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113/13(ページ1/1)の商品
Cat: 671608 Rel: 29 Nov 17
 
Voltage controllable performance mixer module package
Notes: Series A-135-4 contains several modules which are used to built a voltage controlled performance mixer. The modules of the A-135-4 series can be combined with the (non voltage controlled) mixer modules A-138o/p.

A-135-4A:

A-135-4A is the main module. It is very similar to module A-138p, but with voltage control for all parameters (except gain). Also the front panels of A-135-4A and A-138p are very similar. The only difference are the additional LEDs which are used to display the magnitudes of all voltage controlled parameters. This is necessary because the positions of the manual controls do not necessarily correspond to the resulting parameter value because these are composed by both the manual controls and the applied external control voltages (via A-135-4B). Without LEDs one would be left in the dark in regard to the actual parameter value.

A-135-4A contains four high quality voltage controlled amplifiers (VCA) for each channel: one for the main level, two for panorama left/right and one for aux. The control scales for all parameters are linear. Altogether 16 VCAs are included in the module. High end linear VCAs manufactured by Curtis/USA are used (CEM3381). The 16 LEDs display roughly the amplification of the VCA in question.

Module A-138o is used as output module for the A-135-4A. A-135-4A and A-138p can be connected together to the same A-138o to obtain e.g. four fully voltage controlled channels (A-135-4A) and four manually controlled channels (A-138p).

A-135-4B:

This module is used to route the 16 external control voltage to the main module A-135-4A. These control voltages are available for each channel:

- Level (main loudness)
- Panorama
- Aux
- Mute

Each control voltage has an input socket and a polarizer control available (the polarizer function is described more detailed on the A-138c info page). That way it's possible to adjust the depth and polarity of the external control voltage which affects the parameter in question. If the same CV (e.g. LFO or ADSR) is used e.g. for two panorama control inputs the result may be the opposite if the polarizers are adjusted accordingly (i.e. one positive and the other negative). The external control voltage is added to the voltage that is generated by the manual control on the A-135-4A main module. The sum of both voltages is used to control the VCA in question and is displayed with the corresponding LED on the A-135-4A module. The picture on the left side below shows one channel of A-135-4A/B as block diagram.

The mute CV input works in principle in the same way as the level CV input but with reverse polarity and higher sensitivity (about factor -2). Typically, the mute polarizer control is adjusted fully CW. Then a (gate) voltage of ~ +2.5V or more fully mutes the channel in question. If the mute function is not used the mute CV input can be used as a second CV input for level (with twice the sensitivity and inverted polarity compared to the normal level CV input).

A-135-4A and A-135-4B are connected internally via a 20 pin ribbon cable. The cable can be longer so that the CV input module A-135-4B needs not to be mounted next to the main module A-135-4A (e.g. to the row above or below).

Modules A-135-4A and A-135-4B are available only as a module combo because the single operation of each module does not make sense!
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 1 in stock $321.08
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Cat: 673533 Rel: 02 Jan 18
 
4 HP auto-tuner module
Notes: You can't tune two VCOs to note A in less than a minute? You need the Autopilot! Simply connect oscillators and a pitch CV source, press the module's button and wait for a few seconds. It doesn't get any easier than this.

The Autopilot features two identical tuners for precisely calibrating oscillators to note A.

The procedure:

- Connect the Drop Out socket of the tuner to the 1v / octave input of the VCO.
- Patch the VCO's waveform output to the Tune In connector of the tuner.
- Connect a sequencer or keyboard to the tuner's Key In socket.
- Press the tuner's button and wait a few seconds.
- Done

With a long press on both tuner buttons, the reference pitch can be shifted from 440 Hz to 432 Hz.
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 1 in stock $117.05
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Cat: 563665 Rel: 11 Mar 15
 
Passive multiple synth module, 2HP wide
Notes: Dual 4-way passive mult (one audio or cv signal in with multiple unbuffered outputs)

On the back of the pcb is a pair of solder points marked as "link". You can connect these (with a solder blob or small jumper wire) to turn the mult into a single 8 channel Mult instead of 2 x 4 channel.
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 5 in stock $31.68
Cat: 620700 Rel: 10 Aug 16
 
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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 1 in stock $219.05
Cat: 664819 Rel: 03 Oct 17
 
4 stage function generator or ADSR module - 8HP
Notes: CONTOUR is a 4 Stage function generator, or ADSR, derived from our 0-COAST synthesizer. It is designed to create control voltages to drive the Dynamix, modDemix and other fast VCAs, VCFs, and more. The Contour takes inspiration from the original Loudness Contour circuit of the MiniMoog, which is perhaps the most well-known example of East Coast Synthesis. The simplified control set (where Decay adjust both the decay to Sustain and the Release) makes it quick and intuitive to set-up. The Contour module adds full voltage control, a mirrored output, End of Onset and End of Contour Gate outputs which allow it to be highly integrated into any modular synthesizer regardless of coastal allegiance.

