Back in stock: Studio Equipment

Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Special Size M2.5 X 8mm stainless steel screw comes with a black nylon washer in a silver tin.

Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Standard Size M3 X 8mm black steel screw comes with a black nylon washer in a gold tin.

Notes: Bumper case in extra rugged silicone. For extra protection on the go. Made from 100% recycled silicone.

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: Very nice old-school vocoder for Eurorack, featuring a built-in mic pre-amp and full 10-band patch bay. Internal VCO and straightforward control setup help simplify operation.

Supplier's Notes:
The VXC-2220 is an 10-band analogue vocoder with patch-bay for each individual filter section. VXC-2220 vocoder is based on the iconic classics 222 vocoder. For stand alone usage the VXC-2220 is equipped with an internal oscillator generating saw and pulse waves form C1 to C6. A simple and efficient vocoder.

Specifications

Microphone input for speech signal
Line input for speech signal
Line input for carrier signal
Input level control for speech and carrier signal
Output level control
Line output
10-Band analyzer outputs
10-Band synthesizer input
Internal VCO (1 semi-nut step size);
* Saw wave (C1 - C6)
* 3x 10% Pulse wave (C1+C2+C3 - C4+C5+C6 )
* White noise
- Synthesis for 's' and 't' sounds
- Feed-trough level control for speech and carrier channel
- Bypass switch
- 10pin power connector (+/-12V)

Dimensions:
(36HP) 128,5×182.5mm (depth: ca. 35mm incl. power connector)

Power Consumption:
+12V = 125mA
-12V = -125mA

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: Bananuts are anodized aluminium custom minijack nuts, following Buchla/Serge colouring code: Blue, purple, red, orange, yellow, white, green and black. Perfect lovely thingies to pimp your modular, code your inputs and outputs with colours or just give a touch of beauty to your favourite gear!

Notes: The EVEN VCO is a voltage-controlled oscillator that offers stability and high precision tuning over 10 octaves. A redesigned temperature compensation circuit maintains the oscillator stable against voltage and temperature drops.

Specifications:

Current needs: +12V: 36mA, -12V: 26mA
Width: 8 HP
Depth: 22mm, (28mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Inamp is a dual pre-amp in just 4 HPs. Featuring 6,3 Jacks inputs as well as Minijacks.

Both inputs are summed so you can use them at the same time as an input mixer.

The unit is designed to amplify up to x20 the input signal, allowing to amplify most of the music machines out there (Domestic line levels) as well as some guitars (Humbucker-like pickups and so).

The first channel is normalled to second one in series, so it's possible to have two stages of amplification or two separate ones.

Notes: 100 of Befaco's unique screws designed specifically for Eurorack. These M2.5 screws can be secured by hand, all common screwdrivers and Allen Key. These are great for saving time when rearranging your synth.

Each Knurlie comes with a fitted plastic washer to prevent rack rash.

Notes: Befaco's new Output Module is designed to be the master output for your modular system, providing an extra Cue Input to monitor any signal.

Left IN is routed to both channels when no Right signal is present. Both Outputs are TRS balanced.

A Headphones out is available. You can route Headphone OUT to the main out or an independent signal with CUE switch. Like this you can either pre-listen your sounds with the CUE Input or listen to your main out without disturbing your neighbours!

Level LEDs are available to monitor levels of each signal on the module.

Notes: STMix is a four-channel stereo mixer in 28hp and 1U format. It can work independently or as an expansion of Befaco's Hexmix module via the six-pin connector located in the back. The module is designed under the Intellijel 1U format.

Features

Four channels stereo inputs with volume control.
AC Coupled inputs to improve audio performance.
Output clipping LED indicators.
Connector at the back to interface with the Hexmix module.
1U Intellijel format

Specs:

Current needs: +12V: 30mA, -12V: 30mA
Width: 28 HP
Depth: 20mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: The Befaco Synth Duster is a super soft brush to keep your modular synth and audio equipment far away from dust.

Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz

Notes: Part of the new Boss 200 series, the RV-200 is a seriously classy reverb. With a choice of 12 algorithms, things quickly move from classic ambience to the pitch-shifted arpeggiated madness of the new Arpverb program.

Supplier's Notes:
Ambient Bliss

The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types-including the newly developed Arpverb-provide everything from subtle spatial colour to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favourites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.

Studio-Grade Processing

The RV-200 features a powerful reverberation engine with class-leading sound quality, backed by custom BOSS DSP, 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. Every algorithm offers true studio-grade performance, with exceptional detail and definition from the shortest early reflections to long, floating tails spanning multiple seconds.

Twelve Distinctive Reverbs

From essentials like Room and Hall to deeply immersive reverbs like Shimmer, Slowverb, and the cool new Arpverb, the RV-200 gives you the ambient colours you need for every song and style.

Room

Simulates the reverberation characteristics of a small room. Select from four room sizes with the Param knob.

Hall

Simulates the reverberation characteristics of a concert hall. Select from three hall sizes with the Param knob.

Plate

Simulates the reverberation characteristics of a studio plate reverb. Balance the high and low damping of the reverb with the Param knob.

Spring

Simulates the distinctive sound of the hardware spring reverb effect found in guitar amplifiers. Select the number of springs with the Param knob.

Shimmer

Creates long, dreamlike reverberations rich in harmonic content. Adjust the harmonic character and diffusion with the Param knob.

Arpverb

A newly developed BOSS reverb that creates an arpeggio type of sound with evocative pitch-shifted tails. Use the Param knob to adjust the attack of the arpeggio sound.

Slowverb

A sweet ambient reverb with gentle attack and soft harmonics. Param adjusts the amount of direct sound blended with the reverb, allowing you to create deep, immersive tones.

Modulate

Adds a modulation effect to a rich hall reverb sound. Adjust the modulation depth with the Param knob.

+Delay

Combines a delay with reverb, with the length of both effects controlled with the Time knob. Use the Param knob to adjust the delay level.

Lo-Fi

A specialty reverb with limited bandwidth and added distortion. Adjust the distortion amount with the Param knob.

Gate

A distinctive reverb effect that abruptly cuts off the reverb tail. Use the Param knob to control the timing of the gate effect.

Reverse

Plays the reverb sound in reverse. Adjust the high-frequency character with the Param knob.

