From stereo-enhancing chorus, to surgical 3-band EQ, to gritty 6-mode distortion, users will have everything they need to push their sound over the edge while keeping it mix-ready.

Expression, meet chaos

Despite its penchant for wild & exploratory sound design, MiniFreak is also built as a responsive instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features and modulation lanes put playfulness and sonic momentum immediately at users' fingertips.MiniFreak VMiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a like-for-like virtual experience of the synth itself, at no extra cost.

What's in the box:

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions
Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight : 6.48 lbs. (2.94 Kg)

Notes: Building on the success of the original HumminGuru record cleaner, the NOVA model takes things to the next level. More power, quieter operation, easier operation and lots of tweaks to make the winning formula even better.

Supplier's Notes:
Premium | Automatic | Efficient

The HumminGuru NOVA is an Advanced Ultrasonic Vinyl Record Cleaner that elevates your record-cleaning experience to the highest level of satisfaction. Utilizing 40kHz ultrasonic sweep frequency with an upgraded power drive, it delivers quieter and highly efficient cleaning performance. Furthermore, with the NOVA's upgraded fan power, experience rapid record-drying in just 3 to 6 minutes. It is recommend that you use The Small Bottle.

The NOVA also includes a patented design of adjustable rotation wheels, eliminating the need for 7" & 10" record adapters! The newly added countdown timer, a new draining mode, and a practical cover lid that doubles as a drying rack and a record display stand further enhance usability, delivering an even more satisfying experience.

With its innovative design and upgraded features, the HumminGuru NOVA delivers maximum convenience, exceptional cleaning, and efficient drying performance. The NOVA is quiet, compact, and lightweight- making it the perfect companion for all vinyl collectors.

Inside The Package

NOVA Advanced Ultrasonic Vinyl Record Cleaner
Cleaner Lid
Removable Water Tank
Water Funnel
Maintenance Tool
7" and 10" water basin supports
The Small Bottle (5ml)
Drying Rack Accessories
Drawstring Pouch
Air Filters x 6
Water Filters x 6
Interchangeable Plug Power Adapter (Compatible with 100-240V)
Owner's Manual

Specifications

Product Name: HumminGuru NOVA Advanced Ultrasonic Vinyl Record Cleaner
Model: HG05
Material: ABS and Stainless Steel
Product Size: 34 x 15 x 26.1 cm
Product Weight: 3.4 kg
Input: DC 12V 5.0A
Output Power: 60W

Notes: Hotly anticipated rotary goodness from Spanish pro audio specialists Ecler. Simple, pure two-channel design with three-band channel EQs, three-band isolator and quality sound.

Supplier's Notes:
Two-Channel Analogue Rotary Mixer

WARM2 is a professional two-channel analogue rotary DJ mixer, designed and manufactured by ECLER in Barcelona. Featuring two phono/line channels and a micro/line channel, classic sharp filters, a 4th order Isolator and a narrow portable format, it will deliver a warm and crystal clear analogue sound.

Audio Performances

Inputs Sensitivity nom/Impedance:

LINE : 0dBV/50kO
PHONO : -40dBV/50kO
MICRO : -50dBV/>1kO
FX RETURN : 0dBV/>6kO

Outputs Level/Minimum Load:

HOUSE (BAL) : 0dBV/600O 1V *(+12dB 4V)
HOUSE (UNBAL) : 0dBV/2.2kO 1V *(+12dB 4V)
BOOTH (UNBAL) : 0dBV/2.2kO 1V *(+12dB 4V)
REC : 0dBV/10kO
HEADPHONES : 200mO/200O THD 1%
FX SEND : 0dBV/2.2kO

Frequency Response:

LINE : 10Hz#30kHz -1dB
MICRO : 10Hz#25kHz -1dB
PHONO : RIAA i0.5dB
FX RETURN : 10Hz#50kHz -1dB

THD-N:

LINE : <0.006%
MICRO : <0.9%
PHONO : <0.08%
FX RETURN : <0.005%

CM MR:

MICRO: >70dB @ 1kHz

Signal Noise Ratio:

LINE: >99dB
MICRO: >85dB
PHONO: >98dB
FX RETURN: >100dB

Max Undistorted Output Level:

HOUSE (Electr.BAL): 21dBV (23dBu)
HOUSE (UNBAL): 21dBV (23dBu)
BOOTH (UNBAL): 21dBV (23dBu)

Trim control:

INPUTS 1-2: - 15dB
INPUT 3: - 20dB

Tone control Inputs 1-2:

BASS: +10/-30dB
MID: +10/-25dB
TREBLE: +10/-30dB


Tone control Isolator:

BASS: +12/-70dB
MID: +12/-40dB
TREBLE: +12/-70dB

Tone Filter cut frequency at -6dB (slope 12dB/oct):

BASS: 200Hz
MID: 200Hz#6.8kHz
TREBLE: 6.8kHz

Isolator cut frequency at -6dB (slope 24dB/oct):

BASS: 300Hz
MID: 300Hz#4kHz
TREBLE: 4kHz

Connectors

Inputs:

LINE 1-2-3: RCA STEREO
PHONO 1-2: RCA STEREO
MICRO 3: 6.3mm TRS BAL. JACK
FX RETURN: RCA STEREO

Outputs:

HOUSE (BAL): XLR STEREO
HOUSE (UNBAL): RCA STEREO
BOOTH: RCA STEREO
FX SEND: RCA STEREO
REC: RCA STEREO
HEADPHONES: 6.3mm/3.5mm STEREO JACK

Miscellaneous

Control Mode: Rotary with Alps Blue Velvet Potentiometers
Phantom Voltage: 18VDC/5mA Max (Default ON)
MIX and PFL VU-Meter: LED 12 segments (-30dBV # +20dBV)

Operation

Operation Temperature: -5-C - 45-C / 23-F - 113-F
Humidity: 20 - 90% RH (no condensation)

Supply

Mains voltage: 90-264VAC 47-63Hz
Rated power consumption: 30VA

Mechanical

Dimensions (without wooden sides): 400 x 185 x 100mm / 15.7" x 7.2" x 3.9"
Weight : 3.6Kg / 7.94 lbs

Notes: Developed in conjunction with Dutch software dons 112dB, the Echolocator brings precise, ultra-controllable delay to the hardware realm. Full stereo design with filter and shimmer modes, freeze function and foot switch input.

