Review: Berlin-based Canadian Scott Monteith has released many albums over the course of a near two-decade career, though few are quite as focused and laden with meaning as Wax Poetic For This Our Great Resolve. At heart, it's a political record, with each track featuring spoken word pieces or poetry written and delivered (in a variety of languages) by one of Monteith's music pals. Whether his collaborators are musing on the nature of democracy or telling a political parable, their words subtly rise above a sequence of brilliant backing tracks that variously touch on dub techno, melodic deep house/techno fusion, basement bothering post-dancehall riddims, hypnotic organic/electronic fusion and hazy, early morning ambient. As a result, this could well be the most varied and enjoyable Deadbeat album yet.
Morgan Geist/Julie Dexter - "Linking Tunnel/The Plan"
Aardvarck - "Komt Goed"
Circulation - "Sincerely" (Creation mix)
DJ Koze - "Let’s Love"
Ron Trent & Chez Damier/Deetron - "Morning Factory/Choose Me" (feat Steve Spacek)
Nikola Gala - "Only" (Ryan Elliott remix)
Keith Worthy - "Moon Dance"
Paul W Teebroke - "Thing 1"
Radio Slave - "Children Of The E" (KiNK SP1200 remix)
Deetron - "Cry With The Stars" (feat Jamie Lidell - acappella)
A Made Up Sound - "Rework"
Hnny - "Hotline Riddim" (Jacques Renault edit)
Tony Allen - "Kilode" (Carl Craig remix)
Pepe - "Benzine Electronics"
Black Dog Productions - "Flux"
Deetron - "Untitled"
DJ Bone - "All My Heart"
Francis Bebey - "Bissau" (Pilooski edit)
Floorplan - "Let The Church"
Terrace - "Seventh City" (Filtered dub)
Derrick May - "Kaotic Harmony"
Equiknoxx - "Flagged Up" (Mark Ernestus remix)
DJ Bone - "Dreamers 6.1"
Stanislav Tolkachev - "Optical Illusions"
K-Lone - "Old Fashioned"
Jessy Lanza - "Strange Emotion"
Review: It would be fair to say that Deetron has taken the opportunity provided by a DJ Kicks mix to show off a little. We'll forgive him, though, because he's delivered an astonishingly good mix. Cramming an astonishing 38 tracks on to one CD might look like overkill, but the selection, programming and mixing (presumably in the studio, given the number of overdubs and sneaky track blends involved) is so good that you barely notice. Musically, he delivers a brilliant blend of electronic music old and new, moving from deep house and jazzy electronica to ambient via slamming rave jams and almost every techno sub-genre you can think of. We'd usually spend time banging on about highlights, but they're so plentiful that there simply isn't space. Just buy it: you won't be disappointed.
Paperclip People - "Country Boy Goes Dub" (Marcel Dettmann remix)
Norman Nodge - "BB 1.0"
Francois X - "Rising"
Marcel Dettmann - "Lightworks" (Phase remix)
Lockertmatik - "M Lock 4"
Wincent Kunth - "Carlre"
Joey Anderson - "Repulsive" (Marcel Dettmann edit)
Marcelus - "Flash"
Vril - "Torus XXXII"
Review: When it comes to DJing there aren't many names as trusted as Marcel Dettmann to provide the essential mix, be it in CD or podcast format. To date he's curated the second installment of Ostgut's in-house Berghain mix series and the Conducted mix for Belgian label Music Man. So it's about time Fabric invited the Berghain resident to participate in their own mix series, with this 77th edition providing a selection mostly based on unreleased MDR demo tracks that Dettmann's been utilising in his sets for years. The result is a good primer for what to expect from his label in the future, with Answer Code Request, Norman Nodge, Ilian Taper Dario Zenker and French producer Marcelus amongst the high-profile names contributing unreleased productions.
Review: Donato Dozzy's previous album, Sintetizzatrice, made beautiful, avant-garde music out of chopped-up and manipulated vocals. For The Loud Silence, he's attempted to do similar with the "marranzano", better known as the humble mouth harp or Jew's Harp. The instrument's distinctive twang can be heard throughout the album, providing inspiration for trippy, droning ambience ("Personal Rock"), glitchy electronica ("The Net"), abstract techno ("Downhill To The Sea", whose industrial influences are obvious), and triumphant, post-Orbital soundtrack electronica (closer "Exit The Acropolis", which is nothing less than superb). Of course, there are musty textures and off-kilter electronic textures throughout, too, but it's the alien-sounding mouth harp the draws Dozzy's disparate strands together.
Review: Zak Khutoresky AKA DVS1 famously doesn't do many mixes. It's perhaps unsurprising, then, that he apparently initially struggled to know how to approach this contribution to Fabric's now legendary mix series. Really, he shouldn't have worried. The finished mix - completed using three turntables and a mixer - is something of a gem; an all-action techno assault on the senses with Khutoresky whipping through 29 tracks in less than 80 minutes. Impressively, every track is an unreleased exclusive, with some 16 of these forthcoming on the DJ/producer's HUSH and Mistress labels. In many ways, it's a near perfect package for those who enjoy Khutoresky's muscular style; certainly, the inclusion of so many unheard gems makes the first listen a genuine voyage of discovery.
Review: Somewhat surprisingly, this collaborative album had its roots in a 2013 request from Michael Mantra for dub techno and ambient dub stalwart Mr. Cloudy to remix tracks from his Silent Season-released 2013 LP "Light In My Head". Six years later, and after sending parts and versions back and forth, the pair has conjured this set of lengthy, deep and mind-altering excursions. Mr. Cloudy provides versions of the collaborative "White Dub": an ultra-deep, spaced-out "Remix" that smothers a gentle, slowly shifting ambient dub rhythm in heavily processed snatches of field recordings and atmospheric aural textures around and a sparser, more spaced-out "Edit" that's closer in tone to Mantra's otherworldly, dub-influenced soundscapes. Sandwiched in between you'll find a hypnotic version by Mantra that was partly created using music concrete techniques.