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Bestselling Techno (すべて) vinyl
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Review: Adam Beyer's all conquering Drumcode label has kept big rooms banging for decades now. The latest artists to step up to tweak the hugely successful formula are Alex Lentini and Stomp Boxx. hey pair up on four fresh cuts that right from the off show some nice invention, with fizzing textures and wooden, block beats defining 'Solstice.' 'Split The Noise' is all about those big, panel beaten techno drum loops and 'Azimuth' surges forwards on waves of static electricity with some neat synth bubbles hidden within. 'Equimulate' closes out one of the better Drumcode EPs for some time.
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Review: REKIDS staple and Uncage main man Marco Faraone continues with his relentless output on this new one for Drumcode, where his big room techno sound makes a more than welcome addition to the catalogue. 'Our Freedom' is a peak time anthem powered by a massive Reese bassline and contrasted by serene melodies - to a backdrop of pummelling rhythms. Similarly 'Burn Down' on the flip is a seething, menacing thriller that is unusually complimented by lush female vocals, while final track 'Magic Sunset' goes out all guns blazing; its euphoric energy could indeed work as its title suggests.
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Review: Two right legends of techno unite here for the latest release on Drumcode. Label chief Adam Beyer presents 'Restore My Soul' featuring Chicago hard techno veteran DJ Rush, their relationship stretching back nearly three decades from when they both started out in the' 90s. The title track is aimed squarely at the main room dancefloor; a seething, mental groove featuring Rush's stern vocal delivery atop, before taking the energy levels into the peak time on the adrenalised thrasher 'Control'. Over on the flip, you are treated to a rework of the title track by DJ Rush himself in his typically stomping and orotund style.
… Read morePlayed by: Juno Recommends Techno
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Review: Here comes Eli Brown, a Bristol-based techno and tech house producer who knows how to make his tracks sound absolutely massive. He's dropped on Toolroom, Of Unsound Mind, Moon Harbour, Relief and Repopulate Mars amongst many others, and now he's hit the big one, Drumcode. Brown's more than ready for Adam Beyer's label, bringing the high-pressure goods on the likes of 'Deep Down' and 'Nazareth', using that essential low-end boom and plenty of nervy acid up top, keeping the drums piling on hard and teasing the drama in his gargantuan productions. If you like it big, which you should do if you're checking Drumcode, then this EP has everything you need.
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Review: Drumcode's main brain Adam Beyer hardly needs any introduction, but newcomers to the label might be surprised that his outfit has its sights set on putting out single-sided releases at the minute. 'Legend' is Beyer's kick-off for 2023, following up the completion of his own home studio with an inspired production run. An ascendant fast-build to sublime ecstasy, the track characteristically locks into a deep arpeggiated saw line at its drop; an example of Beyer flaunting his ability to juxtapose massive pre-drop space with post-drop minimality.
… Read morePlayed by: Juno Recommends Techno
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Review: First released digitally last year, Lilly Palmer's Drumcode label debut has finally made it on to vinyl. All three tracks have proved popular with digital DJs, and it's easy to understand why. Title track 'Resonate' is a fiendishly heavy, near brutal techno excursion in which tight, mind-warping acid lines, creepy aural textures and razor-sharp synth sounds leap above a blistering beat and doom-laden bassline. 'First Time in Space', in which she takes to the mic, is a frankly breathless and insatiably intoxicating acid techno stomper of the sort that Drumcode does so well, while 'Ultimate Feeling' pairs the booming, ten-ton beats associated with Belgian producer Amelie Lens with layers of creepy electronics and warped industrial sounds.
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Review: The Dutch techno veteran Bart Skils is back with another impressive release on the mighty Drumcode. 'Horsepower' is a relentless peak-time techno track that is sure to captivate dance floors and have the crowd moving with its chugging energy. It builds steadily, leading to an epic breakdown before unleashing the full power of its steely groove, making it perfect for those heads-down moments in the main room. On the B-side, 'Sunshine In The Dust' takes a more straightforward and functional approach with its variety of female vocal parts, catchy bongo drums, and a sexy horn sound. It's a groove-driven track that is both sultry and infectious.
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A Sides Vol 11 Pt 2 (12")
Cat: DC 2712. Rel: 19 Apr 23
Review: Drumcode's A Sides series has been a great source of contemporary techno potency and there is no signs of it slowing down yet. This is the second part of the 11th volume and it has three fresh names. Veerus opens up with 'Lights On Me' which is a dark tune with a tense energy and celestial chords keeping you in suspense. Ramiro Lopez then offers the more loopy and hypnotic 'Yo Mas' with its hooky vocals bring an exotic feel. Anna Reusch shuts down with a flat footed stomper that will get your jaws clenched on 'Deeper.'