Supplier's Notes:
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.

Notes: Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.

Notes: Great value mid-range rotary mixer from Omnitronic, a big step up from the popular TRM-202. Large format two-channel design, featuring three-band channel EQs, master isolator, multi-mode filter and dedicated channel VU meters.

Supplier's Notes:
Rotary in its most beautiful form: Omnitronic TRM-222

With the TRM-222, Omnitronic presents an analogue rotary mixer that has been developed with direct feedback from the community.

Proven features have remained

Like its predecessors, the TRM-222 is equipped with a 3-band master frequency isolator, which uses classic ALPS rotary potentiometers (Blue Velvet RK27) for precise sound control. The kill characteristic allows bass, midrange and treble to be completely cancelled out, giving DJs creative freedom in shaping their sound.

The switchable filter section with HPF, BPF, LPF, resonance and sweep controls allows creative processing of the frequency bands. Two stereo input channels with gain control, clip LED, 3-band EQ and phono/line switching as well as a microphone input channel with gain control, 2-band EQ and on-air switch extend the mixer's range of applications. The LED level display for the master signal (L+R) and cue signal provide a good overview.

New functions at the request of users

During the further development of the mixer, great importance was attached to feedback from the community. New functions such as the VU meter display per channel, dipswitches for individual adjustment of the EQ curve and a booth output (XLR or RCA) with 2-band EQ and volume control testify to the sophisticated functionality of the TRM-222. At the request of the fans, the mixer now has a crossfader in VCA technology with adjustable crossfade characteristics, an adjustable send-return effect path and an adjustable record-out.

In addition, the TRM-222 offers two direct outputs for timecode applications and a variety of outputs: Master and Booth (XLR/ RCA L/R), Record (RCA L/R), Master Insert Send/Return (RCA L/R) and FX In/Out (stereo jack).

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 15 W
Protection class: Protection class I
Power connection: Mains input via IEC connector (M) mounting version power supply cord with safety plug (provided)
Cable length: 1,5 m detachable
Frequency range: 20 - 20000 Hz
S/N ratio: >100 dB
THD: <0,05 % at 1 kHz
Gain: Line -12 dB to +12 dB
Phono -40 dB to +5 dB
FX 20 dB
Microphone: 55 dB
DJ filter: Routable: LPF, HPF,
Isolators: Master Gain:- 8 bis +9
Low/mid 300 Hz, 18db/oct , Butterworth
Mid/high 4000 Hz, 18db/oct , Butterworth
Housing colour: Black; silver
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, tone control
Status LED: Power, master level meter, clip, CUE

Connections:

Input: line via 2 x stereo RCA
Input: line/phono via 2 x stereo RCA
Input: Microphone via 1 x 3-pin XLR/6.35mm jack (F) combination socket (mounting version)
Input: AUX returns via 2 x 6.3-mm-jack (bal.)
Output: Timecode via 2 x stereo RCA
Output: headphones via 2 x 6.3 mm jack socket (stereo) mounting version
Output: headphones via 1 x 3.5 mm jack (stereo) mounting version
Output: rec. via 1 x stereo RCA
Output: booth via 2 x 3-pin XLR
Output: booth via 1 x stereo RCA
Output: master via 2 x 3-pin XLR
Output: master via 1 x stereo RCA
Output: AUX sends via 2 x 6.3-mm-jack (bal.)

Channels:

Input channel: 2 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch
Microphone channel: 1 x mono via Combination socket (XLR/jack), channel control via Rotary, 2-band tone control EQ, ON AIR switch
Master output: 1 x stereo via XLR or RCA, channel control via Rotary
Booth output: 1 x stereo via XLR or RCA, channel control via Rotary, 2-band tone control EQ
Rec. output: 1 x stereo via RCA, channel control via Rotary

Headphones output: stereo via Jack, channel control via Rotary
Max. level: Output: +21 dBu
Material: Metal; aluminium
Housing design: Desktop console housing

Dimensions:

Width: 45 cm
Depth: 26 cm
Height: 16 cm

Weight: 5,80 kg

Notes: The Ultimate Output Expander For Hermod+

Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.

Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.

The xp32 opens a new world of possibilities for both live performances and studio setups, giving you the flexibility to realize your most complex musical ideas.

Seamless Integration.

Setting up the xp32 is as easy as connecting the included expander ribbon cable to the back of your Hermod+.

The xp32 integrates seamlessly: Hermod+ will automatically recognize it, and your 32 additional outputs are ready to use instantly.

With the xp32, Hermod+'s 8 CV/Gate tracks remain untouched. Instead, the xp32's 8 additional voices are internally mapped to Hermod+'s MIDI tracks, offering maximum expandability without altering your existing workflow.

Unmatched Precision & Flexibility.

Each of the 32 output jack is powered by a dedicated 16-bit industrial grade DAC, ensuring the best accuracy for all your control voltage signals, from pitch to fine modulations.

Easily configure each output as a Gate (for notes, triggers, or clocks) or as a CV (for pitch, velocity, aftertouch, modulation...).

High-precision.

Low noise.

At the heart of the xp32 are highly-precise digital-to-analogue conversion circuits, developed with meticulous attention to detail. Squarp have incorporated high-end components to guarantee reliable, low-noise, high-performance outputs that you can depend on for both small and large modular systems.

The 32 signal LEDs are driven by a fully analogue current-control circuit, guaranteeing zero digital noise.