Width: 8HP
Depth: 24mm
Power @+12V: 36mA
Power @-12V: 16mA
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 2 in stock $115.97
Cat: 703388 Rel: 15 Oct 18
 
World's first and only 3D Cartesian Sequencer for music synthesisers - 34HP
Notes: The Rene music synthesizer module is a powerful three-dimensional prism of composition. It is the world's only 3D Cartesian Music Sequencer. Named for the French philosopher & mathematician Rene Descartes, it uses the Cartesian coordinate system to unlock the analogue step sequencer from the shackles of linearity. The original Rene was a one-channel, two-dimensional Cartesian sequencer with limited memory, this new Rene is a three-channel, three-dimensional Cartesian sequencer with memory for up to 64 complete States. Considering the multiple channels and FUN programming options per multiple axis, Rene has become an n-dimensional matrix or tesseract of synthesizer sequencing.
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 9 in stock $491.82
Cat: 660465 Rel: 24 Jan 18
 
Analog discrete low pass filter with three simultaneous filter types, plus overdrive & voltage controlled resonance - 14HP
Notes: The E440 is based on the 5U MOTM-440 filter with additional features such as separate outputs for each filter slope and an input Drive control.

You have probably heard of the SSM2040 filter chip, used in the Prophet-5 Rev 2, Voyetra 8, and others. Although short-lived, the SSM2040 filter had a unique sound different from a Moog, ARP, or other 4-pole lowpass filters. Why? The design used a clever discrete OTA gain cell that responds beautifully as additional gain is added to the input signal.

The E440 provides three simultaneous filter slopes: 2 Pole (12dB), 3 Pole (18dB), and 4 Pole (24dB) for selective timbral shaping. Voltage control of filter resonance (rarely found on other filters) is also available.
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 2 in stock $309.25
Cat: 590435 Rel: 09 Nov 15
 
Percussion synth module with TR-909's original closed and open hi-hats circuits adapted for use in Eurorack modular synthesiser format - 8HP wide
Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 1 in stock $175.02
Cat: 641102 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample player
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 1 in stock $163.22
Cat: 696915 Rel: 27 Jul 18
 
8HP voltage-controlled ADSR envelope with CV processor - 'New Style'
Notes: The Z4000 NS is a snappy voltage-controlled analogue envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.

Control knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-colour LED indicates intermediate values in both polarities and their crossfade state.

The Attack slope switch allows selection of a logarithmic or exponential curve for the Attack segment. This subtle effect helps further the fine adjustment of the Attack segment slope. A Shoot button is provided to let you fire the envelope manually. The Z4000 also provides a retrigger input allowing you to create legato notes when using a classic keyboard interface.

Going down to nuts and bolts, the Z4000's smoothness and snappiness is made possible by a four-segment active-charge discrete circuit which is an extended version of circuits found in classic two-segment rise/fall transient generators.
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 1 in stock $155.70
Cat: 696393 Rel: 06 Aug 18
 
Dual channel digitally controlled VCA - 4HP
Notes: The DVCA is a redux of the classic WMD Digital VCA module, giving it more features while reducing its size and power consumption.

Channel A is now unipolar/bipolar switchable, allowing for use as a bipolar VCA.

With control parameters for bias and CV, users can create classic ring modulation and attenuversion effects. Channel B still has the character and features of the Digital VCA.
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 1 in stock $191.13
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Cat: 665765 Rel: 14 Nov 17
 
Eight-channel mixer module designed especially for live performances & jam sessions - 40HP
Notes: A game changing mixer for live performance within the Eurorack modular synth ecosystem.

The Performance Mixer is an 8 channel audio mixer designed specifically for live performance and jam sessions within the modular ecosystem. With 12 audio inputs for the first 6 channels, and 2 true stereo channels, there is plenty of room for all your modular signals and more.

2 mono auxiliary sends with dual mono returns, stereo send and return, and another set of stereo mix inputs give you the routing you need to send signals to interesting effects as well as utility uses such as bus compression and master equalizers.

Tired of not being able to tune oscillators and program sequencers on the fly? Not to worry, the performance mixer also includes a cue mix section so you can monitor your incoming signals in headphones before sending them to the front of house mix. Just like on a traditional DJ mixer, the cue mix knob determines how much of the cue vs the FOH mix you hear in the phones.

Two headphone outputs for convenience and teamwork. Collaborate with friends without wasting any channels by sending the stereo output of their mixer into the unity gain mix input. Monitor with the dual headphone outputs and you can both hear the entire mix.
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 3 in stock $631.40
Cat: 665768 Rel: 15 Feb 18
 
Expander module for the WMD Performance mixer
Notes: PM Db25 is a proprietary expand module for the WMD Performance Mixer that allows for direct access to each output, balanced, including channels expand and the main outs. Connect a Db25 snake to your choice of connector on the other end and record each individual out without destruction from the faders or mutes. Reference the stereo recording while making final edits in your DAW or tape machine.
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 2 in stock $224.42
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