Review: In 1991, A Tribe Called Quest released The Low End Theory, a groundbreaking album that solidified their status as hip-hop legends. Building on the jazz-infused sound of their debut, the album featured sparse grooves and expertly chosen bass samples, with jazz bassist Ron Carter contributing to 'Verses from the Abstract.' DJ Ali Shaheed Muhammad's minimalistic approach allowed Q-Tip and Phife Dawg's lyrical prowess to shine, showcasing their clever wordplay, humor, and social commentary. Tracks like 'Butter' and 'The Infamous Date Rape' addressed misogyny, while 'Rap Promoter' and 'Show Business' critiqued the music industry. The album's production is consistently smooth, with standout tracks such as 'Check The Rhime' and 'Jazz (We've Got).' The posse cut 'Scenario,' featuring Leaders of the New School, is a legendary closer. The album's influence on hip-hop is undeniable, inspiring future artists like Kendrick Lamar and Outkast. The Low End Theory remains relevant and refreshing, a testament to Tribe's creativity and unflappable style. It's a masterful blend of thought-provoking lyrics and impeccable production, making it one of the greatest hip-hop albums of all time.
Review: The hip-hop legends' fourth album, released in 1996, marked a pivotal shift in their musical journey. The production, led by The Ummahia collective including Q-Tip and the late J Dillaiintroduced a more minimalist and darker tone compared to their earlier, jazz-infused works. Tracks like '1nce Again' and 'Stressed Out' exemplify this evolution, blending introspective lyrics with innovative beats. The reissue offers a renewed appreciation for the group's willingness to experiment and evolve, highlighting a significant chapter in their discography.
Review: This two-disc compilation serves as both a tribute and a comprehensive dive into the legacy of one of hip-hop's most influential groups. A Tribe Called Quest were instrumental at the start of the 90s for helping the hip-hop genre move into more conscious lyrics that thanks to the members, took storytelling to a new level. Creating some of the most catchy tracks in hip-hop history, the group continue to grow in respect as one of the best acts in the genre of all time. With a mix of career-defining hits, rare B-sides and fresh remixes, this package is a rich exploration of their artistry. Tracks like 'Can I Kick It?', 'Electric Relaxation' and 'Scenario' stand as monuments to their enduring impact, racking up millions of streams and inspiring new generations of listeners. Previously unreleased gems 'Mr. Incognito' and 'The Night He Got Caught' feel right at home alongside anthems like 'Award Tour' and 'Bonita Applebum', highlighting the group's versatility and storytelling prowess. The inclusion of remixes, such as 'Lyrics To Go (Tumblin Dice Remix)' and 'Oh My God (Remix)', adds layers of freshness to timeless classics. The attention to detail in this collection is remarkable. Tracks like 'Jazz (We've Got)' and 'Check The Rhyme' sound revitalised, with crisp production showing their intricate melodies and sharp lyricism. From the playful narrative of 'I Left My Wallet in El Segundo' to the bold swagger of 'Buggin' Out,' every track contributes to the story of a group widely considered to be one rap's all time greats.
Review: A Tribe Called Quest's Anthology is a masterful compilation that distills the essence of their groundbreaking hip-hop career into one essential collection. Spanning from their early gems like 'Luck of Lucien' to the jazz-infused brilliance of 'The Low End Theory' and the infectious groove of 'Award Tour,' this album encapsulates the evolution and influence of the group over a decade. It's a perfect introduction for those new to their discography, capturing all the highest points of their journey. Tracks like 'Find a Way' from 'The Love Movement' and Q-Tip's solo debut 'Vivrant Thing' add depth and diversity, showcasing their enduring impact on hip-hop culture. Anthology not only celebrates their innovative sound but also highlights why A Tribe Called Quest remains a top listen for any hip-hop enthusiast.