Specifications

Power

Consumption : -12V 70mA, +12V 80mA, +5V 20mA

Hardware
Width : 14HP
Depth : 33mm
Height : 128,5mm (3U)
Weight : 170gr (0.37lbs)
32x CV outputs resolution : 16-bit DAC (industrial grade)
32x CV outputs range : -10V to +10V

Notes: The legend is back. Updated and re-engineered for the 21st century, the classic Technics DJ turntable remains the industry standard. Top sound, top build quality.

Supplier notes:
The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.

Notes: The Minitaur is an inconspicuously compact, subharmonic bass machine designed to effortlessly integrate into any performance and computer-based music solution. Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

For over 40 years, the Moog Taurus has been the secret weapon of artists and producers around the globe for generating earth-shaking bass.

The Minitaur is the newest addition to the Taurus family of Analogue Bass Synthesisers. It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others... wall splitting analogue BASS.

The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller.

The free Minitaur Editor software truly unlocks Minitaur's power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

Minitaur v2.2

The new Minitaur v2.2 update expands this powerful analogue bass synthesiser with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more--and Minitaur's new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine.

Specs

Sound engine: Analogue
Presets: 128 Presets
Polyphony: Monophonic (Can be poly-chained)
External controller response: Keyboard, Pitch Bend, Mod Wheel, After Pressure and Velocity
Sound sources: 2 Waveshape Oscillators with Square and Saw waveshapes

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: The hands-on control of hardware meets the versatility of software. Bridging the gap between Eurorack and VCV Rack, the MetaModule includes over 160 built-in modules plus access to over 200 third-party options.

Supplier's Notes:
The MetaModule puts real knobs and jacks on virtual software modules. Step back from the computer and make music with hardware, while keeping the flexibility and expandability of software.

The MetaModule comes with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, NonlinearCircuits, and Scanner Darkly, plus clones of popular classics such as the Mutable Instruments eurorack modules, fun physical modeling algorithms, and lots of handy utilities.

All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.

MetaModule Plugins

If the 160+ built-in module aren't enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing. 4ms have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. 4ms' licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.

Mapping Knobs and Jacks

The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks. Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.

Expanders

There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.

Under the Hood

There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or microSD Card, and internal flash memory lets you save patches you always want to come back to.

The processor is more advanced than anything 4ms has used in the past, and is among the most powerful processors found in Eurorack. Startup time and latency are blazingly fast.

Modules

160 built-in modules
Over 200 3rd-party module plugins available so far, and the ecosystem is growing
Create patches using VCV Rack or directly on MetaModule

Patches

Patches are loaded from microSD Card, USB drive, or via the Wifi expander
Patches can be optionally saved onto internal flash memory
Create patches using VCV Rack or directly on MetaModule
Patches can be given a name and description

Mappings

Map each physical knob to up to 8 virtual knobs
Set range and offset for each mapping, including inverted control
Knob mappings are grouped into Knob Sets, and changing Knob Sets can be done quickly without menu-diving
Map physical jacks to virtual jacks, seamlessly making splits/mults
Add or edit modules, cables, and mappings in real-time while the patch is playing
Create alias names for mappings like "Kick Drum Level"

Interface

Simple, intuitive graphical interface lets you zoom in on details, or zoom out to get a big picture
Patch View displays the patch as faceplates and cables, with knobs, buttons, and lights animating in real-time
Knob Set View simplifies the display, showing only the mapped knobs for the current Knob Set
Module View shows just one module and lists the names of each jack, knob, and control legibly
Mapping View lets you adjust details of a knob mapping
Adjust styles and visual preferences to your liking
Save, rename, duplicate, and delete patches
Firmware updater and plugin loader read from microSD Card or USB drive

Hardware

12 Knobs
8 CV/Audio outputs, 24-bit 48kHz, -10V to +10V, DC-coupled
6 CV/Audio inputs, 24-bit 48kHz, -10V to +10V, DC-coupled
2 Gate inputs
USB-C jack: MIDI Host or MSC (External drive) Host
microSD Card slot
Internal Flash RAM for additional patch storage
Dual-core 800MHz Cortex-A7 plus Cortex-M4 co-processor
512MB DDR3 533MHz RAM
Bare-metal operation for fast startup and low latency

26hp

Notes: Limited-edition orange version of the superb Hydrasynth Explorer. A smaller, more affordable version of the Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

Supplier's Notes:
The HYDRASYNTH EXPLORER is the ultimate in power and portability, combining the powerful Hydrasynth sound engine with battery-powered operation and the new, mid-sized Polytouch polyphonic aftertouch keybed. The user interface is designed with the utmost attention to detail, making sound creation a breeze. This is the ultimate, portable companion for any setup, and anywhere else a smaller footprint is needed.

With an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutants, and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, the Hydrasynth Explorer has the proprietary 37-note mid-sized Polytouch keybed with polyphonic aftertouch. This provides a level of expressive, per-note control found only in certain vintage synths.

Polytouch Keybed

The perennial pursuit of musical instrument manufacturers is to find better ways for musicians to express themselves. Options have been limited for keyboard players; ASM had to settle for a velocity-only approach to emphasize one note over another. Pressure-sensitive keyboards could only change all of the notes at the same time. Not anymore!

Enter ASM, with patented Polytouch technology. The semi-weighted keybed on the Hydrasynth Explorer provides fully polyphonic aftertouch, as well as Note On / Note Off velocity sensitivity and the monophonic aftertouch found on other keybeds. Finally, variations in key pressure can affect notes individually. It feels great, too: the 37-note Polytouch keybed on the Explorer features high quality, mid-sized keys, and you will feel right at home, right away. The revolutionary Hydrasynth Explorer Polytouch keyboard helps you be more in touch with the music you are making. Now every note you play can ebb and flow like the tide.

Battery-powered operation

The Hydrasynth Explorer is highly portable! In addition to its compact size, it can be powered by 8 AA batteries for hours of music-making anywhere you want to go.

