Back catalogue: All genres

Review: "Ruff Draft", originally released in 2003, is a sought-after album that remains the elusive key release in J Dilla's catalogue. This has freewheeling, in-your-face synthesizers, and an uncharacteristically sample-heavy approach that is as banging as it is experimental.

Review: "Donuts" is J Dilla's instrumental masterpiece and perhaps the finest record he ever made. This is half soul mixtape, half beat CD and 100% genius from the sorely missed hip-hop legend.

Review: Glasgow grime producer Konchis engages his Jetsam alter ego for a wavier sonic serenade than we're used to from him. Tapping into his dreamier, more emotional side for an album length narrative, the Scottish scientist switches from tripped out swooning harmonies wrapped casually over Dilla-ish beats ("End Of Stars") to woozy cries over fuzzy synth riffs ("Cathedrals") to soul-jarring deep sea strangeness ("Mermaids"). Otherworldly, cosmic and mischievously off-kilter, Konchis has found the perfect muse in his alter ego right here. One of a kind.

Review: Boy Better Know founder, vegan grime MC and one third of the Adenuga family legacy alongside Skepta and radio presenter Julie, JME has always floated above grime and bass music airspaces as an incontestable voice. Integrity first arrived through BBK as a fully self-produced banger set in 2015, corralling heavyweight collaborators Wiley, Giggs, Skepta, and D Double E to hammer home a certain message: simply put: don't mess. Wavering between dreamy and tearout instrumentals almost always orbiting 140bpm, and circulated between then "in" producers Joker, Deeco, and of course the inimitable Swifta, JME's subject matter always matches the vibe, be that as it may, boxing the opposition with car key fobs, or treating producers like prostitutes, giving them P for a beat. A certain nostalgia will wash over 10s grime listeners, as this limited edition clear vinyl reissue reinvokes the mouthy verbiage of one of grime's toppest guns.