Back catalogue:

Review: A reissue on nice double vinyl for the sixth album from 'sophisti-pop' pioneer Jackson, fusing jazz, funk and soul elements with a post-punk spikiness and a very British outlook, pointing the way forward for the likes of the Style Council and a host of other 80s acts. It first surfaced in 1984 and although it's the first digitally recorded album he made, it's typified sonically by Jackson and producer David Kershenbaum's move to reject the sterile, dead acoustics of modern studios in favour of the Manhattan Masonic Hall, previously mainly used for classicx recording. The jazzy solos, sparkly sax and snazzy chorus of 'You Can't Get What You Want (Till You Know What You Want)' - with just a hint of Afrobeat groove to it too - are probably best known here, but all nine songs number among the Staffordshire-born musician's smartest output.

Review: Celebrate 20 years of In Between with In Between Revisited: Jazzanova Live, a vibrant reimagining of Jazzanova's smashing debut. Recorded at Little Big Beat Studios, this intimate session fuses the original album's sample-driven roots with the real-deal energy of live musicianship. Tracks like 'That Night', 'No Use', and 'Days To Come' take on new life, blending jazz, soul, and electronic elements in a seamless, unforgettable performance. Though it was originally a studio creation, In Between helped define the genre of nu-jazz upon its 2002 release, where nu-jazz itself always invites live-lounge rejigging. With the Jazzanova Live Band, formed in 2008 and honed over 15 years of touring, the group finally brings a long-plotted album to the stage. The performance is here captured on analogue tape with stellar musicians and vocalists, reinventing, yet at the same time devoting itself to, a classic.