Instant Sound Creation

Like all 200 series pedals, the RV-200 offers a powerful yet intuitive panel that lets you realize great sounds with minimal effort. Along with core parameters such as reverb time, effect level, and pre-delay, there are variable high and low filters to perfectly balance the verb for your application. You also have a density control to adjust the weight of the sound, plus a parameter knob with access to multiple sound-shaping tools that are unique to each type.

Expressive Performance Control

The RV-200 includes memories for storing 127 reverb sounds, so your favourite setups are always ready to go. Two onboard footswitches pack a lot of performance versatility, with numerous options to reassign their targets to suit your needs. For example, you can bypass the effect, scroll through memories, and activate a Hold function to carry on the reverb effect for as long as the switch is pressed. It's also possible to assign powerful performance effects such as Warp, Twist, and Fade.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI ,GATE, REVERSE
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohms
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/HOLD switch, MODE knob, TIME knob, PRE-DELAY knob, E. LEVEL knob, PARAM knob, LOW knob, HIGH knob, DENSITY button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: DENSITY indicator, MEMORY (MAN, 1--4) indicators

Connectors
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, DC IN jack, USB port: USB2.0 micro B (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adapter (sold separately)
Current Draw: 260 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height(including rubber feet): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: ***B-STOCK: Box opened, product in perfect working order***


Conductive Labs have turned complex music theory into a killer synthesizer-jamming MIDI controller with The NDLR.

With four parts that can play up to 8 synths, it's possible to make fantastic electronic music with this device.

These tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good unit down over the years - this is where Decksaver steps in.

Designed exclusively for perfect fit, whilst still accommodating cables, your NDLR arpeggiator can sit ready for operation.

Slides straight into a flight or soft case, or rucksack for maximum protection during transportation.

Shields delicate controls, ports and internal components from damage at home, on the road and on stage.

Dimensions

Weight: 0.399kg
Length: 23.2cm
Width: 15.9cm
Height: 3.4cm

Notes: Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:

- Gate Input (min. +5V)
- CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)
- CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V
- CVC Input (free assignable to any Midi control change number), range 0...+5V

For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.

How it works:

Whenever the rising edge of the Gate input is recognized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input that is present at the rising edge of the gate signal.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Pico BBD is surprisingly great sounding (we were surprised ourselves), full analogue 4092 stage bucket brigade delay module; the smallest BBD in Eurorack. Besides nice and clean flanger and delay effects, at full CW settings of TIME and feedback knobs it can produce extreme sonic artefacts. Tweak knobs and enjoy!

Notes: Really versatile little MIDI controller designed to add hands-on control to software and even hardware. 16 push-button rotary encoders plus function buttons and OLED display.

Supplier's notes:
This all-rounder has 16 gridless push-encoders, 7 function buttons and a large OLED-display. Encoders are switchable to 16 groups that allow controlling a total of 256 control parameters per setup. The display shows the current values of all controls or editable encoder/group/setup names. Various kinds of MIDI commands are possible, like program change, pitch bend, aftertouch, NRPN, and control change in relative and absolute mode with different acceleration amounts. All these properties are easily and efficiently programmable on the device, allowing personalized customisation for each separate control.

The encoders can work as high resolution 14bit controllers too (NRPN, control change or pitch bend). This makes them suitable for sensitive parameters like resonating filter cutoffs, etc.

Use the internal 16 setups to save your individual settings. Backup and restore of all settings by SysEx dumps are possible too.

The factory settings are perfect to control music and video software products out of the box. Thus, any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup. There you can control all the continuous parameters like track volumes, rack macros, send amounts, and track pannings. A special control surface script for Ableton Live, including all necessary mappings, is enclosed in the package.

Working with this amazing power box will prove to you that it is a trustworthy, reliable, and invaluable asset to your productions.

Notes: MX12 as successor of the UC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine NEW MODULE devices to a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the mix controller also with your DAW like a classical 12-track-mixer.

The device has 24 standard pots, 12 Faders and 24 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: More knobs than you can shake a stick at. Add hands-on control to pretty much any MIDI-equipped hardware or software. Upgraded version of the classic PC44, featuring a whopping 72 rotary pots and 12 buttons.

Supplier's notes:
PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...

Notes: Digital 12-bit oscillators meet analogue filters in this creative little synth module. Six-voice polyphony, preset storage and MIDI control make for a compelling instrument with its own distinctive sound.

Supplier's Notes:
The Tooro is Fred's Lab's new 6-voice 4-part hybrid "digilog" polysynth.

Including the latest discoveries in mixed electronics, the original FL A847 analog filters, this is the perfect module for demanding sound designers and every musician seeking distinctive tones with a strong personality, in a very compact form factor.

Each voice offers 2 complex digital oscillators with waveform morphing, 2-operator linear phase modulation and self-sync features plus a noise source, a ring modulator, the unique FL A847 lowpass filter accompanied by a digital shaper, 2 advanced LFOs and 2 ADSR envelopes.

A modulation matrix with 8 slots allow the animation of most of synthesis parameters.

A master stereo digital FX offering various modulated delays is also included.

Tooro is shipped with a printed version of the QuickStart Guide (in English) and a 1 meter black USB cable.

Technical aspects:

All Fred's Lab instruments are produced and manually assembled locally in Germany.

The Tooro is a polyphonic and multitimbral synthesizer module with 6 voices, 4 parts, per voice analog filters and a stereo signal path.

Sound Engine

Per voice

Oscillators:
Two 12bit digital oscillators with:
waveform morphing
additional sine modulator (for linear through zero phase modulation)
auto-sync feature - hardsync

Filter:
A single FL A847 12dB/Octave low-pass filter with auto-oscillation and saturation features.

Shaper:
A selection of digital filters algorithms from Fred's Lab.

Noise:
A regular white noise source.

Ring modulator:
An audio rate multiplication of osc1 output by osc2 output.

Envelopes:
Two ADSR envelopes with hold stage and multiple triggering options.

LFOs:
Two complex LFOs with various waveforms and their own AD envelope.

DCA:
A digitally controlled attenuator with volume and panning control.
Per part
MIDI channel selection, overall part volume and panning.

A syncable arpeggiator with multiple modes is included.
Global
Multi-FX
A 12bit digital multi-FX module with various modulated delays.