Oscillators
The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Each of the oscillators lets you choose from a selection of 219 single-cycle waveforms. And on top of that, two of the oscillators have powerful wavemorphing capabilities. Wavemorphing is a feature usually found on synths with preset wavetables. But creating user wavetables on those products is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have an easy-to-use WAVELIST mode. This mode lets you select any 8 waves from the diverse collection of 219 waves, arrange them in the order you want, and then morph from one wave to another. This can be done automatically with any modulation source, such as an LFO or an envelope, or manually with a physical control such as polyphonic aftertouch or a Macro. And now in version 2.0 you can choose the bit depth of each oscillator, which puts those sought-after vintage or grungy sounds at your fingertips.

Mutants
Oscillators 1 & 2 are routed into ASM's MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each Mutant lets you choose from the following processes:
FM-Linear: This is for making classic FM sounds. Choose multiple FM sources, including external inputs.
WavStack™: Creates 5 copies of the input source and allows you to set a detune amount.
Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.
Pulse Width Modulation (PW-Orig): Performs the classic pulse width modulation on any waveform.
PW-Squeeze: Compresses the centre section of the waveform, for a unique type of PWM.
PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed.
Harmonic Sweep: This will sweep the harmonics of the input source.
PhazDiff: Generates the difference of the incoming wave and a version that is inverted and phase-shifted.

The Mutants can also generate their own waveforms in both FM and Sync modes, so you don't have use another oscillator. Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.

Mixer / Filter Routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The mixer gives you independent control over the levels and stereo positions of those 5 sources. After this you are able to choose how much signal from each source is routed to filters 1 and 2. The filters can be routed in parallel or series for ultimate flexibility. Who knew that a simple mixer could be so powerful?

Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The soul of a Hydrasynth is a complex thing; it can claw or caress, scream or soothe, mangle or melt. It has been known to speak. The multi-faceted Hydrasynth filters are right in the thick of it. Filter 1 has 16 different models ranging from 1 to 8 poles, many with high-, band-, and low pass options. There is also a flexible vocal filter with formant control. Even if Filter 1 were the only filter the Hydrasynth had, it would take a lifetime to exhaust the possibilities. But it is not alone. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.
These two formidable filters can be configured in series or parallel. This means the one can feed and be sculpted by the other (series), or they can complement one another (parallel). With careful use of source panning in the Mixer module, the left and right outputs can be completely different or rich in unified complexity.

LFO's
5 Low-Frequency Oscillators
Much like ASM's sound engine, the LFOs are not ordinary by any means.
The Hydrasynth LFOs feature a STEP mode that lets you create patterns with up to 64 steps. Having 5 mini step sequencers gives you an amazing number of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms available, including Sample and Hold, Noise, and Random.
Each LFO has delay, fade in, 3 triggering modes, smoothing, start phase, BPM sync, and a One-Shot mode so that they can act as envelopes.
The version 2.0 LFOs have some exciting new features, including a Step option for the One-Shot mode that allows the Step wave to advance by one step per trigger.
And LFOs now can be quantized to create stepped values. It's like bit reduction for your LFOs.
Wait...LFOs can be envelopes?! Can envelopes be LFOs? Glad you asked...

Envelopes
5 DAHDSR Envelopes
An advanced sound engine needs plenty of modulation sources. The 6-stage envelopes feature Delay, Attack, Hold, Decay, Sustain, and Release stages.
The durations of the ADR stages can be set to seconds or subdivisions of the tempo, giving you envelopes that play in sync to your song.
In fact, you can also loop the envelopes, which turns them into LFOs that can be shaped by any source in the modulation matrix.
Each envelope can be triggered by up to four different sources, and there's a Tap Trigger option too.
And now the envelopes can be quantized to different step levels as of version 2.0. Bit reduction strikes again!

Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user-definable Modulation matrix slots, there are plenty of ways to use the 35 modulation sources and 191 modulation destinations. Almost everything in the synth engine can be a modulation destination, including the effects and arpeggiator. The modulation routes themselves can also become modulation destinations, and can be targeted by the Macros too. Modulation sources & destinations include the CV Mod Out jacks as well as all 128 MIDI CCs. There are some hard-wired modulation routes located in other modules too. This means you don't have to burn up one of the 32 mod routes in the Modulation matrix to do certain basic functions.

Arpeggiator
The arpeggiator has all the standard arpeggio directions plus a few twists (up, down, and/or sideways, sort of). There's also a built-in phrase mode, and version 2.0 adds new features like Step Offset and increases the range to 6 octaves. Parameters like RATCHET and CHANCE will generate other semi-random rhythmic patterns to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator. Imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time! It boggles the mind.

Notes: An interesting creative approach to programming and performing with MIDI instruments, the NGEN allows you to generate 16 tracks based on algorithmic and generative principles. Create sequences, then tweak and manipulate in real time.

Supplier's Notes:
NGEN is a unique 16-track MIDI sequencer designed in Sao Paulo / Brazil that lets you combine multiple algorithmic / generative generators and MIDI FXs to sequence multiple hardware or software MIDI instruments.

It offers a completely new way of creating and performing music by abstracting the composition process. Instead of writing sequences from scratch, NGEN lets you quickly generate a new sequence for your drums, basslines, melodies, and chord progressions with a push of a button.

NGEN includes classic Spektro Audio generators (ACDGEN and Polyform), completely new algorithmic generators (Drumgen, Samba, Arper, MARP, Pop, Turing, Shuffler), and practical generators (Input Sequencer, MIDI Player, Thru).

Each generator features an unique algorithm that combines different composition techniques with randomness so each generated sequence is unique.

After generating a sequence, you can tweak it in real time using the parameters available for each of the generators. Take things even further by applying MIDI FXs such as Chord or Glitch to your sequences.

All tracks in NGEN follow the same key and scale so it's easier to get multiple sequences that work well with each other.

Quickly save and restore your creations using patterns and projects stored in the microSD card.

NGEN's design is primarily focused on live performance so it features a 1.3" OLED screen, a minimalistic and easy to read interface, mechanical switches (Gateron Green), shortcuts for accessing different features, per track Program Change selector and auto-variation, extensive MIDI CC implementation, and a Performance mode for controlling up to 4 parameters at the same time.

