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Back catalogue: All genres
Juno's full catalogue of All genres
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Review: Detroit godfather Juan Atkins and Berlin techno legend Moritz Von Oswald return as Borderland, one of several collaborations since 1992 and following up their 2016 album for Tresor: the Transport LP which again consolidated both respective artist's solid studio experience, honed over the last 30 years. The funky, slightly bumpin' and absolutely addictive hi-tech soul of "Concave 1" will have you grooving away on a late night dancefloor in Berlin or beyond with its evocative and life affirming vibes. On the flip "Concave 2" further explores their studio refined sequences on this heady and hypnotic journey full of woozy arpeggios, steely rhythms and dubby bass frequencies.
… Read more in stock $11.34
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Review: B 2DEP'T were a curio of the early wave of techno in Japan in the 90s, releasing a handful of cassettes and mini-albums but remaining a cult concern rather than breaking through to major success. For those in the know, their productions were way ahead of their time, and Junki Inoue seems absolutely hip to this as he signs them up for a release on his archival label Saisei. If you enjoy the boundaryless exploration of the early techno boom and prefer brightly melodic motifs to match, you'll love this record. It's brimming with oddball personality and it's more than punchy enough to cut it with modern club fare.
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Review: They don't call him Bay Boy for nothing - Bad Boy Pete is indeed that and shows it here with four fierce cuts of blazing techno for grotty, strobe-lit warehouses. Kicking off this wild and in your face ride of anarchistic bangers is the unrelenting 'Is That All You Got?' with its manic saw tooth synths spraying about over hard, edgy drums. 'What Shall We Say' is another one that fires out of the speakers with some menacing leeds and kinetic drum funk, 'Filthy Dark Bass Techno' then hammers it home with more hundred mile an hour drums and 'Morning Warehouse Techno' is pure sleaze and filth. Brilliant.
… Read morePlayed by: Dj Hellraiser
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Review: Two sides of mega-minimal, textural minimal and a dash of drone here, shared equally between friends Bastian Balders and Anton Kubikov. The producers bring a sophistication to the tech, reflecting the huge variation in the emotions they indulge. Something between ecstasy and horror is heard on Balders' 'Machinery', while Kubikov's 'Introland' is comparatively hopeful and tearjerking, with its delayed piano refractions and filtery-in-and-out strings.
… Read morePlayed by: Replika | Common Mode, Philippe Petit
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Review: French purveyors of the dance, Baraka, do neat justice to their name (you should make a priority of seeing the psychedelic-trip-of-a-film, the label's namesake, if you haven't already) with a fresh four-tracker in the realm of cheeky, aquatic trance-dance. Summoning four local producer/DJ entities for remix duties, two per side, this is a high-concept, well-executed EP drawing on both Apollo-era electrance and tribal geometry tunnel-dives. Von Riu's closing tune is our highlight.
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Cat: RMCE 017. Rel: 08 Oct 21
Techno
in stock $12.72
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Review: Speicher 125 is the upcoming split EP by German producers and DJs Barnt and Michael Mayer, forming part of the Speicher series, one of Kompakt's many V/A serials. This is music for peaktime dancefloor servicing; 'Teller' and 'Duration' are minimal, intense hooverers, reminiscent of later DJ Koze tracks and/or film soundtrack techno. The B, too, comes in true Barnt style, throwing organic bells and knocks into a beguiling mix.
… Read more in stock $13.00
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Review: Bashman is something of a Glasgow legend to those who know and after some stellar outings on Tom Carruthers' Non Stop Rhythm and Data Sync labels, he is back with more techno power. 'Corker' is a frenzied and caustic assault with unrelenting percussive hardness and 'I Want It' then pairs things back a little for some jumbled 909s and buzzy synth pressure, but the standout is the impish synths that dart about the mix. 'Gimme' then goes hard and raw again with eye-wateringly stark sounds and textures and 'Opening Hour' ends with a gurgling, swampy mix of messed-up drums and synths.
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Review: Basic Bastard is one of the more humorous aliases ascribed to dance music household name Orlando Voorn - it's one of almost twenty. Most releases that have come out under the name have included dark surrealist themes, homing in on everything between hard techno to the self-styled genre of techno-soul. Usually optimistic, this music tends to appeal to the basic bastard in all of us; 'Engine' and 'Rise' are an essentially funky pair of tracks, the sonic equivalent of well-worn dancing shoes. The best bits here are the original 'Rise (Detroit Dub)' and the dubbed-out version of 'Engine'.