Instrument:
Memory
The Tooro can store:
100 sound presets
10 multis

Connectivity:
2 line-level unbalanced 6.35mm jacks (mix left & right)
2 instrument-level 3.5mm jacks for separate voice outputs (for voice 1-4 only)
1 DIN5 MIDI-IN
1 DIN5 MIDI-OUT (OUT + smart THRU)
1 USB 1.1 B compatible port (for power and MIDI over USB)
1 power switch

UI:
4 high-quality metal encoders
14 tactile switches
dual digit 7-segment hexadecimal display
12 leds

Mechanics:
aluminum industrial enclosure
quality rubber feet
170 x 120 x 45 mm
550 grams

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer.

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: Mix up to four stereo channels in just 4hp, or chain multiple modules together to add channels. Inputs are normalled for mono operation. Simple, compact and high quality at a reasonable price.

Supplier's Notes:
4xSt.Mixer is 4 HP quad stereo mixer.

Right inputs are normalled to Left inputs for easy mono operation

Several 4xSt.Mixers can be chained together or with other HN stereo modules via sockets on the back side

65 mA +12V
50 mA -12V
35 mm deep

Notes: 1U version of Happy Nerding's effects module, offering a total of 32 effects, with user-storable presets and CV control. Great value in a convenient package.

Supplier's Notes:
32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analogue Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long .wav file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 2000 Hz or brought up to 48 kHz.

Dimensions

24 HP
40 mm deep
Module is a 1U tile in Intellijel format

Current Draw

80 mA +12V
30 mA -12V

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analogue Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long .wav file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 2000 Hz or brought up to 48 kHz.

Dimensions

24 HP
40 mm deep
Module is a 1U tile in Intellijel format

Current Draw

80 mA +12V
30 mA -12V

Notes: Make any studio monitors sound better

High-definition monitoring for all

Upgrade any studio monitors instantly with the first out-of-the-box acoustic room correction system that anyone can afford. ARC Studio combines a standalone correction processor, new ARC 4 measurement software and a room analysis microphone.

There's a reason all today's top-tier studio monitors are adding active room correction - it supercharges their performance and ensures mixes translate flawlessly. ARC Studio offers this same massive boost in performance and accuracy to any monitor in every studio.

For the first time in the recording industry, an affordable hardware processor can be used as a correction and calibration system for any type of studio - be it home, project or professional - without the limitations of a software-only system.

Standalone digital acoustic correction system
Dramatically improves your mixing accuracy
Works with any monitor system in any room
Installs in minutes in any studio or space
Sonically invisible, audiophile performance
Emulates top monitors and playback systems
Customize your monitors' performance to taste

Improves mixing accuracy

Your room has a big impact on how you hear your music. The size, shape, materials and furniture all work to distort the frequency and stereo balance of your monitors, degrading your sound.

ARC 4's all-new algorithm analyses and corrects these issues in minutes. Your music snaps into focus, with more controlled low-end, tighter transients and pinpoint stereo imaging. It's like an instant upgrade to your monitors.

And when you trust what you hear, you'll mix faster and more confidently than ever.

Installs in minutes

Plug the mic into your interface and you'll be guided through measuring acoustical spots within your listening position. IK's award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading your monitors' performance.

An all-new listening experience

ARC 4 stores the correction profile and loads it into the ARC Studio processor, sitting invisibly between your interface and monitors to apply to all incoming signals. The standalone processor corrects studio monitors in any studio, including hardware- and console-based setups.

Audiophile performance

ARC Studio features a 120 dB(A) analogue input to analogue output dynamic range, 0.5 Hz to 40 kHz frequency response and ultra-stable clocking for vanishing low jitter, offering total sonic transparency and a level of accuracy you only find in mastering-grade audio converters.

And it connects to your studio and monitors via balanced XLRs with power-safe relay-based hard bypass - so when bypassed you're protected from sudden power-related pops. Between the premium audio quality and ARC Studio's all-new correction algorithm, you'll enjoy the most natural, transparent monitoring ever.

Affordably priced

ARC Studio hardware is not only designed and made in Italy to the highest precision and quality standards, but its clever engineering makes it available at a fraction of the cost of other hardware solutions.

Now everyone can dramatically improve the sound in their mixing environments: from a single pair of monitors to multiple monitoring systems, up to large facilities with multiple mixing and recording rooms.

Improves any studio

For pro studios, whether in-the-box or console-based, ARC Studio allows for a sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system's sonic quality.

For DAW-based studios, ARC Studio frees you from the hassle of inserting plug-ins on the master bus of your work and preserves zero-latency monitoring setups, plus it allows you to listen to your preferred streaming service with acoustically corrected monitoring without messing around with system drivers.

You can create a profile for every configuration, listening position or even monitor pair. Whether you're in a makeshift studio or a world-class one, fine-tuning your monitoring to your taste has never been easier and has never sounded so good.

Customise your monitors

Customise your setup for ideal performance no matter your preference. ARC 4 offers deep control over each profile so it always sounds its best:

Target curves

ARC 4 now comes with 9 factory target curves for most situations. The default curve offers optimally balanced results with other specific curves for different needs or setups.

Adjustable correction range

By default, ARC corrects the entire frequency spectrum, but you can define limits to both upper and lower correction ranges separately. This is useful if you want to preserve the unique voicing of your monitors or are just looking to correct a certain frequency range.

Specs

ARC Studio Specifications

Audio

AD and DA converters: AKM Velvet Sound™
Audio conversion and internal processing sampling rate: 96 kHz
Audio conversion resolution: 24-bit
Internal processing resolution: 32-bit float
Frequency Response: 2 Hz - 45.0 kHz (- 2.0 dB)
Dynamic Range: 120 dB (A-weighted)
THD (20-20 kHz): 0.00035%
THD+N (1 kHz@-1dBFS): -107 dB
Channel Crosstalk (1 kHz): -122.5 dB
Max Phase Deviation: +7- 20Hz, +16- 22kHz
Input Impedance (balanced): 20 kOhm
Output Impedance (balanced): 50 Ohm
Maximum output level: +17 dBu

Latency

Natural Phase mode: 1.4 ms
Linear Phase mode: 42 ms

Power

Powered by included Power Supply Unit
Dimensions

Size: 14.4cm / 5.6" x 12cm / 4.72" x 4.5cm / 1.77"
Weight: 465g / 1,03lb

Package includes

ARC Studio room-correction processor
ARC Measurement Microphone (depending on the version)
ARC Measurement Microphone Clamp (depending on the version)
USB C-Type to USB A-Type cable (1.5 m / 4.92')
Power Supply Unit
Registration card

System Requirements

Macr (64-bits)
Minimal: Apple M1 or Intelr Core i5 Processor, 4 GB of RAM, macOSr 10.15 or newer (macOS 11 or newer required for Apple Silicon Processors).
Supported Plug-in formats: Audio Units, VST 2, VST 3, AAX.
Works with any audio interface with a phantom powered XLR microphone input and a pair of outputs for monitoring.
44.1 kHz or 48 kHz sampling rate is required for the measurement process.
One free USB port required.