NGEN also includes a variety of tools to let you explore this world of algorithmic sequencing such as assignable CV outputs, a built-in MIDI monitor, different clock generators, and much more.

Generators

ARPER- Algorithmic arpeggiator with real time controls
ACDGEN- Design to generate basslines and melodies using 8 different algorithms.
DRUMGEN- Generate drum patterns based on 3D probability templates based on different genres.
INPUT SEQ- Record incoming MIDI notes into a step sequencer then adjust transposition, density, and direction in real time.
MARP- Unique and experimental polyrhythmic arpeggiator.
MIDI PLAYER- Playback .mid files stored in the microSD card (1 track, up to 128 events).
POP- Generate chord progressions and control how they're played.
SAMBA- Percussive generator based on a 4-part euclidean sequencer.
SHUFFLER- Sequence and rearrange sliced loops (in a software or hardware sampler).
THRU- Modify sequences coming from other tracks or an external MIDI generator.
TURING- Generative generator based on a lockable 16-bit shift register (inspired by Music Thing's Turing Machine).

Hardware

USB-C
MIDI via USB or 3.5mm (Type A)
1.3" OLED Display
Internal Storage
microSD Storage
Mechanical Switches (Gateron Green)
4 CV Outputs (0-3V)
I2C via 3.5mm (for future development)
Carbon Steel case (1.5mm)
High Quality 3M Polycarbonate Label

Specs

Product Weight: 650g
Product Size: 155 x 105 x 50 mm
Product Box Size: 18 x 13.5 x 9 cm
Shipping Box Size: 22 x 16 x 12 cm
Shipping Weight: 750g

Notes: Based on the ADDAC501 Complex Random module, the 511 expands the concept to become an even more powerful random/stochastic voltage generator. Four channels, all capable of being used for envelopes, modulation sources, sequencers and much more.

Supplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.

This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.

The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.

Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.

The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.

Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V

Notes: Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: Updated Atlantix module is an even better synth voice than the original Atlantis. Based on the Roland SH-101 formula, it's a monster with dual VCOs, legendary filter and built-in envelope generator. All you need for iconic analogue sounds.

Supplier's Notes:
Atlantix

Dual Oscillator Subtractive Analogue Synth Voice

It's Massive

The Atlantix is a complete analogue synth voice. It's quick to dial in huge bass or lead sounds, and easy to push it into new sonic territory. Dual VCOs, Multimode VCF, VCA with Drive, and an ADSR envelope; all of the building blocks needed to expand or start making sound in your rack. With 32 patch points and a selection of routing switches, you can remix these blocks into something all your own.

Reimagining a Reimagined Classic

The Atlantix is the highly-anticipated successor to the Intellijel Atlantis which was originally inspired by the classic Roland SH-101. Despite the SH-101's seemingly limited architecture, it produces various creative and musically useful sounds that have inspired generations of artists and countless hits. The Atlantix is just as immediate for dialling in beautifully rich bass and lead sounds. The thoughtful design, numerous additional features, and flexible patching options open up a massive amount of new sonic territory to explore as well.

The Atlantix is an analogue, complete subtractive synthesizer voice condensed into a single 42HP module. It provides all the fundamental building blocks needed to make sounds in Eurorack: VCOs, VCF, VCA, S&H, Noise, and an Envelope.

Oscillators - Advanced TZFM and Flexible Mixer

The Atlantix uses two triangle core voltage controlled oscillators (VCO) which respond in a musically pleasing way to frequency modulation. The Atlantix primary VCO (VCO A) is capable of thru-zero frequency modulation and has a dedicated amplifier for controlling FM depth (FM INDEX). The modulation oscillator (VCO B) can be used as either an LFO or VCO. The highly flexible architecture allows you to route VCO B as a modulation source or stack it as a secondary VCO all by the flick of a switch or slider. VCO B also has a bonus "spike" waveform output which is a square wave with fixed HPF, similar to the Buchla Easel. Both oscillators track very precisely over eight or more octaves.

In the mixer section, you can adjust the balance of the primary oscillator's waveforms, sub-oscillator noise, and two auxiliary inputs that are normalled to additional VCO A waveforms or VCO B waveforms. The auxiliary inputs also allow you to patch other external signals into the mix.
The second Auxiliary input has a switch that allows you to route the source between the mixer sum or directly into the VCA (post-VCF). The latter is a way to pass an unfiltered fundamental signal to the final VCA stage and then blend it with filtered audio from the VCF. This draws inspiration from the architecture of the CS-80 where a sine wave is mixed with the filtered audio to make glassy tones with some added harmonics.

Multimode Filter - From Drips to Growls

The filter section (VCF) is a discrete cascaded 4-pole multimode filter with lowpass, bandpass, highpass, and phaser (multi-notch) modes. The filter can self-oscillate which produces a very clean sine wave that also tracks 1V/Oct. The VCF has three frequency modulation sources, two of which are normalled to the external pitch and envelope and have switches for polarity.

Add Atlx for dedicated outputs from each mode.

Envelope - A Classic ADSR

The envelope section is an analogue ADSR with three timing ranges: slow, medium, and fast. It can be gated externally or via a manual gate button located in the centre of the panel. The ADSR is routed through a VCA which can be used for level or velocity control.

Modulation - Random, Feedback, and Built-in Routing

Two eight-position rotary switches allow you to select from eight different modulation sources and route them to outputs MOD X and MOD Y. Each switch also has a polarity control and an option to level shift between unipolar and bipolar operation. MOD X is normalled to VCO A frequency modulation and MOD Y is normalled to VCF frequency modulation. The dedicated outputs allow for further creative modulation patching.

Four of the Input jacks have normal switches to change your patch without the need for cables.

The analogue Sample and Hold (S&H) circuit is normalled to the white noise source and can be clocked by VCO B, an external clock source, or via the gate input for per-note synced randomization.

