Review: From the grave, Prince is serving up a banger just in time for Christmas fun this year in the form of a one-sided 12" on Warner. It found him working with his trusty New Power Generation and features the 'damn near 10 min' mix of the song 'Gett Off' which is sure to fire up any dancefloor. It was originally a single - also served up as a one-sider - to promote Prince's new band with a cover that boldly declared that "Nothing can stop Prince and the New Power Generation" and was only issued on 1500 copies, so this is a great treat for fans to own all these years later.
Review: The Firm was a UK supergroup that formed in 1984. Singer Paul Rodgers was the man responsible for getting together with guitarist Jimmy Page and the group became one of the most successful rock outfits of their era. They released a brace of brilliant albums - the self-titled debut in 1985, then a year later Mean Business - and played across the UK and US in the years after. One of the best shows they did was at the Oakland Coliseum on 15th March. Their extraordinary energy and fine set list was recorded for live FM Radio Broadcast and now you can listen back to the whole thing on vinyl for the first time ever.
Hurdy Gurdy/Nobody's Fault But Mine (Medley) (7:14)
Hey Hey What Can I Do (3:40)
The Song Remains The Same (6:22)
The Conductor Introduction (0:36)
Since I've Been Loving You (8:46)
Friends (4:29)
Calling To You/Dazed & Confused/Break On Through (Medley) (12:46)
Four Sticks/In The Evening (Medley) (14:37)
Black Dog (5:55)
Kashmir (15:33)
Review: On April 17, 1994, Led Zeppelin's main songwriters reunited for the Alexis Korner Memorial Concert in Buxton, England. In August, they recorded performances in London, Wales, and Morocco featuring Egyptian and Moroccan orchestration of classic Led Zeppelin tracks along with four new songs. These performances were broadcast as a 90-minute MTV special UnLedded which led to a successful tour starting in February 1995. This newly reissued release captures an exceptional performance from that tour and includes both new material and Middle Eastern-influenced renditions of Zeppelin classics like 'Bring It On Home,' 'Ramble On,' 'The Song Remains the Same,' 'Black Dog' and 'Kashmir.'
Woke Up This Morning (My Baby She Was Gone) (4:21)
Ten Years Gone (6:40)
In My Time Of Dying (9:41)
Your Time Is Gonna Come (5:56)
Remedy (5:14)
The Lemon Song (9:02)
In The Light (9:17)
Shake Your Moneymaker (4:26)
Sloppy Drunk Blues (6:06)
Shapes Of Things (5:17)
Nobody's Fault But Mine (4:45)
Heartbreaker (5:56)
Bring It On Home (5:20)
She Talks To Angels (5:43)
Oh Well (4:06)
Band Intros (1:00)
Hey, Hey, What Can I Do (3:36)
You Shook Me (7:20)
Out On The Tiles (4:52)
Whole Lotta Love (5:44)
Custard Pie (Soundcheck) (5:14)
You Shook Me (Soundcheck) (8:09)
The Lemon Song (Soundcheck) (8:47)
Ten Years Gone (Soundcheck) (10:51)
Jam (Soundcheck) (10:39)
Review: The chemistry between Jimmy Page and The Black Crowes, caught here live in AL in 1999, produces a dynamic performance that brings fresh life to classic rock anthems. Tracks like 'Celebration Day' and 'What Is & What Should Never Be' are delivered with incredible precision, each riff from Page cutting through the mix, while the Crowes' rhythm section provides a perfect backdrop. Chris Robinson's vocals are raw and commanding, particularly on 'Heartbreaker,' where he channels the energy of the original while adding his own emotive twist. The blues covers, like 'Sloppy Drunk' and 'Mellow Down Easy,' show off the band's versatility, giving a loose, electric vibe that contrasts beautifully with the more structured Zeppelin classics. A live performance that captures both the spirit of the originals and the fire of the setting.
