Back catalogue: All genres

Review: Frozen Silence is the latest album by Polish saxophonist and composer Maciej Obara, made in collaboration with his working quartet; including Dominik Wania on piano, Ole Morten Vagan on bass, and Gard Nilssen on drums. Written during the pandemic, these compositions have a direct relationship with nature and isolation, exposing the introspective side of the composer. A mystical, twinkling and melodic sound abounds here, as every element in the mix pops and jut outward, in what could be one of the most dynamic, pristine and impeccably-recorded jazz albums to grace our ears this year.

Review: Pat Metheny's debut album, Bright Size Life, is a remarkable journey through jazz fusion, characterised by its lush warmth and melodic beauty. Released in 1976, it features Metheny on guitar, the late Jaco Pastorius on bass, and Bob Moses on drums. Together, they create an album overflowing with seamless synergy and musical strength. Metheny's guitar work is pristine and evocative, while Pastorius' bass playing is both precise and expressive, threading every musical needle Metheny crafts. The album opens with the majestic title track, known for its stunning melody and songs like 'Sirabhorn' and 'Midwestern Nights Dream' display a haunting and evocative atmosphere, with the latter highlighting Metheny's ability to weave intricate webs of sound. Tracks such as 'Unity Village' and 'Missouri Uncompromised' focus more on improvisation, demonstrating the trio's exceptional interplay. 'Unquity Road' stands out with its energetic and unique melody, while the album closes on a cheerful note with the bluesy Ornette Coleman cover, 'Round Trip/Broadway Blues.' Produced with exquisite clarity, Bright Size Life exudes the essence of jazz fusion, making it an amazing debut for Pat.

Review: Originally formed for a one-time performance at the 2017 Bath Festival, vocalist and violinist Alice Zawadzki, pianist Fred Thomas and bassist Misha Mullov-Abbado have crafted a beautifully nuanced collection of songs drawing from diverse traditions such as European folk, Sephardic Jewish, and Latin American music. The album's title, meaning Behind the Mountains in Polish, reflects its rich, cross-cultural roots. Zawadzki's haunting voice brings the listener into each piece, while Thomas and Mullov-Abbado's instrumental interplay creates an evocative, fluid backdrop. Standout tracks include 'Sueltate as Cintas', where delicate piano and bass intertwine under Zawadzki's spellbinding vocals, and 'Tonada de Luna Llena', which rises and falls with an emotional intensity that builds on Venezuelan composer Simon Diaz's melody. Throughout the album, the trio's seamless fusion of folk, jazz and classical elements creates a unique sonic palette. Thomas' arrangement of James Joyce's Gentle Lady is another highlight, blending poetic lyrics with soft instrumental flourishes. Recorded in Switzerland under the direction of ECM's Manfred Eicher, Za Gorami is a stunning result to their collective chemistry.