Atlx - Expander w/ Ring Mod (Optional) ***Sold separately ***

The Atlx expander provides 16 additional jacks to the Atlantix, including: dedicated waveform outputs for A and B oscillators, filter outputs, and a ring modulator. Atlx adds many new possibilities for self-patching, advanced routing, and connections to other modules.

Specs + Downloads

Width: 42HP
Depth: 25mm
Power: 140mA @ +12V
138mA @ -12V

Notes: The legendary Buchla 259 complex oscillator gets the officially licensed Eurorack treatment from TipTop Audio. One of the most versatile and characterful VCOs ever made, with endless cross-modulation options and wave shaping features. Iconic.

Supplier's Notes:
The 259t is the largest and most complex analogue oscillator from Don Buchla's legendary 200 modular synthesiser. The 259 originated the concept of the "Complex Oscillator" in the 1970s and has been reissued by Buchla and Tiptop Audio in Eurorack format. The module consists of two oscillators, called the Modulator and Principal, with a middle section that provides voltage control over the internal modulation paths between the two oscillators, resulting in highly complex timbres. Additionally, the principal oscillator passes through multiple unique voltage-controlled waveshapers and crossfaders for further signal processing. The module's pitch can be controlled with 1V/OCT or via its internal auto-tuner and ART control to create precisely pitched notes.

Notes: Keyboard version of Akai's iconic MPC workstation, combining the classic MPC sampling and sequencing approach with 16 pads and a 37-note synth keybed. A superb all-rounder for any production style.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.


Supplier's Notes:
Introducing the Akai Professional MPC Key 37; a standalone keyboard workstation that has everything you need to produce music out of the box. The iconic MPC range has been the centrepiece of beatmakers' and producers' studios for over three decades, evolving into a production platform that combines sampling, sequencing and synthesis into a lightning-fast workflow that keeps you focused on your music. MPC Key 37 brings together the familiar 16 pad grid together with a synth-styled 37 note keybed; along with legendary MPC sounds and instruments, and all the connectivity you need to integrate with your outboard gear and computer - in a compact footprint.

Sound

MPC Key 37 ships with a core collection of sounds and samples from Akai MPC's industry standard plug-ins.

There are 8 plug-in instruments out of the box: including Hype, Odyssey, Mellotron and more; and over 10GB of production ready samples and drum kits. Together these offer over 1000 production-ready presets and if you want to dive deeper each plug-in instrument features advanced synthesis, deep parameter editing, and effects for programming in the exact sound you need. With 32GB of internal storage (plus removable media via SD Card and USB) there is enough space to expand your sample and instrument library in whatever direction you need to take it.

Effects

MPC Key 37 includes over 100 powerful studio-quality effects for creative production and mixing.

Insert lush Reverb & Delay effects into your tracks, add bounce and punch to your drums and mix using modern or vintage style compressors and limiters. MPC Key 37 also ships with cutting edge vocal FX plugins which can also be used for straight vocals or creative sound design.

Control surface

The MPC Key 37 features a synth action key-bed with aftertouch, alongside separate pitch and modulation wheels. The synth-style keyboard action has been designed with players and producers in mind; whether tracking basslines into your productions or jamming out synth leads on stage. The 16-velocity sensitive RGB pads are the same award-winning pads as the MPC One+, along with the renowned Time Correct, Swing, and Quantize features of MPC that continue to inspire producers at the top of the industry. Tweaking and editing take place on the 7' multi-touch display and 5 Q-link rotary encoders, giving you fine control as well as quick access to the parameters you need at your fingertips.

Connectivity

MPC Key 37 can also act as a hub for your outboard gear: Connect MIDI devices via USB or using the MIDI DIN In/Out ports; and integrate with modular rigs with the 8 CV/Gate outs. Onboard WiFi/Bluetooth allows for wireless synchronization with Ableton Link and MPC OS Updates, and the SD Card Reader allows for volumes of expandable sounds and tracks.

DAW Integration

MPC Key 37 features a built in 2-in 2-out USB audio/MIDI interface, so you can record audio and MIDI directly in and out of your computer. The included MPC software is a standalone DAW on your Mac or PC, so you get all the tactility and control of the hardware, but with as many tracks as your computer can handle. MPC software also comes as a VST/AU plug-in so you can open it in major DAWs such as FL Studio, Logic, Ableton, Pro Tools, Studio One and more, and combine your favourite workflows.

Notes: Desktop module version of Intellijel's popular Metropolix sequencer, one of the best options for generating and performing melodies and patterns via MIDI or CV.

Supplier's Notes:
The Metropolix Solo is a unique and powerful desktop multitrack MIDI and CV musical sequencer. With an abundance of hands-on, tactile controls and a wealth of internal and external modulation possibilities, you can quickly and easily create infectious sequences.

Even the simplest melody can be brought to life with seemingly endless options to create variations or real-time manipulations. In the studio or in a live performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

CV and MIDI Sequencing on your desktop

Intellijel have set Metropolix free from the rack, in a small desktop case, allowing you to interface with your DAW or other hardware music machines without needing a full eurorack system.

Connections

Metropolix Solo has all the connections you need for USB MIDI, Serial MIDI (TRS or DIN with Adaptors) and CV/GATE for modular systems. Use CV/Gate, TRS and USB MIDI all at the same time.

Top Panel (CV/Gate)
A/B Assignable CV Outputs
X/Y/Z CV Modulation Inputs
CLK Sync and Reset Input
CLK Sync Output
Track 1 and 2 Pitch and Gate
Rear Panel (MIDI/Power)
MIDI TRS: In / Out / Thru
MIDI USB-C
2.1mm DC for Power Supply

Let's talk about Metropolix

Performance Controls

Metropolix is an interactive sequencer optimized for live performance, jamming, and improvisation i with configurable, hands-on control of all the most essential performance parameters. Sequences transform and mutate with just the twist of a knob; a flick of a switch; a nudge of a slider; or an injection of CV. With Metropolix, your music is as dynamic and evolving as your imagination.

