Review: On the centenary of the birth of Luigi Nono, the Maurice Quartet - Georgia Privitera (violin), Laura Bertolino (violin), Francesco Vernero (viola) and Aline Privitera (cello) - reinterprets the composition for string quartet by the Venetian composer on the occasion of the 30th Beethovenfest in Bonn, in 1980. This limited edition (300) record hammers home the pensive, minimalistic innovations of Nono, considered a radical innovator in the classical music of his time.
Review: The Tetine trio started writing and composing together in the lockdowns of 2020 - no doubt observing all the arcane rules about hands, face and space as they did so. They have an intuitive style that now translates to this record which was written for cello, voice, piano, organ and electronics and was born as "a respiratory, meditative, and improvisatory piece of DIY tropical-mutant-punk "chamber music". They have succeeded in their mission to subvert here with plenty of subtle background sounds bleeding in from the nearby street as themes such as hearing loss, menopause, pollution and respiration all come up.
Review: Commissioned by Meow Wolf for their Omega Mart immersive art experience in Las Vegas, Amon Tobin delivers the kind of horizon-expanding epic you would hope for from one of the world's most respected living electronic music visionaries. Running at 20 minutes, give or take 40 seconds, this collection of movements worthy of an odyssey may have been designed for a specific context, but they don't have to be trapped there forever. While nothing will compare to diving headfirst into Meow Wolf's critically acclaimed installation piece, a kind of sci-fi takedown of advanced capitalism and blind consumerism in a morally bankrupt world, separating sounds from space still makes a big impact. Noises from the future, soundscapes from the depths of a truly astounding mind, this is nothing if not captivating.
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