… Read morePlayed by: Ney Faustini
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Review: Planet Rhythm bring a high-energy, percussion-driven EP from this hot new Brazilian producer. Side-1 launches with 'Latin Hot Sauce', a tribal-infused, mysterious techno cut that rides on rolling drums and deep, hypnotic grooves. 'Small Talk' follows with relentless, loopy energyidriving, hard-hitting and built for peak-time chaos. On Side-2, 'Locking Collar' dives into darker territory with subterranean bass and pounding beats, creating some heady atmosphere. Closing things out, 'Overcharged' brings a playful, high-voltage energy, balancing intensity with a sense of movement that keeps dancefloors locked in. A dynamic ride through modern techno's heavier side, built for DJs who thrive on pushing momentum forward.
… Read more in stock $14.38
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Review: 'OHM Series #11' presents a vibrant mix of techno with contributions from four talented producers, adding depth to the ongoing series. On Side-1, Christine Benz's 'Sunset' opens with warm, enveloping chords, creating a serene atmosphere that feels like a sunset on a tropical island. Following that, Brizman's 'As We Should', featuring Linn, shifts the tone with a lighter, dub-infused house sound, perfect for a more relaxed vibe. Side-2 kicks off with Hidden Sequence's 'Dub Cycle', a darker, more ominous track, weaving catchy dub techno rhythms that pull you in. Finally, Martin Jarl's '02_37 AM' brings a smooth, ambient dub feel with a traditional techno edge. This airy composition evokes the timeless sounds and reminds us of Model 500's Starlight. This edition of OHM Series showcases diverse approaches to dub techno, balancing the atmospheric with the rhythmic - and all delivered with precision.
… Read morePlayed by: Owain Kimber (Owain K), Robert Drewek
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Review: Dutch label Brew returns with more moody techno that is both deep yet impactful. It's Robert Bergman at the helm and '3 AM' is his opening gambit. It has ghostly voices shimmering across the beats with a menacing low end, rugged bassline and scaring percussive sounds. '#5' is another fresh sound with great sound designs and alluring rhythms and last of all is 'Drum Trax' which is a third and final blend of nostalgic and futuristic house tropes for heady basements.
… Read morePlayed by: ISOUL8 (Volcov), Ney Faustini
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Review: Henri Bergmann and Wennink's Guardian Angel marks an impressive debut on Crosstown Rebels, delivering a track that expertly fuses melody with depth. Bergmann's knack for sculpting rich, atmospheric landscapes is matched by Wennink's haunting vocals, creating a piece that feels both expansive and intimate. It's the kind of collaboration that hints at a shared vision without ever losing individual identity. The original track opens with textured percussion, slowly unfurling into an emotive soundscape as Wennink's vocals hover above like an ethereal guide. There's a melancholic undertone, but it's balanced by an uplifting drive, showcasing their ability to blend light and dark seamlessly. The remixes take Guardian Angel into uncharted territories. Stimming strips things back, opting for a more minimalist approach that sharpens the focus on rhythmic intensity, while his subtle use of effects amplifies the track's ethereal quality. It's a remix that feels lean but still full of intent. Hardt Antoine, on the other hand, plunges deeper into the shadows, pushing the bassline forward and letting synths stretch into eerie, sci-fi realms. His reworking is darker, stranger, and ultimately a satisfying close to the EP. With this release, Bergmann and Wennink add another strong entry to the Crosstown Rebels roster, proving that their partnership is one to keep watching.
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Review: Interplugreaction is a track from Beroshima's 2007 album Real To Reel, but it's wasn't until 2023 that we (now get to) hear the cream of its reinterpretations. If only every track in the world could hear a remix from the likes of Marcel Dettman and Rodhad! Perhaps this calls for an entirely new industry - in fact, let's lock the artists in a room just so they can churn out the music and nothing else. Actually, a whopping four techno heavyweights (also including Frank Muller and Henning Baer) to reinterpret the classic track, with the new mixes ranging from stuffy and oppressive to airy and stark. Certainly not one to miss.
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Review: Given that legendary London DJ Steve Bicknell was one of the earliest champions of "proper techno" in the UK, it's been heartening to see his recent renaissance. Renewed interest in his 1990 productions has allowed him to issue a string of previously unheard gems from the vaults. Awakening The Past takes this approach, too, serving up a trio of previously unreleased gems from 1998 - the wonderfully trippy, late night techno loop jam "Physical Life", ragged acid workout "Natural Vibrations" and even more psychedelic "Fearing The Mind's Fears" - and a cut recorded earlier this year in Berlin. Interestingly, the latter - an intense, bleeping, modular-sounding slammer entitled "Conscious Awakening" - sounds like it could have been recovered from the same dusty DAT as the other tracks, despite being 100% new.