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A Sides Vol 11 Part 3 (12")
Cat: DC 2713. Rel: 25 Apr 23
Review: The all powerful Drumcode label still does a fine line in big room techno after countless years and even more releases of the stuff. This third part of the A Sides collection brings together a towering selection of names from that scene including Tiger Stripes with the smooth cruise that is 'Altar'. Veterans Pig & Dan vs Gregor Tresher get more intense with frosty loops and dubby hits building a vibe and Wehbba ups the ante with acid daubs and fizzing drums on 'The Next Step.' Nicole Moudaber's 'Come To My Beat' (feat Romina) then hammer home a hefty techno groove.
… Read morePlayed by: Juno Recommends Techno
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A Sides Vol 11 Part 4 (12")
Cat: DC 2714. Rel: 28 Mar 23
Review: First cropping up in 2012, the mammoth A-Sides series from the titanic Swedish techno label Drumcode charges ahead into its 11th installment (can you believe it?) while also managing to split said installment alone across seven slices of vinyl. This is the fourth record of seven in part eleven. Only gigantic-room techno could justify this waxen audacity; the music is braggadocious to boot, with contributions from Nicolas Taboada, BEC, Avision and Cosmic Boys. The tracks here are as dreamy as they are goosebump-inducing, easily seguing between massive transitions and drops to cathartic reesebound trances.
… Read morein stock $9.95
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A Sides Vol 11 (12")
Cat: DC 2715. Rel: 07 Mar 23
Review: Adam Beyer's ever reliable Drumcode imprint returns with the eleventh edition in its trusty A Side series. On this one, we've got Aussie Juliet Fox with some pure peak time energy on "Evolution Of Thinking" followed on the A side by Thomas Hoffknecht's "Break Free" - an absolutely euphoric main room affair featuring classic trance motifs. Over on the flip, the reins are handed over to Timmo who wastes no time getting down to business on the steely heads-down number "Community Tool", followed by the pummelling warehouse techno epic by Andres Campo - "Cyclops". Serious!
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A Sides Vol 11 Part 6 (12")
Cat: DC 2716. Rel: 03 May 23
Review: Adam Beyer's esteemed Drumcode resurfaces this week with the next installment in the A Sides series. We're already up to Vol 11's sixth part, and this one seriously means business. Take for instance Hungarian techno hero Jay Lumen's 'Astronaut' featuring the pummelling cyclicality of its muscular bassline that's reinforced by truly visceral kicks. Elsewhere, Dutchman LAAT (Elevate/Tronic) is sure to have you reaching for the lasers on the steely and acid-inflected power on 'Call Of The Tribes' while the enigmatic Zimmz will properly elevate you to maximum euphoria on the trance-influenced energy of 'Qualia'.
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A Sides Vol 11 Pt 7 (12")
Cat: DC 2717. Rel: 21 Mar 23
Review: Gargantuan-room techno trailblazers Drumcode return with 'The A Sides Vol 11 - Pt. 7'. If the title is any indicator enough - and no, it's not irony - this is a stonking closer to a mammoth seven-12" compilation series. The love-em-or-hate-em label always deliver a rave romp for titans, barging past polite types with frick-off bits from A.D.H.S., Julian Jewell, Marco Faraone and Gary Beck. Topping off a project originally conceived in 2012, this is a pulsing sensation suitable for both budding techno enthusiasts and chinstokers willing to let their hair loose for once.
… Read morePlayed by: Juno Recommends Techno
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Review: Techno team-ups don't come bigger than this, as Drumcode's overlord of all things mega-tech Adam Beyer links up with Chicago's agent provocateur Green Velvet to give you your next stadium shaking anthem. This isn't the first time Beyer and Velvet have worked together - you could find them on the 2018 track 'Space Date' for one thing - but there's a sense 'Simulator' will become their calling card as a formidable double act. It's simply huge, catchy as hell and full of all the fireworks you could wish for from a super-sized techno workout, all guided by Velvet's unmistakable voice ducking and diving around the expertly engineered mix.
… Read morePlayed by: Juno Recommends Techno, Rave Energy
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Elevate Part 1 (12")
Cat: DC 2771. Rel: 06 Jun 23
Review: The always hard-hitting Drumcode kick off a new series here under the name Elevate. It welcomes new school techno tastemakers to serve up their own scintillating main room sounds with Siona label boss and prog house 2.0 figurehead Miss Monique going first. Her serene chords douse you in trance tinged lushness as the deep beats roll on. Chelina Manuhutu's 'Amsterdam Rave' is a more rock solid warehouse roller and Anna Reusch runs with that vibe on her booming, all-consuming techno kicker 'Let Me Take You There'. There is then some flashy acid lines from DJ Dee on her 'Freaking Out'. A fine, all-female fronted EP from Drumcode.