Two Tracks, Interconnected

Two tracks (TRK 1 and TRK 2) are variants of a main pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the main sequence in a variety of ways i creating complementary variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme).

Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, both tracks have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV/CC lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

The Accumulator

Automate pitch movements on a per-track or per-stage basis. Use various trigger types and increments to control variation on your tracks.

Eight Modulation Lanes

Eight Separate modulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs, MIDI CC, and dozens of internal destinations, allowing for sophisticated and powerful self-modulation.

Three AUX Inputs and Two CTRL Knobs

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

100 User Defined Scales

Design and modulate between your own custom scales and root note.

Modulate BPM

Use the CTRL Knobs, AUX Inputs, or Mod Lanes to modulate the BPM of your track and the clock outputs of the Metropolix.

Loopy - Performance Looping

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

64 Total Recall Presets & Preset Chaining

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored on the module, ensuring that your Metropolix will always power up exactly as you left it i even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

Chain Presets to go hands free while you twiddle other knobs on your synth.

Specs

Width: 34HP
Solo Kit Only: Metropolix Solo Enclosure
USB-MINI-MINI internal connection cable
MIDI to 3.5mm TRS (A) Adaptor
15V/0.4A AC Adaptor (Euro/American prongs included)

Height: 66mm (from rubber foot to top of knobs)
Width: 175mm
Depth: 140mm (front to rear jacks).
Power: 15V DC/0.4 A (minimum) center-pin-positive.

Notes: Exceptionally versatile four-channel rotary mixer at a very reasonable price. Twelve inputs, three-band EQ, assignable multi-mode filter, isolator and assignable crossfader. Ultra flexible.

Supplier's Notes:
Omnitronic TRM-422: the rotary mixer on a new level

The desired child- Omnitronic's popular TRM series has been expanded: the TRM-422 combines all the proven features of the previous models, but additionally offers functions that numerous fans had wished for. During the development of the mixer, the focus was on the demands and suggestions of the community.

Full control- Each of the 4 input channels has 2 line inputs, one of which can become a phono input at the touch of a button. The channels are each equipped with a volume as well as a gain control. In addition to the master isolator (bass, mid & high), the DJ has the option to activate a filter with HPF, BPF, LPF, resonance and sweep controls in each of the 4 input channels.

The master output is available to the DJ in both XLR and RCA versions.

Effect ways- The use of external effect devices is possible through an FX-In and FX-Out via 6.3 mm jack. The mixer's master insert is also equipped with a send & return (unbalanced) path. This allows additional external effects to be looped into the mixer.

DVS integration- The mixer's timecode outputs allow easy integration of a DVS system (Digital Vinyl System) such as Traktor or Serato.

Monitor section- The booth output of the TRM-422 is provided with one XLR and one RCA connector. The signal of the booth output can be easily adjusted to the conditions in the DJ booth with the help of an EQ (High & Low).

Microphone inputs- The TRM-422 offers 2 microphone inputs. The first mic input gives the DJ the ability to modify the mic signal with EQ (high & low).

Backup source- With the help of the AUX input on the front panel, players such as smartphones, tablets or MP3 players can easily be connected via mini-jack (3.5 mm) and thus serve as a backup solution.

Activatable crossfader- If you don't want to do without a crossfader during your DJ set, you have the option to assign each of the 4 channels to the integrated crossfader. If the crossfader is not used, it can easily be switched off.

Set recording- The RCA record-out makes it easy to record your own DJ set.

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 24 W
Protection class: Class I
Power connection: Mains input IEC connector (M) mounting version Power supply cord with safety plug (provided)
Frequency range: Microphone 20 - 20000 Hz, Line 20 - 20000 Hz, Phono 40 - 18000 Hz
S/N ratio: >97,2 dB line, >91,7 dB Microphone
THD: Line <0,04 % at 1 kHz, Phono <0,13 % at 1 kHz, Microphone <0,008 % at 1 kHz
Gain: Microphone 44 dB, Line -16,5 dB to +8,5 dB Phono -48,5 dB to +23,5 dB
Isolators: Master Gain:- ? bis +9, Low/mid 300 Hz, 18db/oct , Butterworth, Mid/high 4000 Hz, 18db/oct , Butterworth
Crosstalk: >-68 dB
Control elements: Power switch, source selector, Crossfader, Crossfader selector switch, Crossfade curve switch; Cue mix split function, EQ controls

Connections
Input: 4 x line via stereo RCA
Input: 4 x line/phono via stereo RCA
Input: 2 x Microphone via 3-pin XLR
Output: 1 x headphones via 6.3 mm jack socket (stereo) mounting version
Output: 1 x headphones via 3.5 mm jack (stereo) mounting version
Output: 1 x rec. via stereo RCA
Output: 2 x booth via 3-pin XLR
Output: 1 x booth via stereo RCA
Output: 2 x master via 3-pin XLR
Output: 1 x master via stereo RCA
Output: 1 x AUX sends via 6.3 mm jack socket (stereo) mounting version
Output: 1 x AUX returns via 6.3 mm jack socket (stereo) mounting version

Channels:
Input chanel: 4 x stereo with Line-Line/Phono switch via RCA, channel control via Rotary, 3-band tone control EQ, source selector, gain control, CUE switch, FX routing switch, Crossfader selector switch,
Microphon chanal: 2 x mono via XLR, channel control via Rotary dial, ON AIR switch

Master output: 2 x stereo via XLR, channel control via Rotary
Booth output: 2 x stereo via XLR, channel control via Rotary
Rec. output: 1 x stereo via RCA
Headphones output: 1 x stereo via Plug 6,3mm/3,5mm (Jack), channel control via Rotary dial, Cue mix split function,
Max. level: Output: +18 dBu
Material: Metal
Housing design: Desktop console housing
Dimensions: Width: 41 cm, Depth: 28,5 cm, Height: 10,5 cm
Weight: 5,74 kg

Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.

Notes: One of the most eagerly anticipated new releases in recent years, the T-1 is a powerful 16-track sequencer with countless features aiming to streamline creativity, from melody generation to Euclidean rhythms.

