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Review: Beatles fans have been waiting for this one a while and now it is finally here. It was the legendary Liverpool band's seventh album and it came in August 1966. As ever it was an experimental and cutting edge work of pop rock, indie and psychedelic sounds that was a critical and commercial success. Some of the awards it won include Grammy Award for Best Album Cover as well as being admitted into the Grammy Hall of Fame. The album features classic singles 'Eleanor Rigby' and 'Yellow Submarine' which sound as fresh and new today as ever.

Review: A new special edition of The Beatles' Revolver comes courtesy of Apple, the original label on which the fab four released some of their most seminal works. Featuring a new mix and master by Giles Martin and Sam Okell, this version contains yet another 100-page book with a foreword by Paul McCartney and an unlikely essay by Questlove of The Roots.

Review: The second BBC bank holiday Beatles special From Us To You was recorded on February 28, 1964, at BBC Piccadilly Studios and it aired a month later on Easter Monday, March 30. Hosted by DJ Alan Freeman, the set featured The Beatles' debut performance of 'You Can't Do That,' which had been recorded just two days earlier. Initially considered for their next single, it was later placed as the B-side to 'Can't Buy Me Love,' which came in March of that year. Bonus tracks included here from the August 1964 show are 'Boys' and 'Long Tall Sally,' which serve to highlight the band's evolving repertoire and their energetic live performances during this period.

Review: Following their 15 part BBC radio series Pop Go The Beatles, the legendary Liverpool group returned for a set of two-hour holiday specials titled From Us To You. The first was recorded on December 18 at the BBC Paris Studio and aired on Boxing Day, December 26, 1963. Somewhat randomly hosted by Australian television personality - turned national pariah - Rolf Harris, the show included a special performance where the Beatles joined him for his 1960 hit 'Tie Me Kangaroo Down.' Also featured was the group's favourite British rocker, Joe Brown, accompanied by his band, the Bruvvers, who brought an extra dose of British rock 'n' roll to the event.

Review: On March 31, 1964, The Beatles recorded seven songs for the BBC's Saturday Club. Three of them were covers of American rock 'n' roll and country songs. The final segment aired on the BBC's General Overseas Service and earlier that day, the band filmed a live performance at the Scala Theatre in Kings Cross for their upcoming film, A Hard Day's Night. This EP includes 'The Hippy Hippy Shake', recorded for Saturday Club and originally broadcast on February 15, as well as the catchy 'Everybody's Trying To Be My Baby' and 'Long Tall Sally'. The band's tight musicianship can be heard throughout this record, which serves as a great example of The Beatles' dynamic early sound during their rise to global fame.

Review: .Just like Ronseal says on the tin, Live In Stockholm 1964 features live recordings from The Beatles' second venture to Sweden in the one year, where they would perform four shows over two days on July 28-29 at Stockholm's Johnneshov Isstadio. Broadcast on Swedish TV, the performance is known for technical issues including neither John nor Ringo's mics working, meaning you've to go with just backing vocals for 'You Can't Do That', and 'I Wanna Be Your Man', while both John and Paul would receive electric shocks from ungrounded microphones. The live collection also boasts cuts taken from their earlier 1964 visit, including the four-minute medley version of all five of their UK hit singles from 1962-1963, while marking the final time either 'Love Me Do' or 'Please Please Me' would ever be performed live on stage.

Review: If you use the online network-cum-existential-need-to-know community Reddit, then it won't surprise you to learn there's a vast and almost unfathomably broad sub group dedicated to The Beatles. Within this, at least a handful of people have posed the question: "if the Beatles had done an MTV Unplugged concert in approx 1968 what stripped down classics might be in the resulting brilliant Unplugged Album?" Forgive the grammar - we took the speculative quandary verbatim from an internet that long-since descended into a linguistic void. Nevertheless, those stumped by this query will be delighted to know that such a record does exist for us to use as a touchstone. Albeit without the MTV bit. And what tracks made the cut? Well, 'Why My Guitar Gently Weeps', 'Revolution', 'Julia', 'Cry Baby Cry', and 'The Continuing Story of Bungalow Bill', among others.