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Review: Drumcode's Elevate series hits a third instalment here and this time it is a three tracker with solo cuts from three big names. Tini Gessler kicks off with 'Nothing Expected' which is a teeth-gritting and white knuckle techno roller. Marie Vaunt serves up monstrously large and slamming kicks on 'Technology' and then runs them through with brutal synth lines that spray about with their own dark energy. It's a truly edgy cut before BEC's 'Humanoid' layers up hard tech drums that slam down firmly with a warped lead which leads you late into the night. A trio of high impact weapons, for sure.
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Review: With a career reaching back some 20 years, Bart Skils has remained committed to the art of the techno 12", with not a single album to his name. Instead, his focus has been on a staggering hit list of legendary labels from Pure Plastic to 100% Pure, Break New Soil, and since 2012, primarily Drumcode. As part of Adam Beyer's core contingent he's played a major part in shaping the sound of the label, and so he continues on this exemplary two-tracker. 'Roll The Dice' is a muscular yet lean workout for the bigger kinds of spaces, playing around with some monotonal vocal threads and laying down the b-line throb you expect from a Drumcode A side. The flip offers something a little different as 'Into The Clouds' takes some looped guitar licks as a vessel for transcendence, atop a steady trucking techno undercarriage, of course.
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Review: .Drumcode's sub series Drumcode Limited hits a 30th release this July as Oscar Escapa steps-up with three booming new cuts. There is no messing about here as the opener will sweep everything in its wake out of the way like a techno tsunami. It has urgent siren sounds and yelping vocals which add to the drama. 'Shake' has more hefty low ends that will rattle both ribs and walls and plenty of FX and percussive iciness adding to the intensity. 'Lights' shits down with a Millsian-style melodic techno mind melter. It's an urgent and arresting cut to close a fine EP. ,
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Review: Bart Skills is a veteran techno producer and Drumcode is a veteran techno label, but neither shows any signs of age here with Weska also joining in for a pair of highly potent and weaponised new cuts. They take up one side each and first is 'Something More' with its sweeping blasts of white noise, factory floor sound effects and unrelenting drums that will demolish any dancefloor. 'Palm Strings' then carries on the party with a more stripped-back sound initially, but eventually, the rising synths take over as the gritty drum loops pound away below. A pair of big room monsters for sure.
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Final Chapter (Charles D Remix) (limited 12")
Cat: DCX 006. Rel: 11 Jul 23
in stock $15.31
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Review: Pretty much all Drumcode releases are colossal and anthem-like - it's the imprint's niche, after all - but this two-tracker from Stockholm stalwart Tiger Stripes is particularly sizeable. A-side 'Nocturne', for example, is as driving, mind-altering and breathless as they come, with Hardfloor style acid motifs, twinkling piano breakdowns, trancey riffs and enveloping aural textures rising above a blisteringly tough and intense beat. The pulsating tech-trance vibe is further explored on 'Renegade', a track whose elongated, slowly rising breakdown - which comes complete with glassy-eyed vocal samples, does a brilliant job in stirring the senses and raising the pressure out on the dancefloor.
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Review: Next up from the leading label in the world of so-called Business Techno are a couple of contemporary remixes of some Adam Beyer classics. His Restore My Soul EP was written with DJ Rush and now gets reworked by modern day greats ANNA and HI-LO. The latter, a regular on the likes of Filth on Acid, goes first and flips the title track into a bruising and panel beaten techno roller with coarse drums and peak time intent. Brazilian talent ANNA then offers a more subversive and slow boring take on 'Control' that has twitchy synths and firmly rooted techno drums.
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Review: Layton Giordani hails from New York, and since 2017 he's been nurtured by the Drumcode stable as a reliable source of epic techno for the biggest crowds around. His new release is a short, sharp two-tracker which features two very different offerings from this highly decorated new-wave techno titan. 'Phantom' is a massive, grinding beast driven by full-fat synths, dramatic breakdowns and explosive drops - if you appreciate Drumcode, you know what the deal is. Things get mixed up on the flip as 'Thrillseeker' nudges the tempo up, toys with a nimble rhythm section and pings some tripped out effects and playful sample juggling around the frequency range. It's an intriguing look into the other side of Layton Giordani.