Windowsr (64-bits)

Minimal: Intelr Core i5 Processor or equivalent, 4 GB of RAM, Windows 10 (64 bit) or newer.
Supported Plug-in formats: VST 2, VST 3, AAX.
Works with any audio interface with ASIO drivers, a phantom powered XLR microphone input and a pair of outputs for monitoring.
44.1kHz or 48kHz sampling rate is required for the measurement process.
One free USB port required.

Requires an OpenGL 2 compatible graphics adapter.

Notes: YouTubers, mobile journalists, and other content creators know the importance of great-sounding audio to stand out from the crowd. However, if you capture or stream using an iPad, iPhone or Android device, it's not always easy - especially on the go. We've all watched videos where the audio was compromised by background noise, wind or just annoying echoes.

Luckily, you no longer need to struggle to record crisp, clear audio on-the-go or on a budget. The iRig Mic Cast 2 is an affordable, pocket-sized microphone that easily attaches to your device and lets you sound your best anywhere, any time.

Capture noise-free audio:

iRig Mic Cast 2 is a tiny mic with big sound. The sequel to IK Multimedia's innovative iRig Mic Cast, it lets you record crystal clear speech anywhere using your iPhone, iPad or Android device. A new dual-capsule design lets you select front or rear pick-up patterns to reject off-axis noise whether you're recording yourself or someone else. You can also select both at once, for an omnidirectional pattern that's ideal for recording interviews and Q&As.

Ready when you are:

Weighing in at just a few ounces, this featherweight mic mounts securely onto your iPad or smartphone. Its innovative magnetic design lets you easily snap it right into place on your device in seconds (even with a case), for set-and-forget convenience. An included breakout cable also lets you use iRig Mic Cast 2 in both portrait or landscape orientation on phones and tablets.

Works with all your favourite apps:

iRig Mic Cast 2 works with any app that records audio, so you can shoot YouTube videos, Instagram live-streams, or even use it for Skype and FaceTime calls. The built-in headphone out can be used to listen to the signal in real-time to be sure you're capturing great audio. It's ideal for newer smartphone models without a headphone jack.

To get you started right out of the box, iRig Mic Cast 2 comes with iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video. Record, trim, edit and share, right from your device.

Travels anywhere:

No matter where your travels take you, iRig Mic Cast 2 is ready to come along for the ride. Its backpack portability makes it an ideal travel companion, and an included windscreen ensures high recording quality when outdoors. Best of all, there's no batteries required!

iRig Mic Cast 2 is the affordable, pocket-sized solution for all your audio needs. Get heard, get shared and get followed with audio that stands out from the crowd.

Includes:

- iRig Mic Cast 2 microphone
- TRRS 1/8" jack connection cable (20cm/7.87")
- Windshield
- 2x ferromagnetic plates

Notes: You're a visionary videographer, an intrepid journalist, a dedicated podcaster. And when you're out in the field, you want to be able to record high-quality audio for your projects with the hands-free convenience of a lavalier microphone, and you want to do it without breaking the bank.

That's where iRig Mic Lav comes in, it's an ultra-affordable and compact professional-quality mobile lavalier microphone for iPhone, iPad, iPod touch and Android.

iRig Mic Lav is chainable. That means it can double your recording power by letting you easily chain up to two iRig Mic Lav's to the same device. Each iRig Mic Lav captures high-quality audio thanks to its omnidirectioinal condenser capsule and foam pop shield. And recording convenience is taken to the next level thanks to its on-board headphone monitoring output, secure mounting clip, generous cable length and durable roadworthy design. And best of all, you can have all these premium features at a price as small as the device itself.

Portable performance:
iRig Mic Lav gives you the power to record great sounding audio anytime and anywhere. Designed to meet the exacting demands of broadcast professionals, its omnidirectional condenser capsule lets you capture a 30Hz - 16kHz frequency range of crystal-clear audio from all directions. It comes with a foam pop filter to eliminate vocal plosives, wind noises and other unwanted sounds. And like all good lavalier microphones, it comes with a durable mounting clip that you can easy mount on a t-shirt, lapel or other material for dependable and secure hands-free recording. Just clip it on, and you'll be ready to go.

Effortless monitoring:
Capturing great audio in the field requires more than just superior microphone technology. To get the best sound, you have to be able to monitor your source as its being recorded. Not all lavalier microphones come with on-board monitoring, but iRig Mic Lav does. In fact, among major brands, it's the first mobile lavalier microphone to offer this feature.

It comes with a combo 1/8" TRRS port that can be used to output audio to your favorite pair of headphones. Just set the toggle switch next to the port to "monitor" and plug in your headphones, and you'll be on your way to recording effortlessly amazing audio.

Chainable power:
There's a saying that goes something like, "two heads are better than one."

The same can be said for microphones - when you're out in the field, sometimes you need to record more than one person.

iRig Mic Lav lets you chain and record with up to two iRig Mic Lav's on the same device thanks to the same dual-purpose 1/8" TRRS port used for headphone monitoring.

Simply set the toggle switch to "input," and then plug a second iRig Mic Lav in to record with two microphones.

To monitor a dual iRig Mic Lav setup, you just need to set the switch on the second iRig Mic Lav's jack to 2monitor," and then you'll be able to plug in your headphones.

