RME

Notes: ***B-STOCK: Box opened, product in perfect working order***


Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.

Notes: For the 20th anniversary of the legendary Fireface 800, RME introduces an exclusive special edition ARC USB in a sleek all-black design to complement the limited edition Fireface 802 FS AE.

Overview

This wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real-world situations.

The ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore, it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work. And because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!

As soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.

With the UFX III and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX III and UFX II.

The ARC USB is bus powered, but draws only little current. Also, it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 metre to 10-metre length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends using active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.

The ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.

The lower three keys have a useful diagnostic functionality
Talkback: is lit dim as soon as the ARC USB is running on 5 V USB bus power.
Speaker B: is lit dim as soon as a USB communication is possible.
DIM: is lit dim as soon as a communication with TotalMix FX is established.
Therefore, in normal operation all three lower keys are lit dim constantly.

The ARC USB comes with a standard set of Key Commands that already cover most usage scenarios, printed directly beneath the keys:
Row 1 and 2: activating Snapshots 1 to 8.
Row 3: Mono, Volume Phones 1, Volume Phones 2, External Input
Lower keys: Talkback, Speaker B, Dim.

A set of stickers with all currently available TotalMix FX commands is included. These can be used to label all keys reflecting the current user configuration.

The rotary encoder wheel is used to change various parameters, like gain and volume. It is programmable in TotalMix FX as well.

Configuration of the ARC USB

The Advanced Remote Control is configured in the Options menu via the Key Commands dialog of TotalMix FX, tab ARC USB Settings. As the ARC does not have any memory, all configuration and storage is done via TotalMix FX. All settings of the ARC USB are stored within a Workspace, and are therefore identical in all Snapshots of that current Workspace.

More than 36 different commands can be assigned to the 15 keys. The behaviour of each individual button can be changed between push, toggle, enable and disable, depending on the base function.

Current list of available functions:

Global Mute
Global Solo
Mute Group 1 to 4
Solo Group 1 to 4
Fader Group 1 to 4
Link Main AB
Speaker B Select
DIM (Main Out)
Mute (Main Out)
Mute FX (Main Out)
Mono (Main Out)
Talkback
External Input
Reverb

Echo
Cue Phones 1 to 4
Snapshot 1 to 8
Layout Preset 1 to 8
Volume Main
Volume Phones 1 to 4
Mic Gain 1, Mic Gain 2, Mic Gain 1+2
Inst. Gain 3, Inst. Gain 4, Inst. Gain 3+4
Mic/Inst. Gain 9, Mic/Inst. Gain 10, Mic/Inst. Gain 9+10
Mic/Inst. Gain 11, Mic/Inst. Gain 12, Mic/Inst. Gain 11+12

Some commands are not available at certain interfaces, or slightly changed due to different functionality. Fireface UFX, UFX II and UFX III have additional commands for DURec: Record, Play and Stop.

Several functions can be activated at the same time. Example: Button 1 is set to Cue Phones 1. That means the phones submix is heard via the Main output (the studio monitors). To be able to also change the volume of the phones submix itself, set button 2 to Volume Phones 1. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.

A standard footswitch (with switch, sustain pedals with pot are not supported) can be connected to the 1/4" TS jack on the left side. In Key Commands Settings the same options are available for the footswitch as for the 15 keys.

Remote control the RME Fireface UFX III, UFX II, UCX II and 802 FS in Stand-Alone Mode

As mentioned above, the RME Fireface 802 FX, UCX II, UFX II and UFX III interfaces all feature a dedicated connection for the ARC USB, with the remote offering an additional level of control when using either device in Stand-Alone Mode.

When used with any of these interfaces standalone, a fixed set of functions is activated on the keys:
Row 1: Setup 1-4
Row 2: Setup 5-6 x x
Row 3: Mono, Volume Phones 1, Volume Phones 2, DIM
Lower keys: DURec: Rec, Play/Pause, Stop
x = no function

The included stickers also offer the stand-alone layout.

In the 802 FS, UCX II, UFX II and UFX III display's menu the way of operating the ARC USB can be configured for standalone mode. Those options are found under SETUP/REV, Options, Hardware/Diagnosis:

Standalone ARC Volume

Deactivates all keys. Only the encoder wheel works, with a fixed assignment to Main Volume. This option is also a safety function in case the ARC USB is connected to the 802 FS / UCX II / UFX II / UFX III, but operated online (with a computer). When the system goes offline (computer removed, sleep state...) the functions on the keys change, because online mode changed to stand-alone mode. Operating the keys then could activate unintended functionality or changes.

Standalone ARC 1 second operation

Each key has to be pressed for one second to activate the programmed functionality. This safety function prevents unintentional changes. It can be stored within the Setups, activating this mode automatically when such a Setup is loaded. When loading a Setup where this function had not been active this mode is automatically deactivated at the interface.

