Review: Two rare instrumental covers of the 1969 classic 'Spinning Wheel' by Blood, Sweat & Tears. Produced by the legendary Lee "Scratch" Perry in 1970, these were first released on the highly exclusive Spinning Wheel label, and, as the label name suggests, both tracks are fortuitous roulettes encircling dusty instrumental dub. It also happens to be the first ever release on Harlem Shuffle, marking the start of a small, pantherine catalogue. For the rather fast brachiations of 'Haunted House' - a poltergeist of a track, fettered to the weathered-down needle nib on our own turntable, causing psychokinetic rotary reactions - and the bicyclic, two tone dub reinvention 'Double Wheel', these tracks showcase Perry's technologising approach to dubbing, prioritising energy above all. Fitting for Perry's lifelong kinghood over dub music at large, the subgeneric name was, of course, baptised "boss reggae".
Can't Keep A Good Man Down (feat Cornell Campbell)
Original Ganja Man (feat Linval Thompson)
Travelling Man (feat Chezidek)
Rootsman Party
Wheep Dem Jah Jah (feat Eek A Mouse)
Labba Labba (Mouth) (feat Naggo Morris)
Bad Mind (feat Sugar Minott)
Ruff Ina Dis Ya Time (feat Al Campbell)
Review: Reggae legend U Brown returns with a powerful new album, a testament to his enduring legacy and unwavering commitment to roots music. The offering showcases U Brown's inimitable voice and socially conscious lyrics, addressing contemporary issues with wisdom and conviction. Backed by a stellar cast of musicians, including the Roots Radics and Irie Ites All Stars, the album delivers a potent dose of classic reggae sounds, reminiscent of 70s roots albums. Guest appearances from reggae luminaries like Eek A Mouse, Cornell Campbell, and Frankie Paul add further depth and excitement to this already impressive collection. With its infectious rhythms, conscious lyrics, and masterful production, 'Still Chanting Rub A Dub' is a must-have for any fan of roots reggae and dub.
Review: In the 1970s, UK reggae band The Cimarons were an in-demand backing act who worked with then-iconic Jamaican artists like the Wailers and Jimmy Cliff. During a 1975 tour of Japan with the Pioneers, they found time to hook up with guitarist and vocalist Toshikatsu Uchiumi of the rock band The Carol. This is the result - a fusion of different reggae perspectives that also folds in mid-70s Japanese rock and blues, with Uchiumi singing in Japanese and contributing lead guitar. Produced by Sidney Crooks, this one-off release showed how adaptable and brilliant the The Cimarons' were and has a broad appeal to fans of both reggae and rock.
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