Review: Frampton Comes Alive? Jeff Mills Live At The Liquid Room? Pah! There is only contender in the park when it comes to the best live album of all time and that's AC/DC's 1978 classic, recorded at the Glasgow Apollo and featuring their original vocalist Bon Scott. From the deft riffing of opener 'Riff Raff' - recently covered by men of the moment Black Midi - to the 12 bar frenzy of traditional closer 'Rocker' via big hitting groovers like 'Bad Boy Boogie' and 'Problem Child' and audience participation-fests like 'The Jack' and 'Whole Lotta Rosie', this is dripping in crowd atmospherics, improvised solos and big walls of riffs. Just about as great an advert for live music as ever existed.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Rock 'n' Roll Damnation (3:57)
Down Payment Blues (5:38)
Gimme A Bullet (3:21)
Riff Raff (5:13)
Sin City (4:28)
What's Next To The Moon (3:24)
Gone Shootin' (4:47)
Up To My Neck In You (4:15)
Kicked In The Teeth (3:54)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
It's 1977 and AC/DC are not-so-fresh after a spell as the support on Black Sabbath's tour. Looking for a new bassist, after a disagreement over whether to pick Manfred Mann's Colin Pattenden, the band agree on Cliff Williams, who would remain in place until 2003. Recording what became Powerage, their fifth studio album, Atlantic Records soon complained there wasn't a sellable lead single. 'Rock 'n' Roll Damnation' took form, one of the group's outliers, which comes without standard guitar solo but with maracas and hand claps. While this proved divisive among die hard fans, the album itself has gold waiting to be discovered deeper down. 'Gimme A Bullet', for example, has been cited as the finest track the late Bon Scott would write, his lyrical flair and deft metaphorical wit shining through on a tune that won't let up. This was his final LP, and tragically three years later he was no longer with us, marking an end to the group's iconic first chapter.
Review: Let There Be Rock, AC/DC's powerhouse fourth album, embodies the raw, unbridled energy that defines rock and roll. From the raw, almost Albini-like production of opener 'Go Down' onwards, the relentless drive of the title track to the riotous closing of 'Whole Lotta Rosie,' the album exudes a 'do it live' ethos. Bon Scott's raucous vocals and the band's frenetic guitars and driving rhythms push the limits of their musical abilities, resulting in a sound that's both unapologetically aggressive and irresistibly engaging. With its electrifying execution and high-octane performances, this album not only captures the essence of AC/DC but also makes a compelling case for their influence on the punk movement, landing as it did in 1977.
Review: Pink Elephant is Arcade Fire's first album since 2022's We, and it serves as a compact and cathartic return that is defined by its sense of reflection and emotional recalibration. It has been co-produced by Daniel Lanois and leans into intimate textures and moving drums with standout tracks like 'Year of the Snake' and 'Ride or Die', evoking both earnest self-examination and communal uplift. Elsewhere, there is the hypnotic 'Circle of Trust' and haunting title track, which showcase the band's ability to mix grandeur with vulnerability and means that this is a work that again cements Arcade Fire's reputation as one of indie's finest.
Review: Tina Arena's career-defining album takes listeners on a journey of soaring ballads and infectious pop, remaining one of Australia's most loved records. Anchored by the powerful 'Chains,' the album re-established Arena as a force in contemporary music, earning her five ARIA Awards, including Album of the Year. With six singles and a legacy of ten times Platinum status, it's no surprise the album continues to stand the test of time. Now, 30 years on, Arena's emotional connection to the music remains as strong as ever, with a national tour set to mark this iconic anniversary.
Review: Natasha Bedingfield is celebrating the 20th anniversary of her debut album Unwritten with a special vinyl re-release and a London show. The album, which topped the UK charts upon its release in 2004, features hits like 'These Words,' 'Single,' 'Wild Horses,' and 'I Bruise Easily.' The title track, 'Unwritten,' recently experienced a resurgence after being featured in the rom-com film Anyone But You, entering the charts for the first time in 19 years and peaking at Number 12. Bedingfield expressed her joy at the track's resurgence, noting its use in the film and its popularity as an anthem over the years. Originally released as the third single from the album, 'Unwritten' became the theme song for MTV's "The Hills" in 2006 and reached Number Five on the Billboard Hot 100, earning Bedingfield a Grammy nomination for Best Female Pop Vocal Performance. The song's recent viral success on TikTok further underscores its enduring appeal.
