Timedance レコード& CD

Review: Widescreen bass portamenti and steady-state textures predominate on this new Cleyra release through Timedance. Reflecting the Bristol artist's preference for heavyset bass and hydrop(h)onic textures, we were first turned on to their sound like heliotropic plants to red supergiants, whence in 2022 the 'Soft Bloom' EP offered our ears an ironic floral hardness. Since then, the artist has been hard at work on another five tracker of irreplicable sound, with 'Tumble Turn' and 'There's Nothing Happening Between Us' offering the best of the EP's tresillos and stereo-ecstatic percussions, which seem to paradoxically texturally vary themselves both much and not so much. How did they do it, we wonder?

Review: Yaleesa Hall wastes no time setting the tone on this Timedance release, delivering a weighty fusion of UKG, electro and sub-heavy pressure. Opener 'Halfway Gone' lurches forward with a heady mix of swung percussion and cavernous bass, its tension building like a slow-motion collision. 'Light Headed' dials up the energy, its restless breakbeat patterns and distorted low-end hitting with unrelenting force. On the flip, 'Voices' leans into dubbed-out textures, letting ghostly vocal snippets drift through the haze as tightly coiled rhythms keep the pulse locked. Closer 'Still Here' brings the release full circle, with fractured beats and rumbling sub-bass weaving together in a hypnotic finale. It's a bold statement from Yaleesa Hallione that feels tailor-made for dancefloors that thrive on weight and space in equal measure.

Review: Bristol's Hodge is one of those producers with a signature style no matter the genre he makes. He's an adept studio craftsman who designs sounds in a way few others do and he shows that again here with this fresh 12" on the mighty Timedance. 'Voice Crash' opens up with clanking great hits over minimalist beat frameworks that are always on the move, and you will be too. '151' is a more manic and dense arrangement with malfunctioning loops, knackered synth mutations and whirring effects all making for something fairly mind-blowing. Last of all is 'Fussyhead', a percolating and potent rhythm underpinned with lashings of UK bass.

Review: Batu's Timedance is about as consistently fresh and forward-thinking as electronic labels get right now. Bristol's Daisy Moon is next up to carry the baton and is fresh off a standout house cut on Peach Discs in June. Here she opens with the precise drum rhythms and glitchy percussion of 'Eclipse' while 'Shadow Of Silhouettes' is a shimming, shape shifting arrangement with daubs of synth, frenzied lines, chopped-up vocals and plenty more all vying for your attention. 'The Abyssal Zone' then brings some dubby broken beats to the fore and 'Meadow Rap' flips the script entirely with some lush downtempo.