Back catalogue:

Review: 'Girassol' has long been one of the hardest-to-find gems in Brazilian great Marcos Valle's vast catalogue of sun-drenched musical treats. It was initially recorded and released as a promo-only seven-inch, with copies being handed out to customers of a Brazilian supermarket chain. This, then, marks the track's first ever commercial release. In its' original form (side A), 'Girassol' is a lusciously short, soft-focus affair - a two-minute chunk of laidback, jazz-funk influenced South American boogie bliss with the kind of high production values that you'd expect from Valle during his successful post-disco period. As with the original 7", it comes backed with the slightly more elaborate 'Playback' instrumental mix, where gentle, eyes-closed saxophone solos come to the fore.

Review: A UK club culture icon for all the right reasons, Luke Unabomber has put in a helluva shift over the years bringing the best tunes to the best parties for decades upon decades. He might be just as visible these days as a social media raconteur-comedian, but his depth of knowledge is unfathomable and a compilation like this is the perfect vessel to realise just a little of what he possesses in his fabled record shelves. Away from direct dancefloor firecrackers, this is a chance for Una to show off some jaw-dropping mellow cuts spanning soul, jazz funk, spaced-out electro and scores more obscurities besides. It's a collection like no other, featuring fully fledged songs that will burrow into the soundtrack of your own life without even a shred of resistance.

Review: Mr. Bongo continues in their mission to peddle the feel-good, compiling rare Brazilian, gospel, modern soul and jazz fusion music, all with a bent towards ecstatic dance. Not taking itself too seriously yet still dipping one toe in the mystical and romantic, our favorites from the comp include 'Don't Need No Fortune Teller' and the patient 'Waiting For Love', all compiled by Mr. Bongo director and former Spiritland programmer Miche.

Review: Late last year came the first volume of this superb new series from Mr Bongo and it's one that showed compiler Miche to be first class. He is known on the London underground as the music programmer for the acclaimed Spiritland venues and so has spent inordinate hours digging deep into all manner of different sound worlds. This one focuses on soul with 15 great tunes spanning deep and sentimental sounds, more dancey numbers of raw and guttural funk cuts. It's one of those vital double albums that does plenty of the hard work of digging for gold for you.

Review: If you know what's good for you, you will have picked up the first volume of this new With Love series from Mr Bongo. It was a red-hot soul selection that was packed with gold and now Miche is back with another. He is the man in charge of the musical programming at London's Spiritland venues and has now been digging deep once more to come up with 15 more soul nuggets. From raw to deep, lush and danceable to more emotive and vulnerable, it's a heart warming selection. Do not sleep on this one, which is a pink vinyl version.

Review: Brighton based record label, publishers, cinematographers and legendary former London record store Mr Bongo present the first installment in their new 'Mr Bongo Record Club' compilation series. It features, in their words "a selection of favourites, recent discoveries and sought after obscurities, which form the basis of our DJ sets and our radio show of the same name." There really is some great music on here that has been sourced from all corners of the globe and as much as they're oldies: they certainly are goodies. Our favourites weren't limited to: Brazilian duo Lemos E Debetio's charming "Morro Do Barraco Sem Agua", the African funk explosion of Lantei's "Fish & Funjee (Komi Ke Kenam)" and some truly hot reggae vibes in the form of Big Youth's 1977 unclassic "Mammy Hot Daddy Cool" among many others on this fine compilation.

Review: The crate-diggers behind the Mr Bongo label can usually be relied upon to showcase some seriously good tunes old and new. That's certainly the case on this third volume in their occasional "Record Club" series of compilations. Spanning sunshine soul, obscure samba, spacey jazz-funk experimentation, wide-eyed underground disco, fiery funk, weirdo rock, cheery South African bubblegum, synth-laden early '80s highlife, Ramsay Lewis style workouts and the psychedelic Middle Eastern disco-funk of Elias Rahbani, the compilation's 20 tracks are not only near faultless, but genuinely surprising and eye-opening. To quote a cliche, this collection genuinely is all killer and no filler.

Review: Jazz Rock doesn't quite do exactly what it says on the cover - jazz features heavily on this gorgeous record, but of the spiritual kind, and often driven by lush, funky drum playing. It is also a record defined by the distinctive sound of the koto - a traditional Japanese string instrument that lends the record a delicate and beautiful feel. It was recorded in 1973 and sounds both perfectly aged yet utterly fresh and also features bamboo flute playing by Hozan Yamamoto. It's a laidback record, one filled with the joys of spring, but also one that doesn't take itself too seriously and gets upbeat and funky as often as it does tender and pensive.

