Back catalogue: Soundtracks

Review: After the success of the first Alessandroni Proibito box set, which sold out in pre-sale before it even hit the stores, Four Flies is proudly back with Volume 2 of the compilation. This new release too features five exclusive 7" singles, housing a total of ten seriously rare tunes. All previously unreleased in physical format, the tracks have been carefully selected from the soundtracks of five obscure Italian films from the late 70s - sexy flicks that flirted with the line between erotic and explicit, and which are now largely forgotten, having been out of circulation for decades. As was the case with the previous volume of the compilation, Alessandroni's music rises above the films' flimsy plots, improvised actors, and amateurish production, exuding his distinctive touch thanks to the (typically Italian) artisanal approach he took to his musical craft. The composer let his creativity run free, playing with his instruments at home as if he were in his own little amusement park; trying to have fun and produce something entertaining and captivating with just the few means at his disposal.

Review: A release that honours the centenary of Alessandro Alessandroni's birth with a collection of previously unreleased tracks from the iconic composer and multi-instrumentalist. This album uncovers a hidden chapter of Italian film scores and library music, featuring Alessandroni's lesser-known work between 1969 and 1978 for war documentaries and films. Paesaggio Bellico isn't just a military march through battlefields but a deeply nuanced exploration of war's human and existential facets. Alessandroni expertly balances sweeping, cinematic themes with moments of tension and unease. His compositions juxtapose stark, unsettling imagery with softer, more hopeful tones that has a poignant counterbalance to the brutality of conflict. The maestro's signature whistle floats over gentle 12-string guitar melodies, while his fuzz-laden Fender Stratocaster electrifies more intense passages. The Cantori Moderni, Alessandroni's trusted vocal ensemble, contribute haunting vocals that delve into the psychology of warfare. An elegant string section adds layers of drama and sentiment, enhancing the album's orchestral weight. With 18 tracks in total, the release is visually enriched by Eric Adrien Lee's cover art, which reimagines the bold design of 1970s Italian war-themed records. With a tip-on hard cover and a unique inner sleeve, the vinyl is a fitting tribute to Alessandroni's enduring legacy, blending sonic and visual storytelling into a truly special release.

Review: .The last full length we had from Federico Amorosi and Valerio Lombardozzi, AKA Dressel Amorosi, was a pretty scary place to spend time. Themed around late-mid-20th Century Italian horror movies (see: Dario Argento), the record paid homage to the iconic sounds of that culture, but also refused to simply rehash the past. An atmospheric, spine-tingling collection of suspenseful synth-first stuff, it also benefited from landing around the same time as a new Stranger Things series. A year on and things are now on a slightly less tense route. Spectrum is still looking to offer thanks to the Italian film industry as was a few decades back - specifically for gifting us so many amazing soundtracks. But this time round we're much closer to the glam and glitz of a Roma Italo party than anything like the Upside Down, while still packing depth and atmosphere.