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Review: Up next for Adam Beyer's esteemed Drumcode imprint is Enrico Sangiuliano, a Milan based DJ/producer originally from Reggio Emilia who has been been active on the Italian scene since the early noughties, playing everywhere from clubs to illegal raves. His work of late has been released on sister label Truesoul, Alleanza, Gem Records, Octopus Recordings and Rhythm Converted. On "Moon Rocks", Sangiuliano provides a euphoric, hands in the air anthem with soaring synth leads and seriously humming Reese bassline over a high octane beat. Also on the A side is the mad diva vocal breakdown on "Ghettoblaster" which soon gives way to a dark and tunnelling epic. Finally on the flip, we have two versions of "Dutch Kiss" but for our money it's all about the sombre and emotive IDM vibe of the Inner remix.
… Read morePlayed by: Resident Advisor
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Review: Drumcode don't just do huge-room heaters, you know. 'When The Lights Go Down' is a strong case for the label's darker side, seeing to a generous three-track contribution from Neapolitan producer and DJ Roberto Capuano. The artist eschews an overindulgence in detuned trance saws for reese basses here, preferring to revel in the wealths of space offered by repeated kick drums and large reverberative spaces - as opposed to high-endy, sizzly sounds. The title track is the star, thanks to its riveting vocal line and guard-throwing rhythmic messups, which occur at the same time.
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Review: The legendary techno pioneer that is Josh Wink is still managing to turn out sleek and fresh cuts decades after he changed the game with his seminal 'Higher State of Consciousness' tune. The Philly-born and bred artist lands on Swedish behemoth Drumcode here with some mighty fine weapons - 'Mind's Eye' is first up and is a bulky and muscular roller with prickly acid and gritty cosmic melodies. 'Caterwaul' has screeching vocals as the title suggests it might and hefty drum funk down low. 'Mind's Eye (acappella)' is a freaky vocal tool for twisted late-night deployment by adventurous DJs.
… Read morePlayed by: Juno Recommends Techno
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Review: Gavin Harris, otherwise known as Eli Brown, has been on the fast track to the premier league, big-budget stadium tech over the past five years, snapped up by Skream on Of Unsound Mind, Toolroom Records, Moon Harbour, Alan Fitzpatrick's We Are The Brave, Lee Foss' Repopulate Mars - the list goes on. After delivering a four-track EP to techno industrial mega complex Drumcode last year, he's back with a not-so-subtle reinterpretation of LFO's iconic bleep techno 'Freak', originally released in 2003 on Warp. If you're craving a smoothed out, reliably rolling version of Mark Bell's masterful, mind-twisting original, look no further.
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Review: Fresh from the runaway success of his all-star collaboration with Adam Beyer and Green Velvet, "Space Date", Layton Giordani returns to Drumcode with his first fresh solo material since 2017. All four tracks are formidably floor-friendly in the "big room techno" style that has turned the Drumcode crew into global stars in recent years. Giordani begins with the tribal drums, atmospheric chords, acid stabs and bleeping synth melodies of "New York City To Amsterdam", before doffing a cap to Italo-disco on the electro-techno chug of "Enter The Stratosphere". Over on side B, "Body Language" is an angular, acid-fired peak-time thumper, while closing cut "Black Mirror" sees him fix gated, trance style riffs to a typically throbbing, bass-heavy techno groove.
… Read morePlayed by: Juno Recommends Techno
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Review: Following a standout contribution to the 'Elevate' compilation, Mha Iri steps up for her Drumcode EP debut. Continuing Scotland's grand techno tradition, the Edinburgh-based DJ/producer is one of 2023 breakout artists; her debut EP on the label is a tantalising prospect, with 'The Unexpected' playing with trademark light-and-dark motifs, mixing up sharp percussive elements with ethereal melodies, before a ripping bass drop takes the energy up a notch. 'Let The Good Times Roll', meanwhile, is a slick accompaniment, as atmospheric techno gets supercharged via a punchy rap vocal and laser-kissed chords.
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Review: Packed with percussive energy, thrusting basslines and mind-altering electronic motifs, this collaboration between long-serving Swede Patrick Seich and rising star Sandra Mosh deserves to be heard by far more than the Drumcode faithful. The pair set their stall out on EP opener 'Rhythmic Reflection', where whispered vocal snippets and psychedelic acid lines rise above breathless techno drums and a throbbing sequenced bassline, before opting for a dark, wayward and more intense techno sound on 'Synchrony'. They intensify their collaborative sound further on 'PPMV1', in the process making great use of twisted electronic riffs and hissing ride cymbals, while closing cut 'Soft Light' brilliantly fuses creepy electronic melodies, trance-inducing TB-303 lines, bouncy drums and clandestine chords.