Review: By now, we should know exactly what to expect from Mr Bongo's superb Record Club series of compilations: inspired selections, across a range of complimentary styles, from the esteemed label's staff and roster of in-house DJs. Predictably, volume seven is another must-check treat, with the plentiful highlights including the sun-soaked samba shuffle of Yvette's 'Upa Neghuino', the jazzy MPB excellence of 'O Espaco' by Os Panteras, the joyous and spiritual dancefloor soul-jazz of Roman Andren's 'Captain's Sword', the gritty funk-rock of Truth & Devotion ('Bless My Soul'), the heavy disco of 'Come Inside' by The Shades of Love, the self-explanatory (but hard to pigeonhole) brilliance of Tony Wilson's 'Hangin' Out In Space (dub mix)' and the hard-to-find excellence of JC Lodge's 'In Between The Sheets', a far-sighted Jamaican street soul jam from 1993.

Review: Mr Bongo's latest must-check compilation doesn't mine Brazil's musical heritage, but rather shines a light on what's happening in Rio de Janeiro right now. Hidden Waters was compiled and curated by two Brazilian music specialists - Joe Osborne (founder of the Brazilian Wax website) and Russ Slater (Editor at Large of Sounds and Colors) - and offers up a blend of scene stalwarts and exciting starlets. Musically it's varied, but largely rooted in samba, MPB and other classic Brazilian styles. So, while sun-soaked sounds (sorry) are the order of the day, Osborne and Slater also find room for the fuzzy psychedelia of Ava Rocha, the Stereolab-goes-samba flex of Exercito de Bebes, the low-slung, synth-sporting mutant funk of Thiago Nassif, the spiritual, pastoral-sounding afternoon warmth of Mari Romano and the lilting vocal jazz of Troa. An impeccable, eye-opening collection of quality cuts.'

Review: The concept behind Luke Una's first solo compilation as a selector may be a little bit fuzzy - fundamentally, it's music for watching sunrises and feeling spaced out after a night on the tiles - but the music he's decided to showcase is uniformly fantastic. In-keeping with his famously eclectic approach to music, the 13 tracks on E-Soul Cultura include forays into spiritual jazz (Chene Noir), luscious Brazilian sunshine music (Robson Jorge & Lincoln Olivetti), acid-jazz-goes-deep house (Brand New Heavies), British neo-soul (Typesun), jazz-funk (King Erisson, Yussef Lateef), chant-sporting proto-house madness (Nar'Chiveol), a prime slices of sub-heavy Sheffield brilliance (On's sought-after cover of 'Southern Freeez') and a blissed-out chunk of minimalist electronica from Roman Flugel's Soylent Green project.

Review: A welcome return to the compilation arena from Luke Una, whose deep record collection and pleasingly open-minded record collection make him a perfect curator. E Soul Cultura has a concept of sorts - the kind of vaguely Balearic but not genre-bound jams that the Sheffield-born, Manchester-based DJ would play to fellow E'd-up party survivors at 5am - but it's the quality of the music on offer that makes the compilation so essential. For proof, check the spiritual space disco shuffle of King Errison's 'Space Queen', the deliciously sub-heavy, post-bleep deep house soul of Sheffield outfit On's cover of 'Southern Freeez', the bruk-up soul of Type Sun's 'The PL', the Brazilian sunshine of Robson Jorge and Lincoln Olivetti's 'Eva' and the deliciously percussive, intergalactic jazz-funk vibes of 'Every Time I See Him' by Metropolis.

Review: We're used to seeing pools of 7"s from the Mr Bongo label, so to have this new compilation of rare and original music from Mali truly is the warmest of Easter treats for us. And so it should be for you, too. David 'Mr Bongo' Buttle has really gone to town with this one, and it feels like he's on a wining streak at the moment; that recent compilation from Cape Verde, out through his Ostinato imprint, really caught us by surprise a few months back. This compilation is every bit as exciting and revelational, and perhaps even more sophisticated than anything else the man has reissued over the years. This comes as no surprise given the fact that Malian music is considered to be the pillar of African experimentation within the music realm, and this feels absolutely true on this particular selection of songs. A subtle funkiness engulfs the entire release, except that each track has its own story to tell, whether that's through slow chanting, fast-paced jazz funk, or even primitive forms of drum-machine boogie. Most importantly, however, there is always something true and characteristic of Africa at the core of these songs, and this LP will no doubt live a comfortable existence way out into the future. Excellent.