Go mobile:
You never know what mobile device you'll have accessible while you're out conducting that next heated interview or spontaneous Youtube video. This can be a problem if a microphone is specifically made for one type of device. Fortunately, you'll never have that problem when iRig Mic Lav is in your pocket. It outputs its sound via an analog 1/8" TRRS output jack, and it captures the same high-quality audio no matter whether it's plugged into an iPhone or an Android device with a compatible TRRS input jack compliant with the CTIA/AHJ wiring standard.

In other words, with iRig Mic Lav you can make quality recordings anytime, anywhere and on any mobile device.

Presenting with Power:
Pair iRig Mic Lav with VocaLive or EZ Voice and an iLoud portable speaker, and you'll have the perfect "hands-free" portable PA system that you can easily fit in a briefcase or backpack for trade shows, small group gatherings and other mobile presentations.

Powered up with apps:
With iRig Mic Lav, you're ready to record right out of the box thanks to its powerful suite of included apps. You get iRig Recorder FREE for iPhone, iPad and iPod touch and Android, a straightforward audio capture app that is great for everything from recording journalistic interviews to making podcasts while on the go (and everything in between).

VocaLive is an expandable, powerful effects processor and multi-track recording app that's perfect for adding a creative touch to audio. EZ Voice for iPhone, iPad and Android is a streamlined and easy-to-use app loaded with vocal effects that make it easy to practice and record over any song stored in your device's music library.

Notes: You're a visionary videographer, an intrepid journalist, a dedicated podcaster. And when you're out in the field, you want to be able to record high-quality audio for your projects with the hands-free convenience of a lavalier microphone, and you want to do it without breaking the bank.

That's where iRig Mic Lav comes in, it's an ultra-affordable and compact professional-quality mobile lavalier microphone for iPhone, iPad, iPod touch and Android.

iRig Mic Lav is chainable. That means it can double your recording power by letting you easily chain up to two iRig Mic Lav's to the same device. Each iRig Mic Lav captures high-quality audio thanks to its omnidirectional condenser capsule and foam pop shield. And recording convenience is taken to the next level thanks to its on-board headphone monitoring output, secure mounting clip, generous cable length and durable roadworthy design. And best of all, you can have all these premium features at a price as small as the device itself.

iRig Mic Lav gives you the power to record great sounding audio anytime and anywhere. Designed to meet the exacting demands of broadcast professionals, its omnidirectional condenser capsule lets you capture a 30Hz - 16kHz frequency range of crystal-clear audio from all directions. It comes with a foam pop filter to eliminate vocal plosives, wind noises and other unwanted sounds. And like all good lavalier microphones, it comes with a durable mounting clip that you can easy mount on a t-shirt, lapel or other material for dependable and secure hands-free recording. Just clip it on, and you'll be ready to go.

Capturing great audio in the field requires more than just superior microphone technology. To get the best sound, you have to be able to monitor your source as its being recorded. Not all lavalier microphones come with on-board monitoring, but iRig Mic Lav does. In fact, among major brands, it's the first mobile lavalier microphone to offer this feature.

It comes with a combo 1/8" TRRS port that can be used to output audio to your favourite pair of headphones. Just set the toggle switch next to the port to "monitor" and plug in your headphones, and you'll be on your way to recording effortlessly amazing audio.

There's a saying that goes something like, "two heads are better than one."

The same can be said for microphones - when you're out in the field, sometimes you need to record more than one person.

iRig Mic Lav lets you chain and record with up to two iRig Mic Lav's on the same device thanks to the same dual-purpose 1/8" TRRS port used for headphone monitoring.

Simply set the toggle switch to "input," and then plug a second iRig Mic Lav in to record with two microphones.

To monitor a dual iRig Mic Lav setup, you just need to set the switch on the second iRig Mic Lav's jack to "monitor," and then you'll be able to plug in your headphones.

You never know what mobile device you'll have accessible while you're out conducting that next heated interview or spontaneous Youtube video. This can be a problem if a microphone is specifically made for one type of device. Fortunately, you'll never have that problem when iRig Mic Lav is in your pocket. It outputs its sound via an analog 1/8" TRRS output jack, and it captures the same high-quality audio no matter whether it's plugged into an iPhone or an Android device with a compatible TRRS input jack compliant with the CTIA/AHJ wiring standard.

In other words, with iRig Mic Lav you can make quality recordings anytime, anywhere and on any mobile device.

Pair iRig Mic Lav with VocaLive or EZ Voice and an iLoud portable speaker, and you'll have the perfect "hands-free" portable PA system that you can easily fit in a briefcase or backpack for trade shows, small group gatherings and other mobile presentations.

With iRig Mic Lav, you're ready to record right out of the box thanks to its powerful suite of included apps. You get iRig Recorder FREE for iPhone, iPad and iPod touch and Android, a straightforward audio capture app that is great for everything from recording journalistic interviews to making podcasts while on the go (and everything in between).

VocaLive is an expandable, powerful effects processor and multi-track recording app that's perfect for adding a creative touch to audio. EZ Voice for iPhone, iPad and Android is a streamlined and easy-to-use app loaded with vocal effects that make it easy to practice and record over any song stored in your device's music library.

Notes: Introducing iRig Mic Studio, IK Multimedia's ultra-portable large-diaphragm digital condenser microphone for iPhone, iPad, iPod touch, Mac, PC and Android. It packs a 1" diameter condenser capsule into an ultra-compact enclosure that can be used to make professional-quality recordings anywhere. Great for musicians, vocalists, home producers, podcasters, broadcasters, voice-over artists and more, it puts the superior power of a large-diaphragm microphone into the palm of your hand.

What's remarkable about iRig Mic Studio is that it offers its truly amazing recording quality in an enclosure that's smaller than an iPhone. It features a large 1" diameter back electret condenser capsule, a 24-bit audiophile-grade A/D converter (with 44.1/48 kHz sample rate) and a built-in low-noise high-definition preamp. These, combined with its 133dB SPL rating, allow for optimal recording at any sound pressure level - it can capture everything from the subtle and nuanced dynamics of the human voice to the full-on bombast of an amplified electric guitar, and everything in between.

To ensure you'll always record at your best, iRig Mic Studio comes with a full set of flexible controls: It has a gain control knob and a multicolor LED level indicator. It also includes a headphone output with its own level control for onboard monitoring directly from iRig Mic Studio itself. And, for better positioning while recording, iRig Mic Studio comes with a sturdy and portable tabletop tripod stand.