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Review: You have to respect Adam Beyer for still being a real techno overlord these days. He has been on the scene almost since day one, as has his trusty Drumcode label, and they are both still winning over new generations of fans with their direct to dancefloor style. This latest missive is another monster starting with the hard and heavy drums of 'Robotic Arms' which comes with just enough detail from the sic-fi vocals and synths to get you locked, then the anthemic 'No Hate' is sure to become a big one for Beyer with its rolling drum funk and repeatable vocals. A Trippy Mix is a more wild and frankly better version.
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Review: Returning to Drumcode for the umpteenth time comes Marco Faraone, offering up two tracks, 'Dangerous' and 'Pressure', both of which evoke gargantuan factory rooms and processing plants. The first track is a clean and pulsatory loomer, with essences of tech house and big room sprinkled in, as we're continually reminded that whatever awaits us round the corner, "it's dangerous". 'Pressure', meanwhile, is a surreal judderer, with giant metallic girders sounding to grind against each other as a ghostly voice speaks of diversity, of "different kinds of people", coming together as one.
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Review: 'Don't Stop' is not only the title of this new EP from Charles D, but so too something of a mantra Drumcode label head Adam Beyer seems to live by. Its output has never really slowed despite 20 odd years of business and still it is up there with the best of the best when it comes to potent main room techno. This latest trio of tricks kick off with 'Don't Stop' which is a hard edged banger with buzzing and serrated synths. 'No Escape' is another raw cacophony of sound with dark vocals lost in the synth storms and 'Choir's Palace' sets down with some slightly trance-like energy that will get hands in the air.
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Review: It is a testament to Adam Beyer's enduring love for techno that he continues to serve up choice cuts from his long-running and influential Drumcode label on vinyl. He looks to the talents of Victor Ruiz and Modea for this new two-track 12". Firstly the pair hook up for 'Bloom', a cavernous techno sound that sweeps dancefloors off its feet and floats them amongst subtly uplifting chords while the drums toll on. There are epic melodic overtones to the flip side track 'Contrast,' too. This one will get heads held high, hands in the air and crowds fully taken in with its celebratory atmosphere - until the monstrous drums and acid arrive, that is.
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Review: Main room techno doesn't come any more authentic and impactful than when served up by Drumcode, which is a label that has long been dealing in exactly that. For this new dancefloor weapon, label boss Adam Beyer has called upon Oscar L for two of his finest. First up is the fizzing, texturally rich and overwhelming sound of 'Again' which is always on the rise and powered by slamming great big kicks. 'Driving Into Techno' is another purely physical and functional workout with some nice saw tooth synths bringing a little funk.
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Review: Adam Beyer's Drumcode label is very nearly at its 300th release, which is a fine achievement by anyone's standards. Here he taps up Veerus for more of the Swedish imprints signature main room techno tackle and he doesn't fall short. 'Cycle' is full of the sort of drama you expect from this label - flat, driving drums, synths fired from a machine gun, strobe lit pads and frazzled textures to make for exciting and impactful experiences. 'It's Funky' on the flip is another big one with thunderous clasp and drums all sweeping dancers off their feet.
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A Sides Vol 12 Part IV (12")
Cat: DC 293V4. Rel: 27 Feb 24
Review: Adam Beyer's notable techno label Drumcode seems to be as busy as ever of late. The label here rolls out a fourth part of its ongoing A Sides series, which is now up to volume 12. Though the Swede himself doesn't feature, some of his trusty sidemen do starting with Chris Avantgarde who brings big room, hard techno energy to 'The Last Time'. Bry Ortega keeps it just as intense with the machine-gun like synth fire of 'Discover 9', Massano brings some brighter synth loops to the stomping 'Betraya' and Spektre shut down with a mix of hardcore, trance and techno potency on 'Too Far Gone.' Some great DJ weaponry here, for sure.
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Review: ***B-STOCK: Slight surface marks ***
Alan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
… Read moreAlan Fitzpatrick returns to Drumcode, marking his first appearance since late 2016 when he remixed Moby's hit "Porcelain".The release opens with "Brian's Proper Dun One", a track which caused a storm on his Twitter profile when he first started playing it last year. Loaded with sharp and pounding drums, this is a no holds barred, certified main room anthem! "Wait A Second" has been getting a lot of play on Drumcode Radio of late. This rave inspired track takes a raw, stripped back approach and delivers a killer blow. Alan sampled the vocals of MC r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with "Trance, Init?" a homage to Fitzpatrick's days as a raver before he became a DJ. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.
in stock $12.44