Review: Following on from last year's triumphant return to pop-punk glory that was Blink-182's ninth overall full-length One More Time (yet seventh with original vocalist/guitarist Tom DeLonge and first since 2011's Neighbourhoods), the band return to remind fans that the extensive good will they've been awarded by their devout followers on this comeback is very much reciprocated. Too early to drop another full-length, yet clearly rejuvenated to the point that new material keeps rearing its head during their continuing global tour, the trio opt to meet themselves in the middle with One More Time Part 2, which is essentially a mega deluxe version complete with ten bonus tracks, adding an additional half hour of new material (a new album in pop-punk terms). Boasting refined anthems such as 'No Fun' and 'All In My Head', while making room for darker synth-laden moments such as 'Can't Go Back' and even more Box Car Racer indebted buzzsaw post-hardcore in the form of 'Everyone Everywhere', this definitive collection offers far more than a forgettable batch of cutting room floor B-sides, and provides a comforting notion that this (one more) time around, Blink are back for themselves and the creative reward as much as for the fans and the payday.
Amen (feat Lil Uzi Vert & Daryl Palumbo Of Glassjaw)
[ost] Puss-e
Die4u
Dig It
Review: While there was once a time Nottingham's Bring Me The Horizon were known as the knife-edged fringe sporting MySpace era deathcore easy target, it's highly unlikely anyone ever had it on their bingo cards that within the span of a decade the band would become the torch bearers for mainstream metal, following in the footsteps of Linkin Park and 30 Seconds To Mars. Serving as the long-awaited sequel to 2020's nu-metal indebted Post Human: Survival Horror EP, their seventh full-length (and first since 2018's Amo) Post Human: Nex Gen doesn't simply follow suit, but creatively clusters essentially every sonic guise the group have adorned throughout their tenure into one singular sonic headfuck. Touching on everything from metalcore, post-hardcore, pop-punk, hyperpop, trap, nightcore and Anime music; the album is a testament to ADHD maximalism, and while it may come off as messy, obnoxious or utterly overwhelming, it's nigh impossible to not be impressed by the sleek effortlessness in which they appropriate vastly differing soundscapes like they were always theirs to begin. Marking their final effort with longtime keyboardist/programmer/producer Jordan Fish and boasting equally dichotomous features from the likes of Aurora, Lil Uzi Vert, Underoath and Daryl Palumbo (Glassjaw, Head Automatica), the second instalment of the Post Human saga simultaneously serves as the end of one era for Bring Me The Horizon, and the dawn of an equally promising new age. Report back for Post Human 3 in due course.
Hark! The Herald Angels Sing/Gloria (In Excelsis Deo)
Jesus Oh What A Wonderful Child
God Rest Ye Merry Gentlemen (1:19)
Review: Mariah Carey's Merry Christmas 30th Anniversary edition is a refreshing exception to the typical re-release. This beautiful picture disc is a great show piece and collector edition to have. Featuring timeless tracks like 'All I Want for Christmas Is You,' 'Miss You Most (At Christmastime),' and powerful renditions of 'O Holy Night' and 'Joy to the World.' One of the most popular Christmas songs of the last 30 years, 'All I Want For Christmas Is You' is a staple during the festive season. Come celebrate one of the best Christmas albums of all time. Tis' the season! This edition is truly a Christmas gift.
Hark! The Herald Angels Sing/Gloria (In Excelsis Deo)
Jesus Oh What A Wonderful Child
God Rest Ye Merry Gentlemen (1:19)
Review: Mariah Carey's Merry Christmas (30th Anniversary Deluxe Edition) highlights her unmatched festive spirit, establishing her as the quintessential Christmas icon. Initially hesitant about her Christmas album, she embraced the challenge, crafting timeless arrangements of classics and integrating gospel influences. The defining 'All I Want for Christmas Is You' stands as a cultural phenomenon, embodying joy amidst heartache. With a mix of nostalgia and new tracks, Carey's passion for Christmas shines through, making this anniversary edition a must-have for fans and a celebration of her enduring holiday legacy.
