Bomb The Bass - "Empire" (feat Benjamin Zephaniah & Sinead O'Connor) (5:48)
I Want Your (Hands On Me) (4:35)
The Edge - "Heroine (Theme From Captive)" (feat Sinead O'Connor) (4:28)
Don't Cry For Me Argentina (5:36)
You Made Me The Thief Of Your Heart (6:12)
Just Like U Said It Would B (4:36)
This Is A Rebel Song (3:04)
Review: She might be more well known these days for her open letters to Miley Ray Cyrus or public struggles with mental health, but this So Far The Best of reminds us just why Sinead O'Connor is so famous in the first place. It brings together the very best tunes from her four albums and was originally released in 1997, so of course, includes her ubiquitous and global smash Number 1 'Nothing Compares 2 U' is included, as are earlier singles 'Troy' and 'Mandinka', all of which showcase her fearless style and a rich array of emotions. 'Heroine' and 'Just Like U Said It Would B' are included for the first time having in the past only been available on the US version.
Review: In the many-sided legacy Sinead O'Connor left in her wake, there were many surprises and anomalies which benefit from a fresh appraisal since her tragic passing. Her 1992 album Am I Not Your Girl? had a mixed reception on its release, as she paused on her contemporary dance-tinged pop production to indulge in big band and torch song covers. Similarly to Bjork tackling 'It's Oh So Quiet', it was a divisive move in a career full of them, but in the fullness of time these sincere pieces are but another vehicle for O'Connor's incredible voice, proving she was as versatile as she was forthright. A one of a kind talent, never to be repeated.
Review: This French artist, who has captivated audiences with her collaborations alongside Mura Masa, Pomme and Flavien Berger, returns with a deeply personal album that explores the complexities of self-discovery and the search for meaning in a world obsessed with self-improvement. The album's title track, 'choke enough', is a poignant reflection on the need for connection and the pursuit of intense emotions. Oklou's warm, beautiful productions, a signature of her sound, conjure a liminal space where the boundaries between introspection and euphoria blur with delicate synthesiser arpeggios and found sound samples. 'family and friends', the album's first single, delves into the search for answers and the desire to escape from intangible memories. Oklou's lyrics, delivered with a vulnerable yet defiant honesty, capture the anxieties and uncertainties of a generation navigating a world where virtual and physical identities are inextricably intertwined. After gaining international acclaim with her collaborations and her critically acclaimed mixtape 'galore', Oklou's debut album marks a turning point in her artistic evolution, a bold yet introspective work that challenges listeners to confront their own anxieties and desires.
Review: Oklou is a French musician and is known to her parents as Marylou Mayniel. She dropped her debut album back in February and on it collaborates with artists such as Bladee and underscores, while some expert studio contributions from producers like the revered A.G. Cook, plus Danny L Harle and Casey MQ. Choke Enough blends Y2K influences with medieval melodies to reflect Oklou's evolution from her 2020 mixtape, Galore. This new long player offers up a deep dive into her meticulous approach to electronic, modern, 'hyper' pop while incorporating classical rigour. Standout tracks like the title track and 'Endless' are great reflections of her unique artistic vision while balancing formal complexity with subdued emotional impact.
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