Supplier's Notes:
Not your average sequencer
A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music
Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument
The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.
Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.
CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing
FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything
The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob
Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.
Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals
What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing
The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.
Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: Introducing the DJ Control Inpulse T7 White Edition, the latest release from Hercules DJ following the success of the Inpulse range and the DJ Control Inpulse T7.

Designed with precision and elegance, this model is perfect for both seasoned DJs and beginners. Experience unparalleled control and creativity with features that cater specifically to your artistic needs, like the FX section, the Stems functionalities and so much more.

Whether you are performing at a club, a party, or honing your skills at home, the DJControl Inpulse T7 White Edition transforms your music and elevates your performances. Discover the future of DJing with a controller that combines innovation with timeless style.

Product weight : 11 lb / 5 kg
Product dimensions (W x D x H) : 25.7 x 13.8 x 3.5" / 65.2 x 35 x 9 cm
Master outputs for speakers : 2 x XLR + 2 x RCA
Diameter of jog wheels : 7 inches / 17.8 cm
Headphones outputs : 1/8" / 3.5 mm stereo mini-jack + 1/4" / 6.35 mm stereo jack
Audio resolution : 44.1 kHz / 24-bit
Motorized platters : 33 1/3 RPM motorized metal platters for 7" discs (can switch to 45 RPM in Serato DJ Pro)
Computer interface : USB
Included software : Serato DJ Lite, DJUCED

Notes: Latest version of an interface that's become a modern classic. Up to 18 audio inputs and 22 outputs in total, spread over a mixture of analogue and digital connections. A true all-rounder that's hard to beat.

Supplier's Notes:
The MOTU UltraLite-mk5 is the latest incarnation of the best-selling UltraLite series (replacing the UltraLite-mk4). It takes the winning formula of the half-rack form factor with 18 in x 22 out analog and digital I/O and adds state-of-the-art enhancements at the same great price :

Best-in-class Audio Quality - the UltraLite-mk5 includes renowned ESS Sabre32 DAC technology, featuring the ES9026PRO DAC, to deliver 125dB dynamic range and -114 dB THD+N.

Ultra-low Latency - optimised Drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW the UltraLite-mk5 delivers an astonishing round-trip latency of 2.4ms (at 96kHz with a 32-sample host buffer

New Design - while retaining the same front and back panel layout as its predecessors the UltraLite-mk5 has a sleek new look, incorporating a high-resolution, high-contrast white OLED display providing precision metering for all analog inputs and outputs, along with digital I/O activity indicators and status info

Connectivity and Compatibility- the UltraLite-mk5 has a USB-C connector and is also class-compliant for operation with iOS devices. It is also compatible with MacOS 11 Big Sur and M1 Macs

New Software and Simplified Monitoring - live monitoring of inputs is controlled via the new CueMix 5 software

Rack-mount options - a half-rack mounting kit (sold separately) allows the steel-encased UltraLite-mk5 to be rack-mounted with thick steel brackets to withstand the punishment of touring. Alternatively, two UltraLite-mk5 units can be joined together with a Half-rack Coupler Kit (sold separately)

Technical Specifications:

Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
Mic/line/guitar inputs: 2 x XLR/TRS "combo" jacks, 1 MO impedance on the line/instr inputs
Analog inputs: 6 x 1/4" TRS line in (balanced)
Analog outputs: 10 x 1/4" TRS line out (balanced, DC coupled)

Digital I/O:
1 bank (8 ch) of ADAT optical at 1x sample rates
1 bank (4 ch) of SMUX optical at 2x sample rates
Switchable to stereo TOSLink (optical S/PDIF)
1 x stereo S/PDIF on RCA (up to 96 kHz)

Computer I/O:
1 x USB-C 2.0 audio class compliant
Compatible with USB Type A (with adapter or C-to-A cable)

Total audio I/O:
18 in / 22 out (40 total) at 1x sample rates
14 in / 18 out (32 total) at 2x sample rates
8 in / 12 out (20 total) at 4x sample rates

MIDI I/O:
1 x MIDI IN
1 x MIDI OUT
16 MIDI channels to/from computer host

Headphone: 1 x 1/4" TRS stereo phone
Phantom power: 2 x individual +48V

Front panel:
2 x XLR/TRS combo inputs
1 x 1/4" TRS headphone output
1 x potentiometer - phone/monitor vol
2 x potentiometer - mic/instr input gain
4 x switches - (2) 48V and (2) pad
1x high-resolution white OLED display for metering/status
Power: External 12-18V DC power supply - 1.0A max - tip pos or neg

Dimensions and weight: (width x depth x height, enclosure only)
8.6 x 6.9 x 1.75 inches
22 x 17.5 x 4.5 cm
2.875 lbs / 1.31 kg

Notes: Pink version of Soma's excellent Lyra-8. Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier's Notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Ultra-characterful 80s grit from this unique stereo delay. The BIM's 12-bit circuitry gives all that vintage colour with modern features like perfect stereo balance, MIDI control and tap tempo.

Supplier notes:
BIM is a 12-bit stereo delay unit inspired by some studio delay processors built in the early 80s. These monophonic processors have been renowned for the quality and musicality of their sound. The processing was mainly analog (companders, limiters, low-pass filters, feedback path,...), and the signal was converted to digital just for the delay section, using 12-bit AD/DA converters and some RAM memory chips.

The advantage of this technology is particularly obvious when the sound is feedbacked many times through the whole analog and 12-bit circuitry. You'll hear a sweet degradation and dark damping that the 100% digital delay boxes can't offer. BIM was designed with the purpose of creating a unique, modern and versatile effects processor based on this 80's technology.

The sound of an old 12-bit digital delay has been mixed with modern features such as stereo processing, extra FXs, many user presets, MIDI control, tap tempo, compact size- therefore BIM is the best of both worlds!

BIM is the perfect companion for the musician, producer, sound engineer or live performer who is looking for a unique, warm and musical delay processor.