All this is to say that iRig Mic Studio is equipped with everything you need to capture the highest quality sound no matter whether you're at home in the studio or recording while on the go.

iRig Mic Studio is compatible with all your favorite mobile and desktop platforms. It comes with a female micro-USB port and an assortment of cables: Micro-USB to Lightning for iPhone, iPad and iPod touch; micro-USB to micro-USB OTG for Android (requires either an Android 5 or Samsung Professional Audio device); and micro-USB to USB for Mac and PC. A micro-USB to 30-pin cable is available separately for older iPhone, iPad and iPod touch models.

For immediate recording, iRig Mic Studio comes equipped with a powerful suite of vocal apps that match its cross-platform compatibility. iPhone, iPad and iPod touch users will be able to enjoy VocaLive, a powerful effects processor and multi-track recording app that features a selection of 12 professional real-time vocal effects. EZ Voice for iPhone, iPad and iPod touch and EZ Voice for Android are streamlined and easy-to-use sing-along apps that make it easy for vocalists to practice with any song in their music library. iRig Recorder for iPhone, iPad and iPod touch and iRig Recorder for Android are straightforward apps for field recording, podcasting, note taking and more.

iRig Mic Studio is also fully compatible with a wide variety of third party apps and software, like Cubasis, ProStudio Vocal FX, MultiTrack DAW and more. It's also compatible with Apple's GarageBand and Logic Pro X apps, and iOS Voice Memo.

Notes: From news-worthy broadcasts to ensemble performances and everything in between, your videos will take centre stage with iRig Mic Video. Capture crystal clear audio for video with this noise-rejecting digital shotgun microphone and stand out from the crowd with serious production quality.

Compatible with the widest range of devices - smartphones, tablets and DSLR cameras - iRig Mic Video has you covered no matter where or how you create videos. And with multiple mounting options, iRig Mic Video can take you from one scene to another at a moment's notice.

Equipped with professional features for high quality audio capture, adjustable monitoring options, and features for flexible outdoor use, iRig Mic Video will take the worry out of recording great audio every time.

Say goodbye to unwanted noise:

iRig Mic Video makes it effortless to capture clear, high-quality audio. It features a gold-sputtered condenser capsule with a tight, directional pickup that focuses directly on the subject in front of you and rejects distracting background noise and surrounding sounds. Enjoy a quiet, clean signal thanks to 24-bit, 96 kHz converters. iRig Mic Video is also the first shotgun-style mic for smartphones to offer adjustable gain. And for outdoor use, simply pop on the included windscreen.

Any device, anywhere:

Whether your go-to video device is a smartphone, tablet, professional DSRL camera or a combination, you'll never miss that perfect shot. iRig Mic Video features a magnetic mount that quickly snaps onto your mobile device, even with a case, and includes a hot shoe adaptor to easily mount to many DSRLs. With the included Lightning, Micro-USB, USB-C and DSRL cables, you'll be ready wherever your day leads, so you can switch from a serious studio setup to ultra-mobile outdoor rig without missing a beat.

Sound your best:

To ensure you're always recording great audio, a multi-colour LED lets you conveniently and discretely check signal level at a glance, and the headphone out lets you monitor directly in real-time, or listen back to processed audio, so it fits into your workflow flawlessly.

Unlimited options:

iRig Mic Video works with any app that records audio, from the built-in camera app to the most high-end video capture solutions. To get you started right out of the box, iRig Mic Video includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video app. Record, trim, edit and share, right from your device.

With the iRig Mic Video and its innovative features at your fingertips, you'll always lead the charge with great-sounding audio.

An all-in-one, run-and-gun solution:

Looking for a small but comprehensive video rig? Check out the iRig Mic Video Bundle, combining iRig Mic Video and iKlip Grip Pro, IK's multi-function smartphone and camera stand. With an elegant, ergonomic design that transforms from handgrip to monopod to tripod in seconds, iKlip Grip Pro is the ideal way to securely position your smartphone - and a standard UNC 1/4" thread lets you mount iRig Mic Video, lights or other accessories on top. It's everything you need to capture pro-level video in any situation, in a lightweight and portable rig.

Includes:

- iRig Mic Video microphone
- Lightning to micro-USB connection cable (16cm/6.3")
- USB C-Type to micro-USB connection cable (30cm/11.81")
- Micro-USB OTG-Type to micro-USB connection cable (16cm/6.3")
- TRS 1/8" jack connection cable for digital cameras
- Hot shoe mount for digital cameras
- Windshield
- 2x ferromagnetic plates

Notes: Next-gen version of the popular iRig Pro Duo offers versatile recording options in a compact, portable package. Two mic/line inputs with phantom power, stereo line outputs, headphone out and MIDI in/out.

Supplier's notes:
IK Multimedia introduces the iRigr Pro Duo I/O, an enhanced, ultra-compact 2-channel audio/MIDI interface that enables high-quality recording on the go with iPhone, iPad, Android devices and Mac/PC. Designed for musicians, podcasters and other content creators, it can accommodate a variety of input sources including microphones, MIDI controllers, line-level and high-impedance instruments such as guitars, basses and keyboards, and more. It can also be used as a MIDI interface.

A sequel to IK's acclaimed iRig Pro Duo, the new iRig Pro Duo I/O features updated mic preamps with increased gain, as well as the addition of a USB-C cable to work with all of today's latest devices and new, dedicated PC drivers to ensure optimal performance on laptops and Surface tablets. In addition, refined volume controls with level indicators for more convenient workflow and a new rubberised finish to better stand up to the road, offer the same standard of quality customers have enjoyed from IK's award-winning iRig Pro I/O single-channel interface.

Recording capabilities
Two analogue combo inputs (1/4" / XLR) are provided for connecting and simultaneously recording any combination of dynamic and condenser microphones and instruments (line level or Hi-Z). They are complemented by Class-A preamps, adjustable gain and 48V phantom power. Each channel has its own input gain control for dialling in the perfect amount of input signal for a particular recording.

iRig Pro Duo I/O can also be used as a MIDI interface via MIDI input and output connectors and included breakout cables. Additional connections include two balanced 14" outputs and headphone output.