… Read morePlayed by: [email protected], Kessell
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Review: Steve Bicknell does not muck about on this one. The 25 year techno veteran is a UK mainstay but somehow often rather slips under the radar. Sure, he had a few years away from 2005 to 2013, but he has rarely made a misstep since for fans of hard, dense techno. After EPs on Ostgut Ton and highly touted collabs with Function and Luke Slater as LSD, he's back on his own 6dimensions with an EP that you may have already heard DJ Nobu and Jeff Mills playing in recent sets. Three of the cuts pack a visceral punch, with hammering drums and walls of sheet metal synths and frazzled percussion applying huge amounts of dance floor pressure. Our pick of the bunch: hypnotic and stripped back closer "Undue Identification".
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Review: With this latest hyper-abstract club release, Italian-born, London-based producer Big Hands straddles an impressive range from chthonic sound design to readily lock-innable grooves. Named after the Roman equivalent of Dionysus, the god of fervour, celebration, and debauchery among other vices, 'Bacchanalia I' and its three inversions touch on furrows dug between dub techno, dubstep and brutalist techno no man's lands and they grow in intensity with each passing track. By the time of our tricky and energetic favourite, 'Bachannalia III', us bacchanals find ourselves raising a blood-filled chalice, haemoglobin spilling about the place.
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Review: Billus is a new name to be emerging from the Melbourne scene and here he shows his mastery of groove and percussion. There is a real lightness of touch to the breakbeats of the opener 'Cubic'. They mean you instantly take flight and drift through the skies next to pillow melodic clouds that cast your mind adrift. It's deliciously deep and colourful stuff. 'Shifting Sands' is another mix of suspensory chords that pan all around and bubbling, percussive drums that are hard to define. 'Splay' sinks into a watery world of dubby chords and skeletal but compelling beats and 'Under The Canopy is melodic minimalism of the highest order.
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Review: Billy Nightmare, aka "Mystic Bill" Torres, grew up in Miami and spent much of his life involved in various parts of the music industry, but he's hardly seen good recognition for his work until now. Following its re-cropping-up online in late 2018 (the album was thrown up on the net by the artist himself) Sounds Records have ridden the wave of revived interest in the 'Reality Check' EP with a new vinyl reissue. Dreamy and industrial, we're nicely jostled by this one's cold sonic waves.
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Review: With an extensive legacy and a list of alter egos longer than your arm, Martin Damm aka Biochip C achieves a delicate balancing act on this 11 year old record, a handful of extras copies of which were recently unearthed in what can only be described as a highly fortunate 'warehouse find'. He pulls off a delicate balancing act here, letting the abrasive, industrial punk rock side of his music off the leash to frolic unhindered, while never losing sight of the needs of dancefloor and its needs across the six tracks. Highlights? Well, the title track's speedy electrofunk is highly addictive, 'Eraser' has a driving, chunky techno edge that fans of Force Inc will love, while the double dub speed grooves of 'Knobgine' and 'Liquid Silence' are forces of nature in themselves.
… Read more in stock $11.62
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Cat: DN 018. Rel: 17 Feb 25
Techno
Review: The Birgan project is all about melding diverse musical words - ambient, techno and Afro-inspired polyrhythms - into something that is utterly unique. Many artists set out with this intention but few achieve it as successfully as this one, as this sensational EP shows. It is an immersive and escapist five-track work of stunning sound designs and inventive rhythm that feels both organic and natural yet synthetic and futuristic. The tracks explore deep, mysterious sonic landscapes that are both tranquil yet complex and make for an immersive, thought-provoking listen from the dubscapes of 'Beats Of The Congo Cosmos' to the more psychedelic realms of 'Subaquatic Sonic Voyage'.
… Read morePlayed by: Juno Recommends Techno
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Review: We shall never apologise for our love for the work of Steve O'Sullivan. His contributions to the world of dub techno are second to none. They are also mad consistent both in style and quality which means they never age. Here he steps up to Lempuyang with his Blue Channel alias alongside Jonas Schachner aka Another Channel for more silky smooth fusions of authentic dub culture and Maurizo-style techno deepness. Watery synths, hissing hi-hats with long trails and dub musings all colour these dynamic grooves. They're cavernous and immersive and frankly irresistible and the sort of tracks that need to be played loud in a dark space. In that context, you'll never want them to end.
… Read morePlayed by: Juno Recommends Techno
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Review: Blue Hour shows a different look with this new outing on Arsenik as he delves into some deep and driving dub techno realms. 'Trekia' opens up and is a kinetic melange of prickly percussion and slamming drums with plenty of smeared and smudged chords and refuel synth leads. 'Osirus' has a sense of menace and unease in the grinding chord work and unsettled hi-hats which are off-grid and edgy. 'Atoll' strips things back with some smooth drums driving onward beneath melodic chords that bring a celestial feel. 'Triton' shuts down with a classic Detroit techno sound that keeps you on your toes.
… Read more in stock $14.66
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