Back catalogue: All genres

Review: Sundries' Disco Goodies series, which rounds up the best of the label's digital releases and presents them on multi-artist EPs, reaches its fourth instalment. It hits home hard from the start, where Berobreo's 'Soul Driven Dynamics' provides an attractive mix of 1970s orchestral soul samples and rubbery deep house beats. Experienced re-editor Oldchap brings the goods with a lightly tooled-up and beefed-up rework of an orchestra-sporting disco gem ('Coloridos'), before X Gets The Crest delivers a percussive, hot-stepping and filter-smothered re-wire of a much-loved Cymande classic ('Still Come Home'). Over on side B, Alexny's heavy disco-funk re-edit ('People Says') is joined by a hazy and horn-heavy revision courtesy of Sould Out ('City Gal') and the pitched-up disco loop-funk of 'Since You Came' by Workerz.

Review: Sweet Harmony is back with a compilation bursting with colourful shapes, textures and fresh techno rhythms. Anatole Serre's 'Hyperdulia' is a fast-paced fusion of drums, breakbeats and subtle allure that is followed by Xiaolin's 'Breath of Water,' a more ethereal yet still-driving percussive trip. On the B-side, Feenicks' 'All Fairies Tell Tall Tales' delivers an uplifting blend of trance and new wave that has a dreamlike energy and the closer from Alfred Czital is a fast, progressive wonder.

Review: Fresh off the back of X-Ray Ted's debut album Moving On comes this instrumental/scratch tool version of 'Get Loose', one of the record's best-loved non single tracks. Prior to the full album's making and eventual completion, The Bristol-based DJ and producer had spent years honing his craft and refining his signature sound, which drew heavily on soul, funk, hip-hop and breaks; all of which were styles heavily indebted to the street battle breaks culture found in 90s New York and other major cities. 'Get Loose', the seventh track on the record, features British rappers Dr. Syntax and Elemental and is a fiery exploration of what it means to loosen oneself; the track features here in full original form, alongside its locked groove and acapella versions, the former of which samples an oldskool comedy set characteristic of the kinds of sources battle DJs would sift theirs from.

Review: Daxwood Records, led by Doyle Wood, unearths another gem from its rich archives with the release of XXCEPTION TO THE RULEia female duo featuring Vanessia Mathis and Daniela Curry. IZIPHO SOUL proudly presents two previously unreleased tracks from 1982, now available on 7" vinyl for the first time. The A-side, 'The Sweeter the Juice', is an infectious dancer driven by a funky, 'squelchy' bassline and powerful, soaring vocals. It's a groove that feels timeless, ready to ignite any soul night in 2024. On the flip, 'Angel in Disguise' offers a supreme ballad of the era, with Vanessia's emotive voice taking centre stage. The late Eldridge McMillan's piano solo is subtle yet packed with feeling, adding an extra layer of depth to the track. This release is a must for soul collectors, showcasing Daxwood's legacy and IZIPHO SOUL's dedication to preserving these rare musical moments.

Review: Serbian-born, NYC-based DJ and producer X-Coast returns with a new set of high-energy tracks designed for big arenas and main stages. As shown when remixing Shygirl's '4eva 'and DJ Gigola's 'La Batteria', he blends house, techno, electro, drum & bass and trance on labels like Steel City Dance Discs, Higher Ground and Mama Told Ya. X-Coast's signature sound fuses 90s and 00s rave nostalgia with modern production here and results in the tribal-infused 'Neapolis', soaring trance of 'Desert Storm,' and diva house energy of 'Hold Me Baby'. They all make for a dynamic collection which shows off X-Coast's genre-spanning versatility.

Review: X-Ray Ted's debut album, Moving On, is a tremendous journey through the realms of Funk, Soul, Hip Hop, and Breaks. With meticulous attention to detail and a keen ear for hidden musical treasures, X-Ray Ted delivers a collection that seamlessly blends vintage sounds with modern flair. From the infectious guitar riffs to the irresistible beats, each track on the album exudes an infectious energy that is guaranteed to get listeners moving on the dancefloor. What truly sets Moving On apart is the stellar lineup of collaborators, including hip-hop luminaries like Afrika Baby Bam and Fullee Love, as well as the soulful vocals of Carys Abigail. Together, they create a musical tapestry that effortlessly bridges the gap between retro vibes and contemporary beats, offering listeners a timeless experience that celebrates the rich history of music while embracing the future.

Review: If you think you know a cooler cat and more brilliant boogie producer than XL Middleton right now then you're lying. His Tap Water very much set that reparation in motion when it arrived back in 2016 right when modern funk was making a comeback thank to Dam Funk et al. It's a hard to find original that still stands up and now it has been followed up by a second volume of brilliantly squelch analogue funk, dazzling boogie baselines, lush sci-fi chords and retro future fills, vocals and hooks.

Review: Xylitol is the alias of producer and DJ Catherine Backhouse, also known as DJ Bunnhyhausen. Building on her slowly snowballing status as a co-host of the radio show Slav To The Rhythm, which focuses on vintage central and eastern European pop and electronica - as well as co-writing a book on Yugoslavian pop culture - Backhouse's debut album 'Anemonies' is the essential musical component for aiding the task of stomaching her many multifarious outings. Taking as her cue the art of illustrating molluscs, anemones, cnidaria and other aquatic creatures, Xylitol uses Anemone as an album-form outlet for the exploration of fizzing, extrambient jungle missives; tissued, papillary hardcore. The name Xylitol is an indication of what's in store for you here: impeccably reasoned intellibreaks, and piqued, pitched-up samples, both of which invoke childhood pelagic fantasy; virtual underwater verde. The whole record is an odyssean island hop, and we thoroughly recommend it.

Review: X.Y.R.'s latest offering delves into the depths of human experience, exploring themes of escapism, introspection and the search for meaning in a world that often feels chaotic and unfair. The album opens with the expansive 'Lost Horizon', setting the tone for a journey into introspective soundscapes and contemplative melodies. 'Melting Shapes' continues the exploration of inner worlds, with its shifting textures and ethereal sounds evoking a sense of fluidity and transformation. 'Despair' confronts the darker side of the human psyche, its melancholic melodies and haunting sounds reflecting the struggles of those who feel lost and disconnected. The B-side features the epic 'Invisible Lifeforms', a twenty-minute odyssey that delves into the hidden realms of consciousness. With its blend of ambient textures, tribal rhythms and meditative sounds, it creates a truly immersive experience that invites deep listening and introspection. X.Y.R.'s music is both calming and unsettling, offering a sonic reflection on the complexities of human existence.