Review: Since launching in 2016, Mr Bongo's Record Club compilation series has provided three essential volumes of personal favourites - many obscure and hard-to-find - selected by the label's in-house team of crate-digging DJs. Volume four is naturally every bit as essential as its' predecessors, offering an enticing mixture of Brazilian, African, soul, funk and disco with not a suspect selection in sight. This time round, they've chosen to include contemporary music as well as dusty old gems, with highlights including Kenny Dope's delicious rework of the soul-jazz positivity of 'Throwing Stones' by James Reese and the Progressions, the fast version of Ze Roberto's 1973 MPB classic 'Lotus 72D' and the samba-folk wonder that is Matthew Tavares' 2019 gem 'Self Portrait'.

Review: Mr Bongo Record Club's Volume 7 presents a meticulously crafted mix of classic favourites and exciting new finds spanning a broad array of genres, including Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo. This series has fans of the label excited about each volume that comes. With standout tracks like Os Panteras' Brazilian funk, the underground disco vibes of Claude Jay, and the soulful melodies of the Danish duo Gitte & Inger. Truth & Devotion's gospel soul and Chain Reaction's infectious grooves further illustrate the diverse range of influences at play. This volume particularly emphasises Brazilian music, diving deeper into folk and Afro-Brazilian sounds with selections from As Sublimes, Romeu Fernandes, and Conjunto de Percussao Dora Pinto. These tracks offer a refreshing shift from earlier volumes and showcase Brazil's rich musical heritage. A highlight is the exclusive 'Spring Has Sprung,' a collaboration between legendary Asha Puthli, the inventive band SOYUZ, and Swedish producer Sven Wunder. This track exemplifies the high-quality productions Mr Bongo Record Club is known for. Volume 7 blends Brazilian depth with dancefloor-ready hits, such as The Shades of Love's 'Come Inside.' This collection celebrates both timeless and contemporary music, reflecting the enduring allure of diverse and dynamic sounds.

Review: The liberation of Mali from French rule in 1960 led to an explosive musical renaissance, and on this latest 2xLP compilation, Mr Bongo seek to remonstrate the nation's excellence in the face of much strife. After 1970, amid revived drives to document many national and regional music productions from the West African nation, Malian culture underwent a fertile transformation, with state-sponsored bands and orchestras able to record with sound engineers for the first time. Compiled by French writer and journalist Florent Mazzoleni and Mr Bongo's own David Buttle, we hear here the likes of Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, where bright, fuzz-packed tones whirl about our ears in serene squalls of balafon-driven funk, rumba, wassoulou, jeli and blues.

Review: The latest edition of the Mr Bongo Record Club series is a meticulously curated blend of timeless gems and fresh discoveries. Volume 7 showcases a rich tapestry of genres, spanning Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo music.This version on purple vinyl shines a spotlight on vintage tracks while introducing a contemporary gem. Highlights include Os Panteras' Brazilian funk, Claude Jay's underground disco beats, and the soulful Danish duo Gitte & Inger. The gospel soul of Truth & Devotion and the infectious grooves of Chain Reaction also stand out, reflecting the diverse influences that inspire this compilation. Notably, this volume leans heavily into Brazilian sounds, exploring deeper into folk and Afro-Brazilian influences with selections from As Sublimes, Romeu Fernandes, and Conjunto de Percussao Dora Pinto. These tracks offer a refreshing contrast to previous volumes and highlight the expansive nature of Brazilian music. A standout feature is the exclusive track 'Spring Has Sprung,' a collaboration between iconic Asha Puthli, the innovative band SOYUZ, and Swedish producer Sven Wunder. This new production is a breathtaking addition, exemplifying the exceptional quality that Mr Bongo Record Club aims to deliver. Additionally, the compilation includes club-tested hits like The Shades of Love's 'Come Inside,' ensuring that the dancefloor favourites continue to resonate.

Review: Those tireless diggers at Mr Bongo have been at it again and now return with Record Club Volume Six, another selection driven by the love of "hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight." This collection is another treasure trove of superb sounds that takes in all manner of much loved classics from across the world and places like Canada, Sweden, Brazil, Japan, Portugal and Trinidad and Tobago. Everything from psych-pop songs to spine tinging gospel features, some of it on vinyl for the first time ever.