When You Believe (From The Prince Of Egypt) (feat Whitney Houston) (4:34)
Whenever You Call (feat Brian McKnight) (4:23)
My All (3:51)
Honey (5:00)
Always Be My Baby (4:16)
One Sweet Day (feat Boyz II Men) (4:42)
Fantasy (feat ODB) (4:46)
Hero (4:20)
Dreamlover (3:55)
I'll Be There (feat Trey Lorenz) (4:25)
Emotions (4:10)
I Don't Wanna Cry (4:52)
Someday (4:04)
Love Takes Time (3:49)
Vision Of Love (3:30)
I Still Believe (3:49)
Review: Mariah Carey's #1's, a compilation of her chart-topping hits, has been reissued on vinyl, offering a fresh experience of her iconic sound. Originally released in 1998, the album features 17 of Carey's number-one singles, including timeless classics like 'Vision of Love,' 'Hero,' and 'Fantasy.' This reissue celebrates Carey's remarkable career and her ability to consistently dominate the charts with her powerhouse vocals and impeccable songwriting. The vinyl format adds a nostalgic touch, enhancing the listening experience with its warm, analog sound. From the soulful balladry of 'One Sweet Day' to the infectious pop of 'Dreamlover', this compilation reaffirms Mariah Carey's status as a pop legend.
Heartbreaker (feat Da Brat & Missy Elliott - Remi)
Vulnerability (interlude)
Against All Odds (Take A Look At Me Now) (feat Snoop Dogg)
Crybaby (feat Snoop Dogg) (5:17)
Did I Do That? (4:02)
Petals (4:14)
Rainbow (interlude) (1:21)
Thank God I Found You (feat Joe & 98°) (4:15)
Rainbow's End (3:37)
Thank God I Found You (feat Joe & Nas - Make It Last remix) (5:01)
Against All Odds (Take A Look At Me Now) (feat Westlife) (3:19)
How Much (feat Usher - So So Def remix) (3:10)
Can't Take That Away (Mariah's Theme) (live At VH1 Divas 2000) (4:32)
Love Hangover/Heartbreaker (live At VH1 Divas 2000) (5:10)
Review: Mariah Carey's Rainbow celebrates its 25th Anniversary with a vibrant reissue on rainbow-colored vinyl, marking a milestone for one of her most beloved albums. Originally released in 1999, Rainbow showcases Carey's versatility and enduring appeal with a mix of r&b, pop, and soulful ballads. This special edition not only captures the nostalgia of Carey's chart-topping hits like 'Heartbreaker' and 'Thank God I Found You,' but also includes memorable collaborations with Jay-Z, Missy Elliott, and Snoop Dogg. The album's blend of infectious melodies, powerful vocals, and poignant lyrics continues to resonate with listeners, reaffirming Carey's status as a pop diva. This double vinyl pressing also features extra treats like her appearance on the VH1 Divas show in 2000. The choice of rainbow-colored vinyl adds a playful touch to the physical release, enhancing the album's celebratory spirit and visual appeal. For fans and collectors alike, this anniversary edition of Rainbow is a delightful homage to Carey's musical legacy, offering a colorful journey through her timeless hits.
Review: Mariah Carey's 'All I Want for Christmas Is You' has become an essential part of the holiday season. Originally released in 1994 as the lead single from her Merry Christmas album, the song blends upbeat love lyrics with festive elements like bell chimes and synthesisers. Written and produced by Carey and Walter Afanasieff, it received immediate praise and chart success, reaching number two in the UK and Japan. Over time, the track's popularity has only grown, now becoming a Christmas standard that re-emerges each holiday season. Topping charts in over 30 countries and even breaking records for the longest gap between release and reaching number one in both the US and UK. This 7" release captures the joyful spirit of the song, making it an ideal choice for spinning during the holiday season. With 16 million copies sold worldwide, it's a track that has earned its place in the National Recording Registry and in countless holiday celebrations worldwide.
Review: CHANNEL TRES releases his debut album Head Rush, accompanied by the vibrant new single 'Berghain.' This latest track features fellow South LA artist Barney Bones and provides a fresh glimpse into Channel's evolving sound. Building on the sonic foundations established by his iconic 2018 single 'Controller,' Head Rush introduces new influences that signify an exciting musical shift. 'Berghain' captures the essence of freedom and unity experienced within the famed club, highlighting the pivotal role music plays in that environment. Fans eagerly anticipate this new chapter in Channel Tres's artistry.
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