A direct monitor switch provides latency-free monitoring of direct incoming signal for use with video or streaming apps, or lets users monitor the processed signal returning from their device when recording music or using audio processing apps.

Out-of-the-box performance
iRig Pro Duo I/O runs on USB bus power or 2 AA batteries (or an optional PSU), and includes Lightning, USB-A and USB-C cables to work with any device right out of the box.

Although compatible with any app designed for high-quality digital audio input for recording or creation, iRig Pro Duo I/O comes with free access to over $/€500 of IK software, apps, and in-app material, making it an all-in-one package with everything needed to record, edit, and share great music, podcasts, interviews and more.

About the iRig series
Celebrating its 10th anniversary in 2020, IK's iRig series of interfaces helped define the mobile music-making category. With products designed for guitarists, vocalists, broadcasters and social media journalists, the series makes high quality audio recording accessible to everyone at an affordable price.

Notes: Connect more with the world- The original iRig Stream offered groundbreaking features that made it an overnight must-have for millions of creators. Now iRig Stream Pro takes your podcasting and streaming to an all-new level.

This 24-bit, 96 kHz audio interface for iPhone, iPad, Android and Mac/PC offers an XLR mic preamp, stereo RCA, TRRS and device inputs (loopback) - plus advanced routing, convenient controls and total portability.

It's everything you need for professional quality streaming, right in the palm of your hand.

Mix and stream up to 4 audio sources- iRig Stream Pro makes it easy to connect all your audio sources and route them to a streaming or recording app. Connect your favorite studio microphone or guitar via the XLR / 1/4" combo jack, mix in DJ decks or a keyboard via the stereo RCA inputs, then connect your earbuds to listen back and for a bonus mic/line input. You can even route in the output of your smartphone, tablet or laptop and sing or jam along.

XLR / 1/4" combo input

This input offers a pristine mic preamp with true +48V phantom power to connect studio microphones with stunning sound, switching to Hi-Z for your favorite guitar or bass.

RCA stereo input

Connect a mixer, DJ decks, keyboards and more with this low-noise stereo input.

3.5mm TRRS input/headphone output

A unique headphone/microphone jack is wired just like your smartphone so you can listen and talk over the stereo input simultaneously. It works with most headphones with a built-in mic and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre 2, giving you a wide range of options for any situation.

Device Loopback

This option routes the audio output of your digital device (iPhone, iPad, Android, Mac or PC) back into iRig Stream Pro to be mixed in with the other audio signals. This is perfect to jam or sing along with backing tracks, or process audio on one app and stream to another, all on a single device.

Each input has its own independent volume control and is then mixed down to your choice of stereo or 4 channels to stream, process or record into all your favourite apps.

Stereo or multichannel? You get both!

iRig Stream Pro offers 2 modes: stereo or multichannel. By default, iRig Stream Pro operates in stereo mode and pre-mixes multiple sources of audio (RCA stereo inputs (+ Loopback), XLR / 1/4" combo input and TRRS microphone) down to a stereo track, which is sent to your choice of streaming apps like Instagram, Facebook, Twitch, etc.

Switching to multichannel mode, the combo and TRRS inputs are routed to channels 3 and 4 respectively giving you 4 channels of audio to send to recording apps such as GarageBand or your favourite DAW.

Specs

Type: 2 in/2out or 4 in/2out
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Power: USB bus powered. 48V operations with iOS devices require battery or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream Pro charges the connected iOS lightning device.
Metering: 3x LEDs for overall streaming signal. Peak meter for Mic/Inst input.
Device Connection: mini-DIN
Dimensions: 123 mm/4.84" x 67 mm/2.63" x 40 mm/1.57"
Weight: 146g
Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10 dBV
Head Room: 10 dB - Level @ max
Input Impedance: 16.5k Ohms
Frequency Response: from 20 Hz to 20 kHz (-1.5 dB)

Microphone Input: balanced, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 3.8 mV RMS to 388 mV RMS
Microphone Input Impedance: approx 2 kOhms
Analog Gain Range: 40 dB
Phantom Power: +48 V i 4 V
Frequency Response:
from 20 Hz to 20 kHz (-1 dB) Gain @ min
from 20 Hz to 20 kHz (-3 dB) Gain @ max

Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 70 mV RMS to 1.8 V RMS
Instrument Input Impedance: 1M Ohms
Analog Gain Range: 28 dB
Frequency Response: from 20 Hz to 20 kHz (-1 dB) Gain @ min, from 20 Hz to 20 kHz (-3 dB) Gain @ max

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: > 2,5 V
Microphone gain: Adjustable with numbered thumbwheel
Frequency Response: 20 Hz - 20 kHz
Headphone Level control: numbered thumbwheel

Battery Life
Phantom power On with iOS device: up to 20 hours (Alkaline batteries), with mic input connected to 3.1 mA phantom powered load
Note: all measurements made with Stream Level knob at 0dB.

Package includes
iRig Stream Pro interface
Lightning to mini-DIN connection cable with charging features (60cm/23.62")
USB C-Type to mini-DIN connection cable (60cm/23.62")
USB A-Type to mini-DIN connection cable (60cm/23.62")
2x 1.5V AA battery
Velcro strip

Notes: The ultimate real analog synth for everyone.

UNO Synth is the ultimate portable, monophonic, true analog synthesizer and IK Multimedia's entry in the hardware synthesiser world.

IK Multimedia combined two decades of experience in software and hardware development with the expertise of Italian boutique synth-maker Soundmachines and IK's synth guru, Erik Norlander (one of the brains behind acclaimed synths like the Alesis Andromeda). The result is a no-compromise instrument with massive analog sound that's also easy to use with hands-on programmability and advanced features at an unbeatable price.

The days of compromise are over. Now everyone can own a real analog synth with professional sound.

And UNO Synth is proudly made in IK's own Italian manufacturing facility to ensure the highest quality standards. Like the majority of IK hardware products, UNO Synth is built using a combination of IK's state-of-the-art, automated mounting machines and test systems and fine, renowned Italian craftsmanship.

Seasoned synth professionals and beginners alike will love UNO Synth's high-quality, pure analog audio path and its ultra-compact form factor. With both classic and modern synth sounds instantly at hand, UNO will put a smile on the face of synth fans of every musical genre. All this in a synth module that can be easily carried anywhere.