Review: Dave Clark Five, Manfred Mann, Gerry & The Pacemakers, The Searchers. To say the New Musical Express pulled together an impressive line up for the magazine's celebratory concert, at which the winners of a reader's poll were revealed, would be an understatement. And this is before we even mention the fact The Rolling Stones were also involved, only beaten to the top of the bill by The Beatles. On the day, Liverpool's Fab Four were presented their award by none other than Roger Moore, and then proceeded to play their first live show in 15 weeks. 'She Loves You', 'You Can't Do That', 'Long Tall Sally', and 'Can't Buy Me Love' were among the highlights, with an audience of 10,000 packing out the Empire Pool in Wembley for the entire day. This recording captures the energy of that set and the spirit of the time.

Review: Debate has long raged about which of the Beatles' studio albums is their strongest, but 1966's Revolver frequently tops polls of fans and Fab Four scholars. This 'super deluxe edition' of the album, then, is long overdue. It naturally features a fully remastered and cleaned up stereo mix of the album that makes every vocal and instrumental element stand out with pin-sharp clarity ('Tomorrow Never Knows' and 'Elenor Rigby' have never sounded so good), as well as a cleaned up mono mix (disc four), two CDs of out-takes and alternative versions, and a bonus 'EP' boasting newly mixed and mastered versions of 'Paperback Writer' and 'Rain'. Throw in a 100-page hardback book featuring essays from Paul McCartney, Giles Martin and Questlove, and a treasure trove of Klaus Voorman photographs, and you have a fittingly luxurious package.

Review: When John, Paul, Ringo and George put their minds to it, they made incredibly romantic tracks. While some of their most groundbreaking efforts as The Beatles would be steeped in surrealism and psychedelia, even at their trippiest there's plenty of sentimentality to make us stop and consider how much that person means to us. Whoever that is. Love Songs is a compilation that really takes that idea and runs with it, made up of the band's most amorous singles and album tunes recorded between 1962 and 1970. 'Yesterday', 'I Follow The Sun', 'Something', 'If I Fell' and 'Norwegian Wood' reflect the scope of what's here, both in terms of songwriting credits but also era and - as a result - sound. One of the less obvious ways to remember one of the greatest groups in British pop history.

Review: They say that in life, we only regret the things we don't do. So imagine how you'd feel having sat in on The Beatles' 1962 audition for Decca Records if you then simply thanked the Fab Four for coming in and told them, through a smile of pure dishonesty, that they would be hearing from your assistant. A call that would never come. The label's loss was EMI and Parlophone's gain, in the end, and now we have the evidence to prove just how short sighted Decca execs were. The Decca Tapes, as it sounds, is a full setlist of everything that was played on that fateful morning. More so, it's a document of what could be the greatest misjudgement and oversight in 20th Century pop history. Still, you can't win 'em all.

Review: The Beatles were quite possibly at their peak already by the time 1964 came around, certainly in terms of the adoration of their fans and the wild energy they brought to live shows. This set from that year captures that in mono and despite it only being one record it is packed with more than 20 early tunes from the Liverpudlian outfit. Plenty you will know like 'She Loves You' and 'I Saw her Standing There' but many you may not. Either way it is a fine reminder of the greatness of this band back from their earliest era.

Review: There are some very special Beatles reissues landing right now and this is one of them: The Lost Studio Tapes 1962-1964 comes on limited hand-numbered blue vinyl double 10". It is a remarkable collection that takes a deep dive into the world of what might have been as these priceless recordings reveal the creative process that shaped cultural history. Featured is the Beatles' audition for Decca Records, the most controversial recording session in popular music history. Despite the impressive tape produced during this session, Decca Records famously decided not to sign the Beatles. Now, nearly 60 years later, you can listen in and decide for yourself what they were

Review: Today, pop stars use visual vehicles to further their reach, image and reputation every day, but back when A Hard Day's Night arrived, the idea of casting a band in a musical movie in which they played themselves, produced simultaneously with a studio album, was still more than novel. Largely unproven territory, the runaway success of this concept would go on to set a precedent. 36 hours in the lives of the group as they prepare for a TV performance, it not only breaks the theatrical fourth wall, it speaks to what was then an emerging appetite among fans to see more rounded, 3D renditions of their idols - now mainstreamed. Inspiring countless TV and cinema releases, from Ferry Cross The Mersey with Gerry and the Pacemakers, to the Monkees' series, A Hard Day's Night remains one of the best examples of the Beatles as revolutionary pop stars.