Review: 'Connection' feels more direct in emotion than some of The Maghreban's early works, sonically encapsulating an up-close and personal feel that reflects the personal qualities of the artist (Ayman Rostom), and his East African and Middle Eastern roots, more than anything else. I was becoming more comfortable with connection whilst making it, rather than keeping to myself.More driven by drum-machine loops, and the cinematic mysteries one can fit around it, it's also got features from rapper Nah Eeto and singer Abdullah Miniawy, painting a smokey, dark and modal-jazzy picture of (a haunted) house.
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