Review: In October 1999, the Black Crowes joined Led Zeppelin's legendary guitarist Jimmy Page for shows in New York, Los Angeles, and Worcester, and that resulted in the live album Live at the Greek on TVT Records. Due to contractual issues with Columbia, however, the album didn't include any Crowes songs performed with Page. This collaboration led to a summer 2000 tour with Page and The Who and on July 10, 2000, they performed at Jones Beach Theatre in Wantagh, New York, and served up what was considered one of the tour's standout shows. Featuring sixteen Led Zeppelin classics, Black Crowes tracks, and blues covers, this FM broadcast recording is a real must for fans of these rock icons.
Review: In October 1999, the Black Crowes performed with Led Zeppelin's legendary guitarist Jimmy Page in New York, Los Angeles and Worcester, leading to the live album Live at the Greek on TVT Records. However, due to contractual issues with Columbia, the album omitted Crowes' songs performed with Page. This collaboration sparked a summer 2000 tour with Page and The Who, highlighted by a standout show on July 10, 2000, at Jones Beach Theatre in Wantagh, New York. Featuring sixteen Led Zeppelin classics, Black Crowes tracks, and blues covers, this FM broadcast recording is a must-have for fans of these rock legends.
Review: This magnificent live album captures accomplished West Yorkshire-born singer-songwriter Robert Palmer at his peak. His electrifying performance from the final night of his 1988 Heavy Nova tour was recorded at the legendary Apollo Theatre and was released as his first full-length live album. It's packed with his signature blend of rock, soul and pop and his biggest hits, along with standout album tracks, are performed with both precision while his smooth vocals and charismatic stage presence really shine through on the likes of 'I Didn't Mean To Turn You On' and 'Woke Up Laughing'.
Review: Two-time Grammy Awards winner, MTV Video Award veteran, Brit nominee and icon of the 1980s. Robert Palmer's name may not be as familiar as it once once at the height of music video broadcasting - when his anthem of excess and glamour, 'Addicted To Love', was either fresh off the presses, circa 1986, or still being rolled out as one of the most defining pop clips of all time. Suffice to say, our world - our cultural universe - has shifted since then, and the Batley, West Yorkshire-born, Malta-raised legend isn't necessarily the first artist on your lips when someone asks why the lights are on when nobody's home. That's a crying shame, as beyond that most famous of his tracks there's a big oeuvre to explore. Including 1999's unashamedly sexy, seductive, and slick (perhaps even over-produced) Rhythm & Blues, arguably the most aptly titled record arriving in stock this month.
The Only Difference Between Martyrdom & Suicide Is Press Coverage
London Beckoned Songs About Money Written By Machines
Nails For Breakfast, Tacks For Snacks
Camisado
Time To Dance
Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off
Intermission
But It's Better If You Do
I Write Sins Not Tragedies
I Constantly Thank God For Esteban
There's A Good Reason These Tables Are Numbered Honey, You Just Haven't Thought Of It Yet
Build God, Then We'll Talk
Review: Divisive wouldn't even come close to describing Panic! At The Disco's A Fever You Can't Sweat Out. For some, even the band's name was enough to put them off, for others, this record arrived riding on the tail end of the second emo wave, which in itself may have been too little too late (or too much?) to stand any chance of saving the genre from becoming a parody of itself.
And yet in the eyes of many, A Fever remains a landmark release from a band that helped define the sound's resurgence at that time. It's a fraught and angsty ode to the moments in our lives when, for a few at least, hanging out in shopping malls being sarcastic and embracing affectation is the only real way to spend the weekend. Recreate those memories with this 25th anniversary edition of an album you already know you love and want. Or not.
Review: Originally bestowed upon fans and newcomers alike in 2007, Riot! is Paramore's second album and represented a real evolution in sound for the band at the time. While never straying from the emo-punk-pop blueprint that first garnered them love and attention, this iteration saw the troupe explore more experimental and abstract ideas, while still giving us all plenty to pogo-on-about.
Hence the high chart ranking, in the US at least, and multiple gold records from sales in global territories. Music aside, it may or may not have been at this point when many ears began to realise that - even in the most angsty and immature moments - Paramore's lyrics are well and truly a cut above most of the rest. The combination being an irrepressible power that can't help but go straight for the emotional heartstrings, whether that means creating positive energy or inward reflection.
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