Electronic music lovers or first-time synth users will get instant satisfaction from this affordable, easy-to-use instrument even if they are new to analog synths or synth programming. Thanks to its onboard presets and easy-to-play keyboard with selectable scales and arpeggiator, UNO Synth is the perfect gateway into the synthesizer world.

The highly flexible synthesis engine not only excels in producing the rich, warm, punchy, deep bass sounds that are the core of a high-quality monophonic synth, it's also perfectly designed to bring a wide sonic palette of leads, drones, arps, sequences, sweeps and effects.

While UNO Synth is monophonic nature, its two independent oscillators can be tuned differently to also generate interesting pad-like interval sounds as well as octaves. Pulse width modulation of each oscillator provides the ability for a single oscillator to sound like two while the second oscillator can be tuned to an octave or interval for advanced modular-style timbres from the greatest classic synths.

Ease-of-use with powerful programming:

UNO Synth comes with 100 grab-and-go presets (80 fully rewritable), making it ready to play right out of the box. Each preset not only includes the sound programming, it also includes an associated arpeggio and sequence for even greater musical expression and portable sonic power.

This makes it easy for everyone to find the perfect sound, and beginners and professional producers alike will have great inspirational starting points to make working with the UNO Synth faster, more productive and more enjoyable.

Ultra-portable, battery-powered, to make music everywhere:

UNO Synth's ultra-compact dimensions make it among the smallest monophonic synth available. With its light weight (only 400g) and its battery-power supply (4xAA included) or USB power-supply (for battery power banks), UNO Synth gives musicians of all kinds the freedom to make music everywhere without being tied to a location! Fully untethered, it's the ideal analog synth to carry around all the time.

Use it standalone, live with your keyboard or with your DAW:

Electronic music lovers or DJs can make music with UNO Synth whenever and wherever the inspiration strikes. The built-in audio input also allows for daisy chaining other external audio device (like drum machines) so they can be used together with UNO Synth without the need for an additional mixer, keeping the set up at minimum for the greatest portability.

Notes: *** NO POWER SUPPLY INCLUDED - USES GENERIC 12VAC ADAPTER ***

Basically, the Ekdahl Moisturizer is a spring reverb where the springs are exposed so they can be played/hit/fiddled with. As well as being capable of creating sound in itself, you can of course also play sound through the springs like a regular spring reverb - this makes for happy-fun-time finger-modulation of the reverb on whatever audio that's going through it. On top of this there's an analog multimode filter that can be used to attenuate or exaggerate certain frequencies in the sound, this is real handy while playing the springs as you can - for instance - cut all the highs and just make thunderous doomy sounds or do the opposite; cut all the lows and make that ear piercing high frequency special love. Also, it incorporates an LFO that's internally routable to the filter and that also has some external routing-stuff. The Ekdahl Moisturizer has tons of CV / Expression pedal options on the back for even more hillarious moments. The Moisturizer is a mono unit.

The Moisturizer was developed with the help of Jason Willett (Half Japanese, Leperchaun Catering), Martin Schmidt (Matmos, Instant Coffee), Joshua Atkins (Polygons, Major Powers), mom & dad and many more.

The Ekdahl Moisturizer contains exactly:
Preamp (up to 10 times gain)
Reverb
Reverb / Preamp wet/dry crossfader (Knob & CV/EP controllable)
State variable filter with
Lowpass/Bandpass/Highpass seamless crossover (Knob, CV/EP & LFO controllable)
Cutoff (Knob, CV/EP & LFO controllable)
Resonance (WITHOUT resonance limiter)
LFO with
Speed control (Knob & CV/EP controllable)
Square / Triangle crossover
External output with output amplitude knob
Filter / No filter wet/dry crossfader (Knob & CV/EP controllable)

The preamp section is designed for a max of 10 times gain, this to accomodate for low level output instruments such as guitars etc. The reverb tank has normal reverb signal gain on it, meaning that if you hit the springs hard they'll distort like crap which is real nice, if you hit them softly the sound won't be distorted.

The filter in the Ekdahl Moisturizer is abrasive, the fact that it doesn't have any resonance limiting makes it possible to get the filter to sound *really* bubbly & metallic (way more then any filter i've ever heard), but it's also of course capable of sounding completely "normal" - it all depends on the amount of resonance and/or gain. The fact that you can seamlessly fade inbetween lowpass, bandpass or highpass filter (or lowpass+bandpass and highpass+bandpass) makes the unit pretty damn versatile and by using the wet/dry filter/no filter crossfader there's some neat shit that can be done too. Now it should be said that due to the fact that there's no resonance limiter, if using very high gain, with high resonance and turning the cutoff frequency very high the filter might cut out - not to worry, just turn the cutoff back a bit and the filter pops in again. This happens because the filter gets overloaded and can be avoided with a resonance limiter, however if i had one of those all the super-awesome bounce would be gone and it'd sound like all the other filter out there.

The Ekdahl moisturizer has six CV/Expression pedal related jacks on the back, one of them is a LFO output so you can control other shit with The Moisturizer's LFO. All the other jacks are inputs and takes either CV or Expression pedal, they are: Reverb Mixture, VCF Cutoff, VCF Filter Mode (LP/BP/HP), Filter Mixture and LFO Speed.

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: A true legend of modular synthesis, Make Noise's Maths is arguably the definitive Eurorack function generator. Based on analogue computing circuits, Maths draws on Buchla-style techniques to offer countless ways of generating and processing modulation signals.

Supplier's Notes:
The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analog signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Specifications
Width: 20hp
Max Depth
(incl. power cable): 32mm

Power:
60mA@ +12V
50mA @ -12V

Notes: MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.

Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.

Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy

Notes: Astrogorus is an standalone compact synthesizer focused to harsh noise and drones. Huge sound with infinte possibilities. Easy to operate and built into alluminium case.

Compact synthesizer ideal for harsh noise and drones, three independent oscillators with rate control -a fourth oscillator is the sum of the three previous ones plus noise mixer of the four oscillators + noise

Six controls to select the type of noise on the fourth oscillator

Harmonics

Six band filter/eq
Feedback and level control

Distortion

Distortion level
Feedback
Two band tone control

Power supply

Transformer 24 v positive to the center (included with the device)
1/4" mono jack output