Notes: Based on the Digiface Dante but with the added benefit of low-latency Ravenna audio-over-IP, the Digiface Ravenna offers 128 Ravenna channels and 64 MADI channels.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's Notes:
The Digiface Ravenna is a lightweight, portable audio interface, based on the proven Digiface Dante equipped with a RAVENNA module developed by DirectOut and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.

Mobile RAVENNA Solution via USB

The combination of RME's renowned drivers (Mac/Windows) and DirectOut's RAVENNA implementation offer a reliable and flexible networked computer audio interface. Equipped with the latest TotalMix FX it can not only route, but also mix as many independent submixes as outputs are available. The included high quality phones output offers a quick listen to any audio channel, but can also be used as line output to provide an additional analog stereo mixdown.

RAVENNA & MADI

RME made the two BNC sockets for word clock I/O switchable to MADI I/O, with up to 64 channels. The total sum of Ravenna and MADI, 128 channels, are transferred via USB 3.0 and handled via the included RAVENNA web server or RME's TotalMix FX, for full and struggle-free control of all audio.

On the network side, the interface features a full-fledged RAVENNA stack with AES67 and ST2110-30/31 support and redundant audio-over-IP streaming as per ST2022-7. In addition, the interface can also be used as a mobile 64-channel RAVENNA/MADI converter without a USB connection to a computer. The coaxial MADI I/O connectors may also be configured to work as word clock sync I/O.

TotalMix FX and TotalMix Remote

Like all the latest RME interfaces, the Digiface Series also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.

The Digiface Series includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more. The Digiface Series does not support DSP based effects (FX) like EQ or reverb.

Additionally RME's latest software, TotalMix Remote, enhances the power of RME interfaces by enabling remote control via iOS, PC or Mac. With a straightforward set up process - simply enter the IP address of the computer you would like to control with TotalMix Remote and get going - users can quickly adjust any aspect of TotalMix FX on a host system while walking around the studio with their tablet, or from a control room located elsewhere in the facility.

TotalMix FX - Mixing/Routing with superior features for Studio and Live Work

Since 2001 TotalMix added unlimited routing and mixing to RME's audio interfaces. Its unique capability to create as many independent submixes as output channels available turned it into the most flexible and powerful mixer of its kind.

RME USB - Transport audio with lowest latency and industry leading stability

Use your RME audio interface on Mac and PC with reliable, stable, and regularly updated drivers for RME products. RME Audio develops its own interface core, it's not dependent on 3rd parties for upgrades, modifications or bug fixes, so customers can use latest operating systems without interruption or delay."

DigiCheck - The Secret Weapon of High Resolution Audio Measurements

RME Audio interfaces not only provide you with a professional digital audio interface, but also with a free available software tool: DigiCheck, for metering, testing, measuring and analyzing digital audio streams.

Specs

Digiface Ravenna
Gigabit Ethernet Port

RJ45

100 Mbit/s, 1 Gbit/s
Standard port LEDs: yellow connected, green data transmission
Supports straight and crossover cables (Auto MDI-X)
Network-based remote control of the unit (TotalMix Remote)

RAVENNA Modul

Supports RAVENNA, AES67, ST 2110-30 / -31, ST 2022-7
Network Layer 3
Modes: Switched and Redundancy according to ST 2022-7
32 streams
128 channels Single Speed, 64 channels Double Speed, 32 channels Quad Speed
Clock sources: PTP, Internal
Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, +/-12.5 %
Routing: Channel-based routing matrix
Configuration: Browser GUI, globcon control, NMOS IS-04 / IS-05

MADI Input

Coaxial via BNC, 75 Ohm, according to AES10-1991
High-sensitivity input stage (< 0.2 Vpp)
Accepts 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz
Lock range: 25 kHz - 54 kHz

MADI Output

Coaxial via BNC, 75 Ohm, according to AES10-1991
Output voltage 400 mVpp
Cable length: up to 50 m
Generates 56 channel and 64 channel mode, plus 96k Frame
Standard: up to 64 channels 24 bit 48 kHz
S/MUX / 96k Frame: up to 32 channels 24 bit 96 kHz
S/MUX4: up to 16 channels 24 bit 192 kHz

Output Analog Phones 129/130

Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD @ -1 dBFS: - 96 dB, 0.0016 %
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Word Clock In

BNC, not terminated (10 kOhm)
Switchable internal termination 75 Ohm
Automatic Double/Quad Speed detection and conversion to Single Speed

Word Clock Out

BNC
Max level: 5 Vss
Level with termination 75 Ohm: 4.0 Vss
Internal impedance: 10 Ohm
Output Analog Phones 129/130
Dynamic range (DR): 110 dB RMS unweighted, 113 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz - 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD@-1dBFS:-96dB,0.0016%
THD+N @ -1 dBFS: -95 dB, 0.0017 %
Channel separation: > 100 dB
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 2 Ohm
Output level at 0 dBFS, 1 kOhm load: +9.5 dBu
Max power @ 0.1% THD: 50 mW

Digital

Clocks: Internal, RAVENNA (PTP), word, MADI
Supported sample rates: 44.1 kHz up to 192 kHz