Now Again US レコード& CD

Review: Wendell Harrison and Phil Raneli's Message From The Tribe is regarded by those who know as an untouchable example of spiritual jazz. The Tribe label - run of course by the pair themselves - it came on was also one of the great of its era in the 1970s. Here the album has been remixed from the OG master tapes, all under the watchful eye of its creators, then lacquered by Bernie Grundman. It is an expansive and indulgent record that includes a vast booklet that takes us through the history of the label and touches on the story of Black American empowerment.

Review: The reissue of Stone Alliance's self-titled debut album from 1976 is a thrilling revival for jazz fans. Originally released on Gene Perla's PM Records, this album has transitioned from a rare groove gem into a cornerstone of America's deep jazz canon. The all-analog remaster by Bernie Grundman enhances the record's sonic depth, removing Dolby noise reduction and allowing the music to breathe, resulting in what Grundman claims is the best sound this album has ever had. The ensemble, featuring percussionist Don Alias, bassist Gene Perla and saxophonist Steve Grossman, delivers a dynamic performance. The album kicks off with the electrifying 'Vaya Mulatto', a track that masterfully shifts from a samba-like groove to high-speed funk, exciting even non-jazz fans. 'Sweetie Pie' shows the group's chemistry with its infectious riff and adventurous sax explorations. Meanwhile, their languid interpretation of Stevie Wonder's 'Creepin'' adds a different flavor. This definitive reissue, complete with an informative eight-page booklet, makes this a record you need to have.

Review: Loving On The Flip Side compiles overlooked ballads from the flip sides of funk 45s in the Now-Again and Truth and Soul vaults, all presented in the same format as the Soul Cal anthology. This collection showcases incredible music that pairs heavy funk with sweet soul to create a sound the label calls "sweet funk." The journey began nearly a decade ago with the discovery of the Darling Dears and Funky Heavy's unique two-sided single which sparked a search that led to their full inclusion in this anthology. The process unearthed other soulful gems and now culminates in an essential exploration of black American creativity and musical innovation.

Review: US label Now Again follows up the success of its recent Forge Your Own Chains compilation with another, and this time one that has never before be available on vinyl like this. It features a fine selection of small run private presses that are all incredibly hard to find or long out of print. The bands behind the music range from legends of the krautrock scene to Turkish teenagers to Icelandic prog-rock outfits, prison funk ensembles and even the uncle of E-40. It's real, raw and full of plenty of visceral funk thrills made between 1970 and 1975 but suitable for all occasions.

Review: Soul Cal is a deep dive into America's independent 70s soul scene, expertly curated by Eothen 'Egon' Alapatt. This compilation is a prime blend of the retro-utopian vision, where small-town record stores and garages across the U.S. might have been hiding virtuosic funk and soul outfits. The bittersweet joy of these previously overlooked musicians finally getting recognition is palpable, and the music itself is an absolute thrill. Songs like Luther Davis' 'You Can Be A Star' and Pure Essence's 'Wake Up,' the album is an impressive variety of styles, from heartfelt ballads to hard-hitting funk grooves. Anubis' 'Ecology' and Mixed Feelings' 'Sha-La-La' add a dash of social consciousness, while Leon Mitchison & The Eastex Freeway Band's 'Love Is' brings smooth sophistication. Mastered by Dave Cooley and team, the sound quality is stellar, making these hidden gems shine. Soul Cal is not just a tribute but a rediscovery, offering a bittersweet glimpse into an era of soul music often overshadowed by its mainstream counterparts.

Review: This timely reissue of Zamrock's Afro-prog-psychedelic masterpiece makes its debut on vibrant yellow vinyl. WITCH was a group influenced by James Brown, the Stones, and Deep Purple and they dominated 70s Zamrock stages in their heyday. Their musical journey spanned only five years and culminated in the fifth and final rock album, which predated a split and a new disco venture in Zimbabwe. The record fuses traditional Zambian rhythms and folk melodies with progressive rock and, somewhat echoing Lukombo Vibes, it embodies the Osibas' "afro-rock" style. This release encapsulates WITCH's evolution and influence and gives a vivid glimpse into the era's